Historical/Biographical Note:
Robert Alexander was born in Brooklyn on the 21st of November 1943. He spent most of his early life there, eventually working as a freelance photographer and photographer's assistant from various addresses, including Remsen Street in the downtown area of the city. He studied Art History at the University of Pennsylvania from 1961 to 1965 (but did not graduate) and did brief stints at the New School for Social Research (film production) and at the School of Visual Arts (16mm film editing). By the early seventies, Alexander had moved to Manhattan and had begun his work as a freelance photographer, though he continued to assist other photographers for several years. He also worked as a commercial photographer, doing catalogues and advertising for jewelry and clothing manufacturers.
Alexander's early portfolio work is at first tentatively formalist, but he quickly develops a strongly realist approach to subjects. He moves from photographing everyday, domestic objects to photographing people and street scenes. Though he retained his interest in still life photography all through his photographic career, sometimes photographing single objects in obsessive detail, it is as an observer of people in motion and interacting with a changing environment that Alexander is at his best. His photographs of New York streets, people, and architecture have that combination of intense engagement with and detachment from subjects that characterizes the work of many renowned documenters of modern city life. Alexander's slides and prints of New York City during the seventies and eighties are a lively record of a city undergoing intense change and they reveal a fascination both with the ordinariness of city life and the grandeur and strangeness of the city itself. He undertook several personal projects, photographing New York cabs and shop mannequins, and, over several years, scenes of the street from his apartment on 29th street. He also documented the building of the West Side Highway and took hundreds of slides of the Manhattan skyline.
Alexander's first resumes indicate that by the early seventies he had begun to think of himself as specializing in performance photography. His work had started to appear in various publications associated with the arts and he had collaborated with Sally Banes on the book:
Terpsichore in Sneakers. His black and white photographs are given a special place in the book, accompanying individual chapters and also comprising a separate section at the end of the text. The spare, often stark simplicity of the photography suggests that Alexander had understood the tension between the singularity of the dancer's body and its sometimes violent, sometimes playful interaction with other bodies and objects. The choreographers and dancers he photographed for the book and for other publications had inherited a strong dance vocabulary from the avant-garde performers and choreographers of the fifties and sixties, but they were constantly seeking to break free of some of the constraints imposed upon modern dance by that vocabulary. These attempts to redefine movement and dance are perhaps best exemplified by the development of Contact Improvisation, with its mixture of randomness, spontaneity, and carefully focused give and take between dancers. Alexander frequently photographed Steve Paxton, who was instrumental in the development of this form, as well as the other choreographers and dancers of the collaborative group: Grand Union. His photographs of them are of performers who seem at times restrained and poised and at times utterly abandoned to movement and to contact with other dancers. His strongest street photographs share this quality with his dance pictures. He seems drawn to the vulnerability of bodies in a dynamic environment, and his work conveys something of the dancer's desire both to control spaces and to be abandoned to them.
While Alexander did not achieve the broad recognition of some of his contemporaries such as Peter Moore, his work is an important contribution to the documentation of experimental dance and performance of the seventies and eighties. He photographed most of the major experimental choreographers, dancers, and performers of the period, including Stuart Sherman, Kenneth King, Simone Forti, David Gordon, Valda Setterfield, Laura Foreman, Carter Frank, Yvonne Rainer, Steve Paxton, Douglass Dunn, Rudy Perez, Meredith Monk, Trisha Brown, Lucinda Childs, and many others. He also photographed musicians and actors, such as the then emerging Tom Waits and the already famous Peter Ustinov.
By the mid-eighties Alexander was doing less and less dance photography and more photography of the city. The collection includes thousands of slides of Manhattan dating from this period, many of which reveal Alexander's interest in ordinary street scenes and people. Most, however, are of the city's skyline and monolithic architecture, and testify to the photographer's obsession with the city that he lived in all of his life and which he left only briefly as a young man. Alexander died on the 8th of October, 1989.
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Scope and Content Note
The Robert Alexander Papers are a part of the Downtown Collection at the Fales Library, New York University. The Fales Library is the primary special collections division of the NYU libraries, housing nearly 200,000 volumes of English and American literature from 1700 to the present. Strengths of the collection include the development of the English and American novel, with an emphasis on the Gothic and the Victorian novel.
The Robert Alexander Papers comprise mainly photographs, contact sheets and negatives, and slides. There is one box of personal papers, correspondence, and memorabilia, and two boxes containing other media, such as 16mm and Super 8 films and audio cassettes. The negatives and contact sheets have been kept in chronological order, as Alexander had organized them, and the prints and slides have been arranged alphabetically. There are three boxes of unprocessed material at the end of the collection.
SERIES DESCRIPTION
SERIES I: Prints
Subseries A: Dance and Performance Prints
This subseries contains 4 boxes, ordered alphabetically, of dance and performance-related photographs. Box 4 is oversize.
Subseries B: Prints for the
Soho Weekly News.
This is a series of prints, arranged chronologically, of work done for the
Soho Weekly News. Copies of the tearsheets from the newspaper can be found in Series IV, box 38, folder 38.
Subseries C: Celebrity and other portraits
Amongst the photographs in this subseries are portraits of Alvin Ailey, Tom Waits, Lucinda Childs, Peter Ustinov, Peter Boyle, Laura Foreman, Ann Beckerman, and Robert Alexander. The subseries also contains several poignant photographs of laboratory chimpanzees taken for an article in the NYU Physician.
Subseries D: Portfolios and other personal work.
Boxes 7 through 11 contain prints from Alexander's portfolios. These photographs were not clearly dated by the photographer. Since the subject matter is varied and the dates uncertain the prints have been boxed in no particular order. Wherever possible however, prints that were grouped together by the photographer have been kept together in the collection. Box 11 contains oversize prints.
SERIES II: Slides
Some of the slides in the collection were arranged in sleeves by the photographer, but thousands were in labeled and unlabelled slide boxes. It was extremely difficult to detect any order in the slides and so they have been arranged alphabetically and thematically. The embossed dates on the slides seem more or less accurate but cannot be relied upon (since some slides may have been processed some time after shoots).
Subseries A: Dance and Performance.
Boxes 12 through18 are arranged alphabetically. Of special interest are several sheets of slides, in order, of Stuart Sherman's Eleventh Spectacle (Box 16).
Subseries B: Events
Slides in this subseries are arranged roughly chronologically, though dates are uncertain. Of special interest are slides of the John Lennon observance in Central Park, and those of Thelonius Monk's funeral.
Subseries C: Portraits
The box of portraits in this subseries includes shots of Alvin Ailey, Philippe Petite, Peter Ustinov, and Tom Waits.
Subseries D: Projects: 1973 - 1987, and other personal work.
