|
|
|
Descriptive Summary
|
|
Title:
|
Gary Indiana Papers |
|
Dates:
|
1976-2005 |
|
Abstract:
|
The Gary Indiana Papers are comprised of materials which document the literary career of Gary Indiana. Collection materials include manuscripts, galleys, diaries, notebooks, correspondence, contracts, postcards, flyers, theater programs, periodical and newspaper clippings, photographs, collages, and posters. |
|
Quantity:
|
13.0 Linear feet
in 27 boxes.
|
|
Call Phrase:
|
MSS 168 |
Return to top
Biographical Note
Gary Indiana (real name Gary Hoisington) was born in 1950 and brought up in Derry, New Hampshire. He and an older brother were raised by his parents, Cecile and Carol Hoisington. In his twenties, he moved to Berkeley and changed his name to Indiana. After two years, Indiana relocated to Boston, where he worked in various capacities before returning to California, this time to Los Angeles where he wrote for punk zines. After a 1974 car accident, he decided to leave for New York, where he became immersed in the downtown arts scene.
In the 1980s, Indiana wrote for
Artforum and
Art in America, among other magazines. He also acted in a number of German and American films, notably working with Dieter Schidor and other members of Rainer Werner Fassbinder's circle. From 1984 onward, Indiana wrote art criticism for the
Village Voice, establishing the uncompromising journalistic style that would become his trademark. During this time he was also very active in the theater, working closely with Bill Rice and Taylor Mead, among others, in both his own plays and others'. Notable plays by Indiana include
Alligator Girls Go to College (1979),
Curse of the Dog People (1980),
Phantoms of Louisiana (1981),
The Roman Polanski Story (1981), and
Roy Cohn/Jack Smith (1992).
In the late '80s, Indiana published two short story collections,
Scar Tissue and Other Stories (1987) and
White Trash Boulevard (1988), immediately followed by his first novel,
Horse Crazy (1989). In addition to his critical writing, Indiana published novels throughout the 1990s, often writing fictionalized accounts of real-life murder cases like that of Andrew Cunanan in 1999's
Three Month Fever.
Indiana continues to publish fiction work and write for a variety of publications on art, film, literature, and politics.
The Guardian has called Indiana "one of the most important chroniclers of the American psyche."
Shanghai (1983)
The Role of My Family in the World Revolution (1985)
Scar Tissue and Other Stories (1987)
White Trash Boulevard (1988)
Horse Crazy (1989)
Gone Tomorrow (1993)
Rent Boy (1994)
Living with the Animals (1995) (Ed. by Gary Indiana)
Let It Bleed: Essays 1985-1995 (1996)
Resentment: A Comedy (1997)
Three Month Fever: The Andrew Cunanan Story (1999)
Salò or The 120 Days of Sodom (2000)
Depraved Indifference (2002)
Do Everything in the Dark (2003)
The Schwarzenegger Syndrome: Politics and Celebrity in the Age of Contempt (2005)
Custody (1979)
Alligator Girls Go To College (1979)
Curse of the Dog People (1980)
The Dark Side of Anne Flaubert (1980)
Phantoms of Louisiana (1981)
The Roman Polanski Story (1981)
Return of the Dog People (1984)
Roy Cohn (1992)
Who Killed Rex the Wonder Dog?
A Thwarted Sense of Occasion
Return to top
Scope and Content Note
The Gary Indiana Papers are comprised of manuscripts, galleys, diaries, notebooks, correspondence, contracts, postcards, flyers, theater programs, periodical and news clippings, magazines, published materials, snapshots, photographs, collages, and posters.
SERIES DESCRIPTIONS
SERIES I: Manuscripts
Subseries A contains manuscripts for novels and fiction writing, as well as novel proposals. Novel manuscripts include
Rent Boy, partial drafts of
Gone Tomorrow, and the unpublished
Desert Shore. Short fiction manuscripts include
The Role of My Family in the World Revolution, a fragment of
Shanghai, and numerous unpublished pieces. Galley proofs for
White Trash Boulevard are located in the Oversize series [Folder 11].
Subseries B contains theatrical and cinematic manuscripts. Some theatrical manuscripts are actors' typescripts for Indiana's productions. Also included is a script not by Indiana for Dieter Schidor's 1985 film
Cold in Columbia, in which Indiana appeared.
Subseries C contains poetry and lyrics written and sung for the band The Boners. Some poetry is dated by Indiana. Some prose is also included as part of a grouping created and dated by Indiana.
Subseries D contains critical essays, interview notes, and some miscellaneous manuscript materials. Interview notes include Chantal Akerman, David Lynch, and Carol Ross. Also included is the checklist for Indiana's 2002 photography retrospective "Extinction" at American Fine Arts, Co. in New York City.
SERIES II: Journals
Subseries A contains drafts and notes for novels and essays, personal journals, travel diaries, and assorted research notes. The dated notebooks range from 1981 to 2003.
Subseries B contains collage notebooks and sketchbooks, some of which includes Indiana's photography.
SERIES III: Correspondence and Legal Documents
The correspondence series consists of personal and professional correspondence. Personal correspondence includes letters and postcards from figures including musician and poet Patti Smith and artist Valie Export, among others. Professional correspondence consists of publishing contracts and rights agreements with HarperCollins and other publishing companies. Also included is the report of the court examination of Indiana in his lawsuit against The Bar. Some postcard correspondence is contained in the Flyers and Visual Materials Series [Series IVA] as part of Indiana's flyer and program scrapbook. A poster from the Patti Smith correspondence is located in the Oversize series.
SERIES IV: Flyers and Visual Materials
Subseries A consists of the contents of a scrapbook, organized by Indiana, of programs and flyers for events or performances by himself and others. Some postcard correspondence is also included in the scrapbook. Also included are materials not associated with this scrapbook: one folder of event flyers and a flyer for the 1980 Times Square Show, the latter being in the Oversize series [Folder 124].
Subseries B consists of assorted visual materials, including publication artwork for several of Indiana's novels, photographs of work by Bill Rice, a calendar entitled "Men of The Bar," collage materials and miscellaneous artwork.
SERIES V: Printed Materials
This series consists of published materials, including books, theatre programs, and periodicals, many of which include Indiana's writing or writing about Indiana. One issue of
Night (no. 52) has been moved to the Oversize series [Folder 161].
