|
|
|
Descriptive Summary
|
|
Creator: |
Kostelanetz,
Richard
|
|
Title: |
Richard Kostelanetz Collection
|
|
Dates: |
1961-1997 |
|
Abstract: |
Richard Kostelanetz is a major figure in the New York City downtown literary and art scene, as
well as a performer, critic, scholar and an authority on concrete poetry. Included in the collection
are copies of his printed works, including essays, anthologies, assemblings, contributions to
periodicals, etc. Included also are: videos, sound recordings, and other materials which
Kostelanetz produced from 1961-1997.
|
|
Quantity: |
13.5 Linear feet (9 boxes) |
|
Call Phrase: |
The Richard Kostelanetz Collection |
Return to top
Historical/Biographical Note:
Richard
Kostelanetz was born on May 14, 1940, in New York, NY. He is the
son of Boris (lawyer) and Ethel (Cory) Kostelanetz. He received
his B.A. from Brown University in 1962 with honors. He pursued
graduate study at King's College in London from 1964 to 1965 and
received an M.A. from Columbia University in 1966.
Richard Kostelanetz is a writer, visual artist, critic, poet, composer, filmmaker, holographer,
video artist, and lecturer. His administrative history includes a diversity of positions: British Broadcasting Corp. (BBC), London,
England, producer-interviewer of program "New Release," 1965- 66; Assembling Press, New
York City, co-founder and president, beginning 1970; City University of New York, John Jay College of Criminal Justice, New York City,
program associate in thematic studies. 1972-73; Future Press, New
York City, literary director, 1976--; co-editor/publisher, Precisely: A Critical
Magazine, 1977-84; RK Editions, New York City, sole
proprietor, 1978--; coordinator-interviewer, "American Writing Today," Voice of America
Forum Series, 1979-81; visiting professor of American studies and English at University of
Texas at Austin in the Spring of 1977; guest of Mishkenot Sha'ananim, Jerusalem in 1979 and in
1986; guest of the DAAD Kunstlerprogramm in West Berlin, 1981-83; guest artist at WXXI-FM,
Rochester, NY, 1975-76; Synapse, Syracuse University, 1975; Cabin Creek Center for Work and
Environmental Studies, 1978; Electronic Music Studio of Stockholm, 1981, 1983, 1984, 1986,
and 1988; Brooklyn College Center for Computer Music, 1982;
WGBH-FM, Boston, 1983, Public Access Synthesizer Studio, New York City, 1983; Dennis
Gabor Laboratory, Museum of Holography, 1985, 1989; Experimental TV Center, Owego, New
York, 1985, 1986, 1987, 1989, and 1990; and Film/Video Arts, 1989. Richard Kostelanetz has
lectured and given readings of his poetry and fiction at numerous colleges and universities,
including New York University, Cooper Union, Brown University, Harvard University,
University of Iowa, Antioch College, Carnegie-Mellon University, University of Southern
California, Rutgers University, Detroit Institute of Arts, and Barnard College. He has given one
man exhibitions of visual art at numerous galleries. He has exhibited his holograms at the
Museum of Holography in New York City in 1978 and 1986. He has
exhibited his book art, visual poetry, and other works in over 60 group exhibitions.
Kostelanetz has received the followings awards and fellowships: Woodrow Wilson fellow,
1962-63; Fulbright fellow, 1964-65; Pulitzer fellow in critical writing, 1965-66; Guggenheim
fellow, 1967; Numbers: Poems and Stories was selected one of the Best Books of 1976 by the
American Institute of Graphic Arts; National Endowment for the Arts grants in visual arts, 1976,
1978, 1979, and 1985, and in media arts, 1981, 1982, 1985, 1986, 1989, and 1990; Pushcart
Prize, 1977; Ludwig Vogelstein Foundation grant, 1980; Coordinating Council of Literary
Magazines editors' fellow, 1981; New York State Council on the Arts Media Services grant
(through Future Press), 1982, and 1984; American Society of Composers, Authors, and
Publishers (ASCAP) Award in serious music composition, annually, 1983-1991; American
Public Radio Program Fund grant, 1985; Ann Arbor Film Festival prize, 1986.
