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ISAW Papers 4 (February, 2012)
The Cosmos in the Antikythera Mechanism
Tony Freeth1 and Alexander Jones2
http://doi.org/2333.1/xgxd26r7
Abstract: The Antikythera Mechanism is a fragmentarily preserved Hellenistic astronomical machine with bronze gearwheels, made about the second century B.C. In 2005, new data were gathered leading to considerably enhanced knowledge of its functions and the inscriptions on its exterior. However, much of the front of the instrument has remained uncertain due to loss of evidence. We report progress in reading a passage of one inscription that appears to describe the front of the Mechanism as a representation of a Greek geocentric cosmology, portraying the stars, Sun, Moon, and all five planets known in antiquity. Complementing this, we propose a new mechanical reconstruction of planetary gearwork in the Mechanism, incorporating an economical design closely analogous to the previously identified lunar anomaly mechanism, and accounting for much unresolved physical evidence.
1. Introduction
1.1. The Antikythera Mechanism
The Antikythera Mechanism was on board a ship otherwise laden with fine bronze and marble sculpture and glassware, which sank within a few years after 70 BC off the island of Antikythera, between Crete and the Greek mainland.3 The shipwreck site was discovered by Symiote sponge divers in 1900 and salvaged by them, under Greek government supervision, in 1900-1901.4 In 1902 fragments of the Mechanism were noticed among unsorted bronze pieces from the wreck at the National Archaeological Museum in Athens.5
1.2. The Fragments
Fig. 1 Both sides of Fragments A, B and C of the Antikythera Mechanism. ©2005 Antikythera Mechanism Research Project. All rights reserved.
Scientific data produced by Hewlett-Packard Inc. This shows Polynomial Texture Mapping (PTM) with specular enhancement of the three main fragments of the Antikythera Mechanism, Fragment A (top row), Fragment B (bottom left) and Fragment C (bottom right). PTMs enhance surface details, revealing text and features that are difficult to read from photographs. 82 fragments survive, which are probably all from the Mechanism.
When the remains of the Antikythera Mechanism were recovered from the sea, it is very likely that it was in one piece, and surely not more than two or three. There are now 82 separate fragments, all of which probably belonged to the original device. Seven of the largest fragments are labelled from A - G and the remaining smaller fragments from 1 – 75. The two sides of each fragment are designated -1 and -2. For example, A-1 is the familiar view of Fragment A with the four large spokes. This designation does not mean “front” and “back”, since there are many fragments whose orientation is not yet known. It is simply designed to distinguish the two sides of each fragment.
Fragment A is by far the largest fragment and contains twenty-seven of the surviving thirty gears. There is a single additional gear in each of Fragments B, C and D. The fragments are heavily calcified and corroded after nearly two thousand years under water. Much of the material of the fragments appears to consist of bronze corrosion products with very little free metal surviving. Despite two thousand years under water, many of the surfaces of the fragments are rich in detail, showing mechanical features as well as inscriptions, which cover some of the surfaces. The remains of about a dozen gears are visible on the surface and the rest have been identified through X-ray studies.
1.3. Scientific Investigations
There have been three major X-ray studies of the Antikythera Mechanism since the early 1970s.6 In addition, the National Archaeological Museum in Athens has undertaken X-ray studies of some individual fragments. Historically, many of the most important scientific developments have come from X-ray investigations. The most recent scientific data gathering was undertaken in 2005 by the Antikythera Mechanism Research Project (AMRP)—an informal collaboration of academics from the universities of Cardiff, Athens and Thessaloniki; staff at the National Archaeological Museum in Athens; and two high-technology companies, Hewlett-Packard (USA) and X-Tek Systems (UK) (now part of Nikon Metrology).