These slides are arranged thematically and chronologically where possible. They comprise several ongoing projects, most of which document some aspect of life in Manhattan. Of special interest are the slides of the Alex Katz mural in the Attorney General's office. Box 25 appears to be a selection made by Alexander and the slides have been kept in the order in which he arranged them.
Subseries E: City people, 1973 - 1983
This is one box of slides, arranged more or less chronologically.
Subseries F: City scenes, 1980 - 1986
The slides span a six year period and have been arranged more or less chronologically.
Subseries G: Nature
Boxes 31 through 33 are arranged roughly chronologically.
Subseries H: Commercial work
This is one box of slides of work done for jewelry and footwear catalogues. It represents a fraction of Alexander's commercial work in this field. The remainder have been roughly processed and boxed separately.
SERIES III: Negatives and contact sheets
Alexander organized his negatives and contact sheets chronologically. This arrangement has been retained as far as possible.
SERIES IV: Printed and other materials
Subseries A: Printed material, memorabilia, correspondence, ephemera
This subseries comprises two boxes of material, one of which is oversize (box 39).
Subseries B: Other media
This subseries includes a 16mm print of Yvonne Rainer's dance "Trio A". [Research copies may not be available for these materials yet. Check with the Fales archivist.]
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|
|
Series I: Prints
|
Subseries A: Dance prints
|
|
Scope and Content note:
Series I: Subseries contains 4 boxes, ordered alphabetically, of dance and performance-related photographs. Box 4 is oversize.
|
| Box |
Folder |
|
Title |
Date |
|
1
|
1 |
|
Trisha Brown:
Figure Eight, rehearsal, 1973 (2 prints)
Primary Accumulations, rehearsal, 1973 (1 print)
Water Motor, performance, 1979 (7 prints)
Interview portrait, Jan 1974 (1 print)
|
1973-1979 |
|
|
|
|
1
|
2 |
|
Lucinda Childs:
Melody Excerpt, rehearsal, 1978 (4 prints)
Katema, performance, 1978 (2 prints)
Dance, rehearsal, 1979 (2 prints)
|
1978-1979 |
|
|
|
|
1
|
3 |
|
Yoshiko Chuma, 9 Mar 1980 (2 prints)
|
1980 |
|
|
|
|
1
|
4 |
|
Douglas Dunn:
101, performance exhibition, 1974 (4 prints)
Lazy Madge, performance, 1976 (4 prints)
Coquina, performance, 1979 (2 prints)
|
1974-1979 |
|
|
|
|
1
|
5 |
|
Simone Forti at Fordham, Apr 1976 (10 prints)
|
1976 |
|
|
|
|
1
|
6 |
|
Simone Forti at St Marks, May 1976 (6 prints)
|
1976 |
|
|
|
|
1
|
7 |
|
Simone Forti and Peter Van Riper at the Museum of Modern Art, Aug 1978 (11 prints)
|
1978 |
|
|
|
|
1
|
8 |
|
Carter Frank (with Maggie Kast et al), May 1974 (2 prints)
|
1974 |
|
|
|
|
1
|
9 |
|
David Gordon:
Not necessarily Recognizable Objectives, performance, 1978 (5 prints)
What Happened, performance,1978 (2 prints)
Times Four, performance with Valda Setterfield, 1976 (3 prints)
David Gordon/Pick Up Co., performance, Apr 1978 (2 prints)
|
1978 |
|
|
|
|
1
|
10 |
|
Bill Gordh and John Malpede, Dead Dog and Lonely Horse, Nov 1978
|
1978 |
|
|
|
|
1
|
11 |
|
Grand Union:
Improvisatory performance, 1974 (8 prints)
Rehearsal, June 1975 (3 prints)
Performance at La Mama, Apr 1976 (2 prints)
|
1974-1976 |
|
|
|
|
1
|
12 |
|
Deborah Hay:
Rehearsal, Feb 1979 (1 print)
Solo performance, Feb 1979 (1 print)
The Grand Dance, workshop, 1979 (2 prints)
|
1979 |
|
|
|
|
1
|
13 |
|
Diane Jacobowitz, performance, May/June 1980 (2 prints)
|
1980 |
|
|
|
|
1
|
14 |
|
Risa Jaroslow, 21 Oct 1978 (1 print)
|
1978 |
|
|
|
|
1
|
15 |
|
Pooh Kaye, Blur, Mar 1982 (1 print) (see also slides)
|
1982 |
|
|
|
|
2
|
1 |
|
Kenneth King:
With Carter Frank, performance, 8 Dec 1978 (6 prints)
Performance, 8 Dec 1978 (1 print)
Word Raid, performance at St Marks benefit, 1 Jan 1979 (1 print)
|
1978-1979 |
|
|
|
|
2
|
2 |
|
Meredith Monk:
Education of the Girlchild, performance, 1973 (5 prints)
Education of the Girlchild, performance, 1979 (2 prints)
|
1973-1979 |
|
|
|
|
2
|
3 |
|
Meredith Monk and Ping Chong,
Paris, performance, 1974 (8 prints)
|
1974 |
|
|
|
|
2
|
4 |
|
Multi-gravitational Experimental Group:
Performance, Dec 1973 (21 prints) Performance, May 1974 (2 prints)
|
1973-1974 |
|
|
|
|
2
|
5 |
|
Steve Paxton:
Backwater: Twosome, performance, 1978 (3 prints)
With Nancy Stark-Smith, Contact Improvisation, performance, 1978 (1 print)
Contact Improvisation, performance, 1978 (2 prints)
|
1978 |
|
|
|
|
2
|
6 |
|
Steve Paxton with Grand Union, 1973 (1 print) - photograph by Gwen Thomas
|
1973 |
|
|
|
|
2
|
7 |
|