BIBLIOGRAPHY: ANTHOLOGIES AND COLLECTIONS:
The Big House. New York: Ailanthus Press, 1978.
A Big Jewish Book. Garden
City: Anchor, 1978.
Bory, Jean-Francois. Once Again. New York: New
Directions, 1968.
Colleagues. New York: Pittore Euforico, 1979.
Conversations with Ralph Ellison. Ed. Maryemma Graham and Amritjit Singh. Jackson:
University Press of Mississippi, 1995.
Deciphering America. Amsterdam:
Kontexts, 1978.
Delo Godina 21. Broj 3 (1975).
Experiments
in Prose. Chicago: Swallow Press, 1969.
First-Person Intense. Santa Barbara:
Mudborn Press, 1978.
4 Major Visual Poets: Ruth Jacoby, Richard Kostelanetz,
Tom Ockerse, Michael Joseph Phillips. Ed. Michael Joseph Phillips. Indianapolis: Free
University Press, 1980.
Gallery Works Eight. Aptos, CA: Poets' Commune
Publications, 1991.
The Gorilla Salon. Portola Valley, CA: No Dead Lines,
1976.
Hunter, J. Paul. Poetry. [The Norton Introduction to Literature]. New
York: W. W. Norton & Co., 1973.
Image Bank Post Card Show. Vancouver:
Image Bank, 1977.
Jarab, J. American Poetry and Poets of Four Centuries.
Olomouc: Univerzity Palackeho, 1976.
Kennedy, X. J. An Introduction to
Poetry. 5th edition. Boston: Little, Brown and Company, 1982.
---. Literature:
An Introduction to Fiction, Poetry, and Drama. 3rd edition. Boston: Little, Brown and Company,
1983.
Knock Knock. New York: Bench Press, (1981).
Konglomerati. [n.p., n.d.]
La Monte Young/Marian Zazeela: Selected Writings.
Munich: Heiner Friedrich, 1969.
Literature and the Visual Arts in
Contemporary Society. Ed. Suzanne Ferguson and Barbara
Groseclose.
Columbus: Ohio State UP, 1985.
Lotta Poetica 1971-1975. [Brescia]:
Factotum-Art, n.d.
Loves, Etc. Garden City: Anchor Press, 1973.
The Low-Tech Manual. New York: Low-Tech Press, 1981.
NEONEO
DO-DO EX GQ 1314. [n.p., n.d.]
New American Poetry. New York:
McGraw-Hill, 1973.
1970 - 1979. Oakland: Burning Books.
The Norton Introduction to Literature. Combined Shorter Edition. New York: W. W. Norton &
Co., 1973.
The Norton Introduction to Literature. Poetry. New York: W. W.
Norton & Co., 1973.
People Mirrors. Don Mills, Ont.: Thomas Nelson, 1974.
Philadelphia Umbrella '80. [Philadelphia: Harry William Saffren, 1980.]
Phillips, Michael Joseph. 4 Major Visual Poets. Indianapolis: Free University
Press, 1980.
Poetry and Literature. Toronto: McGraw-Hill Ryerson, 1983.
The Poets' Encyclopedia. New York: Unmuzzled Ox, 1979.
Post-Romance: Artist's Valentines. New York: Lower Manhattan Cultural Council, 1982.
The Pushcart Prize II: Best of the Small Presses. New York: Avon, 1977.
Red Hand Book III. Atlanta: Pynyon Press, 1982.
Re: Pages.
Cambridge, MA: New England Foundation for the Visual Arts, 1981.
Scope
English Anthology. New York: Scholastic, 1984.
Sound by Artists. Toronto:
Art Metropole, 1990.
Speaking Pictures. New York: Harmony Books, 1975.
Surfiction: fiction now and tomorrow. Ed. Raymond Federman.
Chicago:Swallow Press, 1981.
Three Places in New Inkland. New York:
Zartscorp, 1977.
Time and Space Concepts in Art. New York: Pleiades Gallery,
1980.
The Treasury of American Poetry. Garden City, NY: Doubleday, 1978.
Visual Art Mathematics & Computers. Oxford: Pergamon Press, 1979.
Visuelle Poesie aus den. USA (1995).
