Historical/Biographical Note
Dennis Cooper was born on January 10, 1953 in Pasadena, California. His literary aspirations were explored early on and often took the form of imitations of Rimbaud, Verlaine, De Sade, and Baudelaire. He wrote poetry and stories in his early teens that explored scandalous and often extreme subjects. As a teenager, Cooper was an "outsider" and the leader of a group of poets, punks, stoners and writers. After high school he attended Pasadena City College and later Pitzer College where he encountered a poetry teacher who was to inspire him to pursue his writing outside of institutions of higher learning.
In 1976 Cooper went to England to become involved in the nascent punk scene transforming the visual/verbal aesthetic of punk into its written counterpart--see, for example, Closer. In the same year he began Little Caesar Magazine which included among other things an issue on and dedicated to Rimbaud. In 1978 with the success of the magazine, Cooper was able to found Little Caesar Press which featured the work of, among others, Brad Gooch, Amy Gerstler, Elaine Equi, Tim Dlugos, and Eileen Myles.
In 1979, Cooper became the director of programming at an alternative poetry space, Beyond Baroque, in Venice, California. During his tenure such artists as Tim Miller, Eric Bogosian and Jessica Hagedorn gave performances. He also curated shows that included works by Sheree Levin and Bob Flanagan, Peter Schjeldahl, Kenward Elmslie, Gerard Malanga, and Jack Skelley. In 1984, Cooper moved to New York City. In 1987 he met his Dutch boyfriend whom he soon followed back to Amsterdam. While exiled in Amsterdam he finished writing Closer which took as inspiration a postcard that featured an image of Mickey Mouse carved onto the back of a young boy. Cooper later won the Ferro-Grumley for gay literature for Closer.
While in Amsterdam he also wrote articles for different American magazines including the Village Voice. He soon returned to New York and began writing articles for Artforum and began working on his next novel, Frisk. In the next few years Cooper works on several different art and performance projects including co-curating an exhibit at LACE with Richard Hawkins entitled AGAINST NATURE: A Group Show of Work by Homosexual Men.
Presently, Cooper lives in Los Angeles. He has, after his final return to Los Angeles from New York, collaborated with a number of artists, including composer John Zorn, painter Lari Pittman, sculptors Jason Meadows and Nayland Blake, and others. In the Spring of 2000 he published the final novel, Period, of the series that began with Closer, followed by Frisk, Try, and Guide.
BIBLIOGRAPHY:
The Terror of Earrings. Arcadia, CA: Kinks Press, 1973.
Little Caesar. Ed. Dennis Cooper. Los Angeles: Little Caesar Press, 1976-1981.
Tiger Beat. Los Angeles: Little Caesar Press, 1978.
Antoine Monnier. Los Angeles: Anon Press, 1978.
Idols. New York: The Sea Horse Press, 1979.
Coming Attractions: An Anthology of American Poets in Their Twenties. Ed. Dennis Cooper with assistance by Tim Dlugos. Los Angeles: Little Caesar Press, 1980.
The Missing Men. Santa Barbara: Am Here Books/Immediate Editions, 1981.
The Tenderness of Wolves.Trumansburg, New York: Crossing Press, 1982.
My Mark. Los Angeles: Sherwood Press, 1982.
Safe. New York: Sea Horse Press, 1984.
Them. (play) Produced in New York, 1985.
He Cried. San Francisco: Black Star Series, 1985.
Against Nature: A Group Show of Work by Homosexual Men. Curators Dennis Cooper and Richard Hawkins. Los Angeles: Los Angeles Contemporary Exhibitions, 1988.
Closer. New York: Grove Press, 1989.
Idols. Revised Edition. New York: Amethyst Press, 1989.
Knife/Tape/Rope (play). produced in New York City, 1989.
The Undead (play). produced in Los Angeles at Mark Taper Forum, 1989.
Frisk. New York: Grove Weidenfeld, 1991.
Lust.Intro. Dennis Cooper. Los Angeles: The Advocate Liberations Publications, 1991.
Discontents: New Queer Writers. Ed. Dennis Cooper. New York: Amethyst Press, 1992.
Wrong: Stories. New York: Grove Weidenfeld, 1992.
Jerk. San Francisco: Artspace Books, 1993.
Try. New York: Grove, 1994.
Dear Dennis, Love Lari. Collaboration with Lari Pittman and Jonathan Hammer. San Francisco: Hammer Editions, 1995.
The Dream Police: Selected Poems, 1969-1993. New York: Grove Press, 1995. Horror Hospital Unplugged. New York: Juno Books, 1997.
Guide. New York: Grove Press, 1997.
Weird Little Boy. Collaboration with John Zorn, Nayland Blake and Casey McKinney. Tokyo and New York: Avant Records, 1998.
Raymond Pettibon. Intro. Dennis Cooper. Switzerland: Kunsthalle Bern/D.A.P., 1998.
Period. New York: Grove Press, 2000.
Raymond Pettibon. Intro. Dennis Cooper. New York: Phaidon, 2001.
Thom Friedman. Essay. Dennis Cooper. London: Phaidon, 2001.
My Loose Thread. Edinburgh: Canongate Books, 2002.
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Scope and Content Note
The Dennis Cooper Papers is comprised of the correspondence and manuscripts of many notable literary and cultural figures, scrapbooks, manuscripts, collaborative projects, journals, journalism, reviews, business/production files for each book project, zines, posters, videocassettes, tapes, and materials from both
Little Caesar Magazineand Little Caesar Press. The Cooper Papers contains an almost comprehensive collection of the early to present-day literary career of Dennis Cooper. Cooper's original organization of his papers was preserved as much as possible.
Original format for most materials.
