Scope and Content Note
The Andrea Callard Papers contain materials relating to Callard's career as an artist and art educator as well as her involvement in the artist organizations, most notably Colab. Material types include art works, such as drawings and paintings; media, such as audiocassettes, super 8mm film, and vinyl records; publicity materials, including posters and event post-cards; as well as journals, correspondence and financial administrative files. The bulk of the materials fall within the years 1973-1990 however dates range from 1968-2000.
Series I: Colab contains materials relating to Collaborative Projects, Inc (Colab). The group initially took the name the Green Corporation but soon changed to Collaborative Projects, Inc. The organization emerged out of a dual desire to use group activity as a means of creating energized art works and a dynamic art community. Secondly, the organization attempted to mimic the structure of a corporation in an attempt to gain credibility and obtain state and federal funding for redistribution among members. Members of the organization included Coleen Fitzgibbon, Charlie Ahearn, John Ahearn, Robin Winters, Tom Otterness, Fred Krughoff, Alan Moore, Ulli Rimius, and Jane Dickson among many others. Andrea Callard served as Secretary of the organization from 1978-1980.
Subseries A: Administrative materials includes Andrea Callard's secretarial notebook, materials relating to the group's conception, organization and functioning, meeting notes and announcements as well as financial information. Colab's grant application materials for the National Endowment for the Arts (NEA) and New York State Councilon the Arts (NYSCA) appear in this subseries. Materials are organized with Callard's secretarial notebook first followed by all other administrative materials in chronological order. Undated materials appear at the end of the subseries.
Subseries B: Colab Shows and Events contains photographs, publicity materials, and slides relating to Colab shows. This series includes materials relating to the following Colab exhibitions:
The Manifesto Show
The Batman Show
The Income and Wealth Show
The Murder, Suicide and Junk Show
The Doctors and Dentists Show
The Dog Show
The Real Estate Show
The Times Square Show
Animals Living in Cities Show
The Mural America Show
The Williamsburg Bridge Sculpture Show
Colab Hits the Ritz show
Additionally, the subseries in Series I contain documentation of other projects including Colab's television programs such as
Potato Wolf, as well as
A. More Store, Colab's 1982 summer institute, the
Talk Is Cheap street poster projectand the photo postcard project. Notable artists include Kiki Smith, Jenny Holzer, Jane Dickson, Tom Otterness, Charlie Ahearn, John Ahearn, Robin Winters, Coleen Fitzgibbon, SAMO, and Keith Haring as well as Andrea Callard. Additionally, this series includes materials relating to Colab's use of QWIP technology for collaborative art projects. The QWIP was an early type of closed-network fax machine that utilized carbon paper. Exxon developed QWIP technology and Liza Bear procured the machines for Colab's use. The subseries contains original QWIPs created by the group.
Series II: Andrea Callard Artist Files contain materials related to Callard's art career. The material covers the time period 1950-2000, and is organized into seven subseries. Time and place figure prominently in the organization of this series because Callard grouped her files chronogically and according to where she was living at different periods of her life.
Subseries A: 1950-1973 includes materials dated before 1973 such as items relating to her undergraduate work at the San Francisco Art Institute.
Subseries B: 1973-1976, 150 Chambers St. reflect Callard's early years in New York City at 150 Chambers St. Artists Daisy Youngblood, Joe Haske, Robert Israel and Cara Perlman also lived in this building. Projects associated with this time period include the Queen of Siberia 10 cent cookbook, Red Anger Association, "A Dressing Wall" works, and a large quantity of black and white photography. Materials with specific years appear at the beginning of this subseries in chronological order. Materials designated "150 Chambers St" or "1973-1976" but without a specific date are grouped at the end of the subseries.
Subseries C: 1976-1978, 40 Lispenard St. includes art works from Callard's first three years in her loft on the top floor of 40 Lispenard Street. Callard, Cara Perlman and Bernice Rubin secured a net lease for the upper three floors of this building in 1976 and renovated the building. The series contains work related to Callard's "City Canoe Trip", Transportation Incidents postcard multiples, Continental Drift, the film "Standard Adult Wheelchair". This subseries also includes work related to Callard's 1978 residency at the Cummington, Massachusetts Community for the Arts, the Ailanthus project, as well as her contributions to Colab's Dog Show and the Batman show.
Subseries D: 1979-1981, 40 Lispenard St. includes materials relating to Callard's art career such as her contributions to the Custom and Culture II show, Colab's Animals Living in the City and the Times Square Show as well as Callard's work with Bonnie O'Neill at Site, Cite, Sight in San Francisco. This series also includes work from Callard's ongoing Ailanthus project.
Subseries E: 1982-1986, 40 Lispenard St. again contains art files related to Andrea Callard's professional career including her contribution in the NYC Wildlife Museum, Inside/Out garden signs at the Bronx River Art Center as well as Colab's Talk is Cheap street posters and photo postcard project. Additionally, the series contains materials relating to her film "Pus Factory" and her work on "Freckled Rice" by Steve Ning, and "Everglades City" by Matthew Geller.
Subseries F: 1987-1989, 40 Lispenard St. this subseries includes materials relating to Callard's art career particularly her collaboration with Sam Sue on the installation "The Tenement: Place of Survival, Object of Reform." This work appeared at the Chinatown History Project in 1988 and as part of the DIA Art Foundation "If you lived here" exhibition in 1989.
Subseries G: 1990-2000, 40 Lispenard St. contains materials relating to Callard's art career. Most notably, the series includes work relating to her "Home Turf" window at Art in General and her exhibition at the Storefront for Art and Architecture. The subseries also includes black and white contact sheets and negatives as well as materials relating to collaborative works during this timeperiod.
Subseries H: Art Education contains materials relating to Callard's work as an art teacher such as student letters, photographs and press clippings from artist in residency programs in as well as teaching opportunities in New York City.
Subseries I: Miscellaneous includes undated materials. Contact sheets and negatives taken by Andrea Callard compose the majority of this subseries, however the subseries also contains journals, planning notes, drawings and small projects.
Series III: Administrative Materialscontains items related to the business and day to day functioning of Andrea Callard's professional art career. The series is divided into seven subseries. Subseries are arranged chronologically where possible, alphabetically in other instances.
Subseries A: Grants includes grant proposals, calls for proposals, resumes and other materials relating to obtaining professional appointments and work.
Subseries B: Artwork Loans includes paperwork regarding artworks loaned by Andrea Callard.
Subseries C: Finances includes financial information such as receipts and taxes.
Subseries D: Organizational Participation contains information regarding Andrea Callard's participation in organizations, for example her work with LINE.
Subseries E: Interns contains employment information for student interns who worked with Andrea Callard.
Subseries F: Notes and Research Copies includes paperwork relating to Andrea Callard's day to day work as an artist such as notes, lists and research copies.
Subseries G: Artist Photographs includes professional portraits of Andrea Callard such as contact sheets of Peter Bellamy's portrait of Andrea Callard used in his book
The Artist Project.
Series IV: Other Artist Filesincludes individual and group artist files arranged alphabetically. The series is divided into three subseries:
Subseries A: Individual artist files includes artist files relating to particular individual's art careers. Files contain a range of materials including publicity information or works of art. Files are arranged alphabetically by last name.
Subseries B: Collaborative and Group Shows includes materials related to group projects. Again, the contents of these files range from works of art to publicity information regarding exhibitions. Materials are arranged chronologically.
Subseries C: Miscellaneous and Unknown Artists unlabeled art materials.
Series V: Correspondenceincludes Andrea Callard's personal and administrative correspondence organized alphabetically by sender. The series is divided into four subseries.
Subseries A: Last Name, First Name contains correspondence from senders with known first and last names arranged alphabetically by last name.
Subseries B: First Name includes correspondence from senders with known first names or first initials organized alphbetically.
Subseries C: From Andrea Callard contains correspondence from Andrea Callard organized alphabetically by addressee.
Subseries D: Miscellaneous and Illegible includes unlabeled or illegible correspondence.
Series VI: Biographicalcontains materials related to Andrea Callard's childhood, personal photographs and snapshots as well as personal reflective writing such as dream journals. Materials are arranged in chronological order with undated materials at the end of the series.
Series VII: Printed Materialincludes printed items such as books, pamphlets or maps arranaged in alphabetical order by author's last name.
Series VIII: Artifactsincludes objects such as Andrea Callard's red pill-box hat, Super-8mm film supplies and the black and white mirror letter "A"s among other artifacts.
Series IX: Video Recordingsincludes video documentation of events and media elements which were used in artworks and media productions. Materials are divided into subseries for researcher access copies and original archival materials. There may not be access copies for all material. Please check with a Fales Archivist.
Series X: Audio Recordingsincludes audio documentation of events and media elements which were used in artworks and media productions. Materials are divided into subseries for researcher access copies and original archival materials. There may not be access copies for all material. Please check with a Fales Archivist.
Series XI: Filmincludes original film productions, film elements and film documentation of events. Materials are divided into subseries for researcher access copies and original archival materials. There may not be access copies for all material. Please check with a Fales Archivist.
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Separated Material
These materials have been catalogued into the Downtown and Special Collections book holdings.
Andre, Carl.
144 Blocks and Stones.Portland: Center for the visual arts, 1973.
Anti-Illusion:
Procedures/Materials.New York: Whitney Museum of American Art, 1969.
Applebroog, Ida.
A Performance. Blue Books, 1981.
Applebroog, Ida.
