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Descriptive Summary
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Creator: |
Tisch School of the Arts.
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Title: |
Records
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Dates: |
1956-1981, (Bulk 1965-1981) |
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Abstract: |
The Tisch School of the Arts (TSOA) was founded as a school of performing and media arts in 1965. Alumni include Spike Lee,
Oliver Stone, Amy Heckerling, and Ang Lee. Much of the school's history is documented in the correspondence of the School's
former Deans, Robert Oppenheim, Robert Corrigan and Theodore Hoffman. Additional records in the collection include annual
reports, budgets, financial records, minutes, curricula, scripts and press clippings.
|
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Quantity: |
110 linear feet (51 boxes) |
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Call Phrase: |
RG 35 |
Return to top
Historical/Biographical Note
The Tish School of the Arts, named for benefactor Lawrence Tisch, has had a long and successful history. The documents in
this collection describe its founding in 1965 and subsequent development through 1981. The three men most involved in the
school's early history and development were Robert W. Corrigan, Theodore Hoffman, and David J. Oppenheim. Because the collection
contains a substantial amount of their correspondence, their biographical sketches are included to provide an introductory
background.
Robert W. Corrigan was instrumental in the founding of the School of the Arts, making it one of the top fine arts programs
in the country. He completed his undergraduate work at Cornell University, received an M.A. (1952) from Johns Hopkins University
and a Ph.D. (1955) from the University of Minnesota.
Dean Corrigan spent nearly all of his early career as an instructor of dramatic arts, teaching at numerous universities and
colleges such as Johns Hopkins, Carleton, Tulane, and the Carnegie Institute of Technology. He joined the NYU faculty in 1964
as a professor of dramatic literature. The following year he was appointed the first dean of the new School of the Arts. Dr.
Corrigan left NYU in 1968 to become the President of the California Institute of Fine Arts.
Theodore Hoffman came to New York University in 1965 to help establish the Theatre Program. A graduate of Columbia University,
he was also founder of the Columbia's School of the Arts. Professor Hoffman began his career as an actor and director of Off
Broadway theatre. He was also a translator of European drama. In 1958 he was appointed director of the Carnegie Institute
of Technology, the nation's oldest professional theatre training program. At Carnegie, Dr. Hoffman became a leading spokesperson
for the in depth training of theatre artists, including actors, directors, playwrights and designers. He has been Professor
Emeritus at NYU since 1989.
David J. Oppenheim came to New York University in February of 1969 to serve as the second Dean of the School of the Arts.
A graduate of the Eastman School of Music at the University of Rochester in 1943, Dr. Oppenheim enjoyed an early career as
a renowned clarinetist. Before coming to NYU, he worked for years as a producer in the music and television industries. From
1950 to 1959, Dr. Oppenheim served as the director of classical music at Columbia Records. During the early 1960s, he worked
first at the American Broadcasting Company and then at the National Broadcasting Company, before producing a number of cultural
productions for the Columbia Broadcasting System between 1964 and 1967. In 1968 he became the executive producer of cultural
affairs at the Public Broadcasting Laboratory.
When Dr. Oppenheim came to NYU, the School of the Arts had only four departments. Under his leadership, the school quadrupled
in size. Dr. Oppenheim retired as Dean in 1991 after 22 years with NYU.
Return to top
Scope and Content Note
The Tisch School of the Arts collection is divided into three main series, of which the first two are subdivided. The three
principle series titles are: 1) Dean Robert W. Corrigan, 2) David J. Oppenheim, and 3) Miscellaneous Reports. While the bulk
of the material falls within the Oppenheim series, a significant portion relates to Corrigan's tenure as Dean of the School
of the Arts and merits separation from the rest of the material. Chronologically, the Corrigan material is presented first
since the series is devoted mainly to the founding of the School of the Arts in 1965, and its early years thereafter. It is
divided into five subseries which make up the first two boxes of the collection and the first four folders of box three. Each
subseries is arranged chronologically to give a sense of the early development of the School of the Arts. The subseries headings
are:
A) Corrigan Correspondence and Papers (box 1, folders 1-23)
B) Theodore Hoffman Correspondence (box 1, folders 23-25)
C) Reports/ Bulletins (box 2, folders 6-12)
D) School Administration (box 2, folders 13-33)
E) Press Clippings (box 2, folders 34-36)
F) Nanine Bilski Exams and Writings (box 3, folders 1-4).
