Robert Hammond (b. 1920) is Professor Emeritus of French Literature and Cinema from SUNY-Cortland. He earned a BA from the
University of Rochester (1942), and both an MA (1947) and PhD (1952) from Yale University. He was awarded a Fulbright Fellowship
to France (1949-1950) along with numerous other honors, fellowships and grants. Hammond was an instructor, and then professor
of French at the University of Arizona-Tuscon (1953-1967). He later was professor of French at Harvard University (1965-1966),
and a visiting professor of French Literature and Cinema at Wells College in Aurora, NY (1967-1968). Since 1968, Hammond has
taught at SUNY-Cortland, where he also served as chair of the International Communications and Culture Department. Hammond
currently resides in Paris, France.
Along with being a dedicated instructor, Hammond has published numerous analyses and critiques of French literature and films,
translated texts between French and English, and contributed countless papers and general scholarship on the French cinema.
Much of Hammond’s extensive scholarly work focuses on French filmmaker Jean Cocteau, and his bilingual edition of Cocteau’s
Beauty and the Beast (NYU Press, 1970) is widely cited within the academy. Hammond is also the author of over 40 plays in both English and French
and various other works of both poetry and prose.
In 1983 Hammond donated his collection of 275 French film scripts to the Fales Library, creating the Hammond Film Script Archive.
Hammond has continued to acquire and donate scripts throughout the years since his original gift. As of March 2003, the Hammond
Film Script Archive consists of 454 scripts spanning the years 1935 through 1996.
In 1995 Hammond again made a major donation in the form of his personal papers. The Robert Hammond Papers provide important
links to the Film Script Archive as well as primary research materials for students working in Cinema Studies.
The Robert Hammond Papers consist of 14 boxes or approximately 12 linear feet of materials. The majority of the collection
represents original manuscripts of plays, films, books and other prose authored by Hammond. Most contain various drafts and
formats of a particular item, including handwritten pages, typed or mimeographed sheets, both bound and unbound. The Papers
also include the work of other authors and playwrights, most notably a collection of plays written by Pascal Vrebos, a friend
of Hammond. Also included with the Papers are research materials, reviews & news clippings, production notes & receipts, correspondence,
and other various notes and annotations regarding his creative works. The majority of the collection is in English, with some
French manuscripts where noted.
Series I contains numerous drafts and formats of various play and film scripts. Series 1 consists of 6 boxes (8 linear feet)
and is divided into 5 subseries.
Subseries I.A contains five boxes of scripts written by Robert Hammond.
Subseries I.D contains scripts of unidentified authorship (presumably by Hammond)
Series II contains numerous drafts and formats of various fiction and non-fiction books and articles. Series II consists of
2 boxes (3 linear feet) and is divided into 4 subseries.
Subseries II.A contains prose written by Robert Hammond.
Series III contains interviews conducted by Robert Hammond and is divided into 2 subseries.
Subseries III.A contains written interviews conducted by Robert Hammond.
Subseries III.B contains 28 audiocassettes of interviews conducted by Robert Hammond
Series IV contains various printed material and media and is divided into 3 subseries.
Subseries IV.A contains various French cinema publications featuring screenplays and directors.
Subseries IV.C contains one box of: diskettes containing various correspondence, audio tapes and a large-format, dated database
printout of the Hammond Film Script Archive
Series V contains 1 box (1.5 linear feet) of correspondence Robert Hammond received from various professional and personal
acquaintances.
Series VI contains original production photos (along with photocopies) of three French films.
Papers of E. L. Doctorow
There is no information about materials that are associated by provenance to the described materials that have been physically
separated or removed.
Open for research without restrictions. Appointments are necessary to consult archive and manuscript materials.
Collection use is subject to all copyright laws. Permission to publish materials must be obtained in writing from the Director
of the Fales Library and Special Collections. For further information, contact:
Fales Library and Special Collections
Elmer Holmes Bobst Library
70 Washington Square South
New York, NY 10012
Phone: (212) 998-2596
Fax: (212) 995-3835
E-mail: fales.library@nyu.edu
The Robert Hammond Papers were donated to the Fales Library in 1995 by Robert Hammond.
| Series I: Manuscripts: Play and film scripts
|
| Subseries A: Robert Hammond
|
Scope and Content:
Play and film scripts written by Robert Hammond. Manuscripts are in English unless otherwise noted.