Rudy Perez, rehearsal and performance, Dec 1973 (15 prints)
|
1973 |
|
|
|
|
2
|
8 |
|
Yvonne Rainer,
New Version of Convalescent Dance, performance, 1979 (2 prints)
|
1979 |
|
|
|
|
2
|
9 |
|
Paul Taylor,
Arden Court, Apr 1982 (1 print) (see slides)
|
1982 |
|
|
|
|
2
|
10 |
|
Terpsichore in Sneakers:
Yvonne Rainer,
Trio A, performance, 1978 (6 prints)
|
1978 |
|
|
|
|
2
|
11 |
|
Terpsichore in Sneakers:
Deborah Hay,
The Grand Dance, 1979
Lucinda Childs,
Katema, 1978
Lucinda Childs,
Melody Excerpt, 1978
Meredith Monk and Ping Chong,
Paris, 1974
Meredith Monk,
Education of the Girlchild, 1973
Kenneth King, Wor(l)d (T)rade, 1978
Kenneth King,
RadeoA.C.tiv(ID)ty, 1978
Douglas Dunn,
Coquina, 1979
Douglas Dunn,
101, 1974
Douglas Dunn, improv., 1974
Grand Union, improv., 1974
|
1973-1979 |
|
|
|
|
2
|
12 |
|
Terpsichore in Sneakers:
Simone Forti,
Big Room, 1976
Grand Union, Improvisation, 1974
Simone Forti,
Fountain Huddle, 1978
Steve Paxton, Backwater: Twosome, 1978
Trisha Brown, Water Motor, 1979
David Gordon,
Not Necessarily Recognizable Objectives, 1978
Deborah Hay, solo, 1979
Lucinda Childs, Dance, rehearsal, 1979
Meredith Monk,
Education of the Girlchild, 1979
Kenneth King, Word Raid, 1978
Douglas Dunn,
Lazy Madge, 1976
|
1974-1979 |
|
|
|
|
2
|
13 |
|
Terpsichore in Sneakers:
Simone Forti,
Phoenix, 1978
Simone Forti and Peter Van Riper,
Big Room, 1979
Yvonne Rainer, New Version of Convalescent Dance, 1979
Steve Paxton and Nancy Stark-Smith, 1978
Trisha Brown,
Primary Accumulation, 1973
Trisha Brown,
Water Motor, 1979
David Gordon, Times Four, 1976
David Gordon,
What Happened, 1978
David Gordon,
Not Necessarily Recognizable Objectives, 1978
Deborah Hay, solo, 1979
|
1973-1979 |
|
|
|
|
2
|
14 |
|
Ellen Webb, dance relaxation techniques, Mar 1979 (1 print)
|
1979 |
|
|
|
|
3
|
1 |
|
Bettany Beardsley
|
undated |
|
|
|
|
3
|
2 |
|
Peter Boyle
|
undated |
|
|
|
|
3
|
3 |
|
Trisha Brown
|
undated |
|
|
|
|
3
|
4 |
|
Trisha Brown
|
undated |
|
|
|
|
3
|
5 |
|
Trisha Brown
|
undated |
|
|
|
|
3
|
6 |
|
Trisha Brown
|
undated |
|
|
|
|
3
|
7 |
|
Trisha Brown
|
undated |
|
|
|
|
3
|
8 |
|
Trisha Brown
|
undated |
|
|
|
|
3
|
9 |
|
Lucinda Childs
|
undated |
|
|
|
|
3
|
10 |
|
Lucinda Childs
|
undated |
|
|
|
|
3
|
11 |
|
Lucinda Childs
|
undated |
|
|
|
|
3
|
12 |
|
Lucinda Childs
|
undated |
|
|
|
|
3
|
13 |
|
Yoshiko Chuma
|
undated |
|
|
|
|
3
|
14 |
|
Andy DeGroat, Philip Glass, Dickie Landry
|
undated |
|
|
|
|
3
|
15 |
|
Andy DeGroat, Philip Glass, Dickie Landry
|
undated |
|
|
|
|
3
|
16 |
|
Andy DeGroat, Philip Glass, Dickie Landry
|
undated |
|
|
|
|
3
|
17 |
|
Philip Glass
|
undated |
|
|
|
|
3
|
18 |
|
Dickie Landry, Philip Glass
|
undated |
|
|
|
|
3
|
19 |
|
Dickie Landry
|
undated |
|
|
|
|
3
|
20 |
|
Andy DeGroat and dancers
|
undated |
|
|
|
|
3
|
21 |
|
Shelley and Denman at Ear Inn
|
undated |
|
|
|
|
3
|
22 |
|
Shelley and Denman
|
undated |
|
|
|
|
3
|
23 |
|
Denman
|
undated |
|
|
|
|
3
|
24 |
|
Shelley and Denman
|
undated |
|
|
|
|
3
|
25 |
|
Bill Dunas dancer
|
undated |
|
|
|
|
3
|
26 |
|
Bill Dunas dancer
|
undated |
|
|
|
|
3
|
27 |
|
Bill Dunas dancer
|
undated |
|
|
|
|
3
|
28 |
|
Doug Dunn and Dave Woodberry
|
undated |
|
|
|
|
3
|
29 |
|
Doug Dunn and Dave Woodberry
|
undated |
|
|
|
|
3
|
30 |
|
Doug Dunn and Sara Rudner
|
undated |
|
|
|
|
3
|
31 |
|
Doug Dunn and Sara Rudner
|
undated |
|
|
|
|
3
|
32 |
|
Doug Dunn and Sara Rudner
|
undated |
|
|
|
|
3
|
33 |
|
Doug Dunn and Sara Rudner
|
undated |
|
|
|
|
3
|
34 |
|
Doug Dunn and Sara Rudner
|
undated |
|
|
|
|
3
|
35 |
|
Doug Dunn and Sara Rudner
|
undated |
|
|
|
|
3
|
36 |
|
Doug Dunn and Sara Rudner
|
undated |
|
|
|
|
3
|
37 |
|
Doug Dunn and Sara Rudner
|
undated |
|
|
|
|
3
|
38 |
|
Simone Forti and Peter Van Riper
|
undated |
|
|
|
|
3
|
39 |
|
Peter Van Riper
|
undated |
|
|
|
|
3
|
40 |
|
Peter Van Riper
|
undated |
|
|
|
|
3
|
41 |
|
Peter Van Riper
|
undated |
|
|
|
|
3
|
42 |
|
Carter Frank
|
undated |
|
|
|
|
3
|
43 |
|
Carter Frank, Maggie Kast, et al
|
undated |
|
|
|
|
3
|
44 |
|
Carter Frank, Maggie Kast, et al
|
undated |
|
|
|
|
3
|
45 |
|
Friday 13th at MoMA
|
undated |
|
|
|
|
3
|
46 |
|
Friday 13th at MoMA
|
undated |
|
|
|
|
3
|
47 |
|
Friday 13th at MoMA
|
undated |
|
|
|
|
3
|
48 |
|
Friday 13th at MoMA
|
undated |
|
|
|
|
3
|
49 |
|
Barbara Gardner
|
undated |
|
|
|
|
3
|
50 |
|
Barbara Gardner
|
undated |
|
|
|
|
3
|
51 |
|
Barbara Gardner
|
undated |
|
|
|
|
3
|
52 |
|
Barbara Gardner
|
undated |
|
|
|
|
3
|
53 |
|
Allen Ginsberg
|
undated |
|
|
|
|
3
|
54 |
|
St Marks Benefit
|
undated |
|
|
|
|
3
|
55 |
|
Jeff Goldblum
|