I CAN'T, a performance. Blue Books, 1981.
Applebroog, Ida.
I MEAN IT, a performance. Blue Books, 1981.
Applebroog, Ida.
IT'S VERY SIMPLE, a performance.Blue Books, 1981.
Applebroog, Ida.
STOP CRYING, a performance.Blue Books, 1981.
Apt Art: Moscow Vanguard in the '80s.New York: New Museum, 1986
Avalanche.(December 1974).
Avery, Milton.
Milton Avery: Mexico.New York: Grace Borgenicht Gallery, 1983.
Baldessari, John.
Brutus Killed Caesar.Akron: Emily H. Davis Art Gallery, n.d.
Baranik, Steven.
Burning Horses.New York: The Ram Press, 1982.
Bellamy, Peter.
The Artist Project: Portraits of the Real Art World/New York Artists 1981-1990.New York: IN Publishing, 1991. [includes A. Callard]
Berlin-New York.New York: Collaborative Projects, 1987. [Colab project]
Blane, Marc.
Grounds/Greens, Graves, Ruins, Mines.1980.
Bochner, Mel.
Mel Bochner: 1973-1985.Pittsburgh: Carnegie-Mellon University Press, 1985.
Breder, Hans and Barbara Welch.
Portrait of Rosa.Chicago Books, 1983.
Brown, Gary.
Distance Fool.1975
Brown, Gary.
Only Words.n.d.
Brown, Gary.
Pieces of the Part.1975.
Brown, Gary.
Pieces of the Part, poems and songs from 1972-1974.n.d.
Brown, Gary.
Talking Spanish Trash.1977
Brown, Gary.
White Fright.1978
Burford, Byron.
And the Lord knows what.Chicago Books, 1988.
Caldwell, Catherine.
Habits and Facts.Creative Arts Printing, 1980.Caldwell, Catherine.
Line O' Pine.Emeryville, CA: King Display, 1980.
Carl Andre, Robert Barry, Daniel Buren, Jan Dibbets, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Richard Long, N.E. Thing Co. LTD, Robert Smithson, Lawrence Weiner.New York: Seth Siegelaub, 1969.
Celmins, Vija.
Drawings.New York: Whitney Museum of American Art, 1973.
Chast, Roz.
Three Small Books.New York: Chicago Books, 1982.
Collins, James.
James Collins.London: ICA, 1978.
Conde, Carole and Karl Beveridge.
…It's Still Privileged Art.Toronto: The Art Gallery of Ontario, 1976.
Conde, Carole and Karl Beveridge.
Maybe Wendy's Right.Toronto.
Corber, Mitch.
Knit Wit.1977
Deleuze, Gilles and Felix Guattari.
On the Line.trans. John Johnston. New York: Semiotext(e), 1983.
Dimensions Variable.New York: The New Museum, 1979.
Douglas, Helen and Telfer Stokes.
Chinese Whispers.London: Weproductions, n.d.
Four and Seven: 26 Artists/26 Days.San Francisco: Art Institute, 1977.
From Receiver to Remote Control: The TV Set.Organized by Matthew Geller. New York: The New Museum of Contemporary Art, 1990.
Geller, Matthew.
Difficulty Swallowing: a Medical Chronicle.New York: Works Press, 1981.
Geller, Matthew.
1981 Engagements.New York, 1980.
Geller, Matthew.
1983 Engagements, "Post" headlines.New York, Works Press, 1982.
Geller, Matthew.
Hidden Away in a Musty Chamber.New York: Wedge Press, Inc., 1983.
Gianakos, Cristos.
16 Views.New York: Cristos Gianakos, 1976.
Graves, Nancy.
Sculpture/Drawings Films 1969-1971.
Heinecken, Robert.
He:/She:.Chicago: Chicago Book, 1980.
Henes, Donna.
Dressing Our Wounds in Warm Clothes: Ward's Island Energy Trance Mission.Los Angeles: Astro Artz, 1982.
Hesse, Eva.
Eva Hesse: A Memorial Exhibition.New York: Guggenheim Museum, 1972.
If You Lived Here: The city in art, theory and social activism.Ed. Brian Wallis. Seattle, Bay Press, 1991. [Chinatown history project, A. Callard and Sam Sue.]
In Honor of Theresa Hak Kyung Cha.Undated.
Issue: a journal for artists.No. 1 (n.d.)
Johnson, Ray. "Postcard Action." New York, 1983 [?]
Jonas, Joan.
View.Oakland, Crown Point Press, 1979.
Kelpra Studio: Artists' Prints 1961-1980.London: Tate Gallery, 1980.
Lanyon, Ellen.
Transformations II (endangered).New York: Chicago Books, 1982.
Levine, Les.
Media: The Bio-tech rehearsal for leaving the Body.Alberta, Canada: Alberta College of Art Gallery, 1979
LeWitt, Sol.
Books, 1966-1990.1990
LeWitt, Sol.
Complex Forms.1990
LeWitt, Sol.
Geometric Figures and Color.New York: Harry N. Abrams, Inc., 1979.
LeWitt, Sol.
Lines and Color.1975.
Linn, Nancy.
Madonna + Child.New York: A. Whilte Publishing Company, 1984.
Lipton, Lenny.
The Super 8 Book.San Francisco: Straight Arrow books, 1975.
Logemann, Jane.
Abstracts Book III.1979
Martin, Agnes.
Agnes Martin. Kunstraum: Munchen, 1973.
Martin, Agnes.
Agnes Martin: 1976 Reprinting of the 1973 exhibition catalogue.Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1976.
The Mental Picture.New York: AIGA, 1972.
Moore, Claire.
Half and half.Nd.
Moore, Claire.
Napoleon is a brother, Napoleon is a sister.Chicago Books, 1982.
Moved.New York, n.d.
Nadin, Peter.
Still Life.New York: Tanam Press, 1983.
The New Sculpture 1965-75: Between Geometry and Gesture.Ed. Richard Armstrong and Richard Marshall. New York: Whitney Museum of American Art, 1990. [page 164-165 marked with paper "Andrea from Genie Ross"]
New York City Cultural Council.
New York City Resources for the Arts and Artists.New York: Cultural Council Foundation, 1973.
Oldenburg, Claes.
Notes in Hand.New York: E.P. Dutton and Co. 1971.
On Site.No. 4 (n.d.) New York.
Ono, Yoko.
Grapefruit.New York: Simon and Schuster, 1971.
Otterness, Tom.
Tom Otterness.Appearances Press, 1981.
Parker, Kingsley.
Starting with Flags: Forty-three Drawings.New York, 1976.
Peters, Robert.
Gold and Silver Do No Spoil.Chicago Books, 1988.
Polidori, Robert.
D/isolation, Work in Progress, Genetic Codes.New York: Anthology Film Archives, 1975.
Profile.3:5 (September 1983).
Public Art Fund, Inc.
Ten Years of Public Art 1972-1982.New York: Public Art Fund, 1982.
Rinehart, Benjamin D.
Fairy-Mones.Brooklyn: Benjamin Rinehart, 2002.
Romeu, Joost A.
Art After Philosophy.1973
Romeu, Joost A.
On the Essence of Truth.1973
Rubini, Gail.
Forever Yours.New York: Chicago Books, 1980.
Rubini, Gail and Conrad Gleber.
The Future of the Book of the Future: Thoughts and images on the form of the book of the future presented in a series of "work in progress" exhibitions and publications until the year 2000.1994.
Rubini, Gail.
Sweet Junk.Chicago: Chicago Books, 1977.
Ruiz, Raul.
Works for and about French TV.New York: Exit Art, 1987.
Ruscha, Edward.
Various Small Fires and Milk.Los Angeles: Anderson, Ritchie and Simon, 1970.
Serra, Richard.
Richard Serra: Interviews, Etc 1970-1980.New York: The Hudson River Museum, 1980
Sherry, Jane M.
Sun Worship.1980.
Sherry, Jane M.
Above us…1979
Simonds, Charles.
Three Peoples.New York: Samanedizioni, 1975.
Site, Cite, Sight.New York: Site, Cite, Sight, Inc. 1982.
Smith, Michael.
The Big Relay Race.Chicago Books, 1981.
Smithson, Robert.
Robert Smithson: Drawings.New York: The New York Cultural Center, 1974.
Smithson, Robert.
The Writings of Robert Smithson: Essays with Illustrations.Ed. Nancy Holt. New York: New York University Press, 1979.
Snow, Michael.
Cover to Cover.New York: New York University Press, 1975
Stevens, May.
Ordinary, Extraordinary. A Summation 1977-1984.Boston: Boston University Art Gallery, 1984.
Stevens, May.
Ordinary, Extraordinary.n.d.
Tellus: the audiocassette magazine. n.1, 1983.
Transmission: Theory and Practice for a new Television Aesthetics.Ed. Peter D'Agostino. New York: Tanam Press, 1985.
University of Alaska Anchorage.
The Future of the book of the Future Alaska.1994.
Unwinding the Vietnam War from War into Peace.Ed. Reese Williams. Seattle: The Real Comet Press, 1987.
Vicuña, Cecilia.
Precario/Precarious.New York: Tanam Press, 1983.
Wedge.
The Imperialism of Representation, the Representation of Imperialism.No. 7/8 (Winter/Spring 1985)
Weinhardt, Seth.
51 Black and White Photographs, 51 Color Drawings.New York: Chicago Books, 1985.
WhiteWalls: A Magazine of Writings by Artists.No. 5 (Winter 1981).
