Descriptive Summary
	Creator:	Institute on the Arts and Civic Dialogue
	Title:	Institute on the Arts and Civic Dialogue Archive
	Dates:	1997-2000
	Abstract:	The Institute on the Arts and Civic Dialogue was founded in 1997 by Anna Deavere Smith to support the development of those artworks and projects specifically concerned with social conditions and to foster dialogue between artists, activists, scholars and audiences that could both enhance the artworks and encourage a broader, more open exchange of ideas. The main activity of the Institute was the organization of three summer series where numerous works were created, staged, and discussed with the participation of volunteer audiences, teachers and professors, cultural critics and other guests. The collection consists of administrative records, artist applications, and records and documents of the artworks and theatrical productions.
	Quantity:	ca. 16 linear feet (13 boxes)
	Call Phrase:	MSS 127

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Historical Note

The Institute on the Arts and Civic Dialogue (IACD) was founded in 1997 by actress, playwright, and professor Anna Deavere Smith. Its mission was to support the development of art that illuminates social conditions; to deepen the capacity of artists to communicate with their audiences; and to build an international community in which artists, students, activists, and scholars could work together to develop the artist as a voice in society.

From 1998 to 2000, Smith and The Ford Foundation, the Institute's principal funder, selected Harvard University as the IACD home base for six-week long summer intensives. Hosted by the University's American Repertory Theater and the W.E.B. Du Bois Institute for Afro-American Research, the Institute brought together artists, scholars, activists, and audiences to develop and discuss works of art about the vital social issues of our time. This unique "think-and-do-tank" presented workshop versions of productions, exposing the process of creation and fostering civic discourse on the themes expressed by the work.

Activities included development of new works of art, group discussions, guest speakers, seminars and workshops for participants and selected guests, collaborative research, master classes, public forums and media projects. The Institute's artistic focus included theater, dance, jazz music, song, opera, fine arts, installation and performance art, film and video.

While the Institute still exists today, it's activities have changed since relocating to New York City. As it's website, http://www.artsandcivicdialogue.org, states: "we are now redesigning the Institute with the intention to ignite a new generation of artists who will be able to combine skill, artistic virtuosity and the intellectual passion to pose powerful questions about the state of our world and the ever evolving human condition."

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Scope and Content Note

The IACD Archive contains administrative records focused primarily on the practical issues of organizing the summer sessions for the years 1998, 1999, and 2000. Materials include correspondence, administrative hiring records, records for housing, intern applications and activities, budgets for the organization as well as for individual projects, and promotional materials.

The archive is organized into three main series by year. Further, each series is subdivided into appropriate subseries though these vary from year to year. Each year has a substantial main group of administrative records, organized alphabetically by folder title, and a group of artists' applications, organized alphabetically by the artist's last name. Other series present in only one year or another include production overviews, files originating from Anna Deavere Smith or concerning her work, a body of transcripts of meetings and discussion groups. Summary reports of all activities were produced for at least two years. For 1999, the bound report is located in series 2.10; for 2000, the disbound report is located in series 3.3.

For the summer season of 1998, participating artists included Donald Byrd, Dawoud Bey, Shu Lea Cheang, Michael Korie, Keith Antar Mason and Judy Baca. In 1999, invited artists included Ping Chong, Lee Breuer, Demetria Royals, Anita Gonzalez, Robbie McCauley, Bradley McCallum, Abderrahmane Sissako, Art Spiegelman, Merry Conway, Noni Pratt and the Girl's Choir of Harlem. The final year of 2000 featured such artists as Luis Alfaro, Suzzy Roche, Bill Bowers, Ysaye Barnwell, Dread Scott, and others.

Among the records of the many productions produced over those three years are records relating to the development of House Arrest by Anna Deavere Smith. This work was presented as part of the Institute in the summer of 1998; it was staged at the Mark Taper Forum in the spring of 1999 and at the Joseph Papp Public Theater in 2000. Included in this collection are records relating to its development such as transcripts of group discussions, videotapes of its staging at the Institute and finally at the Public Theater.

Series 1: 1997-1998

Subseries 1.1: Administrative Files These files are arranged alphabetically by the IACD folder title as are the folders of the following series.

Subseries 1.2: Artist Overviews

Subseries 1.3: Documentation of "House Arrest" This series is in the order created by the IACD and deals primarily with the staging of the work in 1999 at the Mark Taper Forum in Los Angeles.