undated |
|
|
|
|
3
|
56 |
|
Jeff Goldblum
|
undated |
|
|
|
|
3
|
57 |
|
Jeff Goldblum
|
undated |
|
|
|
|
3
|
58 |
|
David Gordon and Valda Setterfield
|
undated |
|
|
|
|
3
|
59 |
|
David Gordon and Valda Setterfield
|
undated |
|
|
|
|
3
|
60 |
|
Grand Union
|
undated |
|
|
|
|
3
|
61 |
|
Grand Union
|
undated |
|
|
|
|
3
|
62 |
|
Grand Union
|
undated |
|
|
|
|
3
|
63 |
|
Grand Union
|
undated |
|
|
|
|
3
|
64 |
|
Grand Union
|
undated |
|
|
|
|
3
|
65 |
|
Grand Union
|
undated |
|
|
|
|
3
|
66 |
|
Grand Union
|
undated |
|
|
|
|
3
|
67 |
|
Grand Union
|
undated |
|
|
|
|
3
|
68 |
|
Grand Union
|
undated |
|
|
|
|
3
|
69 |
|
Grand Union
|
undated |
|
|
|
|
3
|
70 |
|
Grand Union
|
undated |
|
|
|
|
3
|
71 |
|
Grand Union
|
undated |
|
|
|
|
3
|
72 |
|
Grand Union
|
undated |
|
|
|
|
3
|
73 |
|
Grand Union
|
undated |
|
|
|
|
3
|
74 |
|
Anna Halprin
|
undated |
|
|
|
|
3
|
75 |
|
Diane Jacobowitz dancer
|
undated |
|
|
|
|
3
|
76 |
|
Diane Jacobowitz dancer
|
undated |
|
|
|
|
3
|
77 |
|
Diane Jacobowitz
|
undated |
|
|
|
|
3
|
78 |
|
Diane Jacobowitz
|
undated |
|
|
|
|
3
|
79 |
|
Diane Jacobowitz
|
undated |
|
|
|
|
3
|
80 |
|
Diane Jacobowitz et al
|
undated |
|
|
|
|
3
|
81 |
|
Diane Jacobowitz et al
|
undated |
|
|
|
|
3
|
82 |
|
Diane Jacobowitz dancer
|
undated |
|
|
|
|
3
|
83 |
|
Diane Jacobowitz et al
|
undated |
|
|
|
|
3
|
84 |
|
Diane Jacobowitz dancer
|
undated |
|
|
|
|
3
|
85 |
|
Alex Katz mural
|
undated |
|
|
|
|
3
|
86 |
|
Alex Katz mural
|
undated |
|
|
|
|
3
|
87 |
|
Alex Katz mural
|
undated |
|
|
|
|
3
|
88 |
|
Pooh Kaye et al
|
undated |
|
|
|
|
3
|
89 |
|
Pooh Kaye et al
|
undated |
|
|
|
|
3
|
90 |
|
Kenneth King
|
undated |
|
|
|
|
3
|
91 |
|
Kipper Kids
|
undated |
|
|
|
|
3
|
92 |
|
Kipper Kids
|
undated |
|
|
|
|
3
|
93 |
|
Robert Kushner's New York Hat Line
|
undated |
|
|
|
|
3
|
94 |
|
Robert Kushner's New York Hat Line
|
undated |
|
|
|
|
3
|
95 |
|
Robert Kushner
|
undated |
|
|
|
|
3
|
96 |
|
Robert Kushner
|
undated |
|
|
|
|
3
|
97 |
|
Carolyn Lord
|
undated |
|
|
|
|
3
|
98 |
|
Carolyn Lord
|
undated |
|
|
|
|
3
|
99 |
|
Bruce McLean
|
undated |
|
|
|
|
3
|
100 |
|
Meredith Monk
|
undated |
|
|
|
|
3
|
101 |
|
Meredith Monk
|
undated |
|
|
|
|
3
|
102 |
|
Meredith Monk
|
undated |
|
|
|
|
3
|
104 |
|
Multigravitational Experimental Group
|
undated |
|
|
|
|
3
|
105 |
|
Steve Paxton
|
undated |
|
|
|
|
3
|
106 |
|
Steve Paxton
|
undated |
|
|
|
|
3
|
107 |
|
Rudy Perez
|
undated |
|
|
|
|
3
|
108 |
|
Rudy Perez
|
undated |
|
|
|
|
3
|
109 |
|
Rudy Perez et al
|
undated |
|
|
|
|
3
|
110 |
|
Le Plan K
|
undated |
|
|
|
|
3
|
111 |
|
Le Plan K
|
undated |
|
|
|
|
3
|
112 |
|
Dana Reitz
|
undated |
|
|
|
|
3
|
113 |
|
Dana Reitz et al
|
undated |
|
|
|
|
3
|
114 |
|
Erik Roberts
|
undated |
|
|
|
|
3
|
115 |
|
Erik Roberts
|
undated |
|
|
|
|
3
|
116 |
|
Dean Selmier
|
undated |
|
|
|
|
3
|
117 |
|
Dean Selmier
|
undated |
|
|
|
|
3
|
118 |
|
Squat Theater
|
undated |
|
|
|
|
3
|
119 |
|
Sylvia Whitman
|
undated |
|
|
|
|
Return to top
|
Oversize - Subseries A
|
|
Scope and Contents note:
Prints mounted for P.S. 1 exhibition;
Alternative Gestures, Dec 1978 - Jan 1979 (oversize)
|
| Box |
Folder |
|
Title |
Date |
|
4
|
1 |
|
Trisha Brown,
Water Motor, performance, 1979
|
1979 |
|
|
|
|
4
|
2 |
|
Trisha Brown,
Water Motor, performance, 1979
|
1979 |
|
|
|
|
4
|
3 |
|
Bill Dunas, 30 Sep 1978
|
1978 |
|
|
|
|
4
|
4 |
|
Douglas Dunn,
Lazy Madge, performance, 1976 (2)
|
1976 |
|
|
|
|
4
|
5 |
|
Simone Forti,
Fountain Huddle, performance, 1978
|
1978 |
|
|
|
|
4
|
6 |
|
Simone Forti, 30 Sep 1978
|
1978 |
|
|
|
|
4
|
7 |
|
David Gordon/Pick Up Co.,
Not Necessarily Recognizable Objectives, performance, 1978 (2)
|
1978 |
|
|
|
|
4
|
8 |
|
David Gordon and Valda Setterfield,
Times Four, performance 1976
|
1976 |
|
|
|
|
4
|
9 |
|
Deborah Hay, solo performance, 1979
|
1979 |
|
|
|
|
4
|
10 |
|
Risa Jaroslow, 21 Oct 1978 (2)
|
1978 |
|
|
|
|
4
|
11 |
|
Kenneth King and Carter Frank,
RadeoA.C.tiv(id)ty, performance, 1978
|
1978 |
|
|
|
|
4
|
12 |
|
Meredith Monk and Ping Chong,
Paris, performance, 1974
|
1974 |
|
|
|
|
4
|
13 |
|
Meredith Monk,
Education of the Girlchild, performance, 1973
|
1973 |
|
|
|
|
4
|
14 |
|
Steve Paxton and David Moss,
Backwater: Twosome, performance, 1978
|
1978 |
|
|
|
|
Return to top
|
Subseries B: Prints for the
Soho Weekly News
|
|
Scope and Contents note:
Series I: Subseries B is a series of prints, arranged chronologically, of work done for the Soho Weekly News. Copies of the tearsheets from the newspaper can be found in Series IV, box 38, folder 38.