Williams, Reese.
Clocks.1974.
Williams, Reese.
Figure-Eight, a fable.New York, Tanam Press, 1981.
Williams, Reese.
A Pair of Eyes.New York: Tanam Press, 1983.
Williams, Reese.
Past Trial Nearer.New York, 1978.
Winters, Robin.
Consultation.n.d.
Winters, Robin.
82.1985.
Zybert, Richard.
Notebook on Time.San Francisco: Marginal Press, 1981.
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Series I: Collaborative Projects, Inc. (Colab)
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Scope and Contents note:
This series contains materials relating to Collaborative Projects, Inc (Colab). Andrea Callard was the Secretary of the organization from 1978-1980. Subseries A: Administrative materials includes Callard's secretarial notebook, materials relating to the group's conception, organization and functioning, grant proposals, meeting notes and announcements as well as financial information. The subseries is organized with Callard's secretarial notebook first followed by all other administrative materials in chronological order. Undated materials appear at the end of the subseries.
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Subseries A: Administrative materials
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| Box |
Folder |
|
Title |
Date |
|
1
|
1 |
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Callard's secretarial notebook: Announcements. Includes information on Colab film and video projects, the Colab summer house, art opportunities and shows.
|
ca. 1978-1982 |
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1
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2 |
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Callard's secretarial notebook: Meetings, News Notes
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undated |
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1
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3 |
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Callard's secretarial notebook: Colab Minutes, loose.
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1979 |
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1
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4 |
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Callard's secretarial notebook: Colab Minutes, loose.
|
1980 |
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1
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5 |
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Callard's secretarian notebok: Andrea Callard's meeting notes, loose.
|
undated |
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1
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6 |
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Callard's secretarial notebook: Colab Media Group
|
undated |
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1
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7 |
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Callard's secretarial notebook: Miscellaneous fragements, loose
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undated |
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1
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9 |
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Green Corporation [early name for the organization]
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ca. 1977 |
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1
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10 |
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Money disbursement and budget
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1977-1980 |
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1
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12 |
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NEA application, Andrea Callard, Coleen Fitzgibbon and Ulli Rimius. Colab's first grant application to the NEA.
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1978 |
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1
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13 |
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NEA grant application supporting materials. Portfolio of member and group work.
|
1978 |
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1
|
14 |
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Colab meeting announcements
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1978 |
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1
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15 |
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NYSCA grant control
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1978-1979 |
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1
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16 |
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Colab meeting announcements
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1979 |
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1
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17 |
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NEA grant award letter
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1979 |
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1
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18 |
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Media Alliance
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1979 |
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1
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19 |
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Colab meeting announcements
|
1980 |
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1
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20 |
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Budget, 3 March 1980
|
1980 |
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1
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21 |
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Funding request, Spanner/NYC, 25 April 1980
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1980 |
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1
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22 |
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Letter regarding the structure and functioning of Colab. anonymous.
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1980 |
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1
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23 |
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"Colab country house on the North Fork of Long Island, Summer 1982" AC's notation and grouping. Includes Colab Daily Purge [28 June 1982], notes, advertisements and directions.
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1982 |
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1
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24 |
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Colab Daily Purge newsletter. 1:2 and 1:3
|
1982 |
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1
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25 |
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Talking points re: future of Colab. unknown author.
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1983 |
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1
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26 |
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Andrea Callard's "Colab 1984" file
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1984 |
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1
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27 |
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Questionnaire drafts
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1985 |
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1
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28 |
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Questionnaire masters
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1985 |
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1
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29 |
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Questionnaire responses
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1985 |
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1
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30 |
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Cultural Council Foundation
|
1985 |
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1
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31 |
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Budget
|
1985 |
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1
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32 |
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Meeting announcements
|
undated |
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1
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33 |
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Membership lists
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undated |
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1
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34 |
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Mailing labels
|
undated |
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1
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35 |
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Colab facility, request for input from members
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undated |
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1
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36 |
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Cooperative Sales Company proposal and budget, Alan Moore
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undated |
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1
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37 |
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"Shot dog incident" [AC's notation and grouping] Notes, announcements and materials relating to T. Otterness's "Shot Dog Piece."
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undated |
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1
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38 |
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Just Another Assholecall for submissions. addressed to AC [found in the box of Colab materials]
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undated |
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1
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39 |
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Andrea Callard notes re: Colab. Inc. rough timeline of materials
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undated |
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Subseries B: Colab Shows and Events
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| Box |
Folder |
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Title |
Date |
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1
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40 |
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Doctors and Dentists Show advertisements. Org. Robin Winters. The show opened 3 February 1977 at 591 Broadway.
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1977 |
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1
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41 |
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Note from AC to unknown recipient regarding an ambient office noise cassette used in the Doctors and Dentists show. Found in Media box 5.
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1977 |
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1
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42 |
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Income and Wealth Show advertisements. Organized by Coleen Fitzgibbon. The show opened 3 February 1977 at 5 Bleecker St.
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1977 |
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1
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43 |
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Press, Doctors and Dentists Show and Income and Wealth Show
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1977 |
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1
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44 |
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Dog Show advertisement. Opened 24 March 1977 at 591 Broadway.
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1977 |
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1
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45 |
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Dog Show related materials
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1977 |
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1
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46 |
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Qwips, introductory materials such as machine use and persons involved
|
1978 |
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1
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47 |
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Qwips, original, paper sent materials
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1978 |
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1
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48 |
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Qwip carbon paper received originals, part one
|
1978 |
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1
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49 |
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Qwip carbon paper received originals, part two
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1978 |
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1
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50 |
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Qwip photocopies with AC annotations on reverse
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1978 |
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1
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51 |
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Batman show invitation. Organized by Diego Cortez. Show opened January 6 at 591 Broadway.
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1979 |
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1
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52 |
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Colab Exhibition Project
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ca. 1979 |
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1
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53 |
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Manifesto Show advertisement. Organized by Jenny Holzer. 5-28 April at 5 Bleeker St.
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ca. 1979-1980 |
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1
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54 |
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Real Estate Show advertisements. January 1980 at 123 Delancy St.
|
1980 |
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1
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55 |
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Times Square Show advertisements. 1 June 1980- 30 June 1980 at 7th Avenue and 41st St.Includes schedule of events.
|
1980 |
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|
|
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1
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59 |
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Times Square Show narrative of process and context. Unknown author.
|
1980 |
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|
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1
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60 |
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Times Square Show invitation to private reception. 24 June 1980 at 201-205 West 41st St. at 7th Ave.
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1980 |
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|
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1
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61 |
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Times Square Show, ticket to premiere screening of Matthew Geller and Judy Rifka's "True Cross Fire" on Thurs 26 June 1980.
|
1980 |
|
|
|
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1
|
62 |
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Times Square Show maps and layout.
|
1980 |
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|
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|
1
|
63 |
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Times Square Show photographs on paper.
|
1980 |
|
|
|
|
1
|
64 |
|
Times Square Show slide, one image without frame
|
1980 |
|
|
|
|
1
|
65 |
|
Times Square Show press release
|
1980 |
|
|
|
|
1
|
66 |
|
Times Square Show press
|
1980 |
|
|
|
|
Binder A
|
a |
|
Times Square Show. Four 35mm color slides. Numbered sequentially 192-195
|
1980 |
|
|
|
|
Binder A
|
b |
|
Times Square Show Lobby. 34 35mm color slides.
|
1980 |
|
|
|
|
Binder A
|
c |
|
Times Square Show slides from stairway in lobby.
|
1980 |
|
|
|
|
Binder A
|
d |
|
Times Square Show Money, Love and Death Room. 31 35mm color slides
|
1980 |
|
|
|
|
Binder A
|
e |
|
Times Square Show "Willie's passage to portrait gallery". [AC's notation] 9 35mm color slides
|
1980 |
|
|
|
|
Binder A
|
f |
|
Time's Square Show Portrait Gallery 1. 5 35mm color slides.
|
1980 |
|
|
|
|
Binder A
|
g |
|
Times Square Show Portrait Gallery 2. 25 35mm color slides.
|
1980 |
|
|
|
|
Binder A
|
h |
|
Times Square Show Fashion Lounge 2nd floor. 10 35mm color slides.
|
1980 |
|
|
|
|
Binder A
|
i |
|
Times Square Show 3rd Floor. 15 35mm color slides.
|
1980 |
|
|
|
|
Binder A
|
j |
|
Times Square Show 4th Floor. 15 35mm color slides.
|
|
|
|
|
|
1
|
68 |
|
Brooke Alexander, Inc. Colab benefit exhibition. 6-31 December 1980 at 20 West 57th St. Announcement
|
1980 |
|
|
|
|
1
|
69 |
|
Animals Living in Cities at ABC NO RIO. Posters, exhibit program and 32 color 35mm slides.
|
1980 |
|
|
|
|
1
|
71 |
|
Murder, Suicide and Show at ABC NO RIO. Six 35mm color slides taken by unknown photographer. With annotations.
|
|
|
|
|
|
1
|
72 |
|
Colab Press, General
|
1980 |
|
|
|
|
1
|
74 |
|
Mural America Show, 28 March -23 April 1983, New Harmony Indiana. Announcement postcards and 21 32mm color slides. AC grouping and organization.
|
1982 |
|
|
|
|
1
|
75 |
|
Colab Summer institute. 28 35mm color slides.
|
1982 |
|
|
|
|
1
|
77 |
|
"Ritz 83" AC's file on collaborative show "The Ritz" in Washington DC.
|
1983 |
|
|
|
|
1
|
78 |
|
Williamsburg Bridge Sculpture show. 31 35mm color slides with annotations, two black and white contact sheets, 13 black and white snapshots.
|
1983 |
|
|
|
|
1
|
79 |
|
Public Art Fund Inc. Newsletter. Spring 1983. Colab included in the listing of New York art programs.
|
1983 |
|
|
|
|
1
|
81 |
|
Announcement, Colab's A. More Store and ABC No RIO's Island of Negative Utopia drawings. 13 December 1983- 7 January 1984 at Jack Tilton Gallery.
|
1983-1984 |
|
|
|
|
1
|
85 |
|
Colab photo postcard project "Greetings from NYC"
|
1985 |
|
|
|
|
1
|
86 |
|
Announcement: A More Store at Jack Tilton Gallery and at Printed Matter.
|
undated |
|
|
|
|
1
|
88 |
|
Proposed Amendment to New York Law re: NYSCA. [perhaps related to the Manifesto Show?] anonymous and undated.
|
undated |
|
|
|
|
Return to top
|
|
|
Series II: Andrea Callard Artist Files
|
|
Scope and Contents note:
This series contains materials related to Andrea Callard's art career. The series is divided into seven subseries. Time and place figure strongly in the organization of this series because they were organizing principles in Callard's organization of her papers.