Subseries 1.4: Artist Applications are arranged thematically by media and then alphabetically.

Subseries 1.5: Discussion materials and Transcripts are in the order created by the IACD.

Series 2: 1999

Subseries 2.1: Administrative Files are arranged alphabetically by the IACD folder title

Subseries 2.2: Intern Records are in the order created by the IACD and reflect the active internship program of the Institute.

Subseries 2.3: Correspondence and Email Correspondence is arranged thematically while the email is arranged chronologically. The bulk of the email is correspondence sent to and from Anne MacDonald.

Subseries 2.4: Records of Anna Deavere Smith This small group of administrative records are arranged as found.

Subseries 2.5: Artist Overviews This and the next series are arranged alphabetically by artist name and by production name as organized by the IACD. The profiles are generally promotional biographical and descriptive material while the overviews are more administrative and organizational records of the productions.

Subseries 2.6: Artist Profiles

Subseries 2.7: Artist Applications This and the following two series are arranged alphabetically by last name. Only in this year are a large number of scholar applications present.

Subseries 2.8: Scholar Applications

Subseries 2.9: Ancillary Artists

Subseries 2.10: 1999 Summary Report This series consists of a single bound report detailing the activities of the Institute for the year.

Series 3: 2000

Subseries 3.1: Administrative Files are organized alphabetically by folder title.

Subseries 3.2: Miscellaneous Project Material This group of records represents a set found physically separated from similar material; it is preserved here in it's original order.

Subseries 3.3: 2000 Overview This is a disbound report separated into folders for each section. The table of contents is located at the front of the series.

Subseries 3.4: Appointment Protocol These files deal with the preparations and logistics of confirming and arranging the year's appointment of artists; they are arranged as found.

Subseries 3.5: Artist Applications-Appointed This and the following three series are arranged alphabetically by artist last name. Subseries 3.8 was found as a distinct group of records though the exact status of the applicants is not known.

Subseries 3.6: Artist Applications-Tentative

Subseries 3.7: Artist Applications-Rejected and Tentative Rejections

Subseries 3.8: Artist Applications-Unknown Status

Series 4: Video Recordings This series comprises recordings of some of the works staged at the Institute over the three years. It has been split into two subseries, one of copies available for viewing and the other closed to the public.

Subseries 4.1: Video Recordings Access Copies

Subseries 4.2: Video Recordings Archival Copies

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Arrangement
	Materials have wherever possible been kept in the order created by the IACD. In most cases folders are arranged within series alphabetically by folder title. In other instances folders are arranged thematically by topic within a series but this is less frequent.

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Restrictions

Access Restrictions

Open to researchers without restrictions. Appointments are necessary to consult archive and manuscript materials.

Use Restrictions

Collection use is subject to all copyright laws. Permission to publish materials must be obtained in writing from the Director of Fales Library and Special Collections. For more information, contact
Fales Library and Special Collections
Elmer Holmes Bobst Library
70 Washington Square South
New York, NY 10012Phone: (212) 998-2596
Fax: (212) 995-3835
Email: fales.library@nyu.edu

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Access Points
	Subject Names:
		Alfaro, Luis
		Baca, Judith Francesca
		Barnwell, Yasaye M.
		Bey, Dawoud, 1953-
		Bowers, Bill
		Breuer, Lee
		Byrd, Donald, 1949-
		Cheang, Shu Lea
		Chong, Ping
		Conway, Merry
		Gonzalez, Anita
		Korie, Michael
		Mason, Keith Antar
		Mauzy, Marty
		McCallum, Bradley
		McCauley, Robbie
		Pratt, Noni
		Roche, Suzzy
		Royals, Demetria B.
		Scott, Dread
		Sissako, Abderrahmane
		Smith, Anna Deavere
		Spiegelman, Art
	Subject Organizations:
		American Repertory Theatre (Cambridge, Mass.)
		Girls Choir of Harlem
		Harvard University
		Institute for the Arts and Civic Dialogue
	Subject Topics:
		Dance -- Social Aspects
		Experimental theater.
		Smith, Anna Deavere. House arrest : a search for American character in and around the White House, past and present
		Theater and Society.
		Theater and State.
	Subject Places:
		Cambridge (Mass.)
	Document Types:
		Administrative records
		Clippings
		Correspondence
		Files
		Notes
		Photographs
		Transcripts
		Video cassettes

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Administrative Information

Provenance

These records were donated to Fales Library and Special Collections by the Institute on the Arts and Civic Dialogue in 2002.