SERIES DESCRIPTIONS
SERIES I: Book projects and related materials
subseries A contains 4 boxes of book project materials, including promotional materials, business records, manuscripts, reviews, scrapbooks, correspondence, and background materials.
subseries B contains 1 box of collaborative projects and works edited by Cooper. This subseries includes manuscripts, correspondence, business materials, photos, promotional materials, reviews, a CD and slides.
subseries C contains materials relating to Cooper's collaborative projects including a play written with Haasen and collaborations with Houston-Jones.
SERIES II: Book Projects and Correspondence of Writers and Artists
Contains the manuscripts, correspondence, reviews, promotional materials, interviews, slides, readings and announcements, clippings and newsletters of friends and colleagues of Cooper.
SERIES III: Journalism
Contains journalism written for magazines and newspapers including but by no means limited to
Artforum,
The Advocate,
Art in America,
Spin, and
The Village Voice. Series 3 also contains journal articles that either remain unpublished or contain no information regarding the publications for which they were written.
SERIES IV: Biographical material
subseries A contains biographical materials including juvenilia, diaries, scrapbooks, a headshot, college materials, readings, reviews and correspondence from family members.
subseries B contains personal correspondence, including early rejection letters.
SERIES V:
Beyond Baroque
Contains materials from Cooper's tenure at Beyond Baroque including correspondence, readings, reviews, writing workshop materials, press materials and photos.
SERIES VI:
Little Caesar Magazine/ Little Caesar Press
subseries A contains materials relating to and of Little Caesar Magazine including correspondence, invoice and records, reviews, press materials, production materials, and mock-ups of several issues of the magazine.
subseries B contains all the materials relating to and of Little Caesar Press including manuscripts, mock-ups, cover art, posters, photos, and correspondence.
SERIES VII: Media Material [Access copies may not be available for these materials yet. Check with the Fales archivist.]
subseries A contains all access copies for videotapes available to researchers.
subseries B contains all original video recordings given by Cooper including versions of "Knife/Tape/Rope" and Frisk. [Also see ACCRETION 2002]
subseries C contains all access copies for audio material available to researchers.
subseries D containts all original audio material given by Cooper.
SERIES VIII: Zines
Includes zines collected by Cooper.
SERIES IX: Posters
Contains posters of readings, announcements, and promotional advertisements. The Posters are located in the map case.
OVERSIZE:
There are 2 flat oversize boxes that contain oversize materials from series 6.
ACCRETION 2002:
The 2002 Accretion to The Dennis Cooper Papers focus on Period, the last installment of Cooper's George Miles cycle and My Loose Thread, his first full-length prose work outside said cycle in ten years. The accretion includes scrapbooks, manuscripts, notebooks, and videotapes relating to these works. In the case of Period there's a model house constructed of wood and filled with a hand-drawn representation of the novel's structure, a note to Ziggy, and images of haunted houses, George Miles, and various anonymous teenagers. Also included is a diaristic scrapbook on "Ideal Beauty."
The collection also makes available Cooper's Death and Sex File, which includes clippings from hundreds of magazines and newspapers spanning more than a decade.
There are a number of folders of Juvenalia from the 1960's and 1970's, including early poetry, journalism, prose, journals, correspondence, and Cooper's first novel written when he was an adolescent.
The correspondence in the 2002 Accretion includes photos of the reclusive author J.T. LeRoy and materials regarding Cooper's newest editorial project, the Little House on the Bowery series at Akashic Books.
Return to top
|
|
Series I: Book projects and related materials
|
Subseries A: Book projects and related materials
|
| Box |
Folder |
|
Title |
Date |
|
1
|
1 |
|
Terror of Earrings, manuscript
|
undated |
|
|
|
1
|
2 |
|
Terror of Earrings, reviews
|
undated |
|
|
|
1
|
3 |
|
Tiger Beat, correspondence
|
undated |
|
|
|
1
|
4 |
|
Tiger Beat, reviews
|
undated |
|
|
|
1
|
5 |
|
Antoine Monnier, manuscript
|
undated |
|
|
|
1
|
6 |
|
Idols, manuscript
|
undated |
|
|
|
1
|
7 |
|
Idols, manuscript--typewritten with revisions
|
undated |
|
|
|
1
|
8 |
|
Idols, correspondence
|
undated |
|
|
|
1
|
9 |
|
Idols, contract
|
undated |
|
|
|
1
|
10 |
|
Idols, JFK Jr. scrapbook
|
undated |
|
|
|
1
|
11 |
|
Idols, JFK Jr. scrapbook cont.
|
undated |
|
|
|
1
|
12 |
|
Idols, press and reviews
|
undated |
|
|
|
1
|
13 |
|
Tenderness of Wolves, first draft
|
undated |
|
|
|
1
|
14 |
|
Tenderness of Wolves, early draft
|
undated |
|
|
|
1
|
15 |
|
Tenderness of Wolves, manuscript
|
undated |
|
|
|
1
|
15a |
|
Tenderness of Wolves, correspondence
|
undated |
|
|
|
1
|
17 |
|
Tenderness of Wolves, contract
|
undated |
|
|
|
1
|
18 |
|
Tenderness of Wolves, reviews
|
undated |
|
|
|
1
|
19 |
|
The Missing Men, correspondence
|
undated |
|
|
|
1
|
20 |
|
He Cried, manuscript/review
|
undated |
|
|
|
1
|
20a |
|
He Cried, correspondence
|
undated |
|
|
|
1
|
21 |
|
My Mark, early draft
|
undated |
|
|
|
1
|
21a |
|
My Mark, correspondence
|
undated |
|
|
|
1
|
22 |
|
My Mark, background--Mark Lewis File
|
undated |
|
|
|
1
|
23 |
|
My Mark, reviews/promotional material
|
undated |
|
|
|
1
|
24 |
|
Safe, early drafts
|
undated |
|
|
|
1
|
24a |
|
Safe, cont.