Worlds in Small. Vancouver,
B.C.: Cacanadada, 1992.
Written in Water; Written in Stone. Ann Arbor:
University of Michigan Press, 1996.
The Young American Poets. Chicago: Big
Table, 1968.
BOOKS BY RICHARD KOSTELANETZ:
An ABC of Contemporary Reading. San Diego: San Diego State University
Press, 1995.
Aftertexts/Prose Pieces. Calexico, CA: Atticus Press, 1987.
American Imaginations. Berlin: Merve, 1983.
And So Forth.
New York: Future Press, 1979.; Unbound.
Autobiographien New York - Berlin.
Berlin: Merve Verlag, 1986.
Autobiographies. New York: Mudborn Press and
Future Press, 1981.
Collected Performance Texts. New York: RK Editions,
1991.
Constructs. Reno: WCPR, 1975.
Constructs. New York:
RK Editions, 1991.; 7 Volumes
Constructs Two. Milwaukee: WI; Membranr,
1978.
Conversing with Cage. New York: Limelight Editions, 1988.
Crimes of Culture. New York: Autonomedia, 1995.
"The End;"
Appendix; "Intelligent Writing" Reconsidered. Metuchen: Scarecrow Press, 1979./ "The End;"
Essentials; "Intelligent Writing" Epitomized. New York: Assembling Press, 1979.
The End of Intelligent Writing: Literary Politics in America. New York: Sheed & Ward,
1974.
Entrevista a John Cage. Barcelona: Anagrama, 1970.
Epiphanies. Berlin: Literarisches Colloquium Berlin, 1983.
Exhaustive Parallel
Intervals. New York: Future Press, 1979.
Exhaustive Scombination. Port
Charlotee: Runaway Spoon Press, 1996.
Fields, Turfs, Pitches, Arenas. Kansas
City: BKMK Press, 1982.
The Fillmore East. New York: Schirmer, 1995.
Foreshortenings and other stories. Tuumba Press, 1978.
The
Grants-Fix to 1981: A Critical Examination of Publically Funded Literary Granting in the United
States. New York: RK Editions, 1987.
Hoptrangning och Planer. [n.p., n.d.]
Human Alternatives. New York: William Morrow, 1971.
Illuminations. Woodinville, WA: Laughing Bear, 1977.
In the Beginning.
Somerville, MA: Abyss, 1971.
John Cage (Ex)plain(ed). New York: Schirmer,
1996.
March. Mentor: Geerator Press, 1990.
Metamorphosis in
the Arts. Brooklyn: Assembling, 1980.
Minimal Fictions. Santa Maria, CA:
Asylum Arts, 1994.
Modulations. Brooklyn: Assembling Press, 1975.
More Short Fictions. Brooklyn: Assembling Press, 1980.
The Music of
Today. New York: Time Incorporated, 1967.
The New Poetries and Some Old.
Carbondale: Southern Illinois University Press, 1991.
Numbers 2. Columbus:
Luna Bisonte Prods, 1977.
The Old Fictions and the New. Jefferson, NC and
London: McFarland, 1987.
The Old Poetries and the New. Ann Arbor: The
University of Michigan Press, 1981.
On Innovative Art(ist)s'. Jefferson, NC and
London: McFarland, 1992.
On Innovative Music(ian)s. New York: Limelight
Editions, 1989.
On Innovative Performance(s). Jefferson, NC: McFarland,
1994.
One Million Words of Book Notes 1958-1993. Troy, NY: Whitson, 1996.
One Night Stood. New York: Future Press, 1977.
One Night
Stood. 4th ed.(Newsprint) New York: Future Press, 1977.
Openings and
Closings. New York: D'Arc, 1975.
Politics in the African-American Novel.
Westport: Greenwood Press, 1991.
Portraits from Memory. Ann Arbor: Ardis,
1975.
Possibilities of Poetry. New York: Dell, 1970.
Prose
Pieces; Aftertexts. Calexico: Atticus Press, 1987.
Published Encomia
1967-1991. New York: RK Editions, 1991.
Radio Writings. Union City, NJ:
Further State(s) of the Art, 1995.
Recyclings.; Undated proof copy.
