Print Guide to the Robert Alexander Papers
1962-1987
MSS 114
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Descriptive Summary
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Creator: |
Alexander, Robert, d. 1989
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Title: |
The Robert Alexander Papers
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Dates: |
1962-1987 |
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Abstract: |
Alexander was born in 1943 in New York. He was a photographer closely connected with performance art and experimental dance
during the late seventies and early eighties, and worked with choreographers such as Douglass Dunn, Simone Forti, and Yvonne
Rainer. His photographs of dance and theatre performances appeared regularly in the Soho Weekly News in 1978 and 1979, and he collaborated with the dance critic and writer Sally Banes on the book: Terpsichore in Sneakers, which remains a standard text of postmodern dance. His photography thus documents an important period in the development
of contemporary dance and performance art. In addition to his work on dance, Alexander was a keen observer and documenter
of the city in which he spent all of his life. The collection contains hundreds of slides and prints of New York street scenes
and architecture from the late sixties until just before Alexander's death in 1989. The Robert Alexander papers is an extensive
collection of his photography and related materials.
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Quantity: |
14 linear feet (41 boxes) |
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Call Phrase: |
The Robert Alexander Papers |
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Historical/Biographical Note:
Robert Alexander was born in Brooklyn on the 21st of November 1943. He spent most of his early life there, eventually working
as a freelance photographer and photographer's assistant from various addresses, including Remsen Street in the downtown area
of the city. He studied Art History at the University of Pennsylvania from 1961 to 1965 (but did not graduate) and did brief
stints at the New School for Social Research (film production) and at the School of Visual Arts (16mm film editing). By the
early seventies, Alexander had moved to Manhattan and had begun his work as a freelance photographer, though he continued
to assist other photographers for several years. He also worked as a commercial photographer, doing catalogues and advertising
for jewelry and clothing manufacturers.
Alexander's early portfolio work is at first tentatively formalist, but he quickly develops a strongly realist approach to
subjects. He moves from photographing everyday, domestic objects to photographing people and street scenes. Though he retained
his interest in still life photography all through his photographic career, sometimes photographing single objects in obsessive
detail, it is as an observer of people in motion and interacting with a changing environment that Alexander is at his best.
His photographs of New York streets, people, and architecture have that combination of intense engagement with and detachment
from subjects that characterizes the work of many renowned documenters of modern city life. Alexander's slides and prints
of New York City during the seventies and eighties are a lively record of a city undergoing intense change and they reveal
a fascination both with the ordinariness of city life and the grandeur and strangeness of the city itself. He undertook several
personal projects, photographing New York cabs and shop mannequins, and, over several years, scenes of the street from his
apartment on 29th street. He also documented the building of the West Side Highway and took hundreds of slides of the Manhattan
skyline.
Alexander's first resumes indicate that by the early seventies he had begun to think of himself as specializing in performance
photography. His work had started to appear in various publications associated with the arts and he had collaborated with
Sally Banes on the book: Terpsichore in Sneakers. His black and white photographs are given a special place in the book, accompanying individual chapters and also comprising
a separate section at the end of the text. The spare, often stark simplicity of the photography suggests that Alexander had
understood the tension between the singularity of the dancer's body and its sometimes violent, sometimes playful interaction
with other bodies and objects. The choreographers and dancers he photographed for the book and for other publications had
inherited a strong dance vocabulary from the avant-garde performers and choreographers of the fifties and sixties, but they
were constantly seeking to break free of some of the constraints imposed upon modern dance by that vocabulary. These attempts
to redefine movement and dance are perhaps best exemplified by the development of Contact Improvisation, with its mixture
of randomness, spontaneity, and carefully focused give and take between dancers. Alexander frequently photographed Steve Paxton,
who was instrumental in the development of this form, as well as the other choreographers and dancers of the collaborative
group: Grand Union. His photographs of them are of performers who seem at times restrained and poised and at times utterly
abandoned to movement and to contact with other dancers. His strongest street photographs share this quality with his dance
pictures. He seems drawn to the vulnerability of bodies in a dynamic environment, and his work conveys something of the dancer's
desire both to control spaces and to be abandoned to them.
While Alexander did not achieve the broad recognition of some of his contemporaries such as Peter Moore, his work is an important
contribution to the documentation of experimental dance and performance of the seventies and eighties. He photographed most
of the major experimental choreographers, dancers, and performers of the period, including Stuart Sherman, Kenneth King, Simone
Forti, David Gordon, Valda Setterfield, Laura Foreman, Carter Frank, Yvonne Rainer, Steve Paxton, Douglass Dunn, Rudy Perez,
Meredith Monk, Trisha Brown, Lucinda Childs, and many others. He also photographed musicians and actors, such as the then
emerging Tom Waits and the already famous Peter Ustinov.
By the mid-eighties Alexander was doing less and less dance photography and more photography of the city. The collection includes
thousands of slides of Manhattan dating from this period, many of which reveal Alexander's interest in ordinary street scenes
and people. Most, however, are of the city's skyline and monolithic architecture, and testify to the photographer's obsession
with the city that he lived in all of his life and which he left only briefly as a young man. Alexander died on the 8th of
October, 1989.
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Scope and Content Note
The Robert Alexander Papers are a part of the Downtown Collection at the Fales Library, New York University. The Fales Library
is the primary special collections division of the NYU libraries, housing nearly 200,000 volumes of English and American literature
from 1700 to the present. Strengths of the collection include the development of the English and American novel, with an
emphasis on the Gothic and the Victorian novel.
The Robert Alexander Papers comprise mainly photographs, contact sheets and negatives, and slides. There is one box of personal
papers, correspondence, and memorabilia, and two boxes containing other media, such as 16mm and Super 8 films and audio cassettes.
The negatives and contact sheets have been kept in chronological order, as Alexander had organized them, and the prints and
slides have been arranged alphabetically. There are three boxes of unprocessed material at the end of the collection.