Preferred Citation

Published citations should take the following form:

Identification of item, date (if known); Institute on the Arts and Civic Dialogue Archive; MSS 127; box number; folder number; Fales Library and Special Collections, New York University Libraries.

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Container List

The following section contains a detailed listing of the materials in the collection.

Series 1: 1997-1998
Scope and Content: This series contains the records for the first season of the Institute's existence. Records begin in 1997 but the bulk of the material is from 1998 and the six-week session of performances, seminars, and discussions of that summer. Materials include internal and external correspondence, staff applications and resumes, artist applications, biographical and promotional materials on the artists and their works, and extensive transcripts of seminars and discussions.
Subseries 1.1: Administrative Files
Scope and Content: Administrative files, arranged alphabetically by folder title, include correspondence, applications, staff information, space and housing rental and other records detailing the logistics of running the institute.
Box	Folder	Title	Date
1	1	Anna Deavere Smith American Express Protocol	undated
1	2	Administrative Updates on Schedule, Fall/Winter 1998	1998
1	3	Applications for IACD General Manager, A	1997
1	4	Applications for IACD General Manager, B	1997
1	5	Applications for IACD General Manager, C-F	1997
1	6	Applications for IACD General Manager, G-L	1997
1	7	Applications for IACD General Manager, M	1997
1	8	Applications for IACD General Manager, P	1997
1	9	Applications for IACD General Manager, R-S	1997
1	10	Applications for IACD General Manager, T	1997
1	11	Applications for IACD General Manager, V-W	1997
1	12	IACD Boston Globe Breakfast-Attendees, June 23, 1998	1998
1	13	"Art for Everyone's Sake" Boston Globe Article, 7/6/1998	1998
1	14	Closing Event: DeCordova Museum and Sculpture Park	undated
1	15	Closing Event: Tiger Lily Catering	1998
1	16	Closing Event	1998
1	17	Core Audience	1998
1	18	Core Audience Facilitator Payments	undated
1	19	Core Audience Information Forms (blank)	undated
1	20	Core Audience: Information Requests Sent, July, 1998	1998
1	21	Core Audience Questionnaires, Response Cards	1998
1	22	Core Audience: Anna Deavere Smith's House Arrest	undated
1	23	Core Audience: Donald Byrd's The Minstrel Show, July 16, 1998	1998
1	24	Future Core Audiences	undated
1	25	Correspondence Files, March, April, May, 1998	1998
1	26	Correspondence: The Brandon Project	undated
1	27	Chelsea Theater Works Correspondence	undated
1	28	Correspondence: High Noon	undated
1	29	Correspondence: House Arrest	undated
1	30	Correspondence from Mario de Valdes y Cocom: Project Proposals	undated
1	31	Onsite Performance Network Correspondence Dancing in the Streets, September 15, 1998	1998
1	32	Correspondence Regarding Collaboration	1998
1	33	Correspondence Regarding 1998 Finalists	1998
1	34	Deputy Director's Files, January, February, March, 1998	1998
1	35	Deputy Director's Files: Correspondence, Summer 1998	1998
1	36	Funding Agreement as of 7/10/98	1998
1	37	Geography Promotional Material	undated
1	38	Incoming Email Chronological, July 1998	1998
1	39	Incoming Email Chronological, August 1998	1998
1	40	Incoming Email Chronological, September 1998	1998
1	41	Incoming Email Chronological, October 1998	1998
1	42	Incoming Email Chronological, November 1998	1998
1	43	Incoming Email Chronological, December 1998	1998
1	44	Outgoing Email Chronological #1	1998
1	45	Outgoing Email Chronological #2	1998
1	46	Outgoing Email Chronological #3	1998
1	47	Intern Files	1998
1	48	Interviews with Prospective Artists	1998