|
| Box |
Folder |
Title |
Date |
| 1
|
1 |
The Artful Doctor (ver. 1: handwritten in notebooks) |
undated |
|
|
Barcode: 31142040616222 |
| 1
|
2 |
The Artful Doctor (ver. 2: handwritten in notebook) |
undated |
|
|
Barcode: 31142040616222 |
| 1
|
3 |
Beirut 75 (ver. 1: handwritten) |
undated |
|
|
Barcode: 31142040616222 |
| 1
|
4 |
Beirut 75 (ver. 2: typed copy with plot summary) (see also Series 2A, box 7, folder 19) |
undated |
|
|
Barcode: 31142040616222 |
| 1
|
5 |
Big Stairway (ver. 1: handwritten), June 28, 1958 |
1958 |
|
|
Barcode: 31142040616222 |
| 1
|
6 |
Big Stairway (ver. 2: handwritten in notebooks) (1 of 2), Aug 10, 1958 |
1958 |
|
|
Barcode: 31142040616222 |
| 1
|
7 |
Big Stairway (ver. 2: handwritten in notebooks) (2 of 2), Aug 10, 1958 |
1958 |
|
|
Barcode: 31142040616222 |
| 1
|
8 |
Big Stairway (ver. 3: typed copy, bound) |
undated |
|
|
Barcode: 31142040616222 |
| 1
|
9 |
Big Stairway (ver. 4: typed copy, bound) |
undated |
|
|
Barcode: 31142040616222 |
| 1
|
10 |
Blind Voyage (ver. 1: handwritten) |
undated |
|
|
Barcode: 31142040616222 |
| 1
|
11 |
Blind Voyage (ver. 2: handwritten, bound), July 15, 1960 |
1960 |
|
|
Barcode: 31142040616222 |
| 1
|
12 |
Blind Voyage (ver. 3: mimeograph copy, bound) |
1960 |
|
|
Barcode: 31142040616222 |
| 1
|
13 |
Bon Voyage (ver. 1: mimeograph copy, bound) |
1960 |
|
|
Barcode: 31142040616222 |
| 1
|
14 |
Bon Voyage (ver. 2: mimeograph originals) |
1960 |
|
|
Barcode: 31142040616222 |
| 1
|
15 |
Bon Voyage (ver. 3: mimeograph copy, bound) |
1960 |
|
|
Barcode: 31142040616222 |
| 1
|
16 |
Bon Voyage (ver. 4: director's production copy with annotations) |
1961 |
|
|
Barcode: 31142040616222 |
| 1
|
17 |
Bon Voyage (production notes & receipts) |
undated |
|
|
Barcode: 31142040616222 |
| 1
|
18 |
Bon Voyage (film screenplay, typed) |
1982 |
|
|
Barcode: 31142040616222 |
| 1
|
19 |
Bon Voyage (ver. 1: film screenplay, handwritten in notebook, French) |
undated |
|
|
Barcode: 31142040616222 |
| 1
|
20 |
Bon Voyage (ver. 2: film screenplay, handwritten with edits, French) |
undated |
|
|
Barcode: 31142040616222 |
| Box |
Folder |
Title |
Date |
| 2
|
21 |
Charles and Alexis (handwritten in notebooks) (1 of 2) |
undated |
|
|
Barcode: 31142040616230 |
| 2
|
22 |
Charles and Alexis (handwritten in notebooks) (2 of 2) |
undated |
|
|
Barcode: 31142040616230 |
| 2
|
23 |
Charlie and the Four Kings (handwritten), Aug 13, 1960 |
1960 |
|
|
Barcode: 31142040616230 |
| 2
|
24 |
Circe and the Impresario (ver. 1: handwritten) |
undated |
|
|
Barcode: 31142040616230 |
| 2
|
25 |
Circe and the Impresario (ver. 2: handwritten in notebook), |
1959 |
|
|
Barcode: 31142040616230 |
| 2
|
26 |
Circe and the Impresario (ver. 3: mimeograph copy, bound) |
1961 |
|
|
Barcode: 31142040616230 |
| 2
|
27 |
Common Market Cousins (handwritten) |
undated |
|
|
Barcode: 31142040616230 |
| 2
|
28 |
Common Market Cousins (typed) (see also Series 2B, box 8, folders 35 & 36) |
undated |
|
|
Barcode: 31142040616230 |
| 2
|
29 |
Dance of the Old Men (ver. 1: handwritten) , Sep 03, 1960 |
1960 |
|
|
Barcode: 31142040616230 |
| 2
|
30 |
The Dance of the [Little] Old Men (ver. 2: handwritten, bound), Sep 03, 1960 |
1960 |
|
|
Barcode: 31142040616230 |