|
undated |
|
|
|
1
|
25 |
|
Safe, final draft
|
undated |
|
|
|
1
|
26 |
|
Safe, manuscript
|
undated |
|
|
|
1
|
27 |
|
Safe, correspondence
|
undated |
|
|
|
1
|
28 |
|
Safe, contract
|
undated |
|
|
|
1
|
29 |
|
Safe, reviews
|
undated |
|
|
|
1
|
30 |
|
Safe, production
|
undated |
|
|
|
1
|
31 |
|
Closer, early drafts
|
undated |
|
|
|
1
|
32 |
|
Closer, later draft
|
undated |
|
|
|
1
|
33 |
|
Closer, galleys
|
undated |
|
|
|
2
|
35 |
|
Closer, correspondence
|
undated |
|
|
|
2
|
36 |
|
Closer, background file--George Miles
|
undated |
|
|
|
2
|
37 |
|
Closer, contract
|
undated |
|
|
|
2
|
38 |
|
Closer, reviews
|
undated |
|
|
|
2
|
39 |
|
Closer, press/production
|
undated |
|
|
|
2
|
40 |
|
Closer, material on Closer
|
undated |
|
|
|
2
|
41 |
|
Frisk, early manuscript "Tense"
|
undated |
|
|
|
2
|
42 |
|
Frisk, early drafts
|
undated |
|
|
|
2
|
43 |
|
Frisk, early drafts
|
undated |
|
|
|
2
|
44 |
|
Frisk, early drafts
|
undated |
|
|
|
2
|
45 |
|
Frisk, draft
|
undated |
|
|
|
2
|
46 |
|
Frisk, draft
|
undated |
|
|
|
2
|
47 |
|
Frisk, manuscript
|
undated |
|
|
|
2
|
48 |
|
Frisk, correspondence
|
undated |
|
|
|
2
|
50 |
|
Frisk, imagery
|
undated |
|
|
|
2
|
51 |
|
Frisk, background material--Keanu Reeves file
|
undated |
|
|
|
2
|
52 |
|
Frisk, background material--draft of Keanu Reeves interview by Cooper
|
undated |
|
|
|
2
|
53 |
|
Frisk, background material--manuscript of Keanu Reeves interview by Cooper
|
undated |
|
|
|
2
|
54 |
|
Frisk, reviews/promotional material
|
undated |
|
|
|
2
|
55 |
|
Frisk, reviews/promotional material
|
undated |
|
|
|
2
|
56 |
|
Frisk, reviews/promotional material
|
undated |
|
|
|
2
|
57 |
|
Frisk, Passagen promotional material
|
undated |
|
|
|
2
|
58 |
|
Frisk, unpublished essay by William Burroughs on Frisk/Closer
|
undated |
|
|
|
2
|
59 |
|
Frisk, essay by Achy Obejas on Frisk
|
undated |
|
|
|
2
|
60 |
|
Frisk, related manuscript--author unknown
|
undated |
|
|
|
3
|
61 |
|
Frisk, film script draft
|
undated |
|
|
|
3
|
62 |
|
Frisk, film script final version--first draft
|
undated |
|
|
|
3
|
63 |
|
Frisk, film script final version--second draft
|
undated |
|
|
|
3
|
64 |
|
Frisk, film script--Todd Verow version
|
undated |
|
|
|
3
|
65 |
|
Frisk, film publicity/promotional material
|
undated |
|
|
|
3
|
66 |
|
Frisk, death threat pamphlet
|
undated |
|
|
|
3
|
67 |
|
Frisk, film reviews
|
undated |
|
|
|
3
|
68 |
|
Frisk, correspondence
|
undated |
|
|
|
3
|
69 |
|
Wrong, manuscript
|
undated |
|
|
|
3
|
70 |
|
Wrong, correspondence
|
undated |
|
|
|
3
|
71 |
|
Wrong, cover art and reviews
|
undated |
|
|
|
3
|
72 |
|
Try, first draft
|
undated |
|
|
|
3
|
73 |
|
Try, early draft
|
undated |
|
|
|
3
|
74 |
|
Try, early draft part 2
|
undated |
|
|
|
3
|
74a |
|
Try, early draft part 3
|
undated |
|
|
|
3
|
75 |
|
Try, copyedited manuscript
|
undated |
|
|
|
3
|
76 |
|
Try, manuscript--Walt Bode's editing
|
undated |
|
|
|
3
|
77 |
|
Try, corrected page proofs
|
undated |
|
|
|
3
|
78 |
|
Try, correspondence
|
undated |
|
|
|
3
|
80 |
|
Try, Cooper and Yancy C. manuscript "Lari Pittman"
|
undated |
|
|
|
3
|
81 |
|
Try, Cooper and Yancy C. manuscript
|
undated |
|
|
|
3
|
82 |
|
Try, Cooper and McKinney manuscript of interview of McKinney
|
undated |
|
|
|
3
|
83 |
|
Try, Cooper and McKinney manuscript "The Great Hindu Cow Conspiracy"
|
undated |
|
|
|
3
|
84 |
|
Try, Cooper and McKinney manuscript "Pay for Your Pleasure"
|
undated |
|
|
|
3
|
85 |
|
Try, Casey McKinney background file
|
undated |
|
|
|
3
|
86 |
|
Try, Casey McKinney background file--photos
|
undated |
|
|
|
3
|
87 |
|
Try, Casey McKinney various manuscripts
|
undated |
|
|
|
3
|
88 |
|
Try, Casey McKinney manuscript "Criminality and Other Themes"
|
undated |
|
|
|
3
|
89 |
|
Try, Casey McKinney manuscript "Atlanta, Dakota"
|
undated |
|
|
|
3
|
90 |
|
Try, Jeffrey Lee--manuscript "I Live Here"
|
undated |
|
|
|
3
|
91 |
|
Try, Ziggy Kramer background file
|
undated |
|
|
|
3
|
92 |
|
Try, background images