1	49	Kamler, Richard: The Waiting Room, Proposal and Supporting Material	undated
1	50	Krebs, Joseph: The Street Phantom, Project Description and Promotional Materials	undated
1	51	Miscellaneous Administration: Huey P. Newton	undated
1	52	Miscellaneous Administration: Administrative Handbook	undated
1	53	Administrative Handbook Copy 2	undated
1	54	Misc. Administration-Advisory Board for the American Repertory Theater	undated
1	55	Miscellaneous Administration, Copyright Information	undated
1	56	Miscellaneous Administration: FedEx	undated
1	57	Miscellaneous Administration--Move to 1430 Mass. Ave	undated
1	58	Miscellaneous Administration: "Party Line" on IACD Procedures	undated
1	59	Multi-Cultural Democracy: The Story of Chelsea, MA July, 1998	1998
1	60	Myra Mayman: Meeting Notes, Project Proposals and Correspondence, 2/2798-6/10/98	1998
1	61	Participant Contacts (A-M)	undated
1	62	Participant Contacts (N-Z)	undated
1	63	Preliminary Applications	1998
1	64	Preliminary Planning for IACD	1998
1	65	Press Release: Event Calendar	1998
1	66	Press News Clippings	1998
1	67	Press News Clippings Originals	1998
1	68	Press Releases	1998
1	69	Press Requests	1998
1	70	Rejection Letters	1998
1	71	Tania Leon, Promotional Materials	undated
1	72	Response Calls and Emails to Invitation to Attend Performances as "Control" Group	undated
Box	Folder	Title	Date
2	73	Thank You Letters	1998
2	74	Thank You Letters to 1998 Participants	1998
Subseries 1.2: Artist Overviews
Scope and Content: Artist Overview files contain biographical information on artists, performers and theater groups and information on the works presented. This includes material originating from the artists as well as created by the Institute. The series is arranged more or less alphabetically
Box	Folder	Title	Date
2	75	Dawoud Bey, Photographer and Writer: Artist's Profile	undated
2	76	Shu Lea Cheang: Brandon. Proposal for WWW Project Installation; Correspondence with Andrea L. Taylor	undated
2	77	Michael Korie: High Noon: A New Opera/Music-Theater Work Publicity	undated
2	78	Sandy Solomon: Pears, Lake, Sun Promotional Material, Offer to Participate in IACD	undated
2	79	Pepon Osorio, Request for Financial Support of Los Twines, April 1998, Background Material and Budget	1998
2	80	Keith Antar Mason, The Hittite Empire	undated
2	81	Judy Baca, La Memoria...	undated
2	82	This folder was omitted from the numbering sequence and does not exist.
2	83	Donald Byrd, "The Minstrel Show: Form, History, Significance"	undated
2	84	Donald Byrd, The Minstrel Show	undated
Subseries 1.3: Documentation of House Arrest
Scope and Content: Files relating to the work by Anna Deavere Smith. Presented in workshop at the institute in 1998, these files relate mainly to it's staging at the Mark Taper Forum in Los Angeles in the spring of 1999. The materials were apparently once the contents of a single ring binder. A video recording of the Institute's presentation of House Arrest is located in Series 4. Also located there is a recording of the 2000 production of the work at the Public Theater in New York City.
Box	Folder	Title	Date
2	85	Documentation of House Arrest: An Interrogation Section I: Preliminary Planning Strategy	undated
2	86	Documentation of House Arrest: An Interrogation Section II	undated
2	87	Documentation of House Arrest: An Interrogation Section III	undated
2	88	Documentation of House Arrest: An Interrogation Section IV	undated
2	89	Documentation of House Arrest: An Interrogation Section V	undated
2	90	Documentation of House Arrest: An Interrogation Section VI	undated
2	91	Documentation of House Arrest: An Interrogation Section VII	undated
2	92	Documentation of House Arrest: An Interrogation Section VIII	undated
Subseries 1.4: Artist Applications