| 2
|
31 |
The Dance of the Little Old Men (ver. 3: mimeograph copy, bound), Sep 03, 1960 |
1960 |
|
|
Barcode: 31142040616230 |
| 2
|
32 |
The Dream of the Life and Therefore (ver. 1: handwritten), Jul 08, 1961 |
1961 |
|
|
Barcode: 31142040616230 |
| 2
|
33 |
The Dream of the Life and Therefore (ver. 2: handwritten, bound) |
1961 |
|
|
Barcode: 31142040616230 |
| 2
|
34 |
The Dream of the Life and Therefore (ver. 3: mimeograph masters)1961 |
1961 |
|
|
Barcode: 31142040616230 |
| 2
|
35 |
The Dream of the Life and Therefore (ver. 4: mimeograph copy, bound) |
1961 |
|
|
Barcode: 31142040616230 |
| 2
|
36 |
Druse (handwritten in notebooks) |
undated |
|
|
Barcode: 31142040616230 |
| 2
|
37 |
The Ember (ver. 1: handwritten in notebooks) (1 of 2) |
undated |
|
|
Barcode: 31142040616230 |
| 2
|
38 |
The Ember (ver. 1: handwritten in notebooks) (2 of 2) |
undated |
|
|
Barcode: 31142040616230 |
| 2
|
39 |
The Ember (ver. 2: handwritten in notebooks) (1 of 2) |
undated |
|
|
Barcode: 31142040616230 |
| 2
|
40 |
The Ember (ver. 2: handwritten in notebooks) (2 of 2) |
undated |
|
|
Barcode: 31142040616230 |
| 2
|
41 |
Flora Tristan (handwritten & plot summary) (see also Series 2A, box 7, folder 11) |
undated |
|
|
Barcode: 31142040616230 |
| Box |
Folder |
Title |
Date |
| 3
|
42 |
Flowers for a Maypole (ver. 1: handwritten), July 28, 1959 |
1959 |
|
|
Barcode: 31142040616248 |
| 3
|
43 |
Flowers for a Maypole (ver. 2: handwritten in notebooks) |
1959 |
|
|
Barcode: 31142040616248 |
| 3
|
44 |
Flowers for a Maypole (ver. 3: mimeograph masters) |
1960 |
|
|
Barcode: 31142040616248 |
| 3
|
45 |
Flowers for a Maypole (ver. 4: mimeograph copy, bound) |
1960 |
|
|
Barcode: 31142040616248 |
| 3
|
46 |
Flowers for a Maypole (ver. 5: director's copy with annotations) |
undated |
|
|
Barcode: 31142040616248 |
| 3
|
47 |
Flowers for a Maypole (ver. 6: mimeograph copy, bound), Dec 30, 1959 |
1959 |
|
|
Barcode: 31142040616248 |
| 3
|
48 |
Flowers for a Maypole (production notes & news clippings) |
1961 |
|
|
Barcode: 31142040616248 |
| 3
|
49 |
Hector's Farewell (ver. 1: handwritten sheets, unordered) |
undated |
|
|
Barcode: 31142040616248 |
| 3
|
50 |
Hector's Farewell (ver. 2: handwritten), August 27, 1959 |
1959 |
|
|
Barcode: 31142040616248 |
| 3
|
51 |
Hector's Farewell (ver. 3: mimeograph masters) |
1960 |
|
|
Barcode: 31142040616248 |
| 3
|
52 |
Hector's Farewell (ver. 4: mimeograph copy, bound) |
1960 |
|
|
Barcode: 31142040616248 |
| 3
|
53 |
Hector's Farewell (ver. 5: handwritten, bound, legal) |
1960 |
|
|
Barcode: 31142040616248 |
| 3
|
54 |
Hope: I Coughed on a Snowflake (handwritten in notebooks) (1 of 2) |
|
|
|
Barcode: 31142040616248 |
| 3
|
55 |
Hope: I Coughed on a Snowflake (handwritten in notebooks) (2 of 2) |
|
|
|
Barcode: 31142040616248 |
| 3
|
56 |
Hope of the Hopis (handwritten in notebooks) |
undated |
|
|
Barcode: 31142040616248 |
| 3
|
57 |
Inside Out (ver. 1: handwritten) |
undated |
|
|
Barcode: 31142040616248 |
| 3
|
58 |
Inside Out (ver. 2: handwritten) |
1964 |
|
|
Barcode: 31142040616248 |
| 3
|
59 |
Johann Sebastian Schmidt (handwritten) |
undated |
|
|
Barcode: 31142040616248 |
| 3
|
60 |
Johann Sebastian Schmidt or, A Teacher Passes (handwritten in notebook) |