SERIES VI: Clippings
Subseries A consists of clippings of art criticism, essays, and other items written by Indiana. This includes substantial criticism written for the
Village Voice,
Artforum, and
Art in America, among other publications.
Subseries B consists of clippings of writing about Indiana or reviews of his published works.
Subseries C consists of clippings used as research materials, including those regarding Henri Cartier-Bresson, Witold Gombrowicz, and Valie Export, among others.
SERIES VII: Photography
Subseries A contains Indiana's 4 x 5 snapshots, including documentation of the Toronto Film Festival premiere of David Cronenberg's
Naked Lunch, The Dazzling 1987 New York Flower Show, trips to Latin America, downtown New York City street scenes, and a New York gallery opening and party. Also included are evidence photos from the Andrew Cunanan case, the basis for Indiana's novel
Three Month Fever.
Subseres B contains 5 x 7 snapshots of a wide array of subjects, including trips to Latin America, Cuba, India, and many regions of the United States. Also included are photos of a reading by actors Taylor Mead and Bill Rice, Indiana and others, an exhibit at the Museum of Contemporary Art in La Jolla, California, and photos of The Bishop's School in La Jolla, from which Andrew Cunanan graduated in 1987. Figures documented prominently include Bill Rice, Taylor Mead, and author William S. Burroughs.
Subseries C contains Indiana's 8.5 x 11 photo series, retaining his original order and organization. Major series include travel photos, nudes, cemetery photos, digital collage work by Indiana, and contact sheets from the film
Bangkok Talkie and the play
The Roman Polanski Story.
Subseres D contains photography of varying sizes maintained in individual groupings created and sometimes labeled by Indiana.
Subseries E consists of two boxes of photographic slides, retaining Indiana's organization. Also included are several photographic negatives and one 4 x 5" transparency.
Subseries F contains oversize photographic items, including photos bearing the copyright of Digne Meller Marcowicz which mainly relate to Werner Schroeter and German theater productions.
SERIES VIII: Oversize
Oversize items comprise posters for a 2004 speaking date and the plays
Alligator Girls Go to College and
The Roman Polanski Story, and several photographic works. Also included are galley proofs of
White Trash Boulevard from the Manuscripts series, and a signed Patti Smith poster entitled "You Can't Say 'Fuck' in Radio Free America," removed from her personal correspondence with Indiana. A 2005 issue of
Night has been removed from the Printed Materials series.
An oversize poster for the 1980 Times Square Show, removed from the Flyers series, is located in the Mapcase.
Return to top
Arrangement
Materials have been arranged in series according to material formats or the types of writing represented.
Within each series, materials are arranged chronologically, when material is dated. In some cases, which are indicated, material organized by Indiana has retained its original organization.
Return to top
Related Material at Fales Library and Special Collections
The
Between C & D Archive
The Dennis Cooper Papers
The Downtown Flyers and Invitations Collection
The Ron Kolm Papers
The Terence Sellers Papers
The Serpent's Tail/High Risk Books Archive
The Lynne Tillman Papers
The David Wojnarowicz Papers
Return to top
Separated Material
These materials have been separated from the archive and individually catalogued into the Downtown Book and Periodical Collection in Fales.
Aperture no. 127 (Spring 1992).
Artext no. 77 (Summer 2002).
Gober, Robert and Christopher Wool.
A Project. April 1988.
Johnson, Larry.
Larry Johnson. 1996.
Lehndorff, Vera and Holger Trulzsch.
Oxydationen. 1985.
Purple Fashion no. 1 (Spring/Summer 2004).
Purple Fashion no. 3 (Spring/Summer 2005).
The Purple Journal no. 1 (Summer 2004). English version.
The Purple Journal no. 2 (Fall 2004). English version.
Le Purple Journal no. 2 (Fall 2004). French version.
The Purple Journal no. 3 (Winter 2005). English version.
Le Purple Journal no. 3 (Winter 2005). French version.
Le Purple Journal no. 4 (Spring 2005). French version.
The Purple Journal no. 5 (Summer 2005). English version.
Le Purple Journal no. 5 (Summer 2005). French version.
Rosenberg, Aura.
Head Shots. New York: Stop Over Press, 1996.
Samaras, Lucas.
Chairs and Drawings. New York: Pace Publications, 1987.
Texte Zur Kunst no. 15.57 (March 2005).
Wool, Christopher.
Christopher Wool. New York: Scalo Publishers, 1998.
Return to top
Restrictions
Access Restrictions
Open to researchers without restrictions. Appointments are necessary to consult manuscript and archive materials.
Use Restrictions
Collection use is subject to all copyright laws. Permission to publish materials must be obtained in writing from the Director of Fales Library and Special Collections. For more information, contact:
Fales Library and Special Collections
Elmer Holmes Bobst Library
70 Washington Square South
New York, NY 10012
Phone: (212) 998-2596
Fax: (212) 995-3835
Email: fales.library@nyu.edu
URL: http://www.nyu.edu/library/bobst/research/fales/cdfa.htm
Return to top
|
|
|
Access Points
|
|
|
Art criticism. |
|
|
Art in America |
|
|
Art, American--New York (State)--New York. |
|
|
Artforum |
|
|
Artists and community--United States. |
|
|
Avant-garde (Aesthetics). |
|
|
Avant-garde literature. |
|
|
Avant-garde poetry. |
|
|
Avant-garde theater. |
|
|
Burroughs, William S., 1914-1997 |
|
|
Clippings. |
|
|
Correspondence. |
|
|
Cunanan, Andrew, 1969-1997 |
|
|
Diaries. |
|
|
Export, Valie |
|
|
Film criticism. |
|
|
German theatre. |
|
|
HarperCollins (Firm) |
|
|
Indiana, Gary |
|
|
Kevorkian, Jack |
|
|
La Jolla (San Diego, Calif.) |
|
|
Magazines (periodicals) |
|
|
Manuscripts. |
|
|
Mead, Taylor |
|
|
Meller Marcovicz, Digne |
|
|
Miami Beach (Fla.) |
|
|
New Delhi (India) |
|
|
New York (N.Y.) |
|
|
New York (N.Y.)--Intellectual life--20th century. |
|
|
Photographers--United States. |
|
|
Photographs. |
|
|
Poems. |
|
|
Postcards. |
|
|
Posters. |
|
|
Reviews. |
|
|
Rice, William, 1931-2006 |
|
|
Schroeter, Werner, 1945- |
|
|
Scrapbooks. |
|
|
Scripts. |
|
|
Serpent’s Tail high risk books |
|
|
Sobhraj, Charles |
|
|
South America |
|
|
Versace, Gianni |
|
|
Village voice (Greenwich Village, New York, N.Y.) |
Return to top
Administrative Information
Provenance
The Gary Indiana Papers were purchased from Gary Indiana in 2005.