|
| Box |
Folder |
|
Title |
Date |
|
5
|
1 |
|
Sylvia Whitman
|
undated |
|
|
|
|
5
|
2 |
|
Anna Halprin
|
undated |
|
|
|
|
5
|
3 |
|
Anna Halprin
|
undated |
|
|
|
|
5
|
4 |
|
The Rockettes
|
undated |
|
|
|
|
5
|
5 |
|
The Rockettes
|
undated |
|
|
|
|
5
|
6 |
|
The Rockettes
|
undated |
|
|
|
|
5
|
7 |
|
The Rockettes
|
undated |
|
|
|
|
5
|
8 |
|
James Neu's Echo Ranch
|
undated |
|
|
|
|
5
|
9 |
|
Echo Ranch
|
undated |
|
|
|
|
5
|
10 |
|
Echo Ranch
|
undated |
|
|
|
|
5
|
11 |
|
Echo Ranch
|
undated |
|
|
|
|
5
|
12 |
|
Geri Atwood and Carter Frank
|
undated |
|
|
|
|
5
|
13 |
|
Geri Atwood and Carter Frank
|
undated |
|
|
|
|
5
|
14 |
|
Big Apple Circus
|
undated |
|
|
|
|
5
|
15 |
|
Big Apple Circus
|
undated |
|
|
|
|
5
|
16 |
|
No Theatre Company
|
undated |
|
|
|
|
5
|
17 |
|
No Theatre Company
|
undated |
|
|
|
|
5
|
18 |
|
Blondell Cummings
|
undated |
|
|
|
|
5
|
19 |
|
Blondell Cummings
|
undated |
|
|
|
|
5
|
20 |
|
Blondell Cummings
|
undated |
|
|
|
|
5
|
21 |
|
Simone Forti
|
undated |
|
|
|
|
5
|
22 |
|
Simone Forti
|
undated |
|
|
|
|
5
|
23 |
|
Simone Forti
|
undated |
|
|
|
|
5
|
24 |
|
Big Apple Circus
|
undated |
|
|
|
|
5
|
25 |
|
Big Apple Circus
|
undated |
|
|
|
|
5
|
26 |
|
Big Apple Circus
|
undated |
|
|
|
|
5
|
27 |
|
Kenneth King
|
undated |
|
|
|
|
5
|
28 |
|
Kenneth King
|
undated |
|
|
|
|
5
|
29 |
|
Kenneth King
|
undated |
|
|
|
|
5
|
30 |
|
Kenneth King
|
undated |
|
|
|
|
5
|
31 |
|
Kenneth King
|
undated |
|
|
|
|
5
|
32 |
|
Stuart Sherman
|
undated |
|
|
|
|
5
|
33 |
|
Stuart Sherman
|
undated |
|
|
|
|
5
|
34 |
|
Stuart Sherman
|
undated |
|
|
|
|
5
|
35 |
|
Lucinda Childs
|
undated |
|
|
|
|
5
|
36 |
|
Lucinda Childs
|
undated |
|
|
|
|
5
|
37 |
|
Lucinda Childs
|
undated |
|
|
|
|
5
|
38 |
|
Laura Foreman
|
undated |
|
|
|
|
5
|
39 |
|
Laura Foreman
|
undated |
|
|
|
|
5
|
40 |
|
Bill Dunas
|
undated |
|
|
|
|
5
|
41 |
|
Simone Forti
|
undated |
|
|
|
|
5
|
42 |
|
Simone Forti
|
undated |
|
|
|
|
5
|
43 |
|
Steve Paxton
|
undated |
|
|
|
|
5
|
44 |
|
David Gordon
|
undated |
|
|
|
|
5
|
45 |
|
David Gordon
|
undated |
|
|
|
|
5
|
46 |
|
The Hummers
|
undated |
|
|
|
|
5
|
47 |
|
The Hummers
|
undated |
|
|
|
|
5
|
48 |
|
The Hummers
|
undated |
|
|
|
|
5
|
49 |
|
Jill Kroesen
|
undated |
|
|
|
|
5
|
50 |
|
Jill Kroesen
|
undated |
|
|
|
|
5
|
51 |
|
Jill Kroesen
|
undated |
|
|
|
|
5
|
52 |
|
Mary Overlie et al
|
undated |
|
|
|
|
5
|
53 |
|
Mary Overlie
|
undated |
|
|
|
|
5
|
54 |
|
Dog'd Shots
|
undated |
|
|
|
|
5
|
55 |
|
Dog'd Shots
|
undated |
|
|
|
|
5
|
56 |
|
Donald Joyce
|
undated |
|
|
|
|
5
|
57 |
|
Donald Joyce
|
undated |
|
|
|
|
5
|
58 |
|
Donald Joyce
|
undated |
|
|
|
|
5
|
59 |
|
Risa Jaroslow
|
undated |
|
|
|
|
5
|
60 |
|
Whirling Dervishes
|
undated |
|
|
|
|
5
|
61 |
|
Steve Paxton
|
undated |
|
|
|
|
5
|
62 |
|
Steve Paxton
|
undated |
|
|
|
|
5
|
63 |
|
Steve Paxton
|
undated |
|
|
|
|
5
|
64 |
|
Michael and Paul Galasso
|
undated |
|
|
|
|
5
|
65 |
|
San Francisco Mime Troupe
|
undated |
|
|
|
|
5
|
66 |
|
Alvin Ailey
|
undated |
|
|
|
|
5
|
67 |
|
Alvin Ailey
|
undated |
|
|
|
|
5
|
68 |
|
Alvin Ailey
|
undated |
|
|
|
|
5
|
69 |
|
Alvin Ailey
|
undated |
|
|
|
|
5
|
70 |
|
Alvin Ailey
|
undated |
|
|
|
|
5
|
71 |
|
Bill Gordh and John Malpede
|
undated |
|
|
|
|
5
|
72 |
|
Dancing Songs
|
undated |
|
|
|
|
5
|
73 |
|
Ann Cumming
|
undated |
|
|
|
|
5
|
74 |
|
Ann Cumming
|
undated |
|
|
|
|
5
|
75 |
|
Ann Cumming
|
undated |
|
|
|
|
5
|
76 |
|
Tom Waits
|
undated |
|
|
|
|
5
|
77 |
|
Maple Sugar
|
undated |
|
|
|
|
5
|
78 |
|
Kenneth King
|
undated |
|
|
|
|
5
|
79 |
|
Kenneth King, Carter Frank, Diane Jacobowitz
|
undated |
|
|
|
|
5
|
80 |
|
Kenneth King, Carter Frank, Diane Jacobowitz