undated |
|
|
Barcode: 31142040616248 |
| 3
|
61 |
Johann Sebastian Schmidt or, A Teacher Passes (typed, bound) |
1964 |
|
|
Barcode: 31142040616248 |
| 3
|
62 |
The Man with the Happy Walk (ver. 1: handwritten) |
undated |
|
|
Barcode: 31142040616248 |
| 3
|
63 |
The Man with the Happy Walk (ver. 2: handwritten in notebooks) |
undated |
|
|
Barcode: 31142040616248 |
| 3
|
64 |
The Man with the Happy Walk (ver. 3: handwritten in notebooks) |
undated |
|
|
Barcode: 31142040616248 |
| 3
|
65 |
The Man with the Happy Walk (notes & sketches) |
undated |
|
|
Barcode: 31142040616248 |
| 3
|
66 |
The Matriarchs (ver. 1: handwritten), August 7, 1961 |
1961 |
|
|
Barcode: 31142040616248 |
| 3
|
67 |
The Matriarchs (ver. 2: typed copy) |
undated |
|
|
Barcode: 31142040616248 |
| Box |
Folder |
Title |
Date |
| 4
|
68 |
The Money Bag (ver. 1: handwritten in notebook) |
undated |
|
|
Barcode: 31142040616255 |
| 4
|
69 |
The Money Bag (ver. 2: typed), June 30, 1972 |
1972 |
|
|
Barcode: 31142040616255 |
| 4
|
70 |
The Money Bag (production notes, clippings, plot summary) |
undated |
|
|
Barcode: 31142040616255 |
| 4
|
71 |
Mr. Clown (ver. 1: handwritten, incomplete) |
1959 |
|
|
Barcode: 31142040616255 |
| 4
|
72 |
Mr. Clown (ver. 2: handwritten in notebooks) (1 of 2) |
1959 |
|
|
Barcode: 31142040616255 |
| 4
|
73 |
Mr. Clown (ver. 2: handwritten in notebooks) (2 of 2) |
1959 |
|
|
Barcode: 31142040616255 |
| 4
|
74 |
Mr. Clown (ver. 3: typed copy, bound) |
1959 |
|
|
Barcode: 31142040616255 |
| 4
|
75 |
Mr. Clown (review of play) |
1961 |
|
|
Barcode: 31142040616255 |
| 4
|
76 |
Nine Points of the Law (ver. 1: handwritten in notebooks), Apr 25, 1957 |
1957 |
|
|
Barcode: 31142040616255 |
| 4
|
77 |
Nine Points of the Law (ver. 2: handwritten) |
undated |
|
|
Barcode: 31142040616255 |
| 4
|
78 |
The Nursery (ver. 1: mimeograph copy, bound) |
1963 |
|
|
Barcode: 31142040616255 |
| 4
|
79 |
The Nursery (ver. 2: mimeograph copy, bound, alternate cover) |
1963 |
|
|
Barcode: 31142040616255 |
| 4
|
80 |
The Nursery (ver. 3: mimeograph copy, bound, "revised") |
undated |
|
|
Barcode: 31142040616255 |
| 4
|
81 |
The Nursery (ver. 4: carbon copy, bound) |
undated |
|
|
Barcode: 31142040616255 |
| 4
|
82 |
The Nursery (promotional poster & program, French) |
1998 |
|
|
Barcode: 31142040616255 |
| 4
|
83 |
The Party (ver. 1: handwritten, legal) |
undated |
|
|
Barcode: 31142040616255 |
| 4
|
84 |
The Party (ver. 2: mimeograph copy) |
1958 |
|
|
Barcode: 31142040616255 |
| 4
|
85 |
Pop Korn (various TV scripts, handwritten in notebooks) (1 of 2) |
undated |
|
|
Barcode: 31142040616255 |
| 4
|
86 |
Pop Korn (various TV scripts, handwritten in notebooks) (2 of 2) |
undated |
|
|
Barcode: 31142040616255 |
| 4
|
87 |
Pop Korn (production notes and plot summaries) |
undated |
|
|
Barcode: 31142040616255 |
| 4
|
88 |
The Pure (ver. 1: handwritten), July 14, 1959 |
1959 |
|
|
Barcode: 31142040616255 |
| 4
|
89 |
The Pure (ver. 2: handwritten in notebooks) (1 of 2) |
1959 |
|
|
Barcode: 31142040616255 |
| 4
|
90 |
The Pure (ver. 2: handwritten in notebooks) (2 of 2) |
1959 |
|
|
Barcode: 31142040616255 |
| 4
|
91 |
The Pure (ver. 3: typed, bound) |
1959 |
|
|
Barcode: 31142040616255 |