SERIES DESCRIPTION
SERIES I: Prints
Subseries A: Dance and Performance Prints
This subseries contains 4 boxes, ordered alphabetically, of dance and performance-related photographs. Box 4 is oversize.
Subseries B: Prints for the Soho Weekly News.
This is a series of prints, arranged chronologically, of work done for the Soho Weekly News. Copies of the tearsheets from the newspaper can be found in Series IV, box 38, folder 38.
Subseries C: Celebrity and other portraits; Peter Moore photographs; chimpanzee photographs for the NYU Physician; Kodak commemorative
photographs.
Amongst the photographs in this subseries are portraits of Alvin Ailey, Tom Waits, Lucinda Childs, Peter Ustinov, Peter Boyle,
Laura Foreman, Ann Beckerman, and Robert Alexander. The subseries also contains several poignant photographs of laboratory
chimpanzees taken for an article in the NYU Physician.
Subseries D: Portfolios and other personal work.
Boxes 7 through 11 contain prints from Alexander's portfolios. These photographs were not clearly dated by the photographer.
Since the subject matter is varied and the dates uncertain the prints have been boxed in no particular order. Wherever possible
however, prints that were grouped together by the photographer have been kept together in the collection. Box 11 contains
oversize prints.
SERIES II: Slides
Some of the slides in the collection were arranged in sleeves by the photographer, but thousands were in labeled and unlabelled
slide boxes. It was extremely difficult to detect any order in the slides and so they have been arranged alphabetically and
thematically. The embossed dates on the slides seem more or less accurate but cannot be relied upon (since some slides may
have been processed some time after shoots).
Subseries A: Dance and Performance.
Boxes 12 through18 are arranged alphabetically. Of special interest are several sheets of slides, in order, of Stuart Sherman's
Eleventh Spectacle (Box 16).
Subseries B: Events
Slides in this subseries are arranged roughly chronologically, though dates are uncertain. Of special interest are slides
of the John Lennon observance in Central Park, and those of Thelonius Monk's funeral.
Subseries C: Portraits
The box of portraits in this subseries includes shots of Alvin Ailey, Philippe Petite, Peter Ustinov, and Tom Waits.
Subseries D: Projects: 1973 - 1987, and other personal work.
These slides are arranged thematically and chronologically where possible. They comprise several ongoing projects, most of
which document some aspect of life in Manhattan. Of special interest are the slides of the Alex Katz mural in the Attorney
General's office. Box 25 appears to be a selection made by Alexander and the slides have been kept in the order in which he
arranged them.
Subseries E: City people, 1973 - 1983
This is one box of slides, arranged more or less chronologically.
Subseries F: City scenes, 1980 - 1986
The slides span a six year period and have been arranged more or less chronologically.
Subseries G: Nature
Boxes 31 through 33 are arranged roughly chronologically.
Subseries H: Commercial work
This is one box of slides of work done for jewelry and footwear catalogues. It represents a fraction of Alexander's commercial
work in this field. The remainder have been roughly processed and boxed separately.
SERIES III: Negatives and contact sheets
Alexander organized his negatives and contact sheets chronologically. This arrangement has been retained as far as possible.
SERIES IV: Printed and other materials
Subseries A: Printed material, memorabilia, correspondence, ephemera
This subseries comprises two boxes of material, one of which is oversize (box 39).
Subseries B: Other media
This subseries includes a 16mm print of Yvonne Rainer's dance "Trio A". [Research copies may not be available for these materials
yet. Check with the Fales archivist.]
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Arrangement
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Folders are generally arranged alphabetically by subject but sometimes chronologically within each series. |
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The files are grouped into 4 series.
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Related Material
at the Fales Library and Special Collections
The Judson Memorial Church Archive
Wendy Perron's "Concepts in Performance," In The Soho Weekly News (1976-78).
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Separated Material
There is no information about materials that are associated by provenance to the described
materials that have been physically separated or removed.
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Restrictions
Access Restrictions
Open to researchers. Appointments are necessary for the use of manuscript and archival materials.
Use Restrictions
Collection use is subject to all copyright laws. Permission to
publish materials must be obtained in writing from the Director of Fales
Library and Special Collections. For more information, contact
Fales Library and Special Collections
Elmer Holmes Bobst Library
70 Washington Square South
New York, NY 10012Phone: (212) 998-2596
Fax: (212) 995-3835
Email: fales.library@nyu.edu
URL: http://www.nyu.edu/library/bobst/research/fales/cdfa.htm
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Access Points
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Subject Names: |
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Ailey, Alvin |
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Alexander, Robert, d. 1989 |
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Antin, Eleanor |
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Atwood, Geri |
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Banes, Sally |
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Beardsley, Bettany |
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Beckerman, Ann |
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Boyle, Peter, 1933- |
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Brown, Trisha, 1936- |
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Childs, Lucinda |
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Chong, Ping |
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Chuma, Yoshiko |
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Cumming, Ann |
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Cummings, Blondell |
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DeGroat, Andy |
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Dunas, William |
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Dunn, Douglas, 1942- |
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Foreman, Laura |
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Forti, Simone |
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Frank, Carter |
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Gardner, Barbara |
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Ginsberg, Allen, 1926- |
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Glass, Philip |
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Goldblum, Jeff, 1952- |
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Gordh, Bill |
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Gordon, David, 1936- |
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Halprin, Anna |
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Hay, Deborah |
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Jacobowitz, Diane |
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Jaroslow, Risa |
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Joyce, Donald |
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Kast, Maggie |
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Katz, Alex |
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Kaye, Pooh |
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King, Kenneth, 1948- |
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Kroesen, Jill |
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Kushner, Robert, 1949- |
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Landry, Richard |
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Lord, Carolyn |
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Malpede, John |
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McLean, Bruce |
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Monk, Meredith |
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Overlie, Mary |
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Paxton, Steve |
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Perez, Rudy |
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Rainer, Yvonne, 1934- |
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Reitz, Dana |
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Roberts, Erik |
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Rudner, Sara |
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Selmier, Dean |
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Setterfield, Valda |
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Sherman, Stuart |
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Smith, Nancy Stark |
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Tanaka, Min |
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Taylor, Paul |
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Ustinov, Peter |
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Van Riper, Peter |
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Waits, Tom, 1949- |
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We, Ellen |
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Whitman, Sylvia |
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Woodberry, Dave |
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Zaloom, Paul |
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Subject Organizations: |
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Alvin Ailey American Dance Theater |
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Big Apple Circus |
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Grand Union (Performance group) |
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Kipper Kids (Group of artists) |
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No Theatre (Theater group) |
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Rockettes (Dance company) |
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Squat Theatre (Theater group) |
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Subject Topics: |
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Dance photography. |
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Dance--Pictorial works. |
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Dancers--Portraits. |
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Landscape photography. |
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Photography, Artistic. |
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Portrait photography. |
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Subject Places: |
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New York (State)--New York. |
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Document Types: |
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Acetate film -- 16mm. |
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Acetate film -- 8mm -- Super 8. |
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Audiocassettes. |
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Clippings. |
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Correspondence. |
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Ephemera |
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Financial records. |
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Photographs. |
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Record covers. |
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Tear sheets. |
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Administrative Information
Provenance
The Robert Alexander Papers were bequeathed to the Fales Library by the estate of Ann Beckerman, Robert Alexander's second
wife. The transfer of materials, which included photographic prints, contact sheets and negatives, several boxes of slides,
as well as personal papers and memorabilia, took place in January 2001 with the assistance of Dan Beckerman, Ann Beckerman's
brother and the executor of her estate.
