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Guide to the Marion Eugenie Bauer Papers MC.3

New York University Archives
Elmer Holmes Bobst Library
70 Washington Square South
10th Floor
New York, NY 10012
(212) 998-2641
university-archives@nyu.edu


New York University Archives

Collection processed by Rohinie Jayatilaka, 1982.

This finding aid was produced using ArchivesSpace on June 11, 2019
Finding aid written in English using Describing Archives: A Content Standard

 Updated by Jacqueline Rider for compliance with DACS and ACM Required Elements for Archival Description  , June 2019

Descriptive Summary

Creator: Bauer, Marion, 1882-1955
Title: Marion Eugenie Bauer Papers
Dates [inclusive]: 1936-1957
Abstract: Marion Eugenie Bauer (1887-1955) was a composer and teacher, born in Walla Walla, Washington, who became the first woman faculty member of the Music Department at New York University (NYU). The papers consist of unpublished manuscripts of Bauer's proposed books, articles, and speeches. Some published material and biographical information is included.
Quantity: 0.5 Linear Feet in one manuscript box
Location: Materials are stored offsite and advance notice is required for use. Please request materials at least two business days prior to your research visit to coordinate access.
Language: Materials are in English.
Call Phrase: MC.3

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Biographical Note

Marion Eugenie Bauer (1887-1955) was the first woman faculty member of the Music Department at New York University (NYU). She was born on August 15th, 1887, in Walla Walla, Washington. Bauer was educated at St. Helen's Hall in Portland, Oregon, where she studied music under several famous musicians. She received her Master of Arts (hon.) from Whitman College in 1932 and her Doctor of Music (hon.) from the New York College of Music in 1951.

Marion Bauer initially held the position of Instructor in Music from 1926 to 1928 in the Washington Square College Music Department at NYU. In 1928 she was appointed Assistant Professor of Music, a position she held until 1930, when she was appointed Associate Professor of Music. Bauer's tenure at NYU lasted until August, 1951. Among other professional organizations, she belonged to the Society of American Women Composers.

Marion Bauer was a gifted composer, lecturer, editor, critic and writer. The collection of papers that have survived from these years document her career as a professional musician.

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Scope and Content Note

The Bauer Papers contain some biographical information on Marion Bauer as well as some complete manuscripts and several partial manuscripts of her proposed works. The biographical information (folder 1) includes a tribute, "In Memory of Marion Bauer," by her colleague Frederic Stoessel, along with a special issue of the Town Hall publication, Keynotes, regarding a concert held at the Town Hall on May 8, 1951, honoring Marion Bauer and presenting her works.

Among the collection of documents that have been acquired are manuscripts of four proposed books, which were presumably never published. The working ideas for Titans of Music (folder 2) include manuscripts and typewritten proposals, miscellaneous notes and a letter from an editor offering suggestions for the book. The rest of the papers in connection with Titans of Music include the proposed "Preface" or "Introduction" (folder 3), a chapter dealing with Monteverdi (folder 4), Beethoven (folder 5) and Brahms and the Schummans (folder 6), of which not all the manuscripts are complete.

On the proposed book "Modern Creators of Music: A Survey of Contemporary Music and its Makers," the documents that have survived are the proposed "Contents" Bauer Mss.-2 (folder 7), and three chapters from the first part of the book in which she discusses the nineteenth century precursors; the first chapter (folder 8) introduces the subject which she intends to examine; the second is on Berlioz (folder 9); and the third is on Liszt and Wagner (folder 10). All these chapters appear to be complete.

Manuscripts pertaining to yet another proposed book, "Some Social Aspects of .Music: Its Purpose and Place" include the "Contents" and "Title Page" (folder 11) as well as chapters on various functions of music (folder 12), the nature of music as a common language which creates a bond between nations (folder 13), the function of music in therapy and in industry (folder 14) and on religion's influence on music (folder 15). These manuscripts are also assumed to be complete.

Finally, in the manuscript "Who Was Monteverdi?" (folder 16) Marion Bauer writes about Monteverdi's life, his music and his influence on the world of music. Although this document appears to be complete, there is no indication that it was published.

The remainder of the papers include various manuscripts of articles and. speeches, some of which are incomplete and others which may be presumed to be complete. Of these manuscripts the only one that is known, with any certainty, to have been published is "The Literary Liszt" (folder 17); this publication appears in the July 1936 issue of the Musical Quarterly. "The Virtuoso: Franz Lisz--The Indefatigable Vagabond"(folder 18) is an undated, incomplete manuscript.

Two additional manuscripts, lacking titles as well as pagination, also form a part of the Bauer Papers. One of these manuscripts regards the subject of music through the ages (folder 19); it is incomplete and also not dated. Here Marion Bauer treats the development of music from about the ninth century onwards through the twentieth century. She considers a variety of subjects including forms of music (part music, motets and madrigals, the birth of the opera and new instrumental forms); types of musicians (troubadours, minnesingers, etc.); particular composers (Bach, Handel, Beethoven, Mozart and others); and she also discusses the development of music in relation to Classicism, Romanticism, Nationalism and Impressionism. The second manuscript concerns the National Federation of the Music Clubs (folder 20); this document is presumably complete and the contents pertaining to the Young Composers Contest of 1947 suggest that it may have been a speech that Marion Bauer gave in 1947. "Contemporary Trends in 'Choral Compositions" (folder 21) is apparently the complete manuscript of a talk for the New York Federation of Music Clubs, which took place in Binghamton, New York, on April 20-23, 1938. "A List of Contemporary Piano Music: Grade II and Grade III" (folder 22) and "American Piano Music" (folder 23) are two manuscripts in the collection, which appear to be complete, although there is no indication that some of these manuscripts were actually published.

Arrangement

Folders are arranged in their original order.