| Box |
Folder |
Title |
Date |
| 5
|
92 |
The Royal Italian Cafe (ver. 1: handwritten in notebooks) (1 of 2), February 10, 1959 |
1959 |
|
|
Barcode: 31142040616263 |
| 5
|
93 |
The Royal Italian Cafe (ver. 1: handwritten in notebooks) (2 of 2) |
1959 |
|
|
Barcode: 31142040616263 |
| 5
|
94 |
The Royal Italian Cafe (ver. 2: handwritten) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
95 |
The Royal Italian Cafe (ver. 3: typed) |
1959 |
|
|
Barcode: 31142040616263 |
| 5
|
96 |
Siexta (ver. 1: handwritten), May 24, 1959 |
1959 |
|
|
Barcode: 31142040616263 |
| 5
|
97 |
Siexta (ver. 2: handwritten in notebooks), July 14, 1959 |
1959 |
|
|
Barcode: 31142040616263 |
| 5
|
98 |
Siexta (ver. 3: typed, bound) |
1959 |
|
|
Barcode: 31142040616263 |
| 5
|
99 |
The Sign of the Cabbage and the Rose, or, Under the Sign of the Stork |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
100 |
Solitaire (ver. 1: handwritten) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
101 |
Solitaire (ver. 2: handwritten in notebooks) |
1958 |
|
|
Barcode: 31142040616263 |
| 5
|
102 |
Solitaire (ver. 3: mimeograph copy, bound) |
1960 |
|
|
Barcode: 31142040616263 |
| 5
|
103 |
Solitaire (ver. 4: typed photocopy) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
104 |
Solitaire (production notes & news clippings) (see also Series 2A, box 8, folder 24) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
105 |
Solitaire (French) (ver. 1: handwritten) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
106 |
Solitaire (French) (ver. 2: typed) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
107 |
Solitaire (French) (ver. 3: mimeograph copy, bound) |
1960 |
|
|
Barcode: 31142040616263 |
| 5
|
108 |
Solitaire (French) (ver. 4: mimeograph copy, alternate format) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
109 |
Solitaire (French) (various typed sheets) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
110 |
That Austrian Bitch (ver. 1: handwritten in notebooks) (1 of 2) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
111 |
That Austrian Bitch (ver. 1: handwritten in notebooks) (2 of 2) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
112 |
That Austrian Bitch (ver. 2: typed) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
113 |
That Austrian Bitch (ver. 3: additional typed pages) (see also Series 2A, box 8, folders 25-26) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
114 |
Tom, Dick and Harry (ver. 1: handwritten in notebooks) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
115 |
Tom, Dick and Harry (ver. 2: photocopy of typed pages) |
1958 |
|
|
Barcode: 31142040616263 |
| 5
|
116 |
Utopia 69 (handwritten in notebooks) (1 of 2) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
117 |
Utopia 69 (handwritten in notebooks) (2 of 2) |
undated |
|
|
Barcode: 31142040616263 |
| 5
|
118 |
The Walrus, the Camel and the Kangaroo (ver. 1: handwritten) |
1962 |
|
|
Barcode: 31142040616263 |
| 5
|
119 |
The Walrus, the Camel and the Kangaroo (ver. 2: typed copy) |
undated |
|
|
Barcode: 31142040616263 |
| Subseries I.B: Pascal Vrebos
|
Scope and Content:
Play scripts written by Pascal Vrebos. Manuscripts are in English unless otherwise noted.