Preferred Citation
Published citations should take the following form:
Identification of item, date (if known); collection name; MSS number; box number; folder number; Fales Library and Special Collections, New York University Libraries.
Return to top
Container List
|
|
Series I: Manuscripts
|
Subseries A: Manuscripts for Novels and Fiction
|
Scope and Contents note
Subseries A contains manuscripts for novels and fiction writing, as well as novel proposals. Novel manuscripts include Rent Boy, partial drafts of Gone Tomorrow, and the unpublished Desert Shore. Short fiction manuscripts include The Role of My Family in the World Revolution, a fragment of Shanghai, and numerous unpublished pieces. Galley proofs for White Trash Boulevard are located in the Oversize series [Folder 11].
|
| Box |
Folder |
|
Title |
Date |
|
1
|
1 |
|
Rent Boy original typescript
|
undated |
|
|
|
1
|
2 |
|
Gone Tomorrow partial drafts
|
undated |
|
|
|
1
|
3 |
|
Desert Shore: A Novel (pp. 1-130)
|
undated |
|
|
|
1
|
4 |
|
Desert Shore: A Novel (pp. 131-260)
|
undated |
|
|
|
1
|
5 |
|
Desert Shore: A Novel (pp. 261-404)
|
undated |
|
|
|
1
|
6 |
|
Desert Shore: A Novel (partial drafts)
|
undated |
|
|
|
1
|
7 |
|
Maze: A Novel
|
undated |
|
|
|
1
|
8 |
|
The Big Other (unfinished novel and proposal)
|
undated |
|
|
|
1
|
9 |
|
Gluttony (novel proposal)
|
undated |
|
|
|
1
|
10 |
|
"Ch. 2 of Unfinished Novel"
|
undated |
|
|
|
1
|
12 |
|
"
Shanghai (fragment)"
|
undated |
|
|
|
1
|
13 |
|
The Role of My Family in the World Revolution
|
undated |
|
|
|
1
|
14 |
|
Dreams Involving Water drafts
|
undated |
|
|
|
1
|
15 |
|
American Express
|
undated |
|
|
|
1
|
16 |
|
I Am Candy Jones
|
undated |
|
|
|
1
|
17 |
|
Crisis in the Life of an Actor
|
undated |
|
|
|
1
|
18 |
|
One Size Fits All
|
undated |
|
|
|
1
|
19 |
|
Philosophy in the Bedroom
|
undated |
|
|
|
1
|
20 |
|
Only You
|
undated |
|
|
|
1
|
21 |
|
Sympathy for Medea
|
undated |
|
|
|
1
|
22 |
|
"Valerie Solanas (The Revised SCUM Manifesto)"
|
undated |
|
|
|
1
|
23 |
|
Misc. Fiction Manuscripts
|
undated |
|
|
|
Return to top
|
Subseries B: Manuscripts for Plays and Film
|
Scope and Contents note
Contains theatrical and cinematic manuscripts. Some theatrical manuscripts are actors' typescripts for Indiana's productions. Also included is a script not by Indiana for Dieter Schidor's 1985 film Cold in Columbia, in which Indiana appeared.
|
| Box |
Folder |
|
Title |
Date |
|
1
|
24 |
|
Custody
|
1979 |
|
|
|
1
|
25 |
|
Alligator Girls Go To College
|
1979 |
|
|
|
1
|
26 |
|
"
Alligator Girls Go To College / Performed at Mudd Club Nov. 1979"
|
1979 |
|
|
|
1
|
27 |
|
Curse of the Dog People
|
1980 |
|
|
|
1
|
28 |
|
"
Curse of the Dog People (original version)"
|
1980 |
|
|
|
1
|
29 |
|
"
Curse of the Dog People (original typescript)"
|
1980 |
|
|
|
1
|
30 |
|
"Bill Rice's typescript, w/ Photos / '
Curse of the Dog People'" [See Photography Series]
|
1980 |
|
|
|
1
|
31 |
|
The Dark Side of Anne Flaubert
|
1980 |
|
|
|
1
|
32 |
|
Phantoms of Louisiana
|
1981 |
|
|
|
1
|
33 |
|
The Roman Polanski Story
|
1981 |
|
|
|
1
|
34 |
|
Return of the Dog People
|
1984 |
|
|
|
1
|
35 |
|
Roy Cohn
|
1991-1992 |
|
|
|
1
|
36 |
|
"
Roy Cohn galleys for anthology"
|
1998 |
|
|
|
1
|
37 |
|
Red Tide
|
undated |
|
|
|
1
|
38 |
|
"
Red Tide [original typescript]"
|
undated |
|
|
|
1
|
39 |
|
A Thwarted Sense of Occasion
|
undated |
|
|
|
1
|
40 |
|
Bangkok Talkie [film script]
|
undated |
|
|
|
1
|
41 |
|
Unfinished/Incomplete Scripts
|
undated |
|
|
|
1
|
42 |
|
Cold in Columbia [script by Dieter Schidor, feat. Indiana]
|
undated |
|
|
|
Return to top
|
Subseries C: Manuscripts for Poetry
|
Scope and Contents note
Contains poetry and lyrics written and sung for the band The Boners. Some poetry is dated by Indiana. Some prose is also included as part of a grouping created and dated by Indiana.
|
| Box |
Folder |
|
Title |
Date |
|
1
|
43 |
|
"Poems I + Lyrics written and sung for The Boners"
|
undated |
|
|
|
1
|
44 |
|
"Poems II"
|
undated |
|
|
|
1
|
45 |
|
"Poems III"
|
undated |
|
|
|
1
|
46 |
|
"Poems IV / Short Prose (early + recent prose)"
|
undated |
|
|
|
1
|
47 |
|
Misc. Poetry
|
undated |
|
|
|
Return to top
|
Subseries D: Manuscripts for Critical and Non-Fiction Writing
|
Scope and Contents note
Contains critical essays, interview notes, and some miscellaneous manuscript materials. Interview notes include Chantal Akerman, David Lynch, and Carol Ross. Also included is the checklist for Indiana's 2002 photography retrospective "Extinction" at American Fine Arts, Co. in New York City.