Two non-destructive investigatory techniques were used: Polynomial Texture Mapping (PTM) to enhance surface details of the fragments and Microfocus X-ray Computed Tomography (X-ray CT) to examine the interiors of the fragments at high resolution.7 PTM enables a sample to be interactively “re-lit” in software to enhance the surface. It has the ability to factor out confusions of colour and texture to reveal the essential form of the surface. This dramatically improves the interpretation of surface details. X-ray CT makes possible the reconstruction of high-resolution 3D X-ray volumes of the fragments. X-ray viewing software, VGStudio Max by Volume Graphics, enables “slices” to be viewed at different angles through the sample. We have found that this is the most useful tool of analysis. In this way, the data in a single plane can be isolated, examined and measured. The software also enables the brightness and contrast to be adjusted. Both PTM and X-ray CT have proved invaluable in studying the Antikythera Mechanism. Though the X-ray CT was initially designed to probe the mechanical structure of the Mechanism, it has also enabled the reading of inscriptions inside the fragments, which are not visible on 2D X-rays. All 82 fragments were subjected to both techniques. Subsequent scientific analysis resulted in a new interpretation of the gears and their functions as well as a marked increase in the number of inscriptions that have been read—many discovered using X-ray CT.8 In recent years, the new data and scientific results have created considerable international research activity focused on the Antikythera Mechanism.
1.4. The Functions of the Antikythera Mechanism
1.4.1. External Architecture
The Antikythera Mechanism was contained in a wooden box, which had bronze Front and Back Covers. A small portion of the wooden box, as well as a wooden sub-frame, survive in Fragments A, F and 14.9 We infer the existence of a wooden sub-frame from our own observations of the X-ray CT data. It appears to have encased all the gears, while the outer box carried the front and back plates. The evidence for the Front Cover is from Fragment G and a number of other small fragments. These establish that the Front Cover had inscriptions facing outwards. The Front Cover may have covered the whole of the front or just the central dial—the evidence appears to be insufficient to settle this issue. The Back Cover appears to have covered the whole of the back dials and to have been fixed to the Mechanism with sliding catches, since our observations of the X-ray CT of Fragment F establish that there was a sliding catch in the bottom right-hand corner of the Back Cover. Evidence for the Back Cover can be found in Fragments A, B, E, F and 19. The Back Cover had inscriptions on its inside face and none that we can find on its outside face.
The front plate was divided into three sections. A central dial system displayed outputs from the Mechanism on a Zodiac Dial, marked with 360º scale divisions and a Calendar Dial, marked with 365 days. The Calendar Dial was designed to be moveable, so that the Mechanism could accommodate the fact that four Egyptian calendar years fall short of four 365.25 day solar years by one day.10 Above and below the dials, were plates covered in inscriptions in the form of a Parapegma (star calendar).11 At the right-hand side of the Mechanism there was an input, and we assume that this was turned by hand with some sort of handle or crank, though only the keyway for the input remains. Beneath the removable Back Cover, there were two major dial systems (top and bottom) in the form of spirals, divided into lunar months, with subsidiary dials inside them.12 The top dial showed a 19-year Metonic calendar, divided into 235 lunar months.13 Inside this dial was a subsidiary dial, showing the 4-year panhellenic games cycle and (conjecturally) a dial showing the 76-year Callippic cycle.14 The bottom dial showed a 223-month eclipse prediction dial, based on the Saros cycle.15 This dial included glyphs that indicated information about the predicted eclipse possibilities, including time of the eclipse.16 Inside this dial was a subsidiary Exeligmos Dial, designed to adjust the eclipse times for successive turns of the Saros Dial.17
The Antikythera Mechanism is an astronomical calculating machine that predicted phenomena involving the Sun, Moon, stars and probably the planets—the latter being the focus of considerable debate and the subject of much of this current study. Our conclusion in this study is that the Antikythera Mechanism almost certainly calculated the motions of all five planets known in ancient times.