Recyclings: A Literary Autobiography. Volume One, 1959-67. Brooklyn, Assembling
Press, 1974.
Recyclings, 1959-1981. New York: Future Press, [1981].
Reincarnations. New York: Future Press, 1981.
Repartitions-IV. Port
Charlotte, FL: Runaway Spoon Press, 1991.
Short Fictions/Articulations. New
York: Kulchur Foundation, 1974.
Solos, Duets, Trios, & Choruses. New York:
Future Press, 1991.
Tabula Rasa. New York: RK Editions, 1978.
The Theatre of Mixed-Means. New York: RK Editions, 1980.
Turfs,
etc. High/Coo Mini-chapbook 11, 1980.
Twenties in the Sixties. Brooklyn, NY:
Assembling, 1979.
Twenties in the Sixties. Westport: Greenwood Press, 1979.
Twenty-Two Years of References. (Ghost Dance 52, n.d.)
Unfinished Business: An Intellectual Non-history, 1963-89. New York: RK Editions, 1990.
Visual Language. Brooklyn, NY: Assembling Press, 1970.
Wordsand: 1967-1978. Burnaby, B.C.: Simon Fraser University, 1978.
Wordworks. Brockport, NY: BOA Editions, 1993.
WORKS EDITED
BY RICHARD KOSTELANETZ
American Writing Today. Vols 1 &
2 (Forum Series). Washington, D.C., 1982.
American Writing Today. Troy,
NY: Whiston, 1991.
Assembling. Brooklyn: Assembling, 1970.
Assembling Assembling. Brooklyn, NY: Assembling, 1978.
Aural
Literature Criticism. New York: RK Editions, 1981.
The Avant-Garde Tradition
in Literature. Buffalo: Prometheus Books, 1982.
The B.B. King Companion.
Ed. Richard Kostelanetz. New York: Shirmer, 1997.
Beyond Left & Right. New
York: William Morrow, 1968.
Beyond Left & Right. [Diamond Gendai
Sensho].;Japanese translation.
Breakthrough Fictioneers. West Glover, VT:
Something Else Press, 1973.; Hardcover and paperback copies
Classic Essays
on Twentieth-Century Music. Eds. Richard Kostelanetz and Joseph Darby. New York: Schirmer,
1996.
A Critical (Ninth) Assembling. New York: Assembling Press, 1979.
Edge of Adaptation. Englewood Cliffs, NJ: Prentice-Hall, 1973.; Paperback and
hardcover copies
Eighth Assembling. 2 vols. Brooklyn: Assembling, 1978.
Essaying Essays. New York: Out of London Press, 1975.
Esthetics Contemporary. Buffalo: Promethus, 1978.
Esthetics Contemporary.
Revised edition. Buffalo: Promethus, 1989.
Fourth Assembling : A Collection
of Otherwise Unpublishable Manuscripts. Brooklyn: Assembling, 1973.
The
Frank Zappa Companion: Four Deacades of Commentary. Ed. Richard Kostelanetz with John
Rocco. New York: Shirmer, 1997.
Future's Fictions. New York: Panache, 1971.
Gertrude Stein Advanced: An Anthology of Criticism. Jefferson, NC and
London: McFarland, 1990.
Human Alternatives: Visions for Us Now. New
York: Morrow, 1971.
Imaged Words and Worded Images. New York:
Outerbridge & Dienstfrey, 1970.
In Youth. New York: Ballantine Books, 1972.
John Cage. [Documentary Monographs in American Art] New York: Praeger
Publishers, 1970.
John Cage: An Anthology. New York: Da Capo Press, 1991.
John Cage im Gesprach. Cologne: Dumont, 1989.
John Cage:
Writer. New York: Limelight Editions, 1993.
Language & Structure in North
America. Toronto: Kensington Arts Association, 1975.
Master Minds. New
York: Macmillan, 1969.
Merce Cunningham. Pennington, NJ: A Cappella
Books, 1992.
Moholy = Nagy. New York: Praeger, 1970.; Hardcover and
softcover.
Moholy-Nagy. London: Allen Lane, 1974.
Moholy-Nagy: An Anthology. New York: Da Capo Press, 1991.