|
| Box |
Folder |
|
Title |
Date |
|
2
|
48 |
|
No Such Thing as Paranoia
|
undated |
|
|
|
2
|
49 |
|
A Culture High and Low
|
undated |
|
|
|
2
|
50 |
|
Wegman Contra Landseer
|
undated |
|
|
|
2
|
51 |
|
Charles Sobhraj writings
|
undated |
|
|
|
2
|
52 |
|
Carol Ross conversation/writings
|
undated |
|
|
|
2
|
53 |
|
"Proposal for Essay collection"
|
undated |
|
|
|
2
|
54 |
|
David Lynch interview transcript
|
undated |
|
|
|
2
|
55 |
|
Chantal Akerman interview transcript
|
undated |
|
|
|
2
|
56 |
|
Ingrid Caven interview materials
|
undated |
|
|
|
2
|
57 |
|
"Checklist for '
Extinction' Retrospective at American Fine Arts, Chelsea / Feb 2002"
|
2001 |
|
|
|
2
|
58 |
|
Misc. Critical Writings
|
undated |
|
|
|
Return to top
|
|
|
Series II: Journals
|
Subseries A: Diaries and Writing Journals
|
Scope and Contents note
Contains drafts and notes for novels and essays, personal journals, travel diaries, and assorted research notes. The dated notebooks range from 1981 to 2003.
|
| Box |
Folder |
|
Title |
Date |
|
2
|
59 |
|
"Notes from Brussels and Paris / Draft scenes for '
Phantoms of Louisiana'"
|
1981 |
|
|
|
2
|
60 |
|
"Parisian Notes / Camera coordinates for a screenplay"
|
1983 |
|
|
|
2
|
61 |
|
Taste of the Black Earth ("Screenplay + scenario written in Paris w/ David Wojnarowicz")
|
1984 |
|
|
|
2
|
62 |
|
"BURMA (Aug-Sept 85, Peterskirchen)"
|
1985 |
|
|
|
2
|
63 |
|
"Antigua Diary"
|
1989 |
|
|
|
2
|
64 |
|
New Orleans - Long Island
|
1991-1992 |
|
|
|
2
|
65 |
|
"Argentinian Diary"
|
1995 |
|
|
|
2
|
66 |
|
"Notes while writing '
Resentment' - Iguazu Argentina / Asuncion Paraguay"
|
1995 |
|
|
|
2
|
67 |
|
"Notes taken in Chile, Peru, Paraguay, Argentina and Bolivia"
|
1995-1996 |
|
|
|
2
|
68 |
|
"Upstate New York"
|
1999 |
|
|
|
2
|
69 |
|
"Notes in Detroit while covering murder trial of Jack Kevorkian for the death of Thomas Hyde"
|
[1999] |
|
|
|
2
|
70 |
|
"Notes on the abandoned novel for St. Martins + diary entries"
|
2003 |
|
|
|
2
|
71 |
|
"Burma, Notes"
|
undated |
|
|
|
2
|
72 |
|
"Buenos Aires - Mendoza - Santiago - Peru - Bolivia - Paraguay - Brazil"
|
undated |
|
|
|
2
|
73 |
|
Notes for '
Resentment'
|
undated |
|
|
|
2
|
74 |
|
"Monologue of the owner of O'Conquero in 'The Falls' in
Do Everything in the Dark, location transplanted to Iguazu Falls"
|
undated |
|
|
|
2
|
75 |
|
"Los Angeles / Notes for '
The Big Other' / Notes for review of '
Black Dahlia Avenger'"
|
undated |
|
|
|
2
|
76 |
|
"Notes on the first Gulf War / Diary entry in New Orleans"
|
undated |
|
|
|
2
|
77 |
|
"Parisian Notes"
|
undated |
|
|
|
2
|
78 |
|
"Notes on Piglia + Argentina / New Delhi journals / Notes on Surrealism / Rent Boy listings on a phone service"
|
undated |
|
|
|
2
|
79 |
|
"Notes for a book about Charles Sobhraj, taken in New Delhi, Mumbai, Goa"
|
undated |
|
|
|
3
|
80 |
|
"New Delhi"
|
undated |
|
|
|
3
|
81 |
|
"Notes for a novel"
|
undated |
|
|
|
3
|
82 |
|
"Notes for novel - formal + thematic issues"
|
undated |
|
|
|
3
|
83 |
|
Mostly blank notebook
|
undated |
|
|
|
3
|
84 |
|
Mostly blank notebook
|
undated |
|
|
|
Return to top
|
Subseries B: Collage Notebooks and Sketchbooks
|
Scope and Contents note
Contains collage notebooks and sketchbooks, some of which includes Indiana's photography.
|
| Box |
Folder |
|
Title |
Date |
|
3
|
85 |
|
"Collage Book 1982"
|
1982 |
|
|
|
3
|
86 |
|
School Agenda Collage Book
|
undated |
|
|
|
3
|
87 |
|
Collage and Sketchbook
|
undated |
|
|
|
3
|
88 |
|
Collage and Photography Book
|
undated |
|
|
|
3
|
89 |
|
"Tapper Zookie Lives On / This is My Album of Wasted Space"
|
undated |
|
|
|
Return to top
|
|
|
Series III: Correspondence and Legal Documents
|
Scope and Contents note
The correspondence series consists of personal and professional correspondence. Personal correspondence includes letters and postcards from figures including musician and poet Patti Smith and artist Valie Export, among others. Professional correspondence consists of publishing contracts and rights agreements with HarperCollins and other publishing companies. Also included is the report of the court examination of Indiana in his lawsuit against The Bar. Some postcard correspondence is contained in the Flyers and Visual Materials Series [Series IVA] as part of Indiana's flyer and program scrapbook. A poster from the Patti Smith correspondence is located in the Oversize series.