The second, and largest, series of this collection contains information and material relating not only to the Tisch School
of the Arts, but also to David J. Oppenheim's career before coming to NYU. Indeed, this material comprises the bulk of the
collection and dates as far back as 1956. It is included here because it was in the possession of Oppenheim while he was affiliated
with NYU. It also supplies information on his extensive work with the performing arts before replacing Corrigan in 1969.
This series is divided into three major subseries, each of which covers a significant part of Oppenheim's career, before and
during his tenure at NYU. These divisions are:
A) Career at CBS (boxes 3-5, and the first 19 folders of box 6)
B) Career at the Public Broadcasting Laboratory (PBL)(folders 20-29 of box six and box 7, folders 1-25)
C) Early Career at NYU (folders 24-27 of box 7, and folders 1-5 of box 8)
It should be pointed out that the Oppenheim papers covering the years between his arrival at NYU and the 1981 sesquicentennial
are contained in the larger part of the main collection that had a preexisting arrangement prior to being accessioned.
Each subseries is further divided along lines similar to the divisions made in Series I:
A) Subseries A, for example, begins with Oppenheim's general correspondence while at CBS (box 3, folders 5-14).
B) The next subseries comes under Research/Programming (box 3, folders 15-36; and box 4, folders 1-19), which provides information
on the background work and research Oppenheim oversaw on his productions while at CBS. The broadcasts for which there is such
information include "Casals at 88," Oppenheim's show on Igor Stravinsky, and "Pop Life: The Rock Revolution."
C) Following the background series is a subseries made up of old scripts and transcripts(box 4, folders 20-26; all of box
5; and box 6, folders 1-6) dating as far back as 1956. Most are scripts from the Hallmark Hall of Fame productions. It is
not clear if Oppenheim actually had anything to do with these productions, but these scripts were in his possession. Also
included here are transcripts from his Stravinsky and "Pop Life" productions, among others.
D) The fourth subseries(box 6, folders 7-9) covers administrative issues at CBS.
E) The Reports/Conferences subseries covers issues relating to television and broadcasting (box 6, folders 10-12).
F) The next subseries consists of promotional material for the "Play of the Week" broadcasts (box 6, folders 13-17).
G) Press Clippings, most of which are reviews of different Oppenheim broadcasts (box 6, folders 18-19).
Subseries B is divided in the following manner:
A) General Correspondence at the Public Broadcasting Laboratory (box 6, folders 20-29).
B) Research and Programming (box 7, folders 1-18). Included here is background information on a number of programs produced
by Oppenheim, including his Jean-Luc Godard special, the Buffalo Arts Festival, and the Living Theatre.
C) Scripts and Transcripts (box 7, folders 19-21).
D) Public Broadcasting Laboratory Administration (box 7, folders 22-23).
Subseries C, the smallest of the three, is divided in this way:
A) Early NYU Correspondence (box 7, folders 24-25).
B) Early NYU Administration (box 7, folders 26-27).
C) NYU Sesquicentennial (box 8, folders 1-5).
The reports in the final series are separate because it is unclear how they fit in to either of the deans' tenures at the
School of the Arts
Miscellaneous Reports is the smallest of the three series and was created because the original collection contained a number
of documents whose relevance to the Tisch School could not easily be deciphered. The series, which is mostly made up of reports
and research projects pertaining to the performing arts, comprise almost all of box 8 in this collection. It includes Ford
Foundation reports, a paper on the history of African theater, and writings by Donald Shoulty.
Return to top
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Arrangement
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Folders are generally arranged alphabetically within each series |
Return to top
Separated Material
There is no documentation of anything separated from the collection.
Return to top
Restrictions
Access Restrictions
Open for research without restrictions.