|
undated |
|
|
|
|
5
|
81 |
|
Kenneth King and Carter Frank
|
undated |
|
|
|
|
5
|
82 |
|
Kenneth King, Carter Frank, Diane Jacobowitz
|
undated |
|
|
|
|
5
|
83 |
|
Kenneth King and Diane Jacobowitz
|
undated |
|
|
|
|
5
|
84 |
|
Kenneth King, Carter Frank, Diane Jacobowitz
|
undated |
|
|
|
|
5
|
85 |
|
Meredith Monk et al
|
undated |
|
|
|
|
5
|
86 |
|
Eleanor Antin
|
undated |
|
|
|
|
5
|
87 |
|
Paul Zaloom
|
undated |
|
|
|
|
5
|
88 |
|
Paul Zaloom
|
undated |
|
|
|
|
5
|
89 |
|
Peter Ustinov
|
undated |
|
|
|
|
5
|
90 |
|
Peter Ustinov
|
undated |
|
|
|
|
5
|
91 |
|
Yvonne Rainer
|
undated |
|
|
|
|
5
|
92 |
|
Yvonne Rainer
|
undated |
|
|
|
|
5
|
93 |
|
On Mount Chimborazo
|
undated |
|
|
|
|
5
|
94 |
|
On Mount Chimborazo
|
undated |
|
|
|
|
5
|
95 |
|
Ellen Webb
|
undated |
|
|
|
|
5
|
96 |
|
Ellen Webb
|
undated |
|
|
|
|
5
|
97 |
|
Ellen Webb
|
undated |
|
|
|
|
5
|
98 |
|
Ellen Webb
|
undated |
|
|
|
|
5
|
99 |
|
Ann Waldman
|
undated |
|
|
|
|
Return to top
|
Subseries C: Celebrity and other portraits
|
|
Scope and Contents note:
Peter Moore photographs; chimpanzee photographs for the NYU Physician; Kodak commemorative photographs.
|
| Box |
Folder |
|
Title |
Date |
|
6
|
1 |
|
Alvin Ailey, Nov 1978 (1 print)
|
1978 |
|
|
|
|
6
|
2 |
|
Gerri Atwood and Carter Frank (4 prints)
|
undated |
|
|
|
|
6
|
3 |
|
Ann Beckerman (2 prints)
|
undated |
|
|
|
|
6
|
4 |
|
Ann Beckerman (6 prints)
|
undated |
|
|
|
|
6
|
5 |
|
Peter Boyle, Feb 1979 (3 prints)
|
1979 |
|
|
|
|
6
|
6 |
|
Lucinda Childs, Sep 1978 (4 prints)
|
1978 |
|
|
|
|
6
|
7 |
|
Bill Dunas, Sep 1978 (1 print)
|
1978 |
|
|
|
|
6
|
8 |
|
Laura Foreman, 22 Jan 1980 (4 prints)
|
1980 |
|
|
|
|
6
|
9 |
|
Simone Forti, Sep 1978 (2 prints)
|
1978 |
|
|
|
|
6
|
10 |
|
Sheldon Frank (2 prints)
|
undated |
|
|
|
|
6
|
11 |
|
Michael and Paul Galasso, Nov 1978 (2 prints)
|
1978 |
|
|
|
|
6
|
12 |
|
Peter Ustinov, Mar 1979 (2 prints)
|
1979 |
|
|
|
|
6
|
13 |
|
Tom Waits, Nov 1978 (6 prints)
|
1978 |
|
|
|
|
6
|
14 |
|
Lab chimpanzees for the
NYU Physicianarticle on chimpanzees of The Gambia (5 prints)
|
undated |
|
|
|
|
6
|
15 |
|
Kodak commemorative prints
|
undated |
|
|
|
|
6
|
16 |
|
Peter Moore photographs (2 prints)
|
undated |
|
|
|
|
Return to top
|
Subseries D: Portfolios and other personal work
|
|
Scope and Contents note:
Series I: Subseries D - Boxes 7 through 11 contain prints from Alexander's portfolios. These photographs were not clearly dated by the photographer. Since the subject matter is varied and the dates uncertain the prints have been boxed in no particular order. Wherever possible however, prints that were grouped together by the photographer have been kept together in the collection. Box 11 contains oversize prints.
|
| Box |
Folder |
|
Title |
Date |
|
7
|
|
|
9 folders containing portfolio work (mounted and unmounted prints).
|
undated |
|
|
|
|
8
|
|
|
15 folders containing portfolio work, polaroids, photographs of friends, self-portraits, photographs of New York City.
|
undated |
|
|
|
|
9
|
1 |
|
Portfolio (7 sleeves)
|
undated |
|
|
|
|
9
|
2 |
|
Architectural (9 sleeves)
|
undated |
|
|
|
|
9
|
3 |
|
Still life (5 sleeves)
|
undated |
|
|
|
|
9
|
4 |
|
Street scenes, NYC (10 sleeves)
|
undated |
|
|
|
|
9
|
5 |
|
Color polaroids - still life (3 sleeves)
|
undated |
|
|
|
|
9
|
6 |
|
School children (2 sleeves)
|
undated |
|
|
|
|
9
|
7 |
|
Children dancing (9 sleeves)
|
undated |
|
|
|
|
9
|
8 |
|
Chimpanzees (1 sleeve)
|
undated |
|
|
|
|
10
|
|
|
35 sleeves of portfolio work from 1981, 1982, and 1983 (though dates are uncertain). These include self-portraits, domestic scenes, subway scenes, street scenes, portraits, still lifes.