|
| Box |
Folder |
|
Title |
Date |
|
3
|
90 |
|
Personal Correspondence (1981-1999)
|
1981-1999 |
|
|
|
3
|
91 |
|
Personal Correspondence (2000-2005 and undated)
|
2000-2005 |
|
|
|
3
|
92 |
|
Patti Smith Correspondence
|
1992-1993 |
|
|
|
3
|
93 |
|
Valie Export Correspondence
|
1981-1998 |
|
|
|
3
|
94 |
|
Professional Correspondence
|
1988-2004 |
|
|
|
3
|
95 |
|
Court Examination: Lawsuit Against The Bar
|
1986 |
|
|
|
Return to top
|
|
|
Series IV: Flyers and Visual Materials
|
Subseries A: Flyer and Program Scrapbook
|
Scope and Contents note
Consists of the contents of a scrapbook, organized by Indiana, of programs and flyers for events or performances by himself and others. Some postcard correspondence is also included in the scrapbook. Also included are materials not associated with this scrapbook: one folder of event flyers and a flyer for the 1980 Times Square Show, the latter being in the Oversize series [Folder 124].
|
| Box |
Folder |
|
Title |
Date |
|
3
|
96 |
|
Roy Cohn/Jack Smith program
|
1992 |
|
|
|
3
|
97 |
|
Rent Boy postcard
|
undated |
|
|
|
3
|
98 |
|
Digne Meller Marcowicz picture postcard with message
|
undated |
|
|
|
3
|
99 |
|
Three Films by Cameron Jamie with Live Music by The Melvins program
|
2003 |
|
|
|
3
|
100 |
|
Casino Paradise theater program
|
undated |
|
|
|
3
|
101 |
|
Ingrid Caven debut party invitation
|
1992 |
|
|
|
3
|
102 |
|
Jo by Cameron Jamie flyer
|
2004 |
|
|
|
3
|
103 |
|
Ingrid Caven Theatre de L'Europe program
|
1986 |
|
|
|
3
|
104 |
|
Roy Cohn/Jack Smith Programs (2)
|
undated |
|
|
|
3
|
105 |
|
The Theatre of Jack Smith flyer
|
undated |
|
|
|
3
|
106 |
|
"Life of Roman Polanski (1)" photo
|
1987 |
|
|
|
3
|
107 |
|
...And That's How the Rent Gets Paid, Part IV by Jeff Weiss flyer
|
undated |
|
|
|
3
|
108 |
|
Jackie Curtis as Frances Farmer photo
|
undated |
|
|
|
3
|
109 |
|
"Life of Roman Polanski (2)" photo
|
1987 |
|
|
|
3
|
110 |
|
Indiana and Duncan Smith "Diamonds" performance postcards (2)
|
undated |
|
|
|
3
|
111 |
|
Taylor Mead "Merry Xmas to Gary" photo
|
2004 |
|
|
|
3
|
112 |
|
Alligator Girls Go To College program
|
undated |
|
|
|
3
|
113 |
|
Curse of the Dog People and
Phantoms of Louisiana program
|
undated |
|
|
|
3
|
114 |
|
"The Art Critic: A Temporary Job" lecture flyer
|
1990 |
|
|
|
3
|
115 |
|
Three Films by Cameron Jamie program (2nd copy)
|
2003 |
|
|
|
3
|
116 |
|
Group photograph
|
undated |
|
|
|
3
|
117 |
|
Andrew Cunanan evidence photo
|
undated |
|
|
|
3
|
118 |
|
A Project [by] Robert Gober / Christopher Wool
|
1988 |
|
|
|
3
|
119 |
|
Postcard for Indiana's reading of
The Sinking of the Titanic
|
undated |
|
|
|
3
|
120 |
|
A Smuggler's Life by Daniel Schmid postcard
|
undated |
|
|
|
3
|
121 |
|
Curse of the Dog People and
Phantoms of Louisiana postcard
|
undated |
|
|
|
3
|
122 |
|
Body Painting retrospective postcard
|
undated |
|
|
|
3
|
123 |
|
Non-scrapbook flyers (1982-1984 and undated)
|
1982-1984 |
|
|
|
Return to top
|
Subseries B: Visual Materials
|
Scope and Contents note
Consists of assorted visual materials, including publication artwork for several of Indiana's novels, photographs of work by Bill Rice, a calendar entitled "Men of The Bar," collage materials and miscellaneous artwork.
|
| Box |
Folder |
|
Title |
Date |
|
3
|
125 |
|
Publication artwork
|
undated |
|
|
|
3
|
126 |
|
"Color Proofs for Book Jacket" [
Depraved Indifference]
|
undated |
|
|
|
3
|
127 |
|
"Bill's Picasso Studies"
|
undated |
|
|
|
3
|
128 |
|
Original artwork labeled "[Canal] Rotterdam"
|
undated |
|
|
|
3
|
129 |
|
Men of The Bar calendar
|
1996 |
|
|
|
3
|
130 |
|
"Collage Pieces" - Folder 1
|
undated |
|
|
|
3
|
131 |
|
"Collage Pieces" - Folder 2
|
undated |
|
|
|
3
|
132 |
|
"Collage Pieces" - Folder 3
|
undated |
|
|
|
3
|
133 |
|
"Collage Pieces" - Folder 4
|
undated |
|
|
|
3
|
134 |
|
"Collage Pieces" - Folder 5
|
undated |
|
|
|
3
|
135 |
|
"Collage Pieces" - Folder 6
|
undated |
|
|
|
3
|
136 |
|
"Koran Pages"
|
undated |
|
|
|
3
|
137 |
|
Misc. Art/Collage Materials
|
undated |
|
|
|
Return to top
|
|
|
Series V: Printed Materials
|
Scope and Contents note
This series consists of published materials, including books, theatre programs, and periodicals, many of which include Indiana's writing or writing about Indiana. One issue of Night (no. 52) has been moved to the Oversize series [Folder 161].
|
| Box |
Folder |
|
Title |
Date |
|
3
|
138 |
|
Other Stages #4.15
|
1982 |
|
|
|
3
|
139 |
|
Framework #18
|
1982 |
|
|
|
3
|
140 |
|
Between C and D #1.2
|
1984 |
|
|
|
3
|
141 |
|
New Observations #31: "Here Come the Murgatroyds." Ed. Gary Indiana.
|
1985 |
|
|
|
3
|
142 |
|
City Magazine International #18. In French.
|
1986 |
|
|
|
3
|
143 |
|
Between C and D #3.2
|
1987 |
|
|
|
3
|
144 |
|
Dickson, Jane.