1.5. The Cosmos in the Antikythera Mechanism
Improved readings of an inscription that was on the Mechanism's back cover and that described its external features and displays leave little room for doubt that the front display incorporated revolving pointers bearing little spheres to represent all five planets known in antiquity making their apparent motions around the Earth.18
Fig. 2 The Aristotelian Cosmos in Giovanni di Paolo's The Creation of the World and the Expulsion from Paradise (1445), Lehman Collection, Metropolitan Museum of Art (Acc. num. 1975.1.31). Public domain image reused from Wikimedia Commons.
An outermost "sphere of the fixed stars," represented visually by symbols for the twelve zodiacal signs, encloses spherical shells for the five planets, Sun, and Moon, with the terrestrial globe at the centre.
Each sphere is said to move through a "circle" belonging to the planet, strongly suggesting that a certain feature of the front display that the inscription calls the "cosmos" was in fact the entire front dial, portraying in cross-section the Aristotelian conception of the universe as a system of nested geocentric spherical shells.
1.6. Overview of the New Model
One of the key questions that arises from the “Cosmos” theory about the front face of the Mechanism is whether mechanisms for all five planets can realistically be included, using similar design and mechanical principles to those found in the surviving gear trains.
The first person to interpret the Mechanism's fragments as the remains of a planetarium and to propose that it displayed the five planets known in antiquity as well as the Sun and Moon was the classicist Albert Rehm, though his prescient research notes, written in 1905-1906, were never published.19 His idea was that the five turns of the dial in Fragment B, which we now call the Upper Back Dial, represe ted the five planets. This idea could only make sense prior to 2004, when Wright established that the dial does not consist of concentric rings, but is in fact a spiral. There is now ample evidence that this dial was a 19-year Metonic calendar and had nothing to do with planets.20
In 2002, Wright showed through a working physical reconstruction of the Mechanism that it was possible to include all the planets at its front, though, in our view, at the expense of avoidable complication and insufficient correlation with the evidence from the fragments.21 This model—with its eight coaxial pointers at the front of the Mechanism—was a remarkable view of the possible capabilities of ancient Greek technology. It was an exercise in showing what might have been possible: essentially a demonstration of principle. We discuss this model in more detail in 3.5.
This present study aims to show how all five planets can be included in the Antikythera Mechanism in a way that conforms to the observed data and explains several puzzling pieces of evidence that have been previously unresolved. The solution is economical and elegant and is in complete harmony with the design virtuosity that has already been uncovered in the existing gear trains. Despite the lack of physical evidence in the form of surviving gears, we believe that the close match of our model with other physical evidence as well as its intimate conceptual association with the known gear trains create a compelling case that this was in essence the way that the Mechanism was originally constructed.
The inferior planets are those whose orbits are inside the Earth’s orbit—namely Mercury and Venus. The superior planets have orbits outside the Earth’s. Those known in ancient times were Mars, Jupiter and Saturn. All the planets appear from the Earth to orbit nonuniformly, with a periodic alternation of prograde and retrograde motion. Ancient Greek models of planetary motion prior to Ptolemy were based on the idea that these "anomalistic" motions could, at least in first approximation, be modelled using a combination of two circular motions—the so-called “deferent-and-epicycle” and "eccentre" models.22 This theory apparently originated in the early second century BC with Apollonios of Perga and his contemporaries, though an earlier date cannot be ruled out.23 Using these ideas, the motions of the inferior planets can be mechanized fairly easily with just two gears—a fixed gear on the central axis and an epicyclic gear that engages with this fixed gear—combined with a pin and slotted follower.24 The superior planets have proved more difficult to model in a way that fits the mechanical constraints of the Mechanism’s design. Our reconstruction proposes mechanisms for the superior planets based on the known mechanization of the lunar anomaly at the back of the Antikythera Mechanism. Surprisingly, these models look exactly the same as the lunar anomaly mechanism. They have just four gears, including an epicyclic gear with a pin on its face and a second epicyclic gear, which rotates on an eccentric epicyclic axis and has a slot in its face that engages with the pin. They provide an elegant solution to the long-standing problem of how the superior planets might have been shown in the Antikythera Mechanism. It is noteworthy that similar mechanisms can serve both to model the lunar anomaly and the synodic phases of the planets.