Use Restrictions
Permission to publish materials must be obtained in writing from the:
New York University Archives
Elmer Holmes Bobst Library
70 Washington Square South
New York, NY 10012
Phone: (212) 998-2646
Fax: (212) 995-4070
E-mail: university.archives@library.nyu.edu
Return to top
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Access Points
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Subject Names: |
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Adler, Stella |
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Corrigan, Robert Willoughby, 1927- |
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Hoffman, Theodore J. C. |
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Levin, Herman, 1920- |
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Loewe, Frederick, 1901-1988 |
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Miller, J. Michael |
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Oppenheim, David J. |
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Stravinsky, Igor, 1882-1971 |
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Tisch Family. |
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Subject Organizations: |
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CBS, Inc. |
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New York University--School of the Arts. |
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New York University. |
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Tisch School of the Arts. |
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Yale University. |
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Subject Topics: |
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Art Schools. |
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Art--Study and teaching (higher). |
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Motion Pictures--Study and teaching (higher). |
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Performing arts--Production and direction. |
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Performing arts--Study and teaching (higher). |
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Performing arts--United States. |
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Television and the performing arts. |
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Theater--New York (State)--New York. |
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Subject Places: |
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New York (State)--New York. |
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Document Types: |
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Annual reports. |
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Budgets. |
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Bulletins. |
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Clippings. |
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Correspondence. |
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Curricula. |
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Financial records. |
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Minutes. |
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Notes. |
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Playbills. |
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Project calendars. |
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Scripts. |
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Transcripts. |
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Other Names: |
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Corrigan, Robert Willoughby, 1927- |
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Hoffman, Theodore J. C. |
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Miller, J. Michael. |
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Oppenheim, David J. |
Return to top
Administrative Information
Provenance
The material contained in this collection came to the New York University Archives as part of accession 93-025 on August 30,
1993 from the Tisch School of the Arts located at 721 Broadway. The entire collection from the files of TSOA Dean David J.
Oppenheim contained 110 linear feet of files, photographs, films, books, audio tapes, and promotional information primarily
from the years 1965 to 1981. Most of the collection arrived boxed and arranged in some order. The material listed here, however,
was found in some disarray on the floor of a closet and had to be put back in order. Originally, the material measured 20
linear feet; after processing, which included the separation of a great number of books and photographs, the collection comprises
ten linear feet of material.
Preferred Citation
Published citations should take the following form:
Identification of item, date (if known); The Records of the Tisch School of the Arts; RG 35; box number; folder number;
New York University Archives
Elmer Holmes Bobst Library
70 Washington Square South
New York, NY 10012, New York University Libraries.
Return to top
Container List
[The following section contains a detailed listing of the materials in the collection.]
| Series I: Robert W. Corrigan
|
| Subseries A: Corrigan Correspondence and Papers
|
| Box |
Folder |
Title |
Date |
| 1
|
1 |
Robert W. Corrigan/Correspondence with Dept. of Dramatic Arts and School of Education |
1965 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
2 |
Misc. Correspondence |
1965 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
3 |
Corrigan/Hoffman: Beginning of SOA |
1965-1966 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
4 |
Corrigan/Hoffman: Beginning of SOA |
1966-1967 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
5 |
International Student Center |
1966 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
6 |
Robert W. Corrigan/Research Services |
1966 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
7 |
Nanine Bilski/Correspondence and Proposal, Design-In |
1967 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
8 |
Design-In |
1967 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
9 |
Design-In Participants |
1967 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
10 |
Design-In |
1967 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
11 |
Misc. Correspondence |
1967 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
12 |
Papers, Robert W. Corrigan |
1966-1967 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
13 |
Nanine Bilski Correspondence |
1966-1967 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
14 |
Robert Corrigan Correspondence |
1967 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
15 |
Robert Corrigan/Mass Media and Criticism of the Arts |
1967 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
16 |
Robert Corrigan Correspondence |
1967 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
17 |