Life Under Neon.
|
1989 |
|
|
|
3
|
145 |
|
Roy Cohn/Jack Smith theater program
|
1992 |
|
|
|
3
|
146 |
|
Jean Genet theater program
|
1995 |
|
|
|
3
|
147 |
|
Film Comment #39.1 and 41.3
|
2003-2005 |
|
|
|
3
|
148 |
|
artUS #7 and 8
|
2005 |
|
|
|
3
|
149 |
|
Spunky International: Translux
|
undated |
|
|
|
4
|
150 |
|
Bomb #6
|
1983 |
|
|
|
4
|
151 |
|
Bomb #21
|
1987 |
|
|
|
4
|
152 |
|
Bomb #24
|
1988 |
|
|
|
4
|
153 |
|
Bookforum (Summer 1996-Summer 2004)
|
1996-2004 |
|
|
|
4
|
154 |
|
Bookforum (Oct/Nov 2004-Apr/May 2005)
|
2004-2005 |
|
|
|
4
|
155 |
|
Village Voice Vol. XLII #30 and 32
|
1997 |
|
|
|
4
|
156 |
|
Voice Literary Supplement (5 issues)
|
1995-1997 |
|
|
|
4
|
157 |
|
NO Magazine #2
|
1978 |
|
|
|
4
|
158 |
|
London Review of Books Vol. 25 #21
|
2003 |
|
|
|
4
|
159 |
|
Visit #6 (Govett-Brewster Art Gallery)
|
2003 |
|
|
|
4
|
160 |
|
Weekly World News
|
1997 |
|
|
|
Return to top
|
|
|
Series VI: Clippings
|
Subseries A: Clippings of writing by Indiana
|
Scope and Contents note
Consists of clippings of art criticism, essays, and other items written by Indiana. This includes substantial criticism written for the Village Voice, Artforum, and Art in America, among other publications.
|
| Box |
Folder |
|
Title |
Date |
|
5
|
162 |
|
Village Voice
|
1984 |
|
|
|
5
|
163 |
|
Village Voice (Jan-Jun 1985)
|
1985 |
|
|
|
5
|
164 |
|
Village Voice (Jul-Dec 1985)
|
1985 |
|
|
|
5
|
165 |
|
Village Voice (Jan-Jun 1986)
|
1986 |
|
|
|
5
|
166 |
|
Village Voice (Jul-Dec 1986)
|
1986 |
|
|
|
5
|
167 |
|
Village Voice (Jan-Jun 1987)
|
1987 |
|
|
|
5
|
168 |
|
Village Voice (Jul-Dec 1987)
|
1987 |
|
|
|
5
|
169 |
|
Village Voice (1988-1989)
|
1988-1989 |
|
|
|
5
|
170 |
|
Village Voice (1990-June 1992)
|
1990-1992 |
|
|
|
5
|
170A |
|
Village Voice (July 1992-1995)
|
1992-1995 |
|
|
|
5
|
171 |
|
Village Voice (1996-2004)
|
1996-2004 |
|
|
|
5
|
172 |
|
Art in America (1983)
|
1983 |
|
|
|
5
|
173 |
|
Art in America (1984)
|
1984 |
|
|
|
5
|
174 |
|
Art in America (1985)
|
1985 |
|
|
|
5
|
175 |
|
Art in America (1986 and undated)
|
1986 |
|
|
|
5
|
176 |
|
Artforum (1980-1989)
|
1980-1989 |
|
|
|
5
|
177 |
|
Artforum (1990-1999)
|
1990-1999 |
|
|
|
5
|
178 |
|
Artforum (2000-2004 and undated)
|
2000-2004 |
|
|
|
5
|
179 |
|
Bookforum
|
1997-2003 |
|
|
|
5
|
180 |
|
East Village Eye
|
1980-1983 |
|
|
|
5
|
181 |
|
Bomb
|
1986-1988 |
|
|
|
5
|
182 |
|
Los Angeles Times
|
1998-2005 |
|
|
|
5
|
183 |
|
Film Comment
|
undated |
|
|
|
5
|
184 |
|
Valie Export writing
|
undated |
|
|
|
5
|
185 |
|
Misc. Publications (1980-1989)
|
1980-1989 |
|
|
|
5
|
186 |
|
Misc. Publications (1990-1999)
|
1990-1999 |
|
|
|
5
|
187 |
|
Misc. Publications (2000-2005)
|
2000-2005 |
|
|
|
5
|
188 |
|
Misc. Publications (undated)
|
undated |
|
|
|
Return to top
|
Subseries B: Clippings of reviews and writing about Indiana
|
Scope and Contents note
Consists of clippings of writing about Indiana or reviews of his published works.
|
| Box |
Folder |
|
Title |
Date |
|
6
|
189 |
|
Theater and Performance Reviews
|
1979-1992 |
|
|
|
6
|
190 |
|
Horse Crazy reviews
|
1989-1990 |
|
|
|
6
|
191 |
|
Gone Tomorrow reviews
|
1993-1995 |
|
|
|
6
|
192 |
|
Rent Boy reviews
|
1993-1995 |
|
|
|
6
|
193 |
|
Let It Bleed reviews
|
1996-1997 |
|
|
|
6
|
194 |
|
Resentment reviews (May-Aug. 15, 1997)
|
1997 |
|
|
|
6
|
195 |
|
Resentment reviews (Aug. 15, 1997-1998)
|
1997-1998 |
|
|
|
6
|
196 |
|
Three Month Fever reviews
|
1999-2000 |
|
|
|
6
|
197 |
|
Depraved Indifference reviews
|
2001-2002 |
|
|
|
6
|
198 |
|
Do Everything In The Dark reviews
|
2003 |
|
|
|
6
|
199 |
|
The Schwarzenegger Syndrome reviews
|
2005 |
|
|
|
6
|
200 |
|
Grouped
Gone Tomorrow/
Rent Boy reviews
|
1993-1995 |
|
|
|
6
|
201 |
|
Grouped
Rent Boy/
Horse Crazy/
Gone Tomorrow reviews
|
1989-1994 |
|
|
|
6
|
202 |
|
"
Rent Boy reviews"
|
1993-1994 |
|
|
|
6
|
203 |
|
Misc. Mentions of Indiana
|
1979-1993 |
|
|
|
Return to top
|
Subseries C: Clippings of Research Materials
|
Scope and Contents note
consists of clippings used as research materials, including those regarding Henri Cartier-Bresson, Witold Gombrowicz, and Valie Export, among others.