Preferred Citation
Published citations should take the following form:
Identification of item, date (if known); The Robert Alexander Papers; MSS 114; box number; folder number; Fales Library and Special Collections
, New York University Libraries.
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Container List
[The following section contains a detailed listing of the materials in
the collection.]
| Series I: Prints
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| Subseries A: Dance prints
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| Box |
Folder |
Title |
Date |
| 1
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1 |
Trisha Brown:
Figure Eight, rehearsal,
1973 (2 prints)
Primary Accumulations, rehearsal, 1973 (1 print)
Water Motor,
performance, 1979 (7 prints)
Interview portrait, Jan 1974 (1 print)
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1973-1979 |
| 1
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2 |
Lucinda Childs:
Melody Excerpt, rehearsal, 1978 (4
prints)
Katema, performance, 1978 (2 prints)
Dance, rehearsal, 1979 (2 prints)
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1978-1979 |
| 1
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3 |
Yoshiko Chuma, 9 Mar 1980 (2 prints)
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1980 |
| 1
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4 |
Douglas Dunn:
101, performance
exhibition, 1974 (4 prints)
Lazy Madge, performance, 1976 (4 prints)
Coquina,
performance, 1979 (2 prints)
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1974-1979 |
| 1
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5 |
Simone Forti at Fordham, Apr 1976 (10 prints) |
1976 |
| 1
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6 |
Simone Forti at St Marks, May 1976 (6 prints) |
1976 |
| 1
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7 |
Simone Forti and Peter Van Riper at the
Museum of Modern Art, Aug 1978 (11 prints)
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1978 |
| 1
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8 |
Carter Frank (with Maggie Kast et al), May 1974 (2 prints)
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1974 |
| 1
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9 |
David Gordon:
Not necessarily
Recognizable Objectives, performance, 1978 (5 prints)
What Happened, performance,1978 (2 prints)
Times Four, performance with Valda Setterfield, 1976 (3 prints) David Gordon/Pick Up Co., performance, Apr 1978 (2 prints)
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1978 |
| 1
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10 |
Bill Gordh and John Malpede, Dead Dog and Lonely Horse, Nov 1978
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1978 |
| 1
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11 |
Grand Union: Improvisatory
performance, 1974 (8 prints) Rehearsal, June 1975 (3 prints) Performance at La
Mama, Apr 1976 (2 prints)
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1974-1976 |
| 1
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12 |
Deborah Hay: Rehearsal, Feb 1979 (1 print) Solo performance, Feb 1979 (1 print)
The Grand Dance, workshop, 1979 (2 prints)
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1979 |
| 1
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13 |
Diane Jacobowitz, performance, May/June 1980 (2 prints) |
1980 |
| 1
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14 |
Risa Jaroslow, 21 Oct 1978 (1 print) |
1978 |
| 1
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15 |
Pooh Kaye, Blur, Mar 1982 (1 print) (see
also slides)
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1982 |
| Box |
Folder |
Title |
Date |
| 2
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1 |
Kenneth King: With Carter
Frank, performance, 8 Dec 1978 (6 prints) Performance, 8 Dec 1978 (1 print)
Word
Raid, performance at St Marks benefit, 1 Jan 1979 (1 print)
|
1978-1979 |
| 2
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2 |
Meredith Monk:
Education of the Girlchild, performance, 1973 (5
prints)
Education of the Girlchild, performance, 1979 (2 prints)
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1973-1979 |
| 2
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3 |
Meredith Monk and Ping Chong, Paris, performance,
1974 (8 prints)
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1974 |
| 2
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4 |
Multi-gravitational
Experimental Group: Performance, Dec 1973 (21 prints) Performance, May 1974 (2 prints)
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1973-1974 |
| 2
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5 |
Steve Paxton:
Backwater: Twosome,
performance, 1978 (3 prints) With Nancy Stark-Smith, Contact Improvisation,
performance, 1978 (1 print) Contact Improvisation, performance, 1978 (2 prints)
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1978 |
| 2
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6 |
Steve Paxton with Grand Union, 1973 (1
print) - photograph by Gwen Thomas
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1973 |
| 2
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7 |