|
1981-1983 |
|
|
|
|
Return to top
|
Oversize - Subseries D
|
| Box |
Folder |
|
Title |
Date |
|
11
|
|
|
7 folders of portfolio work
|
undated |
|
|
|
|
Return to top
|
|
|
Series II: Slides
|
Subseries A: Dance and performance
|
|
Scope and Content note:
Series II: Subseries A - Boxes 12 through 18 are arranged alphabetically. Of special interest are several sheets of slides, in order, of Stuart Sherman's Eleventh Spectacle (Box 16).
|
| Box |
Folder |
|
Title |
Date |
|
12
|
1 |
|
African dancers
|
undated |
|
|
|
|
12
|
2 |
|
Geri Atwood
|
undated |
|
|
|
|
12
|
3 |
|
Benefit, Dec 1980
|
1980 |
|
|
|
|
12
|
4 |
|
Trisha Brown
|
undated |
|
|
|
|
12
|
5 |
|
Yoshiko Chuma
|
undated |
|
|
|
|
13
|
1 |
|
Circus
|
undated |
|
|
|
|
13
|
2 |
|
Merce Cunningham
|
undated |
|
|
|
|
14
|
1 |
|
Edwin Denby and Yoshiko Chuma
|
undated |
|
|
|
|
14
|
2 |
|
Douglas Dunn
|
undated |
|
|
|
|
14
|
3 |
|
Stephanie Evanitsky (Multigravitational Experimental Group)
|
undated |
|
|
|
|
14
|
4 |
|
Laura Foreman
|
undated |
|
|
|
|
14
|
5 |
|
Simone Forti
|
undated |
|
|
|
|
14
|
6 |
|
David Gordon
|
undated |
|
|
|
|
14
|
7 |
|
Martha Graham
|
undated |
|
|
|
|
14
|
8 |
|
Grand Union
|
undated |
|
|
|
|
15
|
1 |
|
Diane Jacobowitz
|
undated |
|
|
|
|
15
|
2 |
|
Risa Jaroslow
|
undated |
|
|
|
|
15
|
3 |
|
Bill T. Jones
|
undated |
|
|
|
|
15
|
4 |
|
Bill T. Jones and Kenneth King
|
undated |
|
|
|
|
15
|
5 |
|
Judson Church
|
undated |
|
|
|
|
15
|
6 |
|
Pooh Kaye
|
undated |
|
|
|
|
15
|
7 |
|
Kenneth King
|
undated |
|
|
|
|
16
|
1 |
|
Mime, Victoria Falls
|
undated |
|
|
|
|
16
|
2 |
|
Steve Paxton
|
undated |
|
|
|
|
16
|
3 |
|
Red Mole Theatre
|
undated |
|
|
|
|
16
|
4 |
|
Dana Reitz
|
undated |
|
|
|
|
16
|
5 |
|
Rukas [?]
|
undated |
|
|
|
|
16
|
6 |
|
Shelley and Denman [?]
|
undated |
|
|
|
|
16
|
7 |
|
Stuart Sherman,
Eleventh Spectacle
|
undated |
|
|
|
|
17
|
1 |
|
Min Tanaka
|
undated |
|
|
|
|
17
|
2 |
|
Paul Taylor
|
undated |
|
|
|
|
18
|
1 |
|
Paul Taylor
|
undated |
|
|
|
|
18
|
2 |
|
Torville and Dean
|
undated |
|
|
|
|
18
|
3 |
|
Whirling Dervishes
|
undated |
|
|
|
|
18
|
4 |
|
Stephanie Woodard
|
undated |
|
|
|
|
18
|
5 |
|
Unlabelled mixed performance
|
undated |
|
|
|
|
Return to top
|
Subseries B: Events
|
|
Scope and Contents note:
Series II: Subseries B is arranged roughly chronologically, though dates are uncertain.
|
| Box |
Folder |
|
Title |
Date |
|
19
|
1 |
|
Willowtown street fair, 1974
|
1974 |
|
|
|
|
19
|
2 |
|
Halloween parade, 1980
|
1980 |
|
|
|
|
19
|
3 |
|
John Lennon observance, 1980
|
1980 |
|
|
|
|
19
|
4 |
|
Macy's Christmas, 1980
|
1980 |
|
|
|
|
19
|
5 |
|
Christmas party in garment district, 1980
|
1980 |
|
|
|
|
19
|
6 |
|
Thelonius Monk's funeral, 1982
|
1982 |
|
|
|
|
19
|
7 |
|
Christmas pageant, 1982
|
1982 |
|
|
|
|
19
|
8 |
|
Fireworks, 1983
|
1983 |
|
|
|
|
19
|
9 |
|
Opera in Central Park, 1983
|
1983 |
|
|
|
|
19
|
10 |
|
New London fireworks, 1983
|
1983 |
|
|
|
|
Return to top
|
Subseries C: Portraits
|
| Box |
Folder |
|
Title |
Date |
|
20
|
1 |
|
Robert Alexander
|
undated |
|
|
|
|
20
|
2 |
|
Alvin Ailey
|
undated |
|
|
|
|
20
|
3 |
|
Ann Beckerman
|
undated |
|
|
|
|
20
|
4 |
|
Trisha Brown
|
undated |
|
|
|
|
20
|
5 |
|
Lucinda Childs
|
undated |
|
|
|
|
20
|
6 |
|
Carter Frank
|
undated |
|
|
|
|
20
|
7 |
|
Sheldon Frank
|
undated |
|
|
|
|
20
|
8 |
|
Philippe Petite
|
undated |
|
|
|
|
20
|
9 |
|
Bucky and John Pizzarelli
|
undated |
|
|
|
|
20
|
10 |
|
Erik Roberts
|
undated |
|
|
|
|
20
|
11 |
|
Rob Seiga and Toby Klass
|
undated |
|
|
|
|
20
|
12 |
|
Peter Ustinov
|
undated |
|
|
|
|
20
|
13 |
|
Tom Waits
|
undated |
|
|
|
|
20
|
14 |
|
Mixed portraits
|
undated |
|
|
|
|
Return to top
|
Subseries D: Projects: 1973 - 1987, and other personal work
|
|
Scope and Contents note:
Series II: Suberies D - These slides are arranged thematically and chronologically where possible. They comprise several ongoing projects, most of which document some aspect of life in Manhattan. Of special interest are the slides of the Alex Katz mural in the Attorney General's office. Box 25 appears to be a selection made by Alexander and the slides have been kept in the order in which he arranged them.