|
| Box |
Folder |
|
Title |
Date |
|
6
|
204 |
|
Valie Export materials
|
1977-1994 |
|
|
|
6
|
205 |
|
Henri Cartier-Bresson materials
|
2001-2005 |
|
|
|
6
|
206 |
|
Witold Gombrowicz materials
|
1971-1978 |
|
|
|
6
|
207 |
|
Thomas Beer materials
|
undated |
|
|
|
6
|
208 |
|
"Mazes"
|
2001-2005 |
|
|
|
6
|
209 |
|
NY Times Versace memorial article
|
1997 |
|
|
|
6
|
210 |
|
Misc. Publications and Articles (1984-2004 and undated)
|
1984-2004 |
|
|
|
6
|
211 |
|
Misc. Research Clippings (1999-2005 and undated)
|
1999-2005 |
|
|
|
Return to top
|
|
|
Series VII: Photography and Snapshots
|
Subseries A: 4 x 5" snapshots
|
Scope and Contents note
Contains Indiana's 4 x 5 snapshots, including documentation of the Toronto Film Festival premiere of David Cronenberg's Naked Lunch, The Dazzling 1987 New York Flower Show, trips to Latin America, downtown New York City street scenes, and a New York gallery opening and party. Also included are evidence photos from the Andrew Cunanan case, the basis for Indiana's novel Three Month Fever.
|
| Box |
Folder |
|
Title |
Date |
|
7
|
no number |
|
Naked Lunch and "Dennis Cooper in Toronto"
|
undated |
|
|
|
7
|
no number |
|
Andrew Cunanan evidence photos
|
undated |
|
|
|
7
|
no number |
|
Gallery opening and party snapshots
|
undated |
|
|
|
8
|
no number |
|
Downtown New York
|
undated |
|
|
|
8
|
no number |
|
The Dazzling 1987 New York Flower Show
|
undated |
|
|
|
8
|
no number |
|
Latin America
|
undated |
|
|
|
8
|
no number |
|
New York skyline
|
undated |
|
|
|
8
|
no number |
|
Black and white New York City photos
|
undated |
|
|
|
8
|
no number |
|
Misc. smaller series
|
undated |
|
|
|
8
|
no number |
|
Misc. photos
|
undated |
|
|
|
Return to top
|
Subseries B: 5 x 7" snapshots
|
Scope and Contents note
Contains 5 x 7 snapshots of a wide array of subjects, including trips to Latin America, Cuba, India, and many regions of the United States. Also included are photos of a reading by actors Taylor Mead and Bill Rice, Indiana and others, an exhibit at the Museum of Contemporary Art in La Jolla, California, and photos of The Bishop's School in La Jolla, from which Andrew Cunanan graduated in 1987. Figures documented prominently include Bill Rice, Taylor Mead, and author William S. Burroughs.
|
| Box |
Folder |
|
Title |
Date |
|
9
|
no number |
|
Indiana posing with umbrella
|
undated |
|
|
|
9
|
no number |
|
Black Lite Cocktail Room, Los Angeles
|
undated |
|
|
|
9
|
no number |
|
Latin America and New York
|
undated |
|
|
|
9
|
no number |
|
Reading/Performance: Bill Rice, Taylor Mead, Gary Indiana and others
|
undated |
|
|
|
9
|
no number |
|
Unknown house nad pool
|
undated |
|
|
|
9
|
no number |
|
Sepia photos: England, Latin America, New York
|
undated |
|
|
|
10
|
no number |
|
Poker with Bill Rice and others
|
undated |
|
|
|
10
|
no number |
|
Poker with Bill Rice and others
|
undated |
|
|
|
10
|
no number |
|
Miami Beach
|
undated |
|
|
|
10
|
no number |
|
William S. Burroughs
|
undated |
|
|
|
10
|
no number |
|
Branson, Missouri
|
undated |
|
|
|
10
|
no number |
|
Hotel room
|
undated |
|
|
|
11
|
no number |
|
La Jolla, CA (inc. The Bishop's School, Museum of Contemporary Art)
|
undated |
|
|
|
11
|
no number |
|
Labeled photos (Vaginal Davis, Richard Hawkins, Bruce la Bruce, others)
|
undated |
|
|
|
11
|
no number |
|
California
|
undated |
|
|
|
11
|
no number |
|
Rural house
|
undated |
|
|
|
11
|
no number |
|
Store windows
|
undated |
|
|
|
12
|
no number |
|
Minneapolis
|
undated |
|
|
|
12
|
no number |
|
Small New York series
|
undated |
|
|
|
12
|
no number |
|
Savannah, GA and South Carolina
|
undated |
|
|
|
12
|
no number |
|
Fort Delaware
|
undated |
|
|
|
13
|
no number |
|
Party, gallery, and people snapshots
|
undated |
|
|
|
13
|
no number |
|
Cuba
|
undated |
|
|
|
14
|
no number |
|
India
|
undated |
|
|
|
15
|
no number |
|
California
|
undated |
|
|
|
15
|
no number |
|
Misc. Smaller Series
|
undated |
|
|
|
15
|
no number |
|
Misc. Photos
|
undated |
|
|
|
Return to top
|
Subseries C: 8.5 x 11" photos and photocollages
|
Scope and Contents note
Contains Indiana's 8.5 x 11 photo series, retaining his original order and organization. Major series include travel photos, nudes, cemetery photos, digital collage work by Indiana, and contact sheets from the film Bangkok Talkie and the play The Roman Polanski Story.
|
| Box |
Folder |
|
Title |
Date |
|
16
|
no number |
|
Binder 1: Cemetery, India, Collages, Rural
|
undated |
|
|
|
17
|
no number |
|
Binder 2: Latin America, Nudes, Collages, Rural
|
undated |
|
|
|
18
|
no number |
|
Binder 3: New York City, Collages, Nudes
|
undated |
|
|
|
18
|
no number |
|
Binder 4: Collages, Latin America
|
undated |
|
|
|
19
|
no number |
|
Binder 5: India, Burroughs, Text Photos, Nudes, Exhibition Photos, New York City
|
undated |
|
|
|
20
|
no number |
|
Binder 6: Cemetery, Collages, Text Photos, Transparencies
|
undated |
|
|
|
20
|
no number |
|
Binder 7: Nudes, Cemetery, India, New York City, Paris, Latin America, Rural
|
undated |
|
|
|
21
|
no number |
|
Binder 8: Paris, Rural, New York City, Nudes
|
undated |
|
|
|
21
|
no number |
|
Unsorted 8.5 x 11" photos
|
undated |
|
|
|
22
|
no number |
|
[AWAITING SLEEVES; WILL BE:] Grouping of 8.5 x 11" photos
|
undated |
|
|
|
Return to top
|
Subseries D: Photo series grouped or labeled by Indiana
|
Scope and Contents note
Contains photography of varying sizes maintained in individual groupings created and sometimes labeled by Indiana.