Subseries A includes materials dated before 1973 such as items relating to her undergraduate work at San Francisco Art Institute. Subseries B reflects Callard's early years in New York city at 150 Chambers St. Artists Daisy Youngblood, Joe Haske, Robert Israel and Cara Perlman also lived in this building. Materials with specific years appear at the beginning of this subseries in chronological order. Materials designated "150 Chambers St" or "1973-1976" but without a specific date are grouped at the end of the subseries. Subseries C includes art works from Callard's first three years in her loft on the top floor of 40 Lispenard Street. Callard, Cara Perlman and Bernice Rubin secured a net lease for the top three floors of this guilding in 1976 and renovated the building. This subseries also includes work related to Callard's 1978 residency at the Cummington, Massachusetts Community for the Arts, her Ailanthus project, as well as her contributions to Colab's Dog Show and the Batman show. Subseries D includes materials relating to Callard's art career such as her contributions to the Custom and Culture II show, Colab's Animals Living in the City and the Times' Square Show as well as Callard's work with Bonnie O'Neill at Site, Cite, Sight in San Francisco. Subseries E again contains art files related to Andrea Callard's professional career including her contribution in the NYC Wildlife Museum, Inside/out garden signs at the Bronx River Art Center and Colab's Talk is Cheap street posters. Subseries F includes materials relating to Callard's art career particularly her collaboration with Sam Sue on the installation "The Tenement: Place of Survival, Object of Reform." This work appeared at the Chinatown History Project in 1988 and as part of the DIA Art Foundation "If you lived here" exhibition. Subseries G contains materials relating to Callard's art career. Most notably, the series includes work relating to her "Home Turf" window at Art in General and her storefront exhibit at Art and Architecture. The subseries also includes black and white contact sheets and negatives as well as materials relating to collaborative works during this timeperiod. Subseries H contains materials relating to Callard's work as an art teacher such as student letters, photographs and press clippings from artist in residency programs as well as teaching opportunities in New York City. Subseries I includes undated materials. Contact sheets and negatives taken by Andrea Callard compose the majority of this subseries.
|
Subseries A: 1950-1973
|
| Box |
Folder |
|
Title |
Date |
|
Binder B
|
a |
|
Color slides, 1966-1973
|
1966-1973 |
|
|
|
|
Binder B
|
b |
|
Color slides, 1966-1973
|
1966-1973 |
|
|
|
|
Binder B
|
c |
|
Color slides, 1966-1973
|
1973 |
|
|
|
|
Binder B
|
d |
|
Color slides, 1966-1973
|
1966-1973 |
|
|
|
|
Binder B
|
e |
|
Color slides, 1966-1973
|
1966-1973 |
|
|
|
|
Binder B
|
f |
|
Color slides, 1966-1973
|
1966-1973 |
|
|
|
|
Binder B
|
g |
|
Color slides, 1966-1973
|
1966-1973 |
|
|
|
|
1
|
89 |
|
BFA diploma, San Francisco Art Institute
|
1972 |
|
|
|
|
Return to top
|
Subseries B: 1973-1976, 150 Chambers St.
|
| Box |
Folder |
|
Title |
Date |
|
Binder C
|
a |
|
Color snapshots. Mac Becket's headshave, 150 Chambers St. Used in "Remnants of Lateral Drift"
|
1973 |
|
|
|
|
1
|
90 |
|
Rat sculpture, black and white photograph.
|
ca. 1973 |
|
|
|
|
1
|
91 |
|
Paper instructions to image response game. Correlates responses to their artists or author. Participants include Carol Williams, Reese Williams, Baylor Trapnell, Dede Knox, Lawrence Jacobs, Back Becket, Susan Davis, Robin Winters, Dennis Sappetelli and Bonnie O'Neill.
|
ca. 1973-1974 |
|
|
|
|
1
|
91A |
|
Image Response Game related papers.
|
1973-1974 |
|
|
|
|
9
|
92 |
|
Image response game cards and responses.
|
ca. 1973-1974 |
|
|
|
|
1
|
93 |
|
Indy 500, black and white contact sheets, photographs and negatives.
|
1974 |
|
|
|
|
1
|
94 |
|
150 Chambers St. Activity photo performances and friends. Black and white contact sheets and photographs.
|
1973-1974 |
|
|
|
|
1
|
95 |
|
"Various texts 1974-77. Some relate to film and performance others are expressive, reflectiive etc. few are dated." Grouped by Andrea Callard.
|
1974-1977 |
|
|
|
|
1
|
96 |
|
Color snapshots, documentation of umbrella sculpture
|
1974 |
|
|
|
|
Binder C
|
b |
|
Color snapshots and negatives. "150 Chambers St. Umbrellas shifted to tent sculpture". Used in "Remnants of Lateral Drift"
|
1974 |
|
|
|
|
Binder C
|
c |
|
Color snapshots and negatives. "Youngblood Haaske (at 7 years?) 150 Chambers St in Callard Hat" Images of umbrella sculpture.
|
1974 |
|
|
|
|
1
|
97 |
|
"Invisible Performances". Black and white negatives and contact sheets.
|
ca. 1974 |
|
|
|
|
1
|
98 |
|
"Anonymous Person" vacuume cleaner chistening.
|
1974 |
|
|
|
|
1
|
98 |
|
"Anonymous Person" vacuum cleaner chistening.
|
1974 |
|
|
|
|
1
|
99 |
|
Color contact sheet of object photographs: shoes, stones, crude hammer, six mousetraps.
|
ca. 1974 |
|
|
|
|
1
|
100 |
|
Mouse measurement project. color photographs
|
ca. 1974 |
|
|
|
|
1
|
102 |
|
Miscellaneous drawing.
|
ca. 1974 |
|
|
|
|
1
|
103 |
|
Poetry by AC
|
1974 |
|
|
|
|
1
|
104 |
|
Gary Brown. black and white contact sheet and negatives
|
1974 |
|
|
|
|
1
|
105 |
|
"Remnants of Lateral Drift"
|
1974-1975 |
|
|
|
|
1
|
106 |
|
"Remnants of Lateral Drift. Booklet from larger file [see folder 105 above]
|
1974-1975 |
|
|
Preservation concerns include glue, acidic paper, paper in brittle plastic sleeves
|
|
|
1
|
107 |
|
Notes and drawings. Includes notes on past and future artworks, also photographs and contact sheets. Grouped by AC.
|
1974-1975 |
|
|
|
|
Binder C
|
d |
|
Color negatives and snapshots. "Scenes of pigment drawings. Made in NYC, Telluride CO, Ogunquit ME 1975?"
|
1975 |
|
|
|
|
Binder C
|
e |
|
Color snapshots. Telluride CO
|
1975 |
|
|
|
|
1
|
108 |
|
Ball State Drawing and Small Sculpture Show. AC's "Red Silk Dressing Gown (in dog bite sized Pieces)" won a prize.
|
1975 |
|
|
|
|
1
|
109 |
|
Dismembered News and Comment.
|
1975 |
|
|
|
|
1
|
110 |
|
"this really is your stomach" AC color photograph of Fred Krughoff's stomach affixed to heavy cardboard with masking tape.
|
1975 |
|
|
|
|
1
|
111 |
|
Color slides of A. Callard's work, watercolor, pencil.
|
1975 |
|
|
|
|
2
|
112 |
|
Drawing Notebook 1975. Part I
|
1975 |
|
|
|
|
2
|
113 |
|
Drawing Notebook 1975. Part II
|
1975 |
|
|
|
|
2
|
115 |
|
Scribbling: a record of hand activity
|
1975 |
|
|
|
|
2
|
116 |
|
Henry Kissenger Multiple Choice Dictionary
|
ca. 1975 |
|
|
|
|
2
|
117 |
|
Notebook. Diagrams, writing, drawings.
|
1975 |
|
|
|
|
2
|
118 |
|
Notes and writing regarding AC's work
|
ca. 1975 |
|
|
|
|
2
|
119 |
|
Color film stills from "Florescent Azalia"
|
1976 |
|
|
|
|
2
|
121 |
|
black and white contact sheets. images of AC doing "A Dressing Wall" work.