Rudy Perez, rehearsal and performance, Dec 1973 (15 prints) |
1973 |
| 2
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8 |
Yvonne Rainer, New Version of
Convalescent Dance, performance, 1979 (2 prints)
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1979 |
| 2
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9 |
Paul Taylor, Arden Court, Apr 1982 (1 print) (see slides)
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1982 |
| 2
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10 |
Terpsichore in Sneakers: Yvonne Rainer,
Trio A, performance, 1978 (6 prints)
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1978 |
| 2
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11 |
Terpsichore in Sneakers:
Deborah Hay, The Grand Dance, 1979 Lucinda
Childs, Katema, 1978 Lucinda Childs, Melody Excerpt, 1978 Meredith Monk and
Ping Chong, Paris, 1974 Meredith Monk, Education of the Girlchild, 1973 Kenneth
King, Wor(l)d (T)rade, 1978 Kenneth King, RadeoA.C.tiv(ID)ty, 1978 Douglas
Dunn, Coquina, 1979 Douglas Dunn, 101, 1974 Douglas Dunn, improv., 1974 Grand Union, improv., 1974
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1973-1979 |
| 2
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12 |
Terpsichore in Sneakers: Simone Forti, Big Room, 1976 Grand Union, Improvisation,
1974 Simone Forti, Fountain Huddle, 1978 Steve Paxton, Backwater: Twosome,
1978 Trisha Brown, Water Motor, 1979 David Gordon, Not Necessarily
Recognizable Objectives, 1978 Deborah Hay, solo, 1979 Lucinda Childs, Dance,
rehearsal, 1979 Meredith Monk, Education of the Girlchild, 1979 Kenneth King,
Word Raid, 1978 Douglas Dunn, Lazy Madge, 1976
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1974-1979 |
| 2
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13 |
Terpsichore in Sneakers: Simone Forti, Phoenix, 1978 Simone
Forti and Peter Van Riper, Big Room, 1979 Yvonne Rainer, New Version of Convalescent
Dance, 1979 Steve Paxton and Nancy Stark-Smith, 1978 Trisha Brown, Primary
Accumulation, 1973 Trisha Brown, Water Motor, 1979 David Gordon, Times Four,
1976 David Gordon, What Happened, 1978 David Gordon, Not Necessarily
Recognizable Objectives, 1978 Deborah Hay, solo, 1979
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1973-1979 |
| 2
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14 |
Ellen Webb, dance relaxation techniques, Mar 1979 (1 print)
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1979 |
| Box |
Folder |
Title |
Date |
| 3
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1 |
Bettany Beardsley |
undated |
| 3
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2 |
Peter Boyle |
undated |
| 3
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3 |
Trisha Brown |
undated |
| 3
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4 |
Trisha Brown |
undated |
| 3
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5 |
Trisha Brown |
undated |
| 3
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6 |
Trisha Brown |
undated |
| 3
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7 |
Trisha Brown |
undated |
| 3
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8 |
Trisha Brown |
undated |
| 3
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9 |
Lucinda Childs |
undated |
| 3
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10 |
Lucinda Childs |
undated |
| 3
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11 |
Lucinda Childs |
undated |
| 3
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12 |
Lucinda Childs |
undated |
| 3
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13 |
Yoshiko Chuma |
undated |
| 3
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14 |
Andy DeGroat, Philip Glass, Dickie Landry |
undated |
| 3
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15 |
Andy DeGroat, Philip Glass, Dickie Landry |
undated |
| 3
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16 |
Andy DeGroat, Philip Glass, Dickie Landry |
undated |
| 3
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17 |
Philip Glass |
undated |
| 3
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18 |
Dickie Landry, Philip Glass |
undated |
| 3
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19 |
Dickie Landry |
undated |
| 3
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20 |
Andy DeGroat and dancers |
undated |
| 3
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21 |
Shelley and Denman at Ear Inn |
undated |
| 3
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22 |
Shelley and Denman |
undated |
| 3
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23 |
Denman |
undated |
| 3
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24 |
Shelley and Denman |
undated |
| 3
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25 |
Bill Dunas dancer |
undated |
| 3
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26 |
Bill
Dunas dancer
|
undated |
| 3
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27 |
Bill Dunas dancer |
undated |
| 3
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28 |
Doug Dunn and Dave Woodberry |
undated |
| 3
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29 |
Doug Dunn and Dave Woodberry |