Robert Corrigan/Summer Institute for the Fine Arts |
1967 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
18 |
Robert Corrigan/Art Education |
1967-1968 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
19 |
Productions--Chorica at Town Hall |
1967-1968 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
20 |
Robert Corrigan/English Department Correspondence |
1966-1968 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
21 |
School of the Arts Memos |
1966-1968 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
22 |
Letters and Memos: Deans Corrigan, Mauk, and Oppenheim |
1968 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
23 |
Student Papers for Robert Corrigan |
1967-1968 |
| |
bar code#: 3 1142 04225773 6
|
|
| Subseries B: Theodore Hoffman Correspondence
|
| Box |
Folder |
Title |
Date |
| 1
|
24 |
Theodore Hoffman Correspondence |
1965 |
| |
bar code#: 3 1142 04225773 6
|
|
| 1
|
25 |
Theodore Hoffman Correspondence |
1966 |
| |
bar code#: 3 1142 04225773 6
|
|
| Box |
Folder |
Title |
Date |
| 2
|
1 |
Theodore Hoffman Correspondence |
1966 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
2 |
Theodore Hoffman Correspondence |
1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
3 |
Theodore Hoffman Correspondence |
1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
4 |
Theodore Hoffman Correspondence |
1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
5 |
Theodore Hoffman Correspondence |
1969 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
6 |
Proposal for School of Creative and Performing Arts |
1964 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
7 |
Proposal for Film and Television Program |
1966 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
8 |
Suggested Agreement for School of the Arts; MFA Program Proposal |
1967-1968, 1968-1969 |
| |
bar code#: 3 1142 04225774 4
|
|
| Subseries C: Reports/Bulletins
|
| Box |
Folder |
Title |
Date |
| 2
|
9 |
"The Mass Media and Criticism of the Arts," Report on the Conference Sponsored by the SOA |
1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
10 |
Proposal for Research Project in Dialect Studies |
Mar 18, 1968 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
11 |
School of the Arts Bulletin |
1969-1970 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
12 |
Theater Managment Course Outline |
undated |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
13 |
Personnel |
1964-1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
14 |
Theatre Center Applicants, Directors/Writers |
1966 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
15 |
Theatre Center Candidate Photos and Resumes |
1966 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
16 |
Theatre Center Candidate Photos and Resumes |
1966 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
17 |
IES Future Plans and Building Renovations |
1966 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
18 |
School of the Arts, misc. |
1966 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
19 |
Undergraduate Admissions Report |
Sep 1966 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
20 |
SOA Administration |
1966-1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
21 |
SOA Institute of Film and Television |
1966-1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
22 |
Undergraduate Admissions Report |
1966-1969 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
23 |
SOA Administration |
1966-1969 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
24 |
SOA Administration |
1966-1969 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
25 |
Miscellaneous SOA Administration |
1966-1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
26 |
Architectural Plans: Central Plaza (2nd Avenue) and Dean Corrigan's Office Plans |
1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
27 |
Faculty Vitae and Department Requirements |
1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
28 |
Special Convocation in Honor of Frederick Loewe |
Oct 24, 1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
29 |
Misc. |
1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
30 |
Comparative Literature Program |
1968 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
31 |
Theater Center Policy |
1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
32 |
Directing Projects |
1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
33 |
SOA Budget Proposals |
1967-1968 |
| |
bar code#: 3 1142 04225774 4
|
|
| Subseries E: Press Clippings
|
| Box |
Folder |
Title |
Date |
| 2
|
34 |
Press Clippings on the Development of the School of the Arts |
1966 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
35 |
Misc. Newspaper Clippings |
1967 |
| |
bar code#: 3 1142 04225774 4
|
|
| 2
|
36 |
Misc. Newspaper Clippings |
Dec 1967-May 1968 |
| |
bar code#: 3 1142 04225774 4
|
|
| Subseries F: Nanine Bilski Exams and Writings
|
| Box |
Folder |
Title |
Date |
| 3
|
1 |
Nanine Bilski Mid-terms |
1966-1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3
|
2 |
Bilski Class Papers and Exams: Theater Research and Description |
1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3
|
3 |
Bilski Class Papers and Exams: Theater Research and Description |
1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3
|
4 |
Bilski Student Papers |
1967 |
| |
bar code#: 3 1142 04225775 1
|
|
|
Return to the Top of Page
| Series II: David J. Oppenheim
|
| Subseries A: Career at CBS; Oppenheim's general correnspondence while at CBS
|
|
Sub Subseries A: General
|
| Box |
Folder |
Title |
Date |
| 3 |
5 |
David Oppenheim Correspondence |
1964-1965 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
6 |
Programming Correspondence: Charlie Chaplin |
1964-1965 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
7 |
Oppenheim Notes and Correspondence |
1964-1965 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
8 |
Oppenheim Notes and Correspondence |
1964-1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
9 |
Oppenheim California Addresses, Phone Numbers, Correspondence |
1965-1966 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
10 |
Oppenheim Correspondence |
1966-1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
11 |
Oppenheim Correspondence |
1966-1968 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
12 |
Lucy Gerringer Correspondence |
1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
13 |
Oppenheim Notes |
undated |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
14 |
Oppenheim "Theater Doodles" |
undated |
| |
bar code#: 3 1142 04225775 1
|
|
|
Sub Subseries B: Research/programming
|
|
Scope and Content:
|
|
Provides information on the background work and research Oppenheim oversaw on his productions while at CBS. The broadcasts
for which there is such information include "Casals at 88," Oppenheim's show on Igor Stravinsky, and "Pop Life: The Rock Revolution."