The New
American Arts. New York: Horizon, 1965.
The New American Arts. New
York: Collier, 1967.
Nicolas Slonimsky: The First Hundred Years. New York:
Schirmer, 1994.
On Contemporary Literature. New York: Avon, 1964.
On Contemporary Literature. Expanded edition. New York: Avon, 1969.
On Contemporary Literature. Plainview, NY: Books for Libraries, 1971.
Possibilities of Poetry. New York: Dell Pub. Co., 1970.
Precisely:
13-14-15-16 Poetics of the New Poetries. Eds. Richard Kostelanetz and Benjamin Hrushovski.
(1982).
Scenarios: Scripts to Perform. Brooklyn: Assembling, 1980.
Second Assembling: A Collection of Otherwise Unpublishable Manuscripts. Brooklyn,
NY: Assembling Press, 1971.
Seeing Through Shuck. New York: Ballantine
Books, 1972.
Seventh Assembling. Brooklyn, NY: Assembling, 1977.
Sixth Assembling. Brooklyn, NY: Assembling, 1975.
Social
Speculations. New York: William Morrow, 1971.
Tenth Assembling. Brooklyn,
NY: Assembling, 1980.
Text-Sound Texts. New York: William Morrow, 1980.;
Hardcover and paperback copies
Third Assembling. Brooklyn, NY:
Assembling, 1972.
Twelve From the Sixties. New York: Dell, 1967.
Viagem a literatur americana contemporanea. Rio de Janeiro: Nordica, 1985.
Visual Lit Crit. Reno: WCPR, 1979.
Visual Literature Criticism.
Carbondale: Southern Illinois University Press, 1979.
Writings on Glass:
essays, original writings, interviews, criticism. New York: Shirmer Books, 1997.
The Yale Gertrude Stein. New Haven: Yale UP, 1980.; 1 hardcover copy; 1 paper copy
The Young American Writers: Fiction, Poetry, Drama and Criticism. Ed.
Richard Kostelanetz. New York: Funk and Wagnalis, 1967.
Younger Critics of
North America. Fairwater, WI: Tom Montag/Margins, 1976.
Return to top
Scope and Content Note
The Richard Kostelanetz
Collection is a part of the Downtown Collection at the Fales Library, New York University. The
Fales Library is the primary special collections division of the NYU libraries, housing over
160,000 volumes of English and American literature from 1700 to the present. Strengths of the
collection include the development of the English and American novel, with an emphasis on the
Gothic and the Victorian novel. The Downtown Collection, of which the Kostelanetz Collection
is a part, is a comprehensive collection of printed materials, archives, and other materials related
to the Downtown New York scene from ca. 1975 to the present.
The Richard
Kostelanetz Collection is a comprehensive set of printed materials, videos, sound recordings, and
other materials produced by Richard Kostelanetz, downtown writer, artist, performer, critic, and
scholar. He is a major figure in the New York City downtown literary and art scene and an
authority on concrete poetry. The collection includes books; articles; artwork; recordings; videos;
computer disks; and announcements of radio programs, readings and exhibitions by Richard
Kostelanetz. It also includes a small number of articles about Kostelanetz. Included in the
collection are copies of all printed works by Richard, including essays, anthologies, assemblings,
contributions to periodicals, etc.
SERIES DESCRIPTION
Series
I: contains articles written by Richard Kostelanetz.
Series II:
contains periodicals with contributions by Richard Kostelanetz.
Series III:
contains reviews of Richard Kostelanetz's work.
Series IV: contains articles
and books about Richard Kostelanetz.
Series VI: contains Richard
Kostelanetz's radio program listings.
Series VII: contains audio recordings by
Richard Kostelanetz.
Series VIII: contains announcements of readings by
Richard Kostelanetz.
Series IX: This is a series containing miscellaneous material
including a resume, press catalogues, computer disks, etc.
Series X: This series
contains videotapes by Richard Kostelanetz.
Series XI: This series contains prints by
Richard Kostelanetz.