undated |
| 3
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30 |
Doug Dunn and Sara Rudner |
undated |
| 3
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31 |
Doug Dunn and Sara Rudner |
undated |
| 3
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32 |
Doug Dunn and Sara Rudner |
undated |
| 3
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33 |
Doug Dunn and Sara Rudner |
undated |
| 3
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34 |
Doug Dunn and Sara Rudner |
undated |
| 3
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35 |
Doug Dunn and Sara Rudner |
undated |
| 3
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36 |
Doug Dunn and Sara Rudner |
undated |
| 3
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37 |
Doug Dunn and Sara Rudner |
undated |
| 3
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38 |
Simone Forti and Peter Van Riper |
undated |
| 3
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39 |
Peter Van Riper |
undated |
| 3
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40 |
Peter Van Riper |
undated |
| 3
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41 |
Peter Van Riper |
undated |
| 3
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42 |
Carter Frank |
undated |
| 3
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43 |
Carter Frank, Maggie Kast, et al |
undated |
| 3
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44 |
Carter Frank, Maggie Kast, et al |
undated |
| 3
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45 |
Friday 13th at MoMA |
undated |
| 3
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46 |
Friday 13th at MoMA |
undated |
| 3
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47 |
Friday 13th
at MoMA
|
undated |
| 3
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48 |
Friday 13th at MoMA |
undated |
| 3
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49 |
Barbara Gardner |
undated |
| 3
|
50 |
Barbara Gardner |
undated |
| 3
|
51 |
Barbara Gardner |
undated |
| 3
|
52 |
Barbara Gardner |
undated |
| 3
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53 |
Allen Ginsberg |
undated |
| 3
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54 |
St Marks Benefit |
undated |
| 3
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55 |
Jeff
Goldblum
|
undated |
| 3
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56 |
Jeff Goldblum |
undated |
| 3
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57 |
Jeff Goldblum |
undated |
| 3
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58 |
David Gordon and Valda Setterfield |
undated |
| 3
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59 |
David Gordon and Valda Setterfield |
undated |
| 3
|
60 |
Grand Union |
undated |
| 3
|
61 |
Grand Union |
undated |
| 3
|
62 |
Grand Union |
undated |
| 3
|
63 |
Grand Union |
undated |
| 3
|
64 |
Grand Union |
undated |
| 3
|
65 |
Grand Union |
undated |
| 3
|
66 |
Grand Union |
undated |
| 3
|
67 |
Grand Union |
undated |
| 3
|
68 |
Grand Union |
undated |
| 3
|
69 |
Grand Union |
undated |
| 3
|
70 |
Grand Union |
undated |
| 3
|
71 |
Grand Union |
undated |
| 3
|
72 |
Grand Union |
undated |
| 3
|
73 |
Grand Union |
undated |
| 3
|
74 |
Anna Halprin |
undated |
| 3
|
75 |
Diane Jacobowitz dancer |
undated |
| 3
|
76 |
Diane Jacobowitz dancer |
undated |
| 3
|
77 |
Diane Jacobowitz |
undated |
| 3
|
78 |
Diane Jacobowitz |
undated |
| 3
|
79 |
Diane Jacobowitz |
undated |
| 3
|
80 |
Diane Jacobowitz et al |
undated |
| 3
|
81 |
Diane Jacobowitz et al |
undated |
| 3
|
82 |
Diane
Jacobowitz dancer
|
undated |
| 3
|
83 |
Diane Jacobowitz et al |
undated |
| 3
|
84 |
Diane Jacobowitz dancer |
undated |
| 3
|
85 |
Alex Katz mural |
undated |
| 3
|
86 |
Alex Katz mural |
undated |
| 3
|
87 |
Alex Katz mural |
undated |
| 3
|
88 |
Pooh Kaye et al |
undated |
| 3
|
89 |
Pooh Kaye et al |
undated |
| 3
|
90 |
Kenneth King |
undated |
| 3
|
91 |
Kipper Kids |
undated |
| 3
|
92 |
Kipper Kids |
undated |
| 3
|
93 |
Robert Kushner's New York Hat Line |
undated |
| 3
|
94 |
Robert Kushner's New York Hat Line |
undated |
| 3
|
95 |
Robert Kushner |
undated |
| 3
|
96 |
Robert Kushner |
undated |
| 3
|
97 |
Carolyn Lord |
undated |
| 3
|
98 |
Carolyn Lord |
undated |
| 3
|
99 |
Bruce McLean |
undated |
| 3
|
100 |
Meredith Monk |
undated |
| 3
|
101 |
Meredith Monk |
undated |
| 3
|
102 |
Meredith Monk |
undated |
| 3
|
104 |
Multigravitational Experimental Group |
undated |
| 3
|
105 |
Steve Paxton |
undated |
| 3
|
106 |
Steve Paxton |
undated |
| 3
|
107 |
Rudy Perez |
undated |
| 3
|
108 |
Rudy Perez |
undated |
| 3
|
109 |
Rudy Perez et al |
undated |
| 3
|
110 |
Le Plan K |
undated |
| 3
|
111 |
Le Plan K |
undated |
| 3
|
112 |
Dana Reitz |
undated |
| 3
|
113 |
Dana Reitz et al |
undated |
| 3
|
114 |
Erik Roberts |
undated |
| 3
|
115 |
Erik Roberts |
undated |
| 3
|
116 |
Dean Selmier |
undated |
| 3
|
117 |
Dean Selmier |
undated |
| 3
|
118 |
Squat Theater |
undated |
| 3
|
119 |
Sylvia Whitman |
undated |
| Oversize - Subseries A
|
Scope and Content:
Prints mounted for P.S. 1 exhibition;
Alternative Gestures, Dec 1978 - Jan 1979 (oversize)
|
| Box |
Folder |