|
| Box |
Folder |
Title |
Date |
| 3 |
15 |
Dance and Film |
1965 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
16 |
Background: African-American/Youth Theater |
1965-1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
17 |
Stravinsky Project |
1965-1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
18 |
Oppenheim Interviews with Stravinsky |
May 1965 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
19 |
Oppenheim Interviews with Stravinsky |
1965 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
20 |
Stravinsky Clippings |
1965-1966 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
21 |
Music Education |
1966 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
22 |
Soviet Broadcast |
1966 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
23 |
Rubinstein Project |
1966 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
24 |
Rock/Folk Music and Teen-agers |
1965-1966 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
25 |
"Inside Pop" Notes and Correspondence |
1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
26 |
Tandyn Almer Songs |
1965-1966 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
27 |
Misc. on Teens and Pop Culture |
1966-1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
28 |
"Herman Bull Session" for "Inside Pop" |
undated |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
29 |
Notes from Underground II |
1966 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
30 |
"Inside Pop" Budgeting |
1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
31 |
Notes on Film and Theater |
1964-1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
32 |
State of the Theatre: Film Research and Notes |
1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
33 |
State of the Theater: Correspondence with Producers and Directors |
1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
34 |
State of the Theater Research |
1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
35 |
State of the Theater: Quotes and Facts |
undated |
| |
bar code#: 3 1142 04225775 1
|
|
| 3 |
36 |
State of the Theater: Misc. Correspondence |
1967 |
| |
bar code#: 3 1142 04225775 1
|
|
| Box |
Folder |
Title |
Date |
| 4 |
1 |
State of the Theater: Misc. Correspondence |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
2 |
Misc. New York Theater Companies |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
3 |
Vanguard Theater, Pittsburgh |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
4 |
Mark Taper Forum, Los Angeles |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
5 |
Bergen Mall Playhouse, Paramus |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
6 |
Minnesota Theater Co. |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
7 |
Inner City Reperatory Company |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
8 |
Yale University File |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
9 |
Regional Theater: Background and Programming Notes for TV |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
10 |
Theater Groups |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
11 |
Commentary on Theater: Oppenheim and Others |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
12 |
State of the Theater: Celebrity Service |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
13 |
State of the Theater: Appointments and Phone Call Sheet |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
14 |
Playbills |
undated |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
15 |
Press Clippings |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
16 |
Herman Levin/Stella Adler Projects |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
17 |
Projects: "Janis Ian" and "The Last of the Crazy People" |
undated |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
18 |
Misc. Programming |
1967 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
19 |
Buffalo Shot Lists |
1968 |
| |
bar code#: 3 1142 04225776 9
|
|
|
Sub Subseries C: Scripts and Transcripts
|
| Box |
Folder |
Title |
Date |
| 4 |
20 |
Teleplay for "The Corn is Green" |
1956 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
21 |
Hallmark Hall of Fame: "Dial `M' for Murder" Script and Notes |
1958 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
22 |
Hallmark Hall of Fame: "The Christmas Tree" Cast List, Notes, and Script |
1958 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
23 |
Hallmark Hall of Fame: Script from "The Christmas Tree" |
1958 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
24 |
Hallmark Fall of Fame: "Johnny Belinda," Script |
1958 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
25 |
Hallmark Hall of Fame: "Johnny Belinda," Second Revision |
1958 |
| |
bar code#: 3 1142 04225776 9
|
|
| 4 |
26 |
Hallmark Hall of Fame: Script from "Berkeley Square" |
1959 |
| |
bar code#: 3 1142 04225776 9
|
|
| Box |
Folder |
Title |
Date |
| 5 |
1 |
Hallmark Hall of Fame: "The Green Pastures" |
1959 |
| |
bar code#: 3 1142 04225777 7
|
|
| 5 |
2 |
Hallmark Hall of Fame: "The Green Pastures," Script and Notes |
1959 |
| |
bar code#: 3 1142 04225777 7
|
|
| 5 |
3 |
Hallmark Hall of Fame: "Ah, Wilderness" |
1959 |
| |
bar code#: 3 1142 04225777 7
|
|
| 5 |
4 |
Hallmark Hall of Fame: "Ah, Wilderness," Script and Notes |