Return to top
|
|
|
Arrangement
|
|
Folders are arranged alphabetically by subject/author heading. |
|
The files are grouped into 11 subject based series. |
Return to top
Related Material at the Fales Library and Special Collections
Downtown Collection
The Ron Kolm Papers
The Jerome Charyn Papers
Return to top
Separated Material
Full-length books were
catalogued for the Downtown Collection and bear a bookplate acknowledging that they are the
gift of Boris Kostelanetz.
Return to top
Restrictions
Access Restrictions
Open to researchers. Appointments are necessary for the use of manuscript and
archival materials.
Use Restrictions
Collection use is subject to all copyright laws. Permission to
publish materials must be obtained in writing from the Director of Fales
Library and Special Collections. For more
information, contact
Fales Library and Special Collections
Elmer Holmes Bobst Library
70 Washington Square South
New York, NY 10012Phone: (212) 998-2596
Fax: (212) 995-3835
Email: fales.library@nyu.edu
URL: http://www.nyu.edu/library/bobst/research/fales/cdfa.htm
Return to top
|
|
|
Access Points
|
|
|
|
Subject Names: |
|
|
|
|
|
Kostelanetz, Richard |
|
Subject Topics: |
|
|
Artists and community--United States. |
|
|
Authors, American--20th century. |
|
|
Avant-garde (Aesthetics) |
|
|
Literature,
Experimental.
|
|
|
New York
(N.Y.)--Intellectual life--20th century.
|
|
|
Poets,
American--20th century.
|
|
Subject Places: |
|
|
New York (State)--New York |
|
Document Types: |
|
|
Articles. |
|
|
Artists' writings. |
|
|
Clippings. |
|
|
Downtown writers. |
|
|
Drawings. |
|
|
Ephemera. |
|
|
Photographs. |
|
|
Poems. |
|
|
Posters. |
|
|
Sound recordings. |
|
|
Video recordings. |
Return to top
Administrative Information
Provenance
The collection belonged to Boris Kostelanetz, Richard Kostelanetz'
father, who donated the materials to the Fales Library in Jan. 1997. Full-length books were
catalogued for the Downtown Collection and bear a bookplate acknowledging that they are the
gift of Boris Kostelanetz. Periodical contributions, videos, audio recordings, and other materials
were processed as a collection whose description follows.
Preferred Citation
Published citations should take the following form:
Identification of item, date (if known); Richard Kostelanetz Collection; MSS 89; box number;
folder number; Fales Library and Special Collections
, New York University Libraries.
Return to top
Container List
[The following section contains a
detailed listing of the materials in the collection.]
| Series I:
Articles By Kostelanetz
|
|
Scope and Content:
|
| Box |
Folder |
Title |
Date |
| 1
|
1 |
ABC of
Contemporary Reading. Precisely. 13-14-15-16 -1982 5-46.
|
1982 |
| 1
|
1a |
The Absurdity of Contemporary Culture. Prairie Schooner. 35:2
(Summer 1961) 149-56.
|
1961 |
| 1
|
2 |
Accurate Perception. Wind.
75 -1995 30-32.
|
1995 |
| 1
|
3 |
American Architecture,
1945-1965. Bennington Review. 1 -1978 28-36.
|
1978 |
| 1
|
4 |
The American Avant-Garde, Part I: Milton Babbitt. Stereo Review. 22:4 (April 1969)
61-69.
|
1969 |
| 1
|
5 |
The American Avant-Garde, Part II: John
Cage. Stereo Review. 22:5 (May 1969) 61-9.
|
1969 |
| 1
|
6 |
American Thinking About Government. Western Humanities Review. 31:4 -1977 287-302. |
1977 |
| 1
|
7 |
Ansichten einers unheilbaren New Yorkers.