|
ca. 1973-1976 |
|
|
|
|
2
|
122 |
|
"A Dressing Wall" black and white contact sheets.
|
ca. 1973-1976 |
|
|
|
|
2
|
123 |
|
"A Dressing Wall" color photographs
|
ca. 1973-1976 |
|
|
|
|
2
|
124 |
|
"A Dressing Wall" color photographs on heavy cardboard.
|
ca. 1973-1976 |
|
|
|
|
2
|
125 |
|
Paper included with "A Dressing Wall" photographs on heavy cardboard
|
1973-1976 |
|
|
|
|
2
|
126 |
|
"A Dressing Wall" Wallet scale photographs, diagram, Tokyo subway map. grouped by AC.
|
1973-1976 |
|
|
|
|
2
|
129 |
|
Red Anger Association. Collage, Kodak advertisement and polaroid photograph. Cut out screen opens to reveal AC polaroid.
|
1973-1976 |
|
|
|
|
2
|
130 |
|
Red Anger Association. text.
|
1973-1976 |
|
|
|
|
2
|
131 |
|
"Loft and Environs" 150 Chambers St. 69 Color slides.
|
1973-1976 |
|
|
|
|
2
|
132 |
|
Black and white negatives, contact sheets and photographs. Beatrice Rubin with dustmasks at 150 Chambers St.
|
1973-1976 |
|
|
|
|
2
|
133 |
|
Black and white contact sheet. Robin Winters, Baylor Trapnel in Maine.
|
1973-1976 |
|
|
|
|
2
|
134 |
|
Black and white negatives and contact sheet. Film shoot at a bar, invisible performances, Beatrice Rubin. Perhaps 1974.
|
1973-1976 |
|
|
|
|
2
|
135 |
|
Queen of Siberia 10 cent Cookbook. mail project, responses.
|
1973-1976 |
|
|
|
|
2
|
136 |
|
Queen of Siberia 10 cent letterhead.
|
1973-1976 |
|
|
|
|
2
|
137 |
|
Sketch notebook. Includes materials relating to "Siberia", "A Dressing Wall" and "mice" works.
|
1973-1976 |
|
|
|
|
2
|
142 |
|
Copies of drawings. Grouped in a folder by Andrea Callard.
|
1973-1976 |
|
|
|
|
Binder C
|
f |
|
Color negatives and contact sheet documenting Callard's tent sculpture. Color snapsots of texture.
|
1973-1976 |
|
|
|
|
Binder C
|
g |
|
Color snapshots and negatives of textures and patterns.
|
1973-1976 |
|
|
|
|
Binder C
|
h |
|
Color snapshots and negatives. "A. Callard 150 Chambers studio. 1973-1976". Images used in "Experiences Vacuum"
|
1973-1976 |
|
|
|
|
Binder D
|
a |
|
150 Chambers Artworks. 96 color slides on six pages.
|
1973-1976 |
|
|
|
|
Binder D
|
b |
|
150 Chambers Artworks. 88 color slides on seven pages.
|
1973-1976 |
|
|
|
|
Binder D
|
c |
|
150 Chambers Artworks. 97 color slides on seven pages
|
1973-1976 |
|
|
|
|
Binder D
|
d |
|
Artworks 1973-1975. 52 color slides on three pages.
|
1973-1975 |
|
|
|
|
Binder D
|
e |
|
Artworks 1973-1975. 34 color slides on three pages.
|
1973-1975 |
|
|
|
|
Binder D
|
f |
|
Artworks 1973-1975. Fourteen color slides on two pages.
|
1973-1975 |
|
|
|
|
Binder D
|
g |
|
New York. 47 color slides on three pages.
|
ca. 1973-1981 |
|
|
|
|
Binder D
|
h |
|
New York. 53 color slides on three pages.
|
ca. 1973-1981 |
|
|
|
|
Binder D
|
i |
|
New York. 59 color slides on three pages.
|
ca. 1973-1981 |
|
|
|
|
Return to top
|
Subseries C: 1976-1978 40 Lispenard St.
|
| Box |
Folder |
|
Title |
Date |
|
2
|
143 |
|
"Puzzer" for Lost Shoe Blues song.
|
1976 |
|
|
|
|
2
|
144 |
|
Cara Perlman on the beach.
|
1976 |
|
|
|
|
2
|
145 |
|
Black and white contact sheet and negatives. Milkweed, windows, debris at 40 Lispenard.
|
1976 |
|
|
|
|
2
|
146 |
|
Black and white negatives and contact sheet. 40 Lispenard St.
|
1976-1977 |
|
|
|
|
Binder E
|
a |
|
40 Lispenard St. Loft and Environs. 47 color slides on three pages.
|
1976-1982 |
|
|
|
|
Binder E
|
b |
|
40 Lispenard St. Loft and Environs. 35 color slides on three pages.
|
1976-1982 |
|
|
|
|
Binder E
|
c |
|
40 Lispenard St. Loft and Environs. 46 color slides on three pages.
|
1976-1982 |
|
|
|
|
Binder E
|
d |
|
40 Lispenard St. Loft and Environs. 49 color slides on three pages.
|
1976-1982 |
|
|
|
|
2
|
147 |
|
Canoe trip information packets AC sent to participants.
|
1977 |
|
|
|
|
2
|
148 |
|
Canoe trip, black and white contact images, not entire sheets.
|
1977 |
|
|
|
|
2
|
149 |
|
Canoe trip texts and Ailanthus tress. Black and white negatives and contact sheets.
|
1977 |
|
|
|
|
2
|
152 |
|
Black and white contact sheets and negatives. Ailanthus trees, Jeff Callard and AC's grandparents
|
1977 |
|
|
|
|
2
|
153 |
|
Black and White contact sheet, partial. Ailanthus images, includes Cara Perlman at beach and one of the images used in AC's Ailanthus postcards.
|
1977 |
|
|
|
|
2
|
154 |
|
Bat Pamphlet multiples. AC's contribution to Colab's Batman show. Red ink on paper, multiple.
|
1977 |
|
|
|
|
2
|
156 |
|
Narrative Drawings, NEA 1976-1977. 12 color slides.
|
1977 |
|
|
|
|
2
|
157 |
|
Black and white negatives and contact sheet. Fred Krughoff, Cara Perlman, Alan Saret's place.
|
1977 |
|
|
|
|
2
|
158 |
|
News and Comment. Black and white photographs used, original altered newspapers and multiple copies.
|
1977 |
|
|
|
|
2
|
159 |
|
Transportation incidents postcard samples.
|
1977 |
|
|
|
|
2
|
160 |
|
Continental Drift at la Mama. Film by Paula Longendyke. Sets by Andrea Callard and Lizbeth Mararo. Black and white contact sheet and negatives, paper diagram, 60 color slides.
|
1977 |
|
|
|
|
2
|
161 |
|
"Love and wrongdoings and retaliation" related to Continental Drift. Index cards wtih text and black and white contact sheet images.
|
1977-1978 |
|
|
|
|
2
|
162 |
|
Artists Space: Artists Super 8 Film Exposition. Includes Andrea Callard's Film "Standard Adult Wheelchair"
|
1977 |
|
|
|
|
Binder E
|
e |
|
Color snapshots. "AC Hand photos. Connect to finger print drawings"
|
1977 |
|
|
|
|
Binder E
|
f |
|
Ailanthus and Cynthia 1977-1984. 36 color snapsots.
|
1977-1984 |
|
|
|
|
2
|
164A |
|
Black and white negatives. Used for LINE Poster, May 1978
|
1978 |
|
|
|
|
2
|
164 |
|
Black and white contact sheets and negatives from AC's time in the Cummington Community for the Arts, Cummington MA.
|
1978 |
|
|
|
|
2
|
169 |
|
Black and white contact sheet and negatives, Cummington, MA. Fred Krughoff, life in the community, the building structure.
|
1978 |
|
|
|
|
2
|
170 |
|
Black and white contact sheet and negatives. Cummington, MA: building structure and outdoors.
|
1978 |
|
|
|
|
2
|
171 |
|
Black and white contact sheets and negatives. Cummington MA: building interior
|
1978 |
|
|
|
|
2
|
172 |
|
Black and white contact sheet and negatives. Cummington, MA: Kids, outdoors, Andrea Callard and Brick.
|
1978 |
|
|
|
|
2
|
173 |
|
Black and white contact sheet. Cummington, MA: building interior.
|
|
|
|
|
|
2
|
174 |
|
Black and white contact sheet and negatives. Cummington, MA: building interior.
|
1978 |
|
|
|
|
2
|
175 |
|
Black and white contact sheet and negatives. Cummington, MA: Fred Krughoff and Andrea Callard in AC's living space.
|
1978 |
|
|
|
|
2
|
176 |
|
Black and white contact sheet. Cummington MA: Andrea Callard, shoes, building interior.
|
1978 |
|
|
|
|
2
|
177 |
|
Black and white contact sheet and negatives. Cummington, MA: Snowey graveyard, windows.
|
1978 |
|
|
|
|
2
|
178 |
|
Black and white contact sheet and negatives. Cummington, MA: windows, Andrea Callard, Fred Krughoff, winter.
|
1978 |
|
|
|
|
2
|
180 |
|
Black and white contact sheets and negatives. Cummington, MA: Winter, trees.
|
1978 |
|
|
|
|
2
|
181 |
|
Black and white contact sheets and negaties. Andrea Callard and Fred Krughoff, used in mind/heart collages.