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Access Points

Subject Names

  • Monteverdi, Claudio, 1567-1643
  • Liszt, Franz, 1811-1886
  • Brahms, Johannes, 1833-1897
  • Beethoven, Ludwig van, 1770-1827
  • Wagner, Richard, 1813-1883
  • Schumann, Robert, 1810-1856

Document Type

  • Manuscripts for publication.

Subject Organizations

  • New York University. Department of Music

Subject Topics

  • Music -- Instruction
  • Opera.

Subject Places

  • New York (N.Y.).

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Administrative Information

Custodial History

The Marion Bauer Papers were acquired by the New York University Archives in two installments. Professor Frederic Stoessel, who had been a close friend and colleague of Marion Bauer during her tenure at New York University, donated the first set on January 19, 1976. An additional set of Miss Bauer's papers was donated to the Archives in August 1982 by Professor Harrison Potter of South Hadley, Massachusetts.

Access Restrictions

Materials are open without restrictions.

Conditions Governing Use

Any rights (including copyright and related rights to publicity and privacy) held by the creator are maintained by New York University. Permission to publish or reproduce materials in this collection must be secured from New York University Archives, (212) 998-2646, university-archives@nyu.edu.

Preferred Citation

Identification of item, date (if known); Marion Eugenie Bauer Papers; MC 3; box number; folder number; New York University Archives, New York University Libraries.

Immediate Source of Acquisition

Gift of Harrison Potter via Frank Walker.

Processing Information

Materials were placed in an acid-free box and folders. Processing information before 2019 is unavailable.

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Container List

Container 1 Container 2   Title Date
Box: 1 Folder : 1 Biographical Information: Who's Who in America, 1956-1957 "In Memory of Marion Bauer," by Frederic Stoessel, n.d. Keynotes, April 1951 re: Town Hall concert honoring Marion Bauer and presenting her works, May 8, 1951.
1951-1957
Box: 1 Folder : 2 "Titans of Music" Working ideas for "Titans of Music" Manuscripts and typewritten proposals Miscellaneous notes Letter, Marjorie M. Mayer, G.P. Putnam's Sons to Marion Bauer, 18 May, 1951: offering suggestions for proposed book.
1951
Box: 1 Folder : 3 Proposed "Preface" or "Introduction" 2 copies, pages 1-6 typed; 1 manuscript copy
undated
Box: 1 Folder : 4 Proposed Chapter I: Monteverdi (2 versions): Who was Monteverdi? -incomplete, pages 1-1-9 only Monteverdi, Musical Pioneer -2 pages., presumably complete - 2 copies
undated
Box: 1 Folder : 5 Proposed Chapter IV: "Beethoven: The Prometheus of Music" - 4 pages - 3 copies typed; 1 manuscript copy
undated
Box: 1 Folder : 6 Proposed Chapter VI: "Brahms and the Schummans" -incomplete, pages 1-8 only - 3 typed copies
undated
Box: 1 Folder : 7 "Modern Creators Of Music: A Survey Of Contemporary Music And Its Makers"
undated
Box: 1 Folder : 8 Proposed Contents - 3 typed pages Proposed Part I, Chapter I: "Prelude" -complete, 17 typed pages
undated
Box: 1 Folder : 9 Proposed Part I, Chapter II: "Berlioz: Innovator and Prophet" complete, 39 typed pages
undated
Box: 1 Folder : 10 Proposed Part I, Chapter III: "Music of the Future: Liszt and Wagner -26 page manuscript, presumably complete; pages 5-8 " typed Bauer Mss.-4
undated
Box: 1 Folder : 11 "Some Social Aspects of Music: Its Purpose and Place" - Proposed Contents and Title Page - 2 typed pages
undated
Box: 1 Folder : 12 Proposed Part I, Chapter I: "The Functions of Music: Social, Cultural, Popular, Professional, Educational, etc." - complete, 9 typed pages
undated
Box: 1 Folder : 13 Proposed Part I, Chapter II: "Music as a Common Language: A Bond Between Nations" -complete, 13 typed pages
undated
Box: 1 Folder : 14 Proposed Part I, Chapter III: "Music in Therapy and Industry" -complete, 13 typed pages
undated
Box: 1 Folder : 15 Proposed Part I, Chapter IV: "Music's Place in Religion (Religion's Influence on Music)" -complete, 30 typed pages
undated
Box: 1 Folder : 16 "Who Was Monteverdi?" -presumably unpublished; complete Introduction, Chapters I through X, 72 typed pages, n.d.
undated
Box: 1 Folder : 18 "The Literary Liszt" -complete, 44 typed pages; manuscript of article published in Musical Quarterly, 22: 3: 295-313, July 1936.
1936
Box: 1 Folder : 17 "Who Was Monteverdi?" -presumably unpublished; Chapters XI-XIX and Epilogue, 73 typed pages, n.d.
Box: 1 Folder : 19 "The Virtuoso: Franz Liszt - The Indefatigable Vagabond" - presumably incomplete, 16 typed pages, n.d.
undated
Box: 1 Folder : 20 Manuscript re: Music Through the Ages -incomplete, 13 leaves typed, n.d.
undated
Box: 1 Folder : 21 Manuscript re: the National Federation of the Music Clubs, may have been a speech; presumably complete, 6 leaves - typed; c. 1947
1947
Box: 1 Folder : 22 "Contemporary Trends in Choral Compositions" -talk for New York Federation of Music Clubs, Binghamton, New York, April 20-23, 1938; presumably complete, 12 typed pages
1938
Box: 1 Folder : 23 "A List of Contemporary Piano Music: Grade II and III" presumably complete, 5 typed pages
undated
Box: 1 Folder : 24 "American Piano Music" -presumably complete, 24 typed pages
undated

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