|
undated |
|
|
|
3
|
93 |
|
Try, reviews
|
undated |
|
|
|
3
|
94 |
|
Try, reviews
|
undated |
|
|
|
3
|
95 |
|
Try, press/reviews
|
undated |
|
|
|
3
|
96 |
|
Try, press/cover art
|
undated |
|
|
|
4
|
97 |
|
Jerk, draft
|
undated |
|
|
|
4
|
98 |
|
Jerk, manuscript
|
undated |
|
|
|
4
|
99 |
|
Jerk, manuscript
|
undated |
|
|
|
4
|
100 |
|
Jerk, manuscript
|
undated |
|
|
|
4
|
101 |
|
Jerk, galleys
|
undated |
|
|
|
4
|
102 |
|
Jerk, correspondence
|
undated |
|
|
|
4
|
103 |
|
Jerk, reviews/promotional material
|
undated |
|
|
|
4
|
104 |
|
The Dream Police, manuscript
|
undated |
|
|
|
4
|
105 |
|
The Dream Police, reviews/cover art
|
undated |
|
|
|
4
|
106 |
|
Horror Hospital Unplugged, early draft
|
undated |
|
|
|
4
|
107 |
|
Horror Hospital Unplugged, second expanded edition
|
undated |
|
|
|
4
|
108 |
|
Horror Hospital Unplugged, uncorrected work copy
|
undated |
|
|
|
4
|
109 |
|
Horror Hospital Unplugged, manuscript and slides
|
undated |
|
|
|
4
|
110 |
|
Horror Hospital Unplugged, correspondence
|
undated |
|
|
|
4
|
111 |
|
Horror Hospital Unplugged, River Phoenix File
|
undated |
|
|
|
4
|
112 |
|
Horror Hospital Unplugged, manuscript by Keith Mayerson "A Child is Being Beaten"
|
undated |
|
|
|
4
|
113 |
|
Horror Hospital Unplugged, press
|
undated |
|
|
|
4
|
114 |
|
Guide, early draft
|
undated |
|
|
|
4
|
115 |
|
Guide, early draft
|
undated |
|
|
|
4
|
116 |
|
Guide, early draft
|
undated |
|
|
|
4
|
117 |
|
Guide, early draft
|
undated |
|
|
|
4
|
118 |
|
Guide, later draft
|
undated |
|
|
|
4
|
118a |
|
Guide, editor's copy
|
undated |
|
|
|
4
|
119 |
|
Guide, correspondence
|
undated |
|
|
|
4
|
120 |
|
Guide, editorial correspondence
|
undated |
|
|
|
4
|
122 |
|
Guide, manuscript Joel Westendorf and Dennis Cooper/Film proprosal
|
undated |
|
|
|
4
|
123 |
|
Guide, manuscript Joel Westendorf and Dennis Cooper--Rave article early draft
|
undated |
|
|
|
4
|
124 |
|
Guide, manuscript Joel Westendorf and Dennis Cooper--Rave article later draft
|
undated |
|
|
|
4
|
125 |
|
Guide, background material--Joel Westendorf file
|
undated |
|
|
|
4
|
126 |
|
Guide, background material--images
|
undated |
|
|
|
4
|
127 |
|
Guide, background material--fax about interview with Leonardo di Caprio
|
undated |
|
|
|
4
|
127a |
|
Guide, Blur
|
undated |
|
|
|
4
|
128 |
|
Guide, background material--interview with Leonardo di Caprio
|
undated |
|
|
|
4
|
129 |
|
Guide, background material--Mitchell Watkins manuscript
|
undated |
|
|
|
4
|
130 |
|
Guide, cover designs
|
undated |
|
|
|
4
|
131 |
|
Guide, press
|
undated |
|
|
|
4
|
131a |
|
Period, editorial proof
|
undated |
|
|
|
Return to top
|
Subseries B: Book projects and related materials
|
| Box |
Folder |
|
Title |
Date |
|
5
|
132 |
|
Against Nature, manuscript
|
undated |
|
|
|
5
|
133 |
|
Against Nature, Correspondence
|
undated |
|
|
|
5
|
134 |
|
Against Nature, photos
|
undated |
|
|
|
5
|
135 |
|
Against Nature, promotional material and reviews
|
undated |
|
|
|
5
|
136 |
|
Boys from Outerspace, porno script by Cooper and Norman Yonemoto
|
undated |
|
|
|
5
|
137 |
|
Boys I've Wanted, Christmas edition
|
undated |
|
|
|
5
|
138 |
|
The Secret Lives of Teen Idols, Christmas edition
|
undated |
|
|
|
5
|
139 |
|
Loss, Christmas edition
|
undated |
|
|
|
5
|
140 |
|
Brian Winchester, Christmas edition
|
undated |
|
|
|
5
|
141 |
|
Untitled Christmas edition
|
undated |
|
|
|
5
|
142 |
|
Denny, Christmas edition
|
undated |
|
|
|
5
|
143 |
|
Discontents, table of contents
|
undated |
|
|
|
5
|
144 |
|
Discontents, introduction and acknowledgments
|
undated |
|
|
|
5
|
145 |
|
Discontents, Steve Abbot
|
undated |
|
|
|
5
|
146 |
|
Discontents, Dorothy Allison
|
undated |
|
|
|
5
|
147 |
|
Discontents, Hilton Als
|
undated |
|
|
|
5
|
148 |
|
Discontents, D.L. Alvarez
|
undated |
|
|
|
5
|
149 |
|
Discontents, Brian Bouldrey
|
undated |
|
|
|
5
|
150 |
|
Discontents, Elizabeth Brownrigg
|
undated |
|
|
|
5
|
151 |
|
Discontents, Elizabeth Brownrigg cont.