Though the physical evidence is sparse due to the great loss of material in the fragments, our new model explains the existence of bearings and fittings on the Main Drive Wheel, b1, as well as the mysterious “pillars” attached to its circumference.25 The model also accounts for the dimensions of the pillars. All of our planetary mechanisms are contained in the space in front of b1 that is defined by the support pillars—a circumstance that could also help explain how all the planetary gearing could have fallen out before the Mechanism's rediscovery. It is surprising that all these mechanisms can be crammed into the relatively small space in front of b1. Price proposed this nearly forty years ago, without any details as to how it might be accomplished.26
“Alternatively there is a possibility that this space... may have held a gearing system, now totally vanished, which served to exhibit the rotations of all of the planets other than the Sun and Moon. If such gearing was to be part of the device it would be most appropriate at this place where annual and monthly rotations were available just under the front dial plate.”
It is not clear to us why the “monthly rotation” might be relevant to the planets, but the rest of this idea is preserved in our model. Our model also retains the simplicity in the outward design of the Mechanism as a rectangular box that Price proposed. As previously mentioned, Wright has demonstrated the feasibility of including all five planets in the Antikythera Mechanism using essentially the same technology and engineering that we see in the surviving fragments. We discuss this important model later in 3.5. In Wright's model, the solar anomaly was mechanized as well. In the light of the subsequent discovery of the mechanization of the lunar anomaly in the Antikythera Mechanism, we believe that it was very likely that the solar anomaly was also included.
A recent careful study has demonstrated that the graduation of at least one of the two extant front dial rings, the Egyptian calendar ring and the zodiac ring, had a small apparently systematic nonuniformity, which can be explained as a deliberate nonuniform spacing of the degrees on the zodiac ring so that a uniformly revolving mean Sun pointer would simultaneously indicate both the true Sun's longitude and the Egyptian calendar date.27 On this hypothesis, the motion of pointers representing the motions of the Moon and planets would incorporate a solar anomaly component (a not inconceivable notion, though contrary to known ancient theories) unless the pointers revolved around an eccentric axis. An alternative planetary display also explored in that study hypothesizes that there were no pointers for the planets revolving around the zodiac dial, but instead a system of five subsidiary dials with uniformly revolving pointers indicating the planets' synodic cycles. We believe that the inscriptional evidence examined below rules out such subsidiary dials. Moreover, the division of circles into ostensibly equal arcs elsewhere in the Mechanism is sometimes evidently nonuniform, for example in the spacing of teeth on gears,28 the holes for mounting the Egyptian calendar dial,29 and the divisions of the Saros eclipse dial, as we have confirmed from observations of the X-ray CT data. Hence we are not convinced that the Mechanism's designer intentionally represented solar anomaly through nonuniform graduation of the zodiac ring instead of by epicyclic gearwork and we have reconstructed all the pointers as radiating from the central axis.
Fig. 4 The Cosmos on the front of the Antikythera Mechanism. ©2011 Tony Freeth, Images First Ltd. All rights reserved.
Computer model generated in the 3D animation software, Newtek Lightwave. The central dials display Sun, Moon and all five planets, with graduated rings for the zodiac and the Egyptian calendar months. Above and below these dials are the Parapegma inscriptions, listing dates of appearances and disappearances of the stars. The form of this display is conjectural, based on the Back Cover Inscription.