Title |
Date |
| 4
|
1 |
Trisha Brown, Water Motor,
performance, 1979
|
1979 |
| 4
|
2 |
Trisha Brown, Water Motor,
performance, 1979
|
1979 |
| 4
|
3 |
Bill Dunas, 30 Sep 1978 |
1978 |
| 4
|
4 |
Douglas Dunn, Lazy Madge, performance,
1976 (2)
|
1976 |
| 4
|
5 |
Simone Forti, Fountain Huddle,
performance, 1978
|
1978 |
| 4
|
6 |
Simone Forti, 30 Sep 1978 |
1978 |
| 4
|
7 |
David Gordon/Pick Up Co., Not
Necessarily Recognizable Objectives, performance, 1978 (2)
|
1978 |
| 4
|
8 |
David Gordon and Valda Setterfield, Times Four, performance 1976
|
1976 |
| 4
|
9 |
Deborah Hay, solo performance, 1979 |
1979 |
| 4
|
10 |
Risa Jaroslow, 21 Oct 1978 (2) |
1978 |
| 4
|
11 |
Kenneth King and Carter Frank,
RadeoA.C.tiv(id)ty, performance, 1978
|
1978 |
| 4
|
12 |
Meredith
Monk and Ping Chong, Paris, performance, 1974
|
1974 |
| 4
|
13 |
Meredith Monk, Education of the Girlchild, performance, 1973
|
1973 |
| 4
|
14 |
Steve Paxton and David Moss, Backwater: Twosome,
performance, 1978
|
1978 |
| Subseries B: Prints for the Soho Weekly News
|
Scope and Content:
Box 5 (black ring binder box with sleeves)
|
| Box |
Folder |
Title |
Date |
| 5
|
1 |
Sylvia Whitman |
undated |
| 5
|
2 |
Anna Halprin |
undated |
| 5
|
3 |
Anna Halprin |
undated |
| 5
|
4 |
The
Rockettes
|
undated |
| 5
|
5 |
The Rockettes |
undated |
| 5
|
6 |
The Rockettes |
undated |
| 5
|
7 |
The Rockettes |
undated |
| 5
|
8 |
James Neu's Echo Ranch |
undated |
| 5
|
9 |
Echo Ranch |
undated |
| 5
|
10 |
Echo Ranch |
undated |
| 5
|
11 |
Echo Ranch |
undated |
| 5
|
12 |
Geri
Atwood and Carter Frank
|
undated |
| 5
|
13 |
Geri Atwood and
Carter Frank
|
undated |
| 5
|
14 |
Big Apple Circus |
undated |
| 5
|
15 |
Big Apple Circus |
undated |
| 5
|
16 |
No Theatre Company |
undated |
| 5
|
17 |
No Theatre Company |
undated |
| 5
|
18 |
Blondell
Cummings
|
undated |
| 5
|
19 |
Blondell Cummings |
undated |
| 5
|
20 |
Blondell Cummings |
undated |
| 5
|
21 |
Simone Forti |
undated |
| 5
|
22 |
Simone Forti |
undated |
| 5
|
23 |
Simone Forti |
undated |
| 5
|
24 |
Big Apple Circus |
undated |
| 5
|
25 |
Big Apple Circus |
undated |
| 5
|
26 |
Big Apple Circus |
undated |
| 5
|
27 |
Kenneth King |
undated |
| 5
|
28 |
Kenneth King |
undated |
| 5
|
29 |
Kenneth King |
undated |
| 5
|
30 |
Kenneth King |
undated |
| 5
|
31 |
Kenneth King |
undated |
| 5
|
32 |
Stuart Sherman |
undated |
| 5
|
33 |
Stuart Sherman |
undated |
| 5
|
34 |
Stuart Sherman |
undated |
| 5
|
35 |
Lucinda Childs |
undated |
| 5
|
36 |
Lucinda Childs |
undated |
| 5
|
37 |
Lucinda Childs |
undated |
| 5
|
38 |
Laura Foreman |
undated |
| 5
|
39 |
Laura Foreman |
undated |
| 5
|
40 |
Bill Dunas |
undated |
| 5
|
41 |
Simone Forti |
undated |
| 5
|
42 |
Simone Forti |
undated |
| 5
|
43 |
Steve Paxton |
undated |
| 5
|
44 |
David Gordon |
undated |
| 5
|
45 |
David Gordon |
undated |
| 5
|
46 |
The Hummers |
undated |
| 5
|
47 |
The
Hummers
|
undated |
| 5
|
48 |
The Hummers |
undated |
| 5
|
49 |
Jill Kroesen |
undated |
| 5
|
50 |
Jill Kroesen |
undated |
| 5
|
51 |
Jill Kroesen |
undated |
| 5
|
52 |
Mary Overlie et al |
undated |
| 5
|
53 |
Mary Overlie |
undated |
| 5
|
54 |
Dog'd Shots |
undated |
| 5
|
55 |
Dog'd Shots |
undated |
| 5
|
56 |
Donald Joyce |
undated |
| 5
|
57 |
Donald Joyce |
undated |
| 5
|
58 |
Donald Joyce |
undated |
| 5
|
59 |
Risa Jaroslow |
undated |
| 5
|
60 |
Whirling Dervishes |
undated |
| 5
|
61 |
Steve Paxton |
undated |
| 5
|
62 |
Steve Paxton |
undated |
| 5
|
63 |
Steve Paxton |
undated |
| 5
|
64 |
Michael and Paul Galasso |
undated |
| 5
|
65 |
San Francisco Mime Troupe |
undated |
| 5
|
66 |
Alvin Ailey |
undated |
| 5
|
67 |
Alvin Ailey |
undated |
| 5
|
68 |
Alvin Ailey |
undated |
| 5
|
69 |
Alvin Ailey |
undated |
| 5
|
70 |
Alvin Ailey |
undated |
| 5
|
71 |
Bill Gordh and John Malpede |
undated |
| 5
|
72 |
Dancing Songs |
undated |
| 5
|
73 |
Ann Cumming |
undated |
| 5
|
74 |
Ann
Cumming
|
undated |
| 5
|
75 |
Ann Cumming |
undated |
| 5
|
76 |
Tom Waits |
undated |
| 5
|
77 |
Maple Sugar |
undated |
| 5
|
78 |
Kenneth King |
undated |
| 5
|
79 |
Kenneth King, Carter Frank, Diane
Jacobowitz
|
undated |
| 5
|
80 |
Kenneth King, Carter
Frank, Diane Jacobowitz
|
undated |
| 5
|
81 |
Kenneth King and
Carter Frank
|
undated |
| 5
|
82 |
Kenneth King, Carter
Frank, Diane Jacobowitz
|
undated |
| 5
|
83 |
Kenneth King and
Diane Jacobowitz
|
undated |
| 5
|
84 |
Kenneth King, Carter
Frank, Diane Jacobowitz
|
undated |
| 5
|
85 |
Meredith Monk et
al
|
undated |
| 5
|
86 |
Eleanor Antin |
undated |
| 5
|
87 |
Paul Zaloom |
undated |
| 5
|
88 |
Paul
Zaloom
|
undated |
| 5
|
89 |
Peter Ustinov |
undated |
| 5
|
90 |
Peter Ustinov |
undated |
| 5
|
91 |
Yvonne Rainer |
undated |
| 5
|
92 |
Yvonne Rainer |
undated |
| 5
|
93 |
On Mount Chimborazo |
undated |
| 5
|
94 |
On Mount Chimborazo |
undated |
| 5
|
95 |
Ellen Webb |
undated |
| 5
|
96 |
Ellen Webb |
undated |
| 5
|
97 |
Ellen Webb |
undated |
| 5
|
98 |
Ellen Webb |
undated |
| 5
|
99 |
Ann
Waldman
|
undated |
| Subseries C: Celebrity and other portraits
|
Scope and Content:
Peter Moore photographs; chimpanzee photographs for the NYU Physician; Kodak
commemorative photographs.