|
undated |
|
|
|
5
|
152 |
|
Discontents, Pat Califia
|
undated |
|
|
|
5
|
153 |
|
Discontents, Jelli Cleaver
|
undated |
|
|
|
5
|
154 |
|
Discontents, Vaginal Creme Davis
|
undated |
|
|
|
5
|
155 |
|
Discontents, Robert Glück
|
undated |
|
|
|
5
|
156 |
|
Discontents, Richard Hawkins
|
undated |
|
|
|
5
|
157 |
|
Discontents, Richard House
|
undated |
|
|
|
5
|
158 |
|
Discontents, Hudson
|
undated |
|
|
|
5
|
159 |
|
Discontents, Dennis Hunter
|
undated |
|
|
|
5
|
160 |
|
Discontents, Bo Huston
|
undated |
|
|
|
5
|
161 |
|
Discontents, Diviana Ingravallo
|
undated |
|
|
|
5
|
162 |
|
Discontents, Michael Jones
|
undated |
|
|
|
5
|
163 |
|
Discontents, Benjamin J. Keyser
|
undated |
|
|
|
5
|
164 |
|
Discontents, Jeffrey Kennedy
|
undated |
|
|
|
5
|
165 |
|
Discontents, Kevin Killian
|
undated |
|
|
|
5
|
166 |
|
Discontents, Kate Knuth
|
undated |
|
|
|
5
|
167 |
|
Discontents, Larry Bod
|
undated |
|
|
|
5
|
168 |
|
Discontents, Eric Latzky
|
undated |
|
|
|
5
|
169 |
|
Discontents, Craig Lee
|
undated |
|
|
|
5
|
170 |
|
Discontents, Johnny Noxzema
|
undated |
|
|
|
5
|
171 |
|
Discontents, Achy Obejas
|
undated |
|
|
|
5
|
172 |
|
Discontents, Suzette Partido
|
undated |
|
|
|
5
|
173 |
|
Discontents, Dale Peck
|
undated |
|
|
|
5
|
174 |
|
Discontents, Robin Podolsky
|
undated |
|
|
|
5
|
175 |
|
Discontents, Kathleen Ritchey
|
undated |
|
|
|
5
|
176 |
|
Discontents, Sarah Schulman
|
undated |
|
|
|
5
|
177 |
|
Discontents, David Sedaris
|
undated |
|
|
|
5
|
178 |
|
Discontents, Ken Siman
|
undated |
|
|
|
5
|
179 |
|
Discontents, Ana Maria Simo
|
undated |
|
|
|
5
|
180 |
|
Discontents, Annie Sprinkle
|
undated |
|
|
|
5
|
181 |
|
Discontents, David Trinidad
|
undated |
|
|
|
5
|
182 |
|
Discontents, David Vernon
|
undated |
|
|
|
5
|
183 |
|
Discontents, Matias Viegener
|
undated |
|
|
|
5
|
184 |
|
Discontents, Danielle Willis
|
undated |
|
|
|
5
|
185 |
|
Discontents, Untitled manuscripts
|
undated |
|
|
|
5
|
186 |
|
Discontents, Correspondence
|
undated |
|
|
|
5
|
187 |
|
Discontents, Publishing Agreement
|
undated |
|
|
|
5
|
188 |
|
Discontents, Reviews
|
undated |
|
|
|
5
|
189 |
|
Discontents, Press
|
undated |
|
|
|
5
|
190 |
|
The Dream Police, Correspondence
|
undated |
|
|
|
5
|
191 |
|
The Freed Weed, manuscript by Casey McKinney presented by Dennis Cooper
|
undated |
|
|
|
5
|
192 |
|
The Freed Weed, manuscript by Casey McKinney presented by Dennis Cooper
|
undated |
|
|
|
5
|
193 |
|
The Freed Weed, promotional material
|
undated |
|
|
|
5
|
194 |
|
Knife/Tape/Rope, manuscript
|
undated |
|
|
|
5
|
195 |
|
Knife/Tape/Rope; playbill, promotional material, photos
|
undated |
|
|
|
5
|
196 |
|
Spew, correspondence
|
undated |
|
|
|
5
|
197 |
|
Spew, Press
|
undated |
|
|
|
5
|
198 |
|
Introduction to Powerless by Tim Dlugos
|
undated |
|
|
|
5
|
199 |
|
Them: play, reviews, playbills
|
undated |
|
|
|
5
|
200 |
|
They See God, reviews and promotional material
|
undated |
|
|
|
5
|
201 |
|
Tricks, porno screenplay by Cooper and Yonemoto
|
undated |
|
|
|
5
|
202 |
|
The Undead, manuscript
|
undated |
|
|
|
5
|
203 |
|
The Undead, correspondence
|
undated |
|
|
|
5
|
204 |
|