The Back Cover Inscription indicates that the Sun, Moon and planets were almost certainly represented at the front of the Antikythera Mechanism using “little spheres” (as mentioned in the Back Cover Inscription, 2.3.2) in a geocentric picture of the heavenly bodies. There are mechanical difficulties in creating this image of the planets, since the lunar phase mechanism requires that the solar output is adjacent to the lunar output in the coaxial output system.30 This is because the lunar phase mechanism acts as a differential system to calculate the Moon’s phases from the difference between the lunar and solar rotations. The lunar phase mechanism must therefore have access to the solar rotation. The lunar output is carried by a central axle from the back of the Mechanism and the Sun must therefore be the first tube in the coaxial system. This would naturally place the Sun next to the Moon in the output display, leaving no room for Mercury and Venus between Moon and Sun. However, there is a way round this problem. Our conjectural solution is to retain the pointer system and to mark the pointers with “little spheres” at different distances along the pointers to indicate their orbits. The solar pointer is marked by a “little golden sphere” (as mentioned in the Back Cover Inscription, 2.3.2) and the planetary pointers with appropriately coloured spheres for the planets. These spheres are placed at distances, which represent their geocentric orbits in the prevailing ancient Greek order of proximity to the Earth: Moon, Mercury, Venus, Sun, Mars, Jupiter, and Saturn. In this way the “Cosmos” idea is preserved, whilst the lunar phase mechanism has access to the Sun rotation. Rehm's idea to display the planets on concentric rings would not work for exactly this reason. In a coaxial system with outputs as rings, the order of the rings must follow the order of nesting of the coaxial outputs—so the Sun would have to be adjacent to the Moon, which would contradict the standard order of the bodies in the Aristotelian cosmology. The idea of small marker spheres on pointers circumvents this problem.
In our “Cosmos” proposal for the front of the Antikythera Mechanism the stars are represented in a more conceptual manner by the fixed graduated dial inscribed with the names of the zodiacal signs and with key letters referring to the list of dates of first and last risings and settings of constellations in the Parapegma Inscription above and below the central dials. Visual representations of the ancient geocentric cosmology in medieval and Renaissance manuscripts and art commonly use the zodiac in this way to stand for the "sphere of fixed stars."
2. Evidence & Models
2.1. Introduction
None of the gears for additional planetary mechanisms have survived (though there has been some debate as to whether the unassigned gear in Fragment D might have been part of this system—see 3.6.1). We must therefore be cautious about making claims for our proposed model. However, a body of indirect evidence not only suggests that these mechanisms existed, but also supports the idea that they might have had the structure proposed here. This evidence is in the form of testimony about similar mechanisms from the classical literature, inscriptions about the planets on the Front and Back Covers, and surviving physical evidence from Fragment A.
2.2 Astronomical Mechanisms in Classical Literature
Allusions to mechanical representations of astronomical phenomena turn up intermittently in ancient Greek and Latin literature; unfortunately most are vague and do not reflect first-hand experience of such devices.31 An important exception is Cicero, who refers in his De Natura Deorum 2.34-35 (87-88) to a mechanism (sphaera, literally "sphere") constructed by – or perhaps more plausible to say at the commission of – his philosophical teacher Posidonios in Rhodes, probably in the 80s or 70s BC. Cicero does not say explicitly that he had seen Posidonios' device, but it is likely enough that he had, and in the worst case his direct connection with Posidonios renders it unlikely that his information is inaccurate. All that he tells us, however, is that Posidonios' mechanism translated a single rotary input into a display of the diverse motions of the Sun, Moon, and five planets. The description of the mechanism forms part of an a fortiori philosophical argument for the existence of a divine designer of the cosmos: the claim is that the complexity of the mechanism's displays, though far inferior to that of the real heavens, would suffice to convince any viewer that it had been constructed by an intelligent mind. In this context, any explanation of the concealed mechanical workings of Posidonios' mechanism would have detracted from the analogy he is drawing between it and the cosmos.