|
| Box |
Folder |
Title |
Date |
| 6
|
1 |
Alvin Ailey, Nov 1978 (1 print) |
1978 |
| 6
|
2 |
Gerri Atwood and Carter Frank (4 prints) |
undated |
| 6
|
3 |
Ann Beckerman (2 prints) |
undated |
| 6
|
4 |
Ann Beckerman (6 prints) |
undated |
| 6
|
5 |
Peter
Boyle, Feb 1979 (3 prints)
|
1979 |
| 6
|
6 |
Lucinda Childs, Sep
1978 (4 prints)
|
1978 |
| 6
|
7 |
Bill Dunas, Sep 1978 (1
print)
|
1978 |
| 6
|
8 |
Laura Foreman, 22 Jan 1980 (4 prints) |
1980 |
| 6
|
9 |
Simone Forti, Sep 1978 (2 prints) |
1978 |
| 6
|
10 |
Sheldon Frank (2 prints) |
undated |
| 6
|
11 |
Michael and Paul Galasso, Nov 1978 (2 prints) |
1978 |
| 6
|
12 |
Peter Ustinov, Mar 1979 (2 prints) |
1979 |
| 6
|
13 |
Tom Waits, Nov 1978 (6 prints) |
1978 |
| 6
|
14 |
Lab chimpanzees for the NYU Physician
article on chimpanzees of The Gambia (5 prints)
|
undated |
| 6
|
15 |
Kodak commemorative prints |
undated |
| 6
|
16 |
Peter Moore photographs (2 prints) |
undated |
| Subseries D: Portfolios and other personal work
|
Scope and Content:
Box 9 and 10 are black ring binder boxes
|
| Box |
Folder |
Title |
Date |
| 7
|
|
9 folders
containing portfolio work (mounted and unmounted prints).
|
undated |
| Box |
Folder |
Title |
Date |
| 8
|
|
15 folders containing portfolio work, polaroids, photographs of friends,
self-portraits, photographs of New York City.
|
undated |
| Box |
Folder |
Title |
Date |
| 9
|
1 |
Portfolio (7 sleeves) |
undated |
| 9
|
2 |
Architectural (9 sleeves) |
undated |
| 9
|
3 |
Still life (5 sleeves) |
undated |
| 9
|
4 |
Street scenes, NYC (10 sleeves) |
undated |
| 9
|
5 |
Color polaroids - still life (3 sleeves) |
undated |
| 9
|
6 |
School children (2 sleeves) |
undated |
| 9
|
7 |
Children dancing (9 sleeves) |
undated |
| 9
|
8 |
Chimpanzees (1 sleeve) |
undated |
| Box |
Folder |
Title |
Date |
| 10
|
|
35 sleeves of
portfolio work from 1981, 1982, and 1983 (though dates are uncertain). These include
self-portraits, domestic scenes, subway scenes, street scenes, portraits, still lifes.
|
1981-1983 |
| Oversize -
Subseries D
|
| Box |
Folder |
Title |
Date |
| 11
|
|
7 folders of portfolio work |
undated |
|
Return to the Top of Page
| Series II: Slides
|
| Subseries A: Dance and performance
|
| Box |
Folder |
Title |
Date |
| 12
|
1 |
African dancers |
undated |
| 12
|
2 |
Geri Atwood |
undated |
| 12
|
3 |
Benefit, Dec 1980 |
1980 |
| 12
|
4 |
Trisha Brown |
undated |
| 12
|
5 |
Yoshiko Chuma |
undated |
| Box |
Folder |
Title |
Date |
| 13
|
1 |
Circus |
undated |
| 13
|
2 |
Merce Cunningham |
undated |
| Box |
Folder |
Title |
Date |
| 14
|
1 |
Edwin Denby and Yoshiko Chuma |
undated |
| 14
|
2 |
Douglas
Dunn
|
undated |
| 14
|
3 |
Stephanie Evanitsky (Multigravitational
Experimental Group)
|
undated |
| 14
|
4 |
Laura Foreman |
undated |
| 14
|
5 |
Simone Forti |
undated |
| 14
|
6 |
David Gordon |
undated |
| 14
|
7 |
Martha Graham |
undated |
| 14
|
8 |
Grand Union |
undated |
| Box |
Folder |
Title |
Date |
| 15
|
1 |
Diane Jacobowitz |
undated |
| 15
|
2 |
Risa Jaroslow |
undated |
| 15
|
3 |
Bill
T. Jones
|
undated |
| 15
|
4 |
Bill T. Jones and Kenneth King |
undated |
| 15
|
5 |
Judson Church |
undated |
| 15
|
6 |
Pooh Kaye |
undated |
| 15
|
7 |
Kenneth
King
|
undated |
| Box |
Folder |
Title |
Date |
| 16
|
1 |
Mime, Victoria Falls |
undated |
| 16
|
2 |
Steve Paxton |
undated |
| 16
|
3 |
Red Mole Theatre |
undated |
| 16
|
4 |
Dana Reitz |
undated |
| 16
|
5 |
Rukas [?] |
undated |
| 16
|
6 |
Shelley and Denman [?] |
undated |
| 16
|
7 |
Stuart Sherman, Eleventh Spectacle
|
undated |
| Box |
Folder |
Title |
Date |
| 17
|
1 |
Min Tanaka |
undated |
| 17
|
2 |
Paul Taylor |
undated |
| Box |
Folder |
Title |
Date |
| 18
|
1 |
Paul Taylor |
undated |
| 18
|
2 |
Torville and Dean |
undated |
| 18
|
3 |
Whirling Dervishes |
undated |
| 18
|
4 |
Stephanie Woodard |
undated |
| 18
|
5 |
Unlabelled mixed performance |
undated |
| Subseries B:
Events
|
Scope and Content:
(arranged roughly chronologically, though dates
are uncertain)
|
| Box |
Folder |
Title |
Date |
| 19
|
1 |