The Undead, business
|
undated |
|
|
|
5
|
205 |
|
The Undead, reviews
|
undated |
|
|
|
5
|
206 |
|
The Undead, promotional material
|
undated |
|
|
|
5
|
207 |
|
The Undead; playbill, contact sheet, schedule
|
undated |
|
|
|
5
|
208 |
|
The Undead, photos and negatives
|
undated |
|
|
|
5
|
209 |
|
The Undead, CD and slides
|
undated |
|
|
|
5
|
210 |
|
Weekly Poem, manuscript
|
undated |
|
|
|
5
|
211 |
|
Weird Little Boy; manuscript by Cooper, McKinney, Blake and Zorn
|
undated |
|
|
|
Return to top
|
Subseries C: Collaborative Projects
|
| Box |
Folder |
|
Title |
Date |
|
5
|
212 |
|
Collaborations--Readings
|
undated |
|
|
|
5
|
213 |
|
Collaborations with Houston-Jones
|
undated |
|
|
|
5
|
214 |
|
Collaborations with Houston-Jones continued
|
undated |
|
|
|
5
|
215 |
|
Collaborations--Untitled play by Haasen and Cooper
|
undated |
|
|
|
Return to top
|
|
|
Series II: Book projects and correspondence of writers and artists
|
| Box |
Folder |
|
Title |
Date |
|
5
|
215a |
|
Steve Abbot, "American Gay Poetry"
|
undated |
|
|
|
5
|
216 |
|
Steve Abbot, "Hidden Masters of the Beats"
|
undated |
|
|
|
5
|
217 |
|
Steve Abbot, "The Malcontent"
|
undated |
|
|
|
5
|
217a |
|
Steve Abbot, review of Cooper's poetry
|
undated |
|
|
|
5
|
218 |
|
Steve Abbot, Correspondence
|
undated |
|
|
|
5
|
219 |
|
Kathy Acker, Correspondence
|
undated |
|
|
|
5
|
219a |
|
Kathy Acker, on Acker by Cooper
|
undated |
|
|
|
5
|
219b |
|
Hilton Als, manuscript of review
|
undated |
|
|
|
5
|
220 |
|
Gregg Araki, manuscript
|
undated |
|
|
|
5
|
221 |
|
Gregg Araki, correspondence
|
undated |
|
|
|
5
|
221a |
|
Gregg Araki, introduction on Araki by Cooper
|
undated |
|
|
|
5
|
222 |
|
Dodie Bellamy, Complicity
|
undated |
|
|
|
5
|
222a |
|
Dodie Bellamy, "Digression as Power"
|
undated |
|
|
|
5
|
223 |
|
Dodie Bellamy, A Good Clean Life
|
undated |
|
|
|
5
|
224 |
|
Dodie Bellamy, Hallucinations
|
undated |
|
|
|
5
|
225 |
|
Dodie Bellamy, Kong
|
undated |
|
|
|
5
|
226 |
|
Dodie Bellamy, The Letters of Mina Harker
|
undated |
|
|
|
6
|
227 |
|
Dodie Bellamy, Mina letter to Bill
|
undated |
|
|
|
6
|
228 |
|
Dodie Bellamy, Mina letter to Cooper
|
undated |
|
|
|
6
|
229 |
|
Dodie Bellamy, Mina letter to Dr. Van Helsing
|
undated |
|
|
|
6
|
230 |
|
Dodie Bellamy, Mina letter to Sam
|
undated |
|
|
|
6
|
231 |
|
Dodie Bellamy, "Mrs. America at the Congress of Dreams"
|
undated |
|
|
|
6
|
232 |
|
Dodie Bellamy, Reptilicus
|
undated |
|
|
|
6
|
233 |
|
Dodie Bellamy, Untitled pieces
|
undated |
|
|
|
6
|
234 |
|
Dodie Bellamy, correspondence
|
undated |
|
|
|
6
|
236 |
|
Steve Benson, Briarcombe Paragraphs
|
undated |
|
|
|
6
|
237 |
|
Steve Benson, Dominance
|
undated |
|
|
|
6
|
238 |
|
Steve Benson, Poetry Flash
|
undated |
|
|
|
6
|
239 |
|
Steve Benson, correspondence
|
undated |
|
|
|
6
|
240 |
|
Bruce Boone, from Carmen
|
undated |
|
|
|
6
|
241 |
|
Bruce Boone, "An Exchange of Letters"
|
undated |
|
|
|
6
|
241b |
|
Bruce Boone, "Gay Language"
|
undated |
|
|
|
6
|
242 |
|
Bruce Boone, "George Bataille"
|
undated |
|
|
|
6
|
243 |
|
Bruce Boone, poems
|
undated |
|
|
|
6
|
244 |
|
Bruce Boone, "Robin Blaser's New Syntax."