In two other works, the Tusculan Disputations 1.63 and De Re Publica 1.14 (21-22), Cicero makes similar claims (for the sake of the same argument from design) concerning a mechanical sphaera constructed by Archimedes in the late third century BC. In the latter work, a dialogue whose dramatic date is 129 BC, one of the interlocutors asserts that he remembers having seen Archimedes' sphaera back in 166 BC; it was made of bronze and it showed the Earth, Moon, and Sun in the correct configurations at the appropriate stages of the lunar month for solar and lunar eclipses—though we are not told whether it actually predicted which conjunctions and oppositions could have eclipses. In any case, Cicero is not likely to have himself seen Archimedes' sphaera, and he may be attributing to it the characteristics of Posidonios' mechanism. We thus consider Cicero to be a credible witness that mechanisms simultaneously displaying the revolutions of all five planets as well as the Sun and Moon existed in the early first century BC, but we are wary of relying on his testimony to backdate such mechanisms to Archimedes in the third century BC.
In the second half of the second century AD, the Alexandrian astronomer Ptolemy wrote a technical description of his planetary theories, the Planetary Hypotheses, partly with a view to providing the basis for mechanical representations of the theories.32 Whether anyone in antiquity, or even Ptolemy himself, attempted to construct mechanisms closely following the complex specifications in this work may be doubted. But Ptolemy must be referring to devices that actually existed in his time when he speaks disparagingly of the "customary" manner of sphairopoiein (literally "sphere-making"), that is, making mechanical simulations of the heavens, which he says displayed the apparent rather than the true motions of the heavenly bodies. This probably means that the mechanisms that he knew made visible the changing apparent speeds and directions of the Sun, Moon, and planets but not the combinations of uniform circular motions that were supposed to be the causes of the apparent motions.
No ancient account of an astronomical mechanism speaks of graduated dials or schematic display of calendrical or chronological data, and none identifies the means of its operation.
2.3. Inscriptions on the Antikythera Mechanism
Inscriptions in ancient Greek have been found in many of the fragments of the Antikythera Mechanism. Practically all of them were originally on or around the dials on the exterior of the Mechanism itself, or on the detachable cover plates (the exceptions are letters or numerals on a few interior components, which likely served the mechanician to identify parts). The shorter inscriptions on the dials consist of single words, numerals, and symbols, and give information necessary for the reading of information off the dials, for example the year numbers and month names on the spiral Metonic calendar dial. The longer inscriptions, none of which survives in its entirety, were generally expressed in complete sentences, and provided detailed information about the Mechanism and the astronomical phenomena that it displayed, probably intended for the benefit of the operator and spectators of the Mechanism in action.
The inscriptions are engraved in skilfully executed serifed capital letters very similar to the lettering of inscriptions on stone from the last three centuries BC. The letter forms are most characteristic of the second half of the 2nd century BC,33 though a dating as early as the end of the third century or as late as the middle of the first cannot be excluded. Even by the standards of this period, when stone inscriptions with letter height about 5 mm were not uncommon, the lettering on the Mechanism is tiny, with the letter height ranging from about 2.7 mm in the "parapegma" inscription down to about 1.2 mm (i.e. smaller than modern 4 point type) in the inscriptions on the back spiral dials. The layout is stypical of contemporary stone inscriptions, with no space between words (but occasionally a bit of space before and after numerals and at the start of new sections of text) and no punctuation. At the ends of lines, words that are too long to be completed on one line are divided syllabically according to the standard rules for ancient Greek. Errors in the inscriptions are rare; it is likely that the text was first painted on the bronze plates as a guide to the inscriber, though of course no trace of such preparation survives. The text is in the standard koinê Greek of the time, with no characteristics of local dialects except for the Doric features of the Corinthian month names on the calendar dial.34
The inscriptions that have some relevance for the reconstruction of the Mechanism's front dial include those inscribed on the fixed graduated ring that, together with the movable Egyptian calendar ring, constituted the periphery of the dial, and the extended texts inscribed on the so-called front and back "cover" plates (see 2.4.2).