Scope and Content: Applications from artists for the 1998 IACD session. Most applications were submitted by fax and are only a few pages long though the occasional application has additional material, photographs, slides, or recordings. The files are arranged by medium (dance, theater, music, etc.) and then alphabetically by applicant
Box	Folder	Title	Date
2	93	Chay Yew	undated
2	94	Application Correspondence	undated
2	95	Leslie Neal Dance: Belladonna	1998
2	96	Rebecca Stenn: ThePerksDanceMusicTheater	1998
2	97	1998 Artist Applications	1998
2	97a	127.0001; Floristas (Talking Back II), by Ruben Gonzalez, submitted as part of application	1995
		Video recording, VHS, 3M T30 (on slipcase) T60 (on cassette), RT: 18 min, English subtitles.
2	98	1998 Artist Applications--Multi-Media	1998
2	99	1998 Artist Applications--Music	1998
2	100	1998 Artists Application--Theater, A-Ch	1998
2	101	1998 Artist Applications--Theater, Ci-G	1998
2	102	1998 Artist Application--Theater, Arthur Strimling, Encounters at the Border	1998
2	103	1998 Artist Applications--Theater, J-Mac	1998
2	104	1998 Artist Applications--Theater, Mar-P	1998
2	105	1998 Artist Applications--Theater, R-S	1998
2	106	1998 Artist Applications--Theater, T-W	1998
2	107	1998 Artist Applications--Visual Arts, Max Belcher	1998
	Includes 10 slides
2	108	1998 Artist Applications--Visual Arts, D-J	1998
2	109	1998 Artist Applications--Visual Arts, L-W	1998
	Includes 1 CD-Rom of work by Margot Lovejoy
		CD-ROM, Requires Windows 95 or NT, 6MB of free RAM, 4x CD-Rom or greater. Margot Lovejoy, 10/12/97-1/4/98, Neuberger Museum of Art, Puchase College, State University of New York.
2	110	1998 Artist Applications--Visual Arts, Marlene Phipps, Slides and Promotional Material related to Application	1998
	Includes 20 slides
2	111	Mandelbaum, Aubrey, "Sketching a Common Ground" Essay on Sculpture in Chicago	1996
Subseries 1.5: Discussion Materials and Transcripts
Scope and Content: This series consists almost wholly of transcripts of presentations and discussions of works from the 1998 summer session. Some additional reference materials and transcripts of staff meetings are also present. Files are arranged alphabetically folder title, whether that is artist, title of work, or other topic. The audio tapes from which these transcripts were drawn are not present in the collection.
Box	Folder	Title	Date
2	112	Decency Clause Panel Discussion, July 23, 1998	1998
2	113	High Noon: Excerpts from Three Operas	undated
2	114	High Noon Panelist Reference Material for Town Meeting	undated
2	115	High Noon Promotional Materials	undated
2	116	Transcripts: Audio Tape List	1998
2	117	Transcripts: Brandon Project Presentation, 7/8/98	1998
2	118	Transcripts: Brandon Discussion 8/7/98	1998
2	119	Transcripts: Donald Byrd Presentation, 7/9/98	1998
2	120	Don Byrd, 8/13/1998	1998
2	121	Transcripts: Breakfast with the Interns, 8/11/98	1998
2	122	Transcripts: Byrd Scholars Meeting, 7/13/98	1998
2	123	Transcripts: Byrd Follow-up, 7/17/98	1998
2	124	Transcripts: Dwight Conquergood, 8/11/98	1998
2	125	Transcripts: Event Coordinator Meeting, 7/9/98	1998
2	126	Transcripts: Event Coordinator Meeting, 8/20/98	1998
2	127	Transcripts: First Intern Discussion, 7/6/98	1998
2	128	Transcripts: House Arrest Discussion, 8/7/98	1998
2	129	Transcripts: House Arrest Discussion, 8/7/98	1998
2	130	Transcripts: House Arrest Discussion, 8/7/98	1998
2	131	Transcripts: House Arrest Discussion, 8/7/98	1998
2	132	Transcripts: House Arrest Discussion, 8/7/98	1998
2	133	Transcripts: Howard Gardener, 7/20/98	1998
2	134	Transcripts: Robert Brunstein, 7/98	1998
2	135	Transcripts: Shu Lea Cheang, 8/12/98	1998
Box	Folder	Title	Date
3	136	Photographs: Discussion Panels	1998
3	137	Photographs: Discussion Panels	1998