|
1978 |
|
|
|
|
2
|
183 |
|
Black and white negatives and contact sheets. Customs House, Reese and Carol Williams, Andrea Callard at 40 Lispenard, Wall St. Vicinity, Fred Krugoff, Chuck Callard.
|
1978 |
|
|
|
|
2
|
184 |
|
Black and white contact sheets and negatives. Andrea Callard and A. McCall at Ed Chaplin's 14 Harrison St. Loft. Fred Krughoff's loft at 242 Water St.
|
1978 |
|
|
|
|
2
|
188 |
|
Six Postcards about Ailanthus Trees. Includes explanation, cards and receipts from friends.
|
1978 |
|
|
|
|
2
|
189 |
|
Black and white photographs of drug smuggling paraphenalia on display at the World Trade Center.late 1970s.
|
1977-1979 |
|
|
|
|
2
|
190 |
|
Ailanthus drawings and collages. Paper and color photography.
|
1977-1984 |
|
|
|
|
2
|
191 |
|
Cynthia moth sketch, part of Ailanthus works.
|
1977-1984 |
|
|
|
|
2
|
192 |
|
Black and white Ailanthus photographs, misc.
|
1977-1984 |
|
|
|
|
Binder F
|
a |
|
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Negatives, three pages.
|
1978-1982 |
|
|
|
|
Binder F
|
b |
|
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Negatives, three pages.
|
1978-1982 |
|
|
|
|
Binder F
|
c |
|
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation] Negatives, three pages.
|
1978-1982 |
|
|
|
|
Binder F
|
d |
|
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Negatives, three pages.
|
1978-1982 |
|
|
|
|
Binder F
|
e |
|
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Negatives, three pages. Contact sheet, one page.
|
1978-1982 |
|
|
|
|
Binder F
|
f |
|
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]WPA/Citi Wildlife Museum, 1983 negatives and contact sheet.
|
1978-1982 |
|
|
|
|
Binder F
|
g |
|
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheet fragments, seven pages.
|
1978-1982 |
|
|
|
|
Binder F
|
h |
|
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheet and negatives, two pages.
|
1978-1982 |
|
|
|
|
Binder F
|
i |
|
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheet and negatives, two pages.
|
1978-1982 |
|
|
|
|
Binder F
|
j |
|
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheet and negatives, two pages.
|
1978-1982 |
|
|
|
|
Binder F
|
k |
|
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation] Contact sheets, four pages.
|
1978-1982 |
|
|
|
|
Binder F
|
l |
|
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Fried eggs and leaves, contact sheet and negatives. Used in "News and Nutrition" work, 1980.
|
1978-1982 |
|
|
|
|
Binder F
|
m |
|
Ailanthus Landscape, black and white negatives and contact sheets ca. 1978-1982 [Callard's notation]Contact sheets, two pages.
|
1978-1982 |
|
|
|
|
Binder F
|
n |
|
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation]57 color slides on three pages.
|
1978-1982 |
|
|
|
|
Binder F
|
o |
|
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation] 19 color slides on tho pages.
|
1978-1982 |
|
|
|
|
Binder F
|
p |
|
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation] "Ailanthus trees and burned car in field in Staten Is." 47 color slides on three pages.
|
1978-1982 |
|
|
|
|
Binder F
|
q |
|
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation] 32 color slides on three pages.
|
1978-1982 |
|
|
|
|
Binder F
|
r |
|
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation]34 color slides on three pages.
|
1978-1982 |
|
|
|
|
Binder F
|
s |
|
Ailanthus Landscape, color slides ca. 1978-1982 [Callard's notation] 45 color slides on four pages.
|
1978-1982 |
|
|
|
|
Return to top
|
Subseries D: 1979-1981 40 Lispenard St.
|
| Box |
Folder |
|
Title |
Date |
|
2
|
201 |
|
"All Animals Need Water to Survive" AC's Contribution to Colab's Animals Living int eh City show. photocopy.
|
1979 |
|
|
|
|
2
|
202 |
|
Miscellaneous drawings
|
1979 |
|
|
|
|
2
|
203 |
|
Ailanthus stencil on edit room. two color slides.
|
1979 |
|
|
|
|
2
|
204 |
|
Posters advertising Andrea Callard's show "Work from studying Ailanthus" at PS1.
|
1979 |
|
|
|
|
2
|
205 |
|
Notes and plans for Seed Machine and Tree Banding, both project part of "Work from Studying Ailanthus" Show at PS1
|
1979 |
|
|
|
|
2
|
207 |
|
Ailanthus project, Seed machine information messages
|
1979 |
|
|
|
|
2
|
208 |
|
Ailanthus: Augmented pamphlet regarding tree planting on streets of Denver
|
1979 |
|
|
|
|
2
|
209 |
|
Custom and Culture II, Announcement.
|
1979 |
|
|
|
|
2
|
210 |
|
Custom and Culture II Event program
|
1979 |
|
|
|
|
2
|
212 |
|
Description of Andrea Callard's Custom and Culture II piece.
|
1979 |
|
|
|
|
2
|
213 |
|
Sketched floorplan of Customs House
|
1979 |
|
|
|
|
2
|
214 |
|
Ten color slides from AC's Custom and Culture II work.
|
1979 |
|
|
|
|
2
|
215 |
|
"Custom Photo Combinations" Custom and Culture II slide show images, color copies.
|
1979 |
|
|
|
|
2
|
217 |
|
Custom and Culture II: Press
|
1979 |
|
|
|
|
2
|
218 |
|
Custom and Culture II: Black and white negatives and contact sheeet. Images of stairs, windows, lighting, ornaments, eagle.
|
1979 |
|
|
|
|
2
|
220 |
|
Custom and Culture II: Black and white negatives and contact sheets. Images of light fixtures, floors, drawers, windows.
|
1979 |
|
|
|
|
2
|
221 |
|
Custom and Culture II: Black and white negatives and contact sheets. Images of building exteriors, statues.
|
1979 |
|
|
|
|
2
|
222 |
|
Custom and Culture II: Black and white negatives and contact sheets. Images of archways and windows.
|
1979 |
|
|
|
|
2
|
223 |
|
Custom and Culture II: Black and White negatives and contact sheets. Images of windows and stairs.
|
1979 |
|
|
|
|
2
|
224 |
|
Custom and Culture II: Black and White negatives and contact sheets. Images of entry area, trash cans, exterior building ornaments.
|
1979 |
|
|
|
|
2
|
225 |
|
Custom and Culture II: Black and white negatives and contact sheets. Images of exhibit, fountain, trash.
|
1979 |
|
|
|
|
2
|
226 |
|
Custom and Culture II: Black and white negatives and contact sheets. Images of ornamentation, baerial images of building exterior, doorways.
|
1979 |
|
|
|
|
2
|
227 |
|
Custom and Culture II: Black and white negatives and contact sheet. Images of exhibit and doors.
|
1979 |
|
|
|
|
2
|
229 |
|
Custom and Culture II: Black and white negatives. Image of building exteriors, area surrounding customs house. See folder 228 for corresponding contact sheets.
|
1979 |
|
|
|
|
2
|
230 |
|
Custom and Culture II: Black and white negatives. Images of windows, doors, mismatched contact sheet fragment of ironwork.
|
1979 |
|
|
|
|
2
|
231 |
|
Custom and Culture II: black and white negatives and contact sheet. Images of sinks, drawers, counters.
|
1979 |
|
|
|
|
2
|
232 |
|
Custom and Culture II: black and white negatives and contact sheet. Images of building exterior, Jim Vincent at Andrea Callard's home.
|
1979 |
|
|
|
|
2
|
233 |
|
Custom and Culture II: black and white contact sheet and negatives. Images of stairs, brickwork, Andrea Callard and Jim Vincent.
|
1979 |
|
|
|
|
2
|
234 |
|
Custom and Culture II: Black and white contact sheet and negatives. Images of corners, domes, arches and floors.
|
1979 |
|
|
|
|
2
|
235 |
|
Custom and Culture II: black and white negatives and contact sheets. Images of buildings, stairs, buses.
|
1979 |
|
|
|
|
2
|
236 |
|
Custom and Culture II: black and white negatives and contact sheets. Images of exterior ornamentation, interiors, pigeons.
|
1979 |
|
|
|
|
2
|
237 |
|
Custom and Culture II: Black and white negatives and contact sheets. Images of trash cans, stairs, lighting fixtures, ironwork.
|
1979 |
|
|
|
|
2
|
238 |
|
Custom and Culture II: Black and white contact sheet. Annotated. Images of fixtures, grates and doorways.
|
1979 |
|
|
|
|
2
|
239 |
|
Custom and Culture II: Black and white contact sheet and negatives. Images of fixtures, grates and doorways.
|
1979 |
|
|
|
|
2
|
240 |
|
Custom and Culture II: Black and white negatives and contact sheet. Images of books and windows.
|
1979 |
|
|
|
|
Binder G
|
a |
|
Color snapshots and negatives. "Photo in pond by Customs House base of B'way. Photo for slide show. Shown at Fashion Moda" Images part of AC's "Animals Living in Cities" contribution.
|
1979 |
|
|
|
|
Binder G
|
b |
|
Andrea Callard and Mac Beckett in Milan. Color snapshots grouped in grey metal file box with two audiocassettes. Audiocassettes have been removed to Series ZZZZ: Media.