|
| Box |
Folder |
|
Title |
Date |
|
21
|
1 |
|
Movement series
|
undated |
|
|
|
|
21
|
2 |
|
Ron Edson sculptures, Wids Delacour
|
undated |
|
|
|
|
21
|
3 |
|
Alex Katz mural
|
undated |
|
|
|
|
21
|
4 |
|
Mannekins
|
undated |
|
|
|
|
21
|
5 |
|
Cabs
|
undated |
|
|
|
|
21
|
6 |
|
Health clubs
|
undated |
|
|
|
|
22
|
|
|
"From My Window" 30 sleeves of slides shot from Alexander's apartment window on 29th street
|
undated |
|
|
|
|
23
|
|
|
Still life studies, 1971 - 1987; 22 sleeves
|
1971-1987 |
|
|
|
|
24
|
|
|
Memorabilia; 19 sleeves
|
undated |
|
|
|
|
25
|
1 |
|
Unlabelled: 1 sleeve
|
undated |
|
|
|
|
25
|
2 |
|
Kids mixed: 3 sleeves
|
undated |
|
|
|
|
25
|
3 |
|
Views from my window: 1 sleeve
|
undated |
|
|
|
|
25
|
4 |
|
Couples: 1 sleeve
|
undated |
|
|
|
|
25
|
5 |
|
City: 6 sleeves
|
undated |
|
|
|
|
25
|
6 |
|
Portraits: 3 sleeves
|
undated |
|
|
|
|
25
|
7 |
|
Workers and industrial: 2 sleeves
|
undated |
|
|
|
|
25
|
8 |
|
Commercial: 1 sleeve
|
undated |
|
|
|
|
25
|
9 |
|
City, city people: 14 sleeves
|
undated |
|
|
|
|
Return to top
|
Subseries E: City People, 1973 - 1983 (dates uncertain)
|
| |
|
Series II: Subseries E consists of one box of slides, arranged more or less chronologically.
|
| Box |
Folder |
|
Title |
Date |
|
26
|
|
|
27 sleeves of candid photographs of people (mostly street scenes in New York City).
|
undated |
|
|
|
|
Return to top
|
Subseries F: City scenes, 1980 - 1986 (dates uncertain).
|
|
Scope and Contents note:
Series II: Subseries F consists of extensive documentation of New York City (mostly Manhattan) over roughly six years. Includes photographs of the city bridges, the building of the West Side Highway, the city stations, street fairs, landmark buildings, and city parks.
|
| Box |
Folder |
|
Title |
Date |
|
27
|
|
|
29 sleeves: Sep 1980 - Apr 1981
|
1980-1981 |
|
|
|
|
28
|
|
|
25 sleeves: May 1981 - Apr 1982
|
1981-1982 |
|
|
|
|
29
|
|
|
29 sleeves: May 1982 - Dec 1982
|
1982 |
|
|
|
|
30
|
|
|
27 sleeves: May 1983 - July 1986
|
1983-1986 |
|
|
|
|
30
|
|
|
12 sleeves: mixed dates
|
undated |
|
|
|
|
Return to top
|
Subseries G: Nature
|
|
Scope and Contents note:
Series II: Subseries G includes slides of Maine, Long Island, Block Island, Novia Scotia, Utah, Colorado, and upstate New York.
|
| Box |
Folder |
|
Title |
Date |
|
31
|
|
|
29 sleeves
|
1971-1978 |
|
|
|
|
32
|
|
|
17 sleeves
|
1981-1983 |
|
|
|
|
33
|
|
|
34 sleeves
|
1985-1987 |
|
|
|
|
Return to top
|
Subseries H: Commercial work
|
|
Scope and Content note:
Series II: Subseries H is one box of slides of work done for jewelry and footwear catalogues. It represents a fraction of Alexander's commercial work in this field.
|
| Box |
Folder |
|
Title |
Date |
|
34
|
|
|
14 sleeves
|
undated |
|
|
|
|
Return to top
|
|
|
Series III: Negatives and Contact Sheets
|
| Box |
Folder |
|
Title |
Date |
|
35
|
1 |
|
Hillside nature shots, 7 Mar 1966
|
1966 |
|
|
|
|
35
|
2 |
|
23rd Street, 15 June 1966
|
1966 |
|
|
|
|
35
|
3 |
|
Delancey Street, 20 June 1966
|
1966 |
|
|
|
|
35
|
4 |
|
Personal: Diane; honeymoon, June 1966 - June 1968
|
1968 |
|
|
|
|
35
|
5 |
|
Diane
|
undated |
|
|
|
|
35
|
6 |
|
Catskills campsite
|
undated |
|
|
|
|
35
|
7 |
|
5th Avenue
|
undated |
|
|
|
|
35
|
8 |
|
Joan Berlin et al modeling for John Mandel, Aug 1968 - May 1969
|
1969 |
|
|
|
|
35
|
9 |
|
Picnic at Silvermine, 27 Oct 1968
|
1968 |
|
|
|
|
35
|
10 |
|
Gnarled tree, Atlantic Ave, etc, 5 Nov 1968
|
1968 |
|
|
|
|
35
|
11 |
|
Summer '69 photo course, summer 1969
|
1969 |
|
|
|
|
35
|
12 |
|
Ethical Culture School, 7 June 1969
|
1969 |
|
|
|
|
35
|
13 |
|
Personal, 1971 and 1973: Barbara (nudes), fern, rock,
|
1971-1973 |
|
|
|
|
35
|
14 |
|
Moon men on 5th, Mar 1971
|
1971 |
|
|
|
|
35
|
15 |
|
S.E.L.C. march on Wall Street, April 1971
|
1971 |
|
|
|
|
35
|
16 |
|
Michael, June 1971
|
1971 |
|
|
|
|
35
|
17 |
|
Paul Kempf, June 1971
|
1971 |
|
|
|
|
35
|
18 |
|
Marty Mevado, July 1971
|
1971 |
|
|
|
|
35
|
19 |
|
Barbara, July 1971
|
1971 |
|
|
|
|
35
|
20 |
|
Various: Macdougals, Bronx Zoo, Jan 1972
|
1972 |
|
|
|
|
35
|
21 |
|
Various (including self-portrait), June 1972
|
1972 |
|
|
|
|
35
|
22 |
|
Wood stacks, skyline, Vivian, Aug 1972
|
1972 |
|
|
|
|
35
|
23 |
|
Central Park, Fran Atherton, Oct 1972
|
1972 |
|
|
|
|
35
|
24 |
|
Yarn still life, 6 Oct 1972
|
1972 |
|
|
|
|
35
|
25 |
|
Andre bakes a Christmas cake, 5 Dec 1972
|
1972 |
|
|
|
|
35
|
26 |
|
Buildings lower Manhattan, spring 1973
|
1973 |
|
|
|
|
35
|
27 |
|
Architecture book, Oct 1973
|
1973 |
|
|
|
|
35
|
28 |
|
Multigravitational Experimental Group, Dec 1973
|
1973 |
|
|
|
|
35
|
29 |
|
Rudy Perez rehearsal and performance, Dec 1973 |