Willowtown street fair, 1974 |
1974 |
| 19
|
2 |
Halloween parade, 1980 |
1980 |
| 19
|
3 |
John
Lennon observance, 1980
|
1980 |
| 19
|
4 |
Macy's Christmas,
1980
|
1980 |
| 19
|
5 |
Christmas party in garment district, 1980 |
1980 |
| 19
|
6 |
Thelonius Monk's funeral, 1982 |
1982 |
| 19
|
7 |
Christmas pageant, 1982 |
1982 |
| 19
|
8 |
Fireworks, 1983 |
1983 |
| 19
|
9 |
Opera in Central Park, 1983 |
1983 |
| 19
|
10 |
New London fireworks, 1983 |
1983 |
| Subseries C: Portraits
|
| Box |
Folder |
Title |
Date |
| 20
|
1 |
Robert Alexander |
undated |
| 20
|
2 |
Alvin Ailey |
undated |
| 20
|
3 |
Ann Beckerman |
undated |
| 20
|
4 |
Trisha Brown |
undated |
| 20
|
5 |
Lucinda Childs |
undated |
| 20
|
6 |
Carter Frank |
undated |
| 20
|
7 |
Sheldon Frank |
undated |
| 20
|
8 |
Philippe Petite |
undated |
| 20
|
9 |
Bucky and John Pizzarelli |
undated |
| 20
|
10 |
Erik Roberts |
undated |
| 20
|
11 |
Rob Seiga and Toby Klass |
undated |
| 20
|
12 |
Peter Ustinov |
undated |
| 20
|
13 |
Tom Waits |
undated |
| 20
|
14 |
Mixed portraits |
undated |
| Subseries D: Projects:
1973 - 1987, and other personal work
|
Scope and Content:
Note: Box 25:
Artist's selection (apparently a portfolio selection, kept apart from the main body of slides and
divided into categories by the photographer)
|
| Box |
Folder |
Title |
Date |
| 21
|
1 |
Movement series |
undated |
| 21
|
2 |
Ron Edson sculptures, Wids Delacour |
undated |
| 21
|
3 |
Alex Katz mural |
undated |
| 21
|
4 |
Mannekins |
undated |
| 21
|
5 |
Cabs |
undated |
| 21
|
6 |
Health clubs |
undated |
| Box |
Folder |
Title |
Date |
| 22
|
|
"From My Window" 30 sleeves of slides shot from Alexander's
apartment window on 29th street
|
undated |
| Box |
Folder |
Title |
Date |
| 23
|
|
Still life
studies, 1971 - 1987; 22 sleeves
|
1971-1987 |
| Box |
Folder |
Title |
Date |
| 24
|
|
Memorabilia;
19 sleeves
|
undated |
| Box |
Folder |
Title |
Date |
| 25
|
1 |
Unlabelled: 1 sleeve |
undated |
| 25
|
2 |
Kids mixed: 3 sleeves |
undated |
| 25
|
3 |
Views from my window: 1 sleeve |
undated |
| 25
|
4 |
Couples: 1 sleeve |
undated |
| 25
|
5 |
City: 6 sleeves |
undated |
| 25
|
6 |
Portraits: 3 sleeves |
undated |
| 25
|
7 |
Workers and industrial: 2
sleeves
|
undated |
| 25
|
8 |
Commercial: 1 sleeve |
undated |
| 25
|
9 |
City, city people: 14 sleeves |
undated |
| Subseries E: City People,
1973 - 1983 (dates uncertain)
|
| Box |
Folder |
Title |
Date |
| 26
|
|
27 sleeves of candid photographs of people (mostly street
scenes in New York City).
|
undated |
| Subseries F: City scenes, 1980 - 1986 (dates uncertain).
|
Scope and Content:
Extensive documentation of New York City (mostly Manhattan)
over roughly six years. Includes photographs of the city bridges, the building of the West Side
Highway, the city stations, street fairs, landmark buildings, and city parks.
|
| Box |
Folder |
Title |
Date |
| 27
|
|
29 sleeves:
Sep 1980 - Apr 1981
|
1980-1981 |
| Box |
Folder |
Title |
Date |
| 28
|
|
25 sleeves: May
1981 - Apr 1982
|
1981-1982 |
| Box |
Folder |
Title |
Date |
| 29
|
|
29 sleeves: May 1982 - Dec
1982
|
1982 |
| Box |
Folder |
Title |
Date |
| 30
|
|
27 sleeves: May 1983 - July 1986 |
1983-1986 |
| 30
|
|
12 sleeves: mixed dates |
undated |
| Subseries G:
Nature
|
Scope and Content:
Includes slides of Maine, Long Island, Block
Island, Novia Scotia, Utah, Colorado, up state New York.
|
| Box |
Folder |
Title |
Date |
| 31
|
|
29 sleeves |
1971-1978 |
| Box |
Folder |
Title |
Date |
| 32
|
|
17 sleeves |
1981-1983 |
| Box |
Folder |
Title |
Date |
| 33
|
|
34 sleeves |
1985-1987 |
| Subseries H: Commercial work (jewelry and foot wear catalogues,
headshots)
|
| Box |
Folder |
Title |
Date |
| 34
|
|
14 sleeves |
undated |
|
Return to the Top of Page
| Series III: Negatives and Contact Sheets
|
| Box |
Folder |
Title |
Date |
| 35
|
1 |
Hillside nature shots, 7 Mar 1966 |
1966 |
| 35
|
2 |
23rd Street,
15 June 1966
|
1966 |
| 35
|
3 |
Delancey Street, 20 June
1966
|
1966 |
| 35
|
4 |
Personal: Diane; honeymoon, June 1966 -
June 1968
|
1968 |
|