The surviving portion of the fixed graduated ring is divided by radial lines into sectors of approximately 30°, which each comprise thirty approximately equal subdivisions marked by shorter radial marks.35 The surviving sections are labelled with the Greek names of signs of the zodiac in order running clockwise: Virgo (Parthenos), Libra (Chêlai), Scorpio (Skorpios), Sagittarius (Toxotês). This shows that the dial displayed celestial longitude, the principal coordinate of the apparent motion of the Sun, Moon, and planets through the zodiac. (Greek astronomy took over from Babylonian astronomy the convention of dividing the zodiac into twelve equal signs comprising thirty degrees and only approximately coinciding with the constellations for which they were named.) The zodiac ring also has alphabetic letters inscribed next to certain of the degree markers, which keyed to a so-called Parapegma inscription listing first and last visibilities of bright stars and constellations that were supposed to occur annually when the Sun was at the degrees in question. This fact shows that the dial must have had a pointer indicating the Sun's longitude.
The inscription on the front cover plate (chiefly surviving on Fragment G) is extensive but badly preserved, and as yet its contents are only partially understood. A provisional transcription, greatly augmenting the one provided by Price, was published in 2006.36 Despite uncertainties of reading and interpretation, it is clear that this text contained lists of intervals in days separating events in the synodic cycles of phenomena of heavenly bodies. References to "stationary points" (stêrigmos), i.e. dates when a heavenly body reverses the direction of its longitudinal motion, show that the text concerned planets, since the Sun and Moon exhibit only prograde motion. The term "greatest elongation" (megiston apostêma) also occurs, meaning a date when a body's distance in longitude from the Sun reaches a maximum to either the east or the west; this phenomenon is only applicable to the apparent motion of Mercury and Venus. One of the Greek names for Venus, Aphroditê, was tentatively read in 2006.37 No direct reference to the Mechanism has been identified, though the inclusion of planetary synodic phenomena in an inscription accompanying the Mechanism only makes sense if the Mechanism somehow displayed nonuniform planetary motions or cycles of synodic phenomena.
2.3.1. The Back Cover Inscription
Small parts of the inscription of the back cover plate are preserved on isolated surviving pieces of this plate (most of which has been lost), in Fragments 19, B, and E; much more of it exists in the form of offsets, that is, mirror-reversed impressions on a layer of material composed of sedimentary accretions mixed with corrosion products from the Mechanism's bronze, preserved on Fragments B, E, and A. The mirror writing on Fragments A and B was noticed, and a few letters were transcribed and their significance hotly debated, at the time that the main fragments of the Mechanism were discovered in the National Archaeological Museum in 1902.38 Fragment 19, which had been attached to A with its inscribed side concealed, was detached and its text published in 1905;39 it was ultimately to prove of great value for the reconstruction of the lunar gearwork and the back displays of the Mechanism. The transcriptions published by Price in 1974 gave what was legible on the exposed surfaces of Fragments A, B, and 19;40 Fragment E was rediscovered in 1976, just too late for that publication.41 The most recent transcription, published in 2006, drew on all the relevant fragments including text visible only through CT, and marked a substantial advance with respect to both the extent and the accuracy of the readings.42 Research since 2006 based on CT and PTM data has resulted in further improvements of detail as well as a fuller understanding of the structure and purpose of this inscription.
Fragment B bears legible offsets of parts of 28 consecutive lines of text, with slight traces of another line at the top. The left margin of the text, which was apparently very close to the edge of the inscribed plate, is partly preserved. Fragments E, A, and 19 have remains of a further 25 lines, which were immediately below those on Fragment B, with no preserved margin. The average line spacing is about 3.6 mm, with letter height about 2.0 mm for letters of normal height and interlinear space about 1.6 mm; a few letters, such as Φ, are taller, while Ο is usually shorter. The widths of different letters vary. The average letter width in the better-preserved lines 15-23 on Fragment B, over stretches of between 19 and 31 letters (legible or restored with certitude), is about 2.3 mm/letter, but the average width in an individual line can be as much as ten or fifteen percent greater or less than this. The tersest plausible restorations we have been able to devise for the lost text in lines 16, 22, and 23 require lines of 75-84 letters, consistent with a line width about 170 mm. Since the width of the Mechanism is estimated to have been 184 mm, there cannot have been much wasted space on the plate. The fact that the offsets on Fragment B show the edge of the plate more than 20 mm to the left of the right edge of the fragment indicates that the plate, or at least a piece of it, had become displaced during the time that the Mechanism was under the sea.