|
1979 |
|
|
|
|
2
|
241 |
|
Andrea Callard and Bonnie O'Neill's show at Site, Cite, Sight Inc. in San Francisco. Andrea Callard's file on her work "Commuting from Point to Point" a continuous slide show.
|
1980 |
|
|
|
|
Binder H
|
a |
|
"Commuting from Point to Point" slideshow images.
|
1980 |
|
|
|
|
Binder H
|
b |
|
Color slides of Site, Cite, Sight exhibition space, location of Bonnie O'Neill and Andrea Callard show.
|
1980 |
|
|
|
|
9
|
243 |
|
Blue binder containing notecards, photographs and annotations. Used in Andrea Callard and Bonnie O'Neill's Site, Cite, Sight Inc. show.
|
1980 |
|
|
|
|
2
|
244 |
|
Loose papers and photographs from the cover of blue binder, folder 243.
|
1980 |
|
|
|
|
2
|
245 |
|
Matted color photographs from folder labeled "San Francisco". work from Site, Cite, Sight show.
|
1980 |
|
|
|
|
2
|
246 |
|
Tanam Press publicitiy invitation for book release of "Hotel" and "Boiling Coffee" designed by Andrea Callard
|
1980 |
|
|
|
|
2
|
247 |
|
Flier used in an "effort to querry artists about [sewer?] conflict organized by White Columns"
|
1980 |
|
|
|
|
2
|
248 |
|
Andrea Callard Show "Drawings in Series" at Ball State University in Muncie Indiana. Exhibition of pencil drawings AC made during the winter of 1973-1974.
|
1980 |
|
|
|
|
2
|
249 |
|
Brooke Alexander Colab Benefit. Announcement and color slide of Andrea Callard's contribution.
|
1980 |
|
|
|
|
2
|
254 |
|
Black and white photographs of fried eggs and plant leaves. Used in News and Nutrition work.
|
1980 |
|
|
|
|
2
|
256 |
|
Andrea Callard Press
|
1980 |
|
|
|
|
2
|
259 |
|
Black and white negatives. Images of trash, Jeff Callard and Matthew Geller on the West Side highway at Chambers. Corresponding contact sheet in folder 260.
|
1980 |
|
|
|
|
2
|
261 |
|
Black and white contact sheet. Images of Roberta Callard, Theresa Cha, Reese and Carol Williams.
|
1980 |
|
|
|
|
2
|
262 |
|
Notebook
|
1980-1981 |
|
|
|
|
Binder H
|
c |
|
Color slides, 1980-1984. 21 slides on three pages.
|
1980-1984 |
|
|
|
|
Binder H
|
d |
|
Color slides 1980-1984. 36 slides on three pages.
|
1980-1984 |
|
|
|
|
Binder H
|
e |
|
Color slides 1980-1984. 45 slides on four pages.
|
1980-1984 |
|
|
|
|
3
|
263 |
|
Color slides of show at White Columns. February 1981. 77 color slides.
|
1981 |
|
|
|
|
3
|
264 |
|
"Whole more than two" Richard Miller and Andrea Callard Show at White Columns. 38 color slides, color negatives, publicity postcards, polaroids and notes.
|
1981 |
|
|
|
|
3
|
266 |
|
White Columns Record Covers for Show. March 1981. 9 black and white slides, event announcements, Andrea Callard's exhibit contract and release form.
|
1981 |
|
|
|
|
3
|
267 |
|
Black and white contact sheets. Images of recycling center in Western Massachusetts and the Cummington Community for the Arts.
|
1981 |
|
|
|
|
3
|
268 |
|
Black and white negatives. Images of Cummington Community for the arts, Andrea Callard, Marjorie Cohen, Matthew Geller. Contact sheet in folder 269.
|
1981 |
|
|
|
|
3
|
270 |
|
Black and white negatives. Images of Cummington Community for the Arts. Corresponding contact sheet in folder 271.
|
1981 |
|
|
|
|
3
|
272 |
|
Black and white negatives. Images of Cummington Community for the Arts. Corresponding contact sheet in folder 273.
|
1981 |
|
|
|
|
3
|
276 |
|
Color slides, Andrea Callard and Matthew Geller help move John Chamberlain from NYC to Florida. This trip was the inspiration for film ideas and watercolor paintings.
|
1981 |
|
|
|
|
3
|
277 |
|
Index card notes, plans for film of trip to Florida with M. Geller.
|
1981 |
|
|
|
|
3
|
278 |
|
Black and White contact sheet images of New York, Lispenard St, Carol and Reese Williams and Theresa Cha.
|
1981 |
|
|
|
|
3
|
279 |
|
Black and white negatives. Indiana Farm. Includes negative used for AC's Colab Postcard "Braham Bull"
|
1981 |
|
|
|
|
3
|
280 |
|
Black and white contact sheet and large print. Indiana Farm. Images of bulls.
|
1981 |
|
|
|
|
3
|
281 |
|
Color Slides. Images of farm in Gaston Indiana.116 color slides, postcards, large black and white prints.
|
1981 |
|
|
|
|
3
|
282 |
|
Folder labeled "Animals--Rupp" includes chicken sketches and a draft of a letter to the enditor written from Gaston Indiana.
|
1981 |
|
|
|
|
Return to top
|
Subseries E: 1982-1986
|
| Box |
Folder |
|
Title |
Date |
|
Binder I
|
a |
|
Art Works on Paper 1982-1991. 39 color slides on three pages
|
1982-1991 |
|
|
|
|
Binder I
|
b |
|
Art Works on Paper 1982-1991. 41 color slides on three pages.
|
1982-1991 |
|
|
|
|
Binder I
|
c |
|
Art Works on Paper 1982-1991. 45 color slides on three pages
|
1982-1991 |
|
|
|
|
Binder I
|
d |
|
Art Works on Paper 1982-1991. 58 color slids on four pages.
|
1982-1991 |
|
|
|
|
3
|
287 |
|
Bronx River Art Center "Inside/Out". Curated by Anne Philbin.
|
1983 |
|
|
|
|
3
|
288 |
|
"Solid Signs of Geometry" sponsored by Creative Time. Performance piece.
|
1983 |
|
|
|
|
3
|
289 |
|
Malone NY Residencey. 95 color slides: "Part of the time in Malone it was 14 belos. I saw amazing things and made lots of watercolors and drawings."0
|
1983 |
|
|
|
|
3
|
290 |
|
Chicago Books Picture Window announcement
|
1983 |
|
|
|
|
3
|
291 |
|
"Freckled Rice" Film directed by Stephen C. Ning, set design by Andrea Callard.
|
1983 |
|
|
|
|
3
|
292 |
|
"Animal Life: Contemporary Representations" Benefit for the Animal Medical Center at Ericson Gallery.
|
1983 |
|
|
|
|
3
|
293 |
|
Notebook. "Washington DC 200/ NYC"
|
1983 |
|
|
|
|
3
|
294 |
|
Andrea Callard Press.
|
1983 |
|
|
|
|
3
|
295 |
|
New American Landscape.
|
1983-1985 |
|
|
|
|
3
|
296 |
|
Watercolor painted kimonos, 24 color slides, Color snapshots and polaroids.
|
1984 |
|
|
|
|
3
|
297 |
|
Notebook. "Everglades"
|
1984 |
|
|
|
|
3
|
298 |
|
Notebook "Black River/Buzzards/Etc."
|
1984 |
|
|
|
|
3
|
299 |
|
"Everglades City" by Matthew Geller. Editorial and Production consulting by Andrea Callard. Folder includes publicity and screening program.
|
1984 |
|
|
|
|
3
|
300 |
|
Postcard of Andrea Callard's watercolor "Everglades City TV"
|
1984 |
|
|
|
|
3
|
301 |
|
"Pus Factory" film file.
|
1984 |
|
|
Includes three eight inch floppy disks
|
|
|
3
|
305 |
|
Black and white negatives. Images of Ailanthus trees and an anti-nuclear demonstration. Corresponding contact sheets in folder 304.
|
1984 |
|
|
|
|
3
|
306 |
|
Black and white negatives. Documentation of watercolors.
|
1984 |
|
|
|
|
3
|
307 |
|
Andrea Callard Press.
|
1984 |
|
|
|
|
Binder I
|
e |
|
Artworks on Paper 1984-1987. Catskill, Black River, Water, Iciles, Ice Dam. 35 color slides on three pages.
|
1984-1987 |
|
|
|
|
Binder I
|
f |
|
Artworks on Paper 1984-1987. Catskill, Black River, Water, Iciles, Ice Dam. 41 color slides on three pages.
|
1984-1987 |
|
|
|
|
Binder I
|
g |
|
Artworks on Paper 1984-1987. Catskill, Black River, Water, Iciles, Ice Dam. 30 color slides on three pages.
|
1984-1987 |
|
|
|
|
Binder I
|
h |
|
Artworks on Paper 1984-1987. Catskill, Black River, Water, Iciles, Ice Dam. 61 color slides on four pages.
|
1984-1987 |
|
|
|
|
3
|
309 |
|
Women in Jazz Downtown Poster. Rough layout.
|
1985 |
|
|
|
|
3
|
310 |
|
New Prints from the Lexington Wake Up Printshop at Art Awareness. Works on paper and fabric. Includes Andrea Callard's work.
|
1985 |
|
|
|
|
3
|
311 |
|
P.S. 1 Winter Opening. Includes Andrea Callard and Reese Williams's collaboration in the "Synaesthetics" portion. Postcard announcements, black and white negatives and contact sheets.