|
undated |
|
|
|
6
|
245 |
|
Bruce Boone, "Sleep"
|
undated |
|
|
|
6
|
246 |
|
Bruce Boone, correspondence
|
undated |
|
|
|
6
|
246b |
|
Brian Bouldrey, "Everything But What You Need"
|
undated |
|
|
|
6
|
246c |
|
Brian Bouldrey, "Guts, and No Glory"
|
undated |
|
|
|
6
|
247 |
|
Joe Brainard, Nothing to Write
|
undated |
|
|
|
6
|
248 |
|
Joe Brainard, reading announcement
|
undated |
|
|
|
6
|
249 |
|
Joe Brainard, Recent Visitors
|
undated |
|
|
|
6
|
250 |
|
Joe Brainard, correspondence
|
undated |
|
|
|
6
|
251 |
|
Poppy Z
|
undated |
|
|
|
6
|
252 |
|
Poppy Z
|
undated |
|
|
|
6
|
253 |
|
Poppy Z
|
undated |
|
|
|
6
|
254 |
|
Poppy Z
|
undated |
|
|
|
6
|
255 |
|
Poppy Z
|
undated |
|
|
|
6
|
256 |
|
Donald Britton, In the Empire
|
undated |
|
|
|
6
|
257 |
|
Donald Britton, poems
|
undated |
|
|
|
6
|
258 |
|
Donald Britton, correspondence
|
undated |
|
|
|
6
|
259 |
|
Donald Britton, promotional material, review, business
|
undated |
|
|
|
6
|
260 |
|
(No folder)
|
undated |
|
|
|
6
|
261 |
|
(No folder)
|
undated |
|
|
|
6
|
262 |
|
Vija Celmins, reviews and promotional material
|
undated |
|
|
|
6
|
263 |
|
Vija Celmins, correspondence
|
undated |
|
|
|
6
|
264 |
|
Tom Clark, poems
|
undated |
|
|
|
6
|
265 |
|
Tom Clark, untitled manuscript
|
undated |
|
|
|
6
|
266 |
|
Tom Clark, promotional material
|
undated |
|
|
|
6
|
267 |
|
Tom Clark, correspondence
|
undated |
|
|
|
6
|
268 |
|
Tom Clark, photos
|
undated |
|
|
|
6
|
269 |
|
Tom Clark, cover mock-up
|
undated |
|
|
|
6
|
270 |
|
Kirby Congdon, manuscript
|
undated |
|
|
|
6
|
271 |
|
Kirby Congdon, correspondence
|
undated |
|
|
|
6
|
272 |
|
Kirby Congdon, reviews
|
undated |
|
|
|
6
|
273 |
|
Dennis Cooper, endorsements
|
undated |
|
|
|
6
|
274 |
|
Dennis Cooper, correspondence
|
undated |
|
|
|
6
|
275 |
|
Christopher Cox, articles
|
undated |
|
|
|
6
|
276 |
|
Christopher Cox, correspondence
|
undated |
|
|
|
6
|
277 |
|
Christopher Cox, invitation and clippings
|
undated |
|
|
|
6
|
278 |
|
(No folder)
|
undated |
|
|
|
6
|
279 |
|
(No folder)
|
undated |
|
|
|
6
|
280 |
|
(No folder)
|
undated |
|
|
|
6
|
281 |
|
(No folder)
|
undated |
|
|
|
6
|
282 |
|
(No folder)
|
undated |
|
|
|
6
|
283 |
|
Sam D'Allesandro, The Zombie Pit
|
undated |
|
|
|
6
|
284 |
|
Tim Dlugos, "Gay Challenge to. ," "Lunch at St
|
undated |
|
|
|
6
|
285 |
|
Tim Dlugos, "Generation"
|
undated |
|
|
|
6
|
286 |
|
Tim Dlugos, "Naked Brunch"
|
undated |
|
|
|
6
|
287 |
|
Tim Dlugos, poems
|
undated |
|
|
|
6
|
288 |
|
Tim Dlugos, "Preserves"
|
undated |
|
|
|
6
|
289 |
|
Tim Dlugos, Strong Place
|
undated |
|
|
|
6
|
290 |
|
Tim Dlugos, "Village Leg"
|
undated |
|
|
|
6
|
291 |
|
Tim Dlugos, correspondence
|
undated |
|
|
|
6
|
292 |
|
Tim Dlugos, reviews
|
undated |
|
|
|
6
|
293 |
|
Tim Dlugos, Memorial Program
|
undated |
|
|
|
6
|
294 |
|
Tim Dlugos, readings and announcements
|
undated |
|
|
|
6
|
295 |
|
Tim Dlugos, photos
|
undated |
|
|
|
6
|
296 |
|
Bret Easton Ellis, correspondence
|
undated |
|
|
|
6
|
297 |
|
Kenward Elmslie, Lola
|
undated |
|
|
|
6
|
298 |
|
Kenward Elmslie, "Workshop Exercises"
|
undated |
|
|
|
6
|
299 |
|
Kenward Elmslie, correspondence
|
undated |
|
|
|
6
|
300 |
|
Elaine Equi, The Corners of the Mouth
|
undated |
|
|
|
6
|
301 |
|
Elaine Equi, Interview
|
undated |
|
|
|
6
|
302 |
|
Elaine Equi, "Secrets"
|
undated |
|
|
|
6
|
303 |
|
Elaine Equi, "So What Else is New?"
|
undated |
|
|
|
6
|
304 |
|
Elaine Equi, "Underwear"
|
undated |
|
|
|
6
|
305 |
|
Elaine Equi, "Views Without Rooms"
|
undated |
|
|
|
6
|
306 |
|
Elaine Equi, correspondence
|
undated |
|
|
|
6
|
307 |
|
Elaine Equi, promotional material and photos
|
undated |
|
|
|
6
|
308 |
|
Fan Mail
|
undated |
|
|
|
6
|
308a |
|
Fan Mail
|
undated |
|
|
|
6
|
309 |
|
Vincent Fecteau, correspondence
|
undated |
|
|
|
6
|
310 |
|
Vincent Fecteau, promotional material
|
undated |
|
|
|
6
|
311 |
|
Vincent Fecteau, photos
|
undated |
|
|
|
6
|
312 |
|
Vincent Fecteau, slides
|
undated |
|
|
|
6
|
313 |
|
Bob Flanagan, interview
|
undated |
|
|
|
6
|
314 |
|
Bob Flanagan, correspondence
|
undated |
|
|
|
6
|
315 |
|
Amy Gerstler, b/103
|
undated |
|
|
|
6
|
316 |
|
Amy Gerstler, "The Bones of the Hand"
|
undated |
|
|
|
6
|
317 |
|
Amy Gerstler, "The Devil's Apartment"
|
undated |
|
|
|
6
|
318 |
|
Amy Gerstler, "Difficulty"
|
undated |
|
|
|
6
|
319 |
|
Amy Gerstler, "Dust"
|
undated |
|
|
|
6
|
320 |
|
Amy Gerstler, "Grave"
|
undated |
|
|
|
6
|
321 |
|
Amy Gerstler, "Grocery Store"
|
undated |
|
|
|
6
|
322 |
|
Amy Gerstler, "Headlines"
|
undated |
|
|
|
6
|
323 |
|
Amy Gerstler, "I'm Only Writing"
|
undated |
|
|
|
6
|
324 |
|
Amy Gerstler, "Intro"
|
undated |
|
|
|
6
|
325 |
|
Amy Gerstler, "Isabelle"
|
undated |
|
|
|
6
|
326 |
|
Amy Gerstler, "Lucky You"
|
undated |
|
|
|
6
|
327 |
|
Amy Gerstler, "Marriage"
|
undated |
|
|
|
6
|
328 |
|
Amy Gerstler, "Nature in Literature"
|
undated |
|
|
|
6
|
329 |
|
Amy Gerstler, Nerve Storm
|
undated |
|
|
|
6
|
330 |
|
Amy Gerstler, "One"
|
undated |
|
|
|
6
|
331 |
|
Amy Gerstler, "Please"
|
undated |
|
|
|
6
|
332 |
|
Amy Gerstler, poems
|
undated |
|
|
|
6
|
333 |
|
Amy Gerstler, poems
|
undated |
|
|
|
6
|
334 |
|
Amy Gerstler, poems
|
undated |
|
|
|
7
|
335 |
|
Amy Gerstler, poems
|
undated |
|
|
|
7
|
336 |
|
Amy Gerstler, poems
|
undated |
|
|
|
7
|
337 |
|
Amy Gerstler, poem by Gerstler and Cooper
|
undated |
|
|
|
7
|
338 |
|
Amy Gerstler, review of Tom Clark's End of the Line
|
undated |
|
|
|
7
|
339 |
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Amy Gerstler, Script for four disembodied voices
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7
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340 |
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Amy Gerstler, Small Bed--manuscript
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7
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341 |
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Amy Gerstler, "Why I Am Convinced"
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7
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342 |
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Amy Gerstler, Yonder--manuscript
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7
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343 |
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Amy Gerstler, correspondence
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7
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344 |
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Amy Gerstler, promotional material and cover art
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7
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345 |
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Amy Gerstler, reviews
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7
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346 |
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Allen Ginsberg, photo and correspondence
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7
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346a |
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Robert Glück, "Allegory"
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7
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346b |
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Robert Glück, review of Closer
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7
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347 |
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Robert Glück, "Do You Think Lazarus"
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7
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348 |
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Robert Glück, "Genre"
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7
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349 |
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Robert Glück, "His Heart is a Lute Held Up"
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7
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350 |
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Robert Glück, Jack the Modernist--manuscript
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7
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351 |
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Robert Glück, "Learning to Write/Bataille"
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Robert Glück, "Learning to Write/Burroughs"
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Robert Glück, "Learning to Write/Hokusais"
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Robert Glück, "Learning to Write/Wiener"
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Robert Glück, "A Little Prison"