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Series 2: 1999
Scope and Content: These files document the second season of the institute in a manner similar to the previous series. Apart from the alphabetical administrative files, there are discrete sets of files relating to the intern program, a large body of email correspondence, and a summary report of all the year's activities.
Subseries 2.1: Administrative Files
Scope and Content: These files are arranged alphabetically by folder title and comprise the main records of administrative activity of 1999. Included are resumes, job applications and other files relating to administrative staffing, budget information, fax correspondence, and records relating to space planning, guest accommodations, and other facets of planning.
Box	Folder	Title	Date
3	138	Advertising	1999
3	139	Artists Abstracts and Information	undated
3	140	Budget Breakdown per Company or Artist	undated
3	141	Call to Artists: Contact Institutions	1999
3	142	Call to Artists: Questions and Requests	1999
3	143	Call to Artists: Correspondence	1999
3	144	Call to Interns	1999
3	145	Call to Scholars	1999
3	146	Call for Papers: Request for Applications	1999
3	147	Casual Employee: Dong, Chinnie	undated
3	148	Casual Employee: Frasier, Dionne	undated
3	149	Casual Employee: Gonzales, Andrea	undated
3	150	Casual Employee: Harvard Temp service	undated
3	151	Casual Employee: Hickey, Kirsten	undated
3	152	Casual Employee: Medeiros, Maria	undated
3	153	Casual Employee: O'Connell, Nathaniel	undated
3	154	Casual Employee: Tan, Michael	undated
3	155	Catering Closing Party	1999
3	156	Catering Picnic	1999
3	157	Center for Training and Development	undated
3	158	Company and Teachers	1999
3	159	Computers for 1430 Mass. Ave	undated
3	160	Computers: "Bit by Bit" Rentals	1999
3	161	Consulting Services: Artist/Scholar Program Consultant	undated
3	162	Consultant Services: Issacson Miller (Headhunter)	undated
3	163	Consulting Services: Page, Liz	undated
3	164	Consulting Services: Payments	1999
3	165	Contacts and Network	undated
3	166	Current Job Descriptions	1999
3	167	Deputy Director Search: Candidates	undated
3	168	Deputy Director Search: Interviews (Prior)	undated
3	169	Deputy Director Search: Letters Informing Candidates of Prolonged Selection Process	undated
3	170	Deputy Director Search: NYC Interviews 1/15-1/16	1999
3	171	Deputy Director Search: Rejection Letters	1999
3	172	Deputy Director Search: Resumes	1999
3	173	Deputy Director Search: Resumes	1999
3	174	Deputy Director Search: Resumes	1999
3	175	Deputy Director Search: Resumes	1999
3	176	Dinners: Number of Participants	undated
3	177	Directions to the City	undated
3	178	Directory of Summer Participants	1999
3	179	Du Bois Correspondence, memos	undated
3	180	Du Bois Staff List	undated
3	181	Employees and Participants: Rivers, Stephen	undated
3	182	Employees and Participants: Chalian, David	undated
3	183	Equipment	undated
3	184	Equipment: Audiovisual Rentals	undated
3	185	Equipment: Estimated Costs	undated
3	186	Event Schedule	1999
3	187	Evening Schedule	undated
3	188	Fax Chronology #1	1998
3	189	Fax Chronology #2	1998
3	190	Fax Chronology #2	1998
3	191	Faxes, Communications, and Reading Notes	undated
3	192	Fax Cover Sheets	undated
3	193	Fax Machine	1999
3	194	Feedback: Audience Evaluation Form	1999
3	195	Feedback: Core Audience Questionnaire	undated
3	196	Feedback: Staff Evaluation	1999
3	197	Feedback: Responses from Dorothy Channing	undated
3	198	Feedback: Unmediated Evaluations/Responses	undated
3	199	Financial: Alien Payment Information Form	undated
3	200	Financial: Budget	1999
3	201	Financial: Computer Finance	1999
3	202	Financial: Credit Vouchers	1999
3	203	Financial: Donations	1999
3	204	Financial: Extra Compensation Requests	1999
3	205	Financial: Expense Report Copies (Mauzy)	undated
3	206	Financial: General Correspondence	undated
3	207	Financial: Keyform Orders	undated
3	208	Fund-Raising Guidelines	1999
3	209	General Information	undated
3	210	Graphic Design: Web Page	undated
3	211	Graphic Design: Brochure	undated
3	212	Graphic Design: Stationery/Website Correspondence	undated
3	213	Graphic Design: Designers	undated
Box	Folder	Title	Date
4	214	Housing Agreement: 18 Bank Street #503	undated
4	215	Housing Agreement: 19 Centre St #2	undated
4	216	Housing Agreement: 50 Follen St #301	undated
4	217	Housing Agreement: 1572 Mass Ave #5	undated
4	218	Housing Agreement: 65 Mt Auburn St. #65	undated
4	219	Housekeeping: Memos from Carol MacLeod	undated
4	220	Hotels: Charles Hotel, Art Spiegelman	undated
4	221	Hotels: Charles Hotel Information	undated
4	222	Hotels: Charles Hotel, Convening	undated