|
| Box |
Folder |
Title |
Date |
| 6
|
120 |
L'Agenda Orange (French, typed) |
1970-1971 |
|
|
Barcode: 31142040616271 |
| 6
|
121 |
Entrechats (French, typed) |
1977 |
|
|
Barcode: 31142040616271 |
| 6
|
122 |
Entrechats (translated excerpts in English) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
123 |
L'Imbecile (French, typed) |
1983 |
|
|
Barcode: 31142040616271 |
| 6
|
124 |
Polycarpe Reincarnate (ver. 1: typed) |
1973 |
|
|
Barcode: 31142040616271 |
| 6
|
125 |
Polycarpe Reincarnate (ver. 2: typed, with annotations) |
1973 |
|
|
Barcode: 31142040616271 |
| 6
|
126 |
Polycarpe Reincarnate (press releases, reviews, news clippings) |
1977 |
|
|
Barcode: 31142040616271 |
| 6
|
127 |
A Proposal of Marriage (French & English trans, typed) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
128 |
Reincarne-toi Polycarpe! (French, typed) |
1973 |
|
|
Barcode: 31142040616271 |
| 6
|
129 |
Sade-Sack, or, How to Live after the Asprocalisp (typed) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
130 |
Sade-Sack, or, How to Live after the Asprocalisp (clippings, reviews) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
131 |
La Tete de Truc (French, typed) |
1972 |
|
|
Barcode: 31142040616271 |
| 6
|
132 |
The Thirteen Marriage Proposals (typed) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
133 |
Les Treize "Demandes en Mariage" (French) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
134 |
Yalta 2000 (ver. 1: French, typed) |
1975-1976 |
|
|
Barcode: 31142040616271 |
| 6
|
135 |
Yalta 2000 (ver. 2: English translation) |
1976 |
|
|
Barcode: 31142040616271 |
| 6
|
136 |
Yalta 2000 (ver. 3: English, handwritten in notebooks) |
1976 |
|
|
Barcode: 31142040616271 |
| 6
|
137 |
An Interview with the Author (Vrebos interview by Frank Hirschmann) |
undated |
|
|
Barcode: 31142040616271 |
| Subseries I.C: Various Authors
|
Scope and Content:
Play scripts written by various other authors. Manuscripts are in English unless otherwise noted.
|
| Box |
Folder |
Title |
Date |
| 6
|
138 |
L'Extra - Montel, Michele (French, typed) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
139 |
The French Touch - Kraft, Ted (typed) |
1958 |
|
|
Barcode: 31142040616271 |
| 6
|
140 |
Les Mauvaises
Recontres - Astruc, d'Alexandre (French, handwritten in notebook)
|
undated |
|
|
Barcode: 31142040616271 |
| 6
|
141 |
Project No. 6 - Finney, Charles (mimeograph copy, bound) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
142 |
Project No. 6 - Finney, Charles (news clippings, reviews) |
1962 |
|
|
Barcode: 31142040616271 |
| 6
|
143 |
Project No. 6 - Finney, Charles (production notes & receipts) |
1962-1962 |
|
|
Barcode: 31142040616271 |
| 6
|
144 |
The Simple Things - Mendoza, Hector (handwritten) |
1960 |
|
|
Barcode: 31142040616271 |
| Subseries I.D: Unknown Authors
|
Scope and Content:
Play scripts of unidentified authorship (presumably by Hammond). For scripts with no identifiable title, character names or
other distinguishing labels are provided in quotation marks. Manuscripts are in English unless otherwise noted.
|
| Box |
Folder |
Title |
Date |
| 6
|
145 |
Rock Breaks Scissors / Broken Feather (handwritten) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
146 |
Un Voyage a Cythere (ver. 1: handwritten) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
147 |
Un Voyage a Cythere (ver. 2: mimeograph copy) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
148 |
Untitled Play Script: "Priest, Angela" (handwritten & typed sheets) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
149 |
Untitled Play Script: "Sarah, Bruno" (typed with annotations) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
150 |
Untitled Dialogue: "Wells College" (typed with edits) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
151 |
Untitled Play Script: "Hayloft, Richard, Thomas" (handwritten) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
152 |
Untitled Play Script: "Sinbad, Aladdin" (typed pages, incomplete) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
153 |
Untitled Play Scripts (handwritten in multiple notebooks) |
undated |
|
|
Barcode: 31142040616271 |
| 6
|
154 |
Untitled Play Scripts (handwritten in multiple notebooks) |
undated |
|
|
Barc |