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7
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Robert Glück, Margery Kempe--manuscript
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7
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Robert Glück, from Paths of Pain
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7
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357 |
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Robert Glück, The Purple Men--manuscript
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7
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357a |
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Robert Glück, "Robert Duncan"
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7
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358 |
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Robert Glück, "Saint Venus"
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7
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359 |
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Robert Glück, "The Writing Workshop"
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7
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Robert Glück, correspondence
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7
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361 |
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Brad Gooch, Jailbait--manuscript
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7
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362 |
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Brad Good, published pieces from Jailbait--collection of stories
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7
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363 |
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Brad Gooch, poems
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7
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364 |
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Brad Gooch, correspondence
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7
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365 |
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Brad Gooch, reviews and promotional material
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7
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366 |
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Brad Gooch, Jailbait cover artwork
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7
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367 |
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Brad Gooch, photos
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7
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368 |
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Richard Hawkins, untitled manuscript
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7
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369 |
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Richard Hawkins, "Fireweed" by Cooper and Hawkins
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7
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Richard Hawkins, correspondence
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7
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Richard Hawkins, clippings
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Richard Hawkins, reviews.
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7
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Richard Hawkins, promotional material
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374 |
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Scott Heim, Mysterious Skin manuscript
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7
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Scott Heim, Mysterious Skin manuscript cont
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Scott Heim, Pulled Under manuscript
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7
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Scott Heim, White manuscript
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7
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Scott Heim, correspondence
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7
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Scott Heim, correspondence cont
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7
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379 |
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Bo Huston, The Bath manuscript
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7
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380 |
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Bo Huston, The Dream Life manuscript
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7
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Bo Huston, The Dream Life manuscript cont
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7
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Bo Huston, The Listener manuscript
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7
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Bo Huston, The Listener manuscript cont
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7
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382 |
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Bo Huston, Meditations in Zurich manuscript
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7
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383 |
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Bo Huston, plans for a project
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7
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384 |
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Bo Huston, Seven Kinds of Pity manuscript
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7
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Bo Huston, gossip for Bo Huston by Cooper
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7
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385 |
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Bo Huston, in memoriam
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No folder
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7
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Bo Huston, memorial newsletter
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7
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388 |
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Bo Huston, reviews and card
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Gary Indiana, correspondence
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7
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390 |
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Jim Isermann, exhibition catalogue
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7
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Jim Isermann, exhibition catalogue
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7
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Jim Isermann, reviews
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7
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Jim Isermann, photos
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Jim Isermann, promotional material
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395 |
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Earl Jackson, Jr.; "Campfire"
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7
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396 |
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Earl Jackson, Jr.; "Death Drives Across Pornotopia"
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7
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397 |
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Earl Jackson, Jr.; "Explicit Instruction"
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7
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Earl Jackson, Jr.; "Scandalous Subjects" draft
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Earl Jackson, Jr.; "Scandalous Subjects" manuscript
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7
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400 |
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Earl Jackson, Jr.; chapter 6 of Strategies of Deviance
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7
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401 |
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Earl Jackson, Jr.; Cooper biography
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8
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402 |
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Earl Jackson, Jr.; correspondence
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