|
| Box |
Folder |
|
Title |
Date |
|
23
|
no number |
|
[Labeled:] "Bangkok Talkie" / a film shot on glass plates / Bangkok 1982-3 / W/ Marina Abromowicz + Ulay
|
1982-1983 |
|
|
|
23
|
no number |
|
[Labeled:] Contact Sheets / 'The Roman Polanski Story' / Performing Garage, 1981
|
1981 |
|
|
|
23
|
no number |
|
[Labeled:] Contact Sheets 1978-79
|
1978-1979 |
|
|
|
23
|
no number |
|
Promotional photos
|
undated |
|
|
|
23
|
no number |
|
X-Mas Card 1996
|
1996 |
|
|
|
23
|
no number |
|
Photos from "Bill Rice's typescript w/ Photos 'Curse of the Dog People'"
|
undated |
|
|
|
Return to top
|
Subseries E: Slides, Negatives, and Transparencies
|
Scope and Contents note
Consists of two boxes of photographic slides, retaining Indiana's organization. Also included are several photographic negatives and one 4 x 5" transparency.
|
| Box |
Folder |
|
Title |
Date |
|
24
|
no number |
|
Photographic slides
|
undated |
|
|
|
25
|
no number |
|
Photographic slides (continued)
|
undated |
|
|
|
25
|
no number |
|
Photographic negatives and transparency
|
undated |
|
|
|
Return to top
|
Subseries F: Oversize photographic materials
|
Scope and Contents note
contains oversize photographic items, including photos bearing the copyright of Digne Meller Marcowicz which mainly relate to Werner Schroeter and German theater productions.
|
| Box |
Folder |
|
Title |
Date |
|
26
|
212 |
|
Digne Meller Marcovicz photo 1 (
Das Katchen von Heilbronn)
|
undated |
|
|
|
26
|
213 |
|
Marcovicz photo 2 (
Das Katchen von Heilbronn)
|
undated |
|
|
|
26
|
214 |
|
Marcovicz photo 3 (
Lohengrin)
|
undated |
|
|
|
26
|
215 |
|
Marcovicz photo 4 (
Miss Sara Sampson)
|
undated |
|
|
|
26
|
216 |
|
Marcovicz photo 5 (
Miss Sara Sampson)
|
undated |
|
|
|
26
|
217 |
|
Marcovicz photo 6 (
Miss Sara Sampson)
|
undated |
|
|
|
26
|
218 |
|
Marcovicz photo 7 (
The Florentine Tragedy)
|
undated |
|
|
|
26
|
219 |
|
Marcovicz photo 8 (
Neapolitanische Geschwister)
|
undated |
|
|
|
26
|
220 |
|
Marcovicz photo 9 (
Neapolitanische Geschwister)
|
undated |
|
|
|
26
|
221 |
|
Marcovicz photo 10 (
Palermo ober Wolfsburg)
|
undated |
|
|
|
26
|
222 |
|
Marcovicz photo 11 (
Das Liebeskonzil)
|
undated |
|
|
|
26
|
223 |
|
Marcovicz photo 12 ("Frankfurt - Romerberg mit Justizia")
|
undated |
|
|
|
26
|
224 |
|
Marcovicz photo 13 (Universitat Frankfurt / Horsaal VI / Kolakowski)
|
undated |
|
|
|
26
|
225 |
|
Marcovicz photo 14 (Frankfurt - Romer / Helmut Kohl)
|
undated |
|
|
|
26
|
226 |
|
Marcovicz photo 15 (Frankfurt - Romerberg - CDU Wahlveranstaltung)
|
undated |
|
|
|
26
|
227 |
|
Marcovicz photo 16 (Thomas Bernhard)
|
undated |
|
|
|
26
|
228 |
|
Marcovicz photo 17 (Werner Schroeter)
|
undated |
|
|
|
26
|
229 |
|
"Flocons d'Or" (photo by Roswitha Hecke)
|
undated |
|
|
|
26
|
230 |
|
Photo by Rodolfo Alcaraz
|
undated |
|
|
|
26
|
231 |
|
Photo of two women
|
undated |
|
|
|
26
|
232 |
|
Photo of father and son
|
undated |
|
|
|
Return to top
|
|
|
Oversize Items
|
Scope and Contents note
Oversize items comprise posters for a 2004 speaking date and the plays Alligator Girls Go to College and The Roman Polanski Story, and several photographic works. Also included are galley proofs of White Trash Boulevard from the Manuscripts series, and a signed Patti Smith poster entitled "You Can't Say 'Fuck' in Radio Free America," removed from her personal correspondence with Indiana. A 2005 issue of Night has been removed from the Printed Materials series. An oversize poster for the 1980 Times Square Show, removed from the Flyers series, is located in the Mapcase.
|
| Box |
Folder |
|
Title |
Date |
|
27
|
11 |
|
White Trash Boulevard galley proofs
|
undated |
|
|
|
Mapcase
|
124 |
|
Times Square Show flyer
|
undated |
|
|
|
27
|
161 |
|
Night #52
|
2005 |
|
|
|
27
|
233 |
|
Signed poster: "You Can't Say 'Fuck' in Radio Free America" by Patti Smith
|
undated |
|
|
|
27
|
234 |
|
The Roman Polanski Story poster
|
undated |
|
|
|
27
|
235 |
|
Alligator Girls Go To College poster (5 copies)
|
undated |
|
|
|
27
|
236 |
|
Palmer Museum lecture poster
|
2004 |
|
|
|
27
|
237 |
|
Three large photographs (one is signed "Love, Lynne")
|
undated |
|
|
|
27
|
238 |
|
Signed photo by Bill Rice: "'Dress Suits for Hire' for Gary"
|
undated |
|
|
|
Return to top
|