Although less than half survives of even the best preserved lines, this is enough to reveal the inscription's content and structure. It was an item-by-item inventory and description of the external features and displays of the Mechanism, dealing first with the front face, then in turn with the upper half and the lower half of the back face. The switch from describing the front to describing the back appears to coincide with the break between the part of the text on Fragment B and the part on the other fragments. Components, chiefly dials and pointers, are described according to their location, appearance, and meaning, but no explicit instructions for the use of the Mechanism seem to have been provided, such as would be marked for example by verbs in the imperative mood. The surviving text also makes little reference to the internal mechanism. The vocabulary does not seem to have included any specialized astronomical terminology that would have been unfamiliar to a lay reader, but there are several instances of technical vocabulary from mechanics.43
2.3.2. The Planets and the Cosmos in the Back Cover Inscription.
We offer here a new transcription and translation of a series of eleven comparatively well preserved lines belonging to the portion of the inscription on Fragment B describing the front dial. The transcription follows the Leiden conventions for presenting ancient Greek and Latin inscriptions. Square brackets enclose lost letters, and the open square bracket at or near the end of each line marks the end of the preserved text. Angle brackets enclose letters omitted in error by the engraver. Dots under letters indicate that they are not identifiable with certitude from the visible traces, although most are beyond doubt from their context; sublinear dots without letters represent visible traces that cannot be identified. Names for the planets are highlighted in red.
15 προέχον αὐτοῦ γνωμόνιον ϲ[
φερείων, ἡ μὲν ἐχομένη ζ̣ών̣η ε̣[
τοϲ, τὸ δὲ δι᾿ αὐτοῦ φερόμεν[ον ϲφαιρίον
τῆϲ Ἀφροδίτη⟨ϲ⟩ Φωϲφόρου [ ̣] ̣[
τοῦ [Φω]ϲφόρου περιφέρειαν [
20 γνώμω[νι] κεῖται χρυϲοῦν ϲφαιρίον ὡϲ[
Ἡλ̣ί̣[ο]υ̣ ἀκτίν, ὑπὲρ δὲ τὸν Ἥλιόν ἐϲτιν κύ[κλοϲ
[2-3 lett. το]ῦ Ἄρεω̣ϲ Πυρόεντοϲ, τὸ δὲ δ̣ιαπορε[υόμενον αὐτοῦ ϲφαιρίον
[Διὸϲ Φα]έθοντ̣οϲ, τὸ δὲ διαπορευόμενον̣ [αὐτοῦ ϲφαιρίον
[Κρόνου Φα]ί̣νον̣τ̣οϲ κύκλοϲ, τὸ δὲ ϲφαιρίον ̣[
25 [c. 5 lett. πα]ρὰ δ̣ὲ τοῦ κοϲμοῦ κεῖται ̣ϲ[
15 little pointer projecting from it…
rings, the adjacent belt?…
Stilbôn?, and the [little sphere] moving through it…
Phôsphoros, the star of Aphrodite…
ring of Phôsphoros…
20 pointer lies a golden little sphere…
ray of the Sun. And above the Sun is a circle…
Pyroeis, the star of Ares, and the [little sphere] travelling through…
Phaethôn, the star [of Zeus], and the [little sphere] travelling through…
circle of Phainôn, [the star of Kronos], and the little sphere…
25 … Alongside the Cosmos lies…