|
1985 |
|
|
|
|
3
|
312 |
|
"Braham Bull" postcard. Andrea Callard's photograph contribution to "Greetings from NYC" Colab project.
|
1985 |
|
|
|
|
3
|
313 |
|
"Today's Art in an Overpopulated Ctiy" at Exit Art. Includes Andrea Callard's work.
|
1986 |
|
|
|
|
3
|
314 |
|
Andrea Callard Press, 1986
|
1986 |
|
|
|
|
Return to top
|
Subseries F: 1987-1989
|
| Box |
Folder |
|
Title |
Date |
|
3
|
315 |
|
The Wake Up Printshop. press release
|
1987 |
|
|
|
|
3
|
317 |
|
Callard Press, 1987.
|
1987 |
|
|
|
|
3
|
318 |
|
Chinatown History Project Tenement installation: Exhibition planning committee notes
|
1987 |
|
|
|
|
3
|
319 |
|
Chinatown Tenement installation: proposal description
|
ca. 1987 |
|
|
|
|
3
|
320 |
|
Chinatown History Project Tenement Installation: Notes between Sam Sue and Andrea Callard.
|
1987-1988 |
|
|
|
|
3
|
321 |
|
"The Tenement: Place for Survival, Object of Reform" publicity postcard. Installation curated by Sam Sue and Andrea Callard at the New York Chinatown History Project.
|
1988 |
|
|
|
|
3
|
322 |
|
New York Chinatown History Project brochure
|
1988 |
|
|
|
|
3
|
323 |
|
Chinatown History Project walking tour.
|
1988 |
|
|
|
|
3
|
324 |
|
Tenement Research
|
1988 |
|
|
|
|
3
|
325 |
|
Chinese and English wall calendar.
|
1988 |
|
|
|
|
3
|
326 |
|
Tenement Project general schedual
|
1988 |
|
|
|
|
3
|
327 |
|
Tenement Installation: working drawings and lists.
|
1988 |
|
|
|
|
3
|
328 |
|
Tenement Installation: exhibit floorplan.
|
1988 |
|
|
|
|
3
|
329 |
|
Tenement Installation: Andrea Callard's notes
|
1988 |
|
|
|
|
3
|
330 |
|
Tenement installation: descriptive note
|
1988 |
|
|
|
|
3
|
331 |
|
Tenement Installation: exhibition script
|
1988 |
|
|
|
|
3
|
332 |
|
Tenement Installation: program fragments
|
1988 |
|
|
|
|
3
|
333 |
|
Temenet Installation: essay
|
1988 |
|
|
|
|
3
|
334 |
|
Chintown Tenement Installation: historical photographs
|
1988 |
|
|
|
|
3
|
335 |
|
Chinatown tenement installation: black and white contact sheets documenting exhibition
|
1988 |
|
|
|
|
3
|
336 |
|
Chinatown tenement installation: black and white photographs documenting exhibition
|
1988 |
|
|
|
|
3
|
337 |
|
Chinatown tenement installation: Certificate of Appreciation from Chinatown History Project to Andrea Callard.
|
1988 |
|
|
|
|
3
|
338 |
|
Chinatown tenement installation: press release
|
1988 |
|
|
|
|
3
|
339 |
|
Chinatown Tenement installation: press
|
1988 |
|
|
|
|
3
|
340 |
|
Prospect Park Boathouse Exhibit. Features Andrea Callar'ds "Branches"
|
1988 |
|
|
|
|
3
|
341 |
|
Art Awareness Gallery. Group show featuring paintings by Andrea Callard, Installations by Susan Crowe, Elka Gould and Heidi Schlatter.
|
1988 |
|
|
|
|
3
|
342 |
|
"Split Britches" produced and directed by Matthew Geller. Production, set and audio design by Andrea Callard.
|
1988 |
|
|
|
|
3
|
343 |
|
Publicity postcards for DIA Art Foundation "If you lived here" exhibition organized by Martha Rosler. Features Andrea Callard and Sam Sue's "The Tenement: Place for Survival, Object of Reform" installation.
|
1989 |
|
|
|
|
3
|
344 |
|
Publicity postcards for DIA "If you lived here" exhibition, altered in black marker to emphasize AC and SS's "The Tenement: Place for Survival, Object of Reform" installation..
|
1989 |
|
|
|
|
3
|
346 |
|
DIA "The Tenement" show, visitor register
|
1989 |
|
|
|
|
3
|
347 |
|
Notes and plans for DIA "The Tenement" installation
|
1989 |
|
|
|
|
3
|
348 |
|
DIA "The Tenement" installation program draft.
|
1989 |
|
|
|
|
3
|
349 |
|
DIA "The Tenement" installation program
|
1989 |
|
|
|
|
3
|
350 |
|
DIA "The Tenement" borrowed material list
|
1989 |
|
|
|
|
3
|
351 |
|
DIA "The Tenement" installation paint chips
|
1989 |
|
|
|
|
3
|
352 |
|
DIA "The Tenement" installation slides.
|
1989 |
|
|
|
|
3
|
353 |
|
DIA "The Tenement" installation black and white negatives
|
1989 |
|
|
|
|
3
|
354 |
|
DIA "If you livedhere" press release, includes statement on Andrea Callard and Sam Sue's "The Tenement"
|
1989 |
|
|
|
|
3
|
355 |
|
Real Life Magazinearticle on DIA installation of "The Tenement: Place for Survival, Object of Reform"
|
1989 |
|
|
|
|
3
|
356 |
|
Art in General "Abstract Places" group show.
|
1989 |
|
|
|
|
3
|
357 |
|
Black and white contact sheets and negatives. Images of candid shots of kids, friends and tennis.
|
1989 |
|
|
|
|
Return to top
|
Subseries G: 1990-2000
|
| Box |
Folder |
|
Title |
Date |
|
3
|
358 |
|
Art in General window installation Andrea Callard's "Home Turf"
|
1990 |
|
|
|
|
3
|
361 |
|
"Waste Stream Show" copies of photographs.
|
1990 |
|
|
|
|
3
|
362 |
|
Earth Day Show at the Food Stamp Gallery. Includes work by Andrea Callard.
|
1990 |
|
|
|
|
3
|
363 |
|
"From Receiver to Remote Control" at the New Museum of Contemporary Art. Curated by Matthew Geller, consulting by Andrea Callard. Invitation to a special reception.
|
1990 |
|
|
|
|
3
|
364 |
|
Black and white contact sheet and negatives. images of landfill.
|
1990 |
|
|
|
|
3
|
365 |
|
Black and white negatives and contact sheet. Images of landfill.
|
1990 |
|
|
|
|
3
|
366 |
|
Black and White contact sheet and negatives. Images of kids in costume.
|
1990 |
|
|
|
|
3
|
367 |
|
Black and white contact sheet and negatives. Images of building demotition.
|
1990 |
|
|
|
|
3
|
368 |
|
"The Return of the Cadavre Exquis" at the Drawing Center. Group show, includes Andrea Callard's work.
|
1993 |
|
|
|
|
3
|
369 |
|
"Inside/Out" exhibit announcement. Bronx River Restoration project. Group show featuring Andrea Callard's work.
|
2000 |
|
|
|
|
Return to top
|
Subseries H: Art Education
|
| Box |
Folder |
|
Title |
Date |
|
4
|
370 |
|
Whistle Stop Daycare. Black and white contat sheets and negatives
|
1976 |
|
|
|
|
4
|
371 |
|
Whistle Stop Daycare. Color copy of photograph.
|
ca. 1975-1976 |
|
|
|
|
4
|
372 |
|
Bronx Museum of Arts. Eight color slides, event program and letter of recommendation.
|
1978 |
|
|
|
|
4
|
373 |
|
Teaching-Malone file. includes letters from students, 53 color slides [grouped by AC]
|
1983 |
|
|
|
|
4
|
374 |
|
Teaching-Malone file. 29 color slides and a Christmas card. [grouped by AC]
|
1983 |
|
|
|
|
4
|
375 |
|
Hecksher. Letter and 12 color slides.
|
1983 |
|
|
|
|
4
|
376 |
|
Black River file. Includes student letters, sketchbook, press clippings. [grouped by AC]
|
1983-1984 |
|
|
|
|
4
|
377 |
|
"Black River Residency" file. Press and 138 color slides.
|
1984 [grouped by AC] |
|
|
|
|
4
|
378 |
|
Rockland Center for the Arts. File contans press, contact information, school mailings, notes, planning letters etc.
|
1986-1987 |
|
|
|
|
4
|
380 |
|
Rockland Center for the Arts Student Letters
|
1986-1987 |
|
|
|
|
4
|
381 |
|
Student "Love Letters" from Rockland students. Part 1
|
1986-1987 |
|
|
|
|
4
|
382 |
|
"Love Letters" from Rockland students. Part 2
|
1986-1987 |
|
|
|
|
4
|
383 |
|
Rockland Arts-in-Education Showcase. April 1, 1989
|
1989 |
|
|
|
|
4
|
384 |
|
New York State Summer School of the Arts. FIle includes black and white photographs, contact sheets and negatives as well as notes, contact information and promotional materials.
|
1990 |
|
|
|
|
4
|
385 |
|
Paper-making workshop for Studio in a School.
|
1990 |
|
|
|
|
4
|
387 |
|
Black and white contact sheet. Images of Andrea Callard with students.
|
undated |
|
|
|