Zitty 21 -1985 36-9.
|
1985 |
| 1
|
8 |
On Anthologies: A Memoir,
Part II. The Centennial Review. 32:1 (Winter 1988) 19-34.
|
1988 |
| 1
|
9 |
Art in the Culture. Performing Arts Journal. 11 -1979 71-84. |
1979 |
| 1
|
10 |
The Art of Total No. Contact. 4:2 [16]
(October/November 1963) 62-70.
|
1963 |
| 1
|
10a |
My
Artwork Entitled 'On Holography. ' Leonardo. 13 -1980 40-1. Offprint.
|
1980 |
| 1
|
11 |
Avant-Garde. National Forum. 60:4 -1980 16-18. |
1980 |
| 1
|
12 |
B. B. King of the Blues. Horizon. 24:9 -1981 26-31. |
1981 |
| 1
|
13 |
Bokkonst. Konstnarsbocker/Artists'
Books. Kristianstad: Kalejdoskop, 1980. 10-14.
|
1980 |
| 1
|
14 |
Book Art. Scree. 17-18. Duck Down. (1981) 65-8. |
1981 |
| 1
|
15 |
Communicating with Light. Parabola. 17: 3 -1992 92-4. |
1992 |
| 1
|
16 |
A Communication. Contact. 4:4 [18] (April/May 1964)
73-74.
|
1964 |
| 1
|
17 |
Contemporary American Aesthetics. Sun
& Moon. 4 -1977 126-45.
|
1977 |
| 1
|
18 |
Contemporary
Painting. Span. 19:2 -1978 12-17. Oversize.
|
1978 |
| 1
|
19 |
A
Conversation, in Eleven-Minus-One Parts, with Lou Harrison about Music/Theater. The Muscial
Quarterly. 76:3 -1992 383-409.
|
1992 |
| 1
|
20 |
Conversation with
Nicolas Slonimsky about his Composing. The Musical Quarterly. 74:3 -1990 458-472.
|
1990 |
| 1
|
21 |
Crimes of Culture: A Preface. disturbed
guillotine. 2 -1995 14-6.
|
1995 |
| 1
|
22 |
Criticizing the Critics.
Holiday. 39:03:00158b, d-f. Oversize.
|
undated |
| 1
|
23 |
Cunningham Revisited. Dance Magazine. 56:7 -1982 56-9. |
1982 |
| 1
|
24 |
The Discovery of Alternative Theater. Perspectives of New Music. 27:1
(Winter 1989) 128-73.
|
1989 |
| 1
|
25 |
Dissecting the 20th
Century. Dialogue. 10:2 -1977 58-66.
|
1977 |
| 1
|
26 |
The End of
Art. New York. 2:16 (April 21, 1969) 44-45.
|
1969 |
| 1
|
27 |
The
English Literary Scene. Salmagundi. 1:2 -1966 39-55.
|
1966 |
| 1
|
28 |
Essaying the Essay. Book Forum. 1:3 -1975 417-23. |
1975 |
| 1
|
29 |
Examples of My Visual Numerical Art. Leonardo. 10 -1977 3941.
Offprint
|
1977 |
| 1
|
30 |
Excerpts from Texts and Proposals for
Radio. Perspectives of New Music. 23:1 (1984): 44-85. Offprint
|
1984 |
| 1
|
31 |
The Experimental Music of Nicolas Slonimsky. Midstream. 35:8 -1989
37-9.
|
1989 |
| 1
|
31a |
Fictions for a Negro Politics: The
Neglected Novels of W. E. B. Dubois. Xavier University Studies. 7:2 (July 1968). 5-39. Offprint.
|
1968 |
| 1
|
32 |
The Five Careers of Rene Dubos.
Michigan Quarterly Review. 19:2 -1980 194-202.
|
1980 |
| 1
|
33 |
From Conversing with Cage. Chicago Review. 36:2 (Autumn 1988) 37-51. |
1988 |
| 1
|
33a |
From Nightmare to Serendipity: A
Retrospective Look at William Burroughs. Twentieth Century Literature. (Nov. 1965). 123-30.
|
1965 |
| 1
|
34 |
Das ganze Leben mit Kunst durchdringen.
Theater heute. 1 -1980 20-24.
|
1980 |
| 1
|
35 |
Gershom Scholem:
The Mystics' Medium. Present Tense. 4:3 (Spring 1977) 29-33.
|
1977 |
| 1
|
36 |
Glenn Gould as a Radio Composer. Boulevard. 2:1-2 -1987 162-70. |
1987 |
| 1
|
37 |
The Glenn Gould Variations. Esquire.
68:5 -1967 142-5, 165-7. Oversize.
|
1967 |
| 1
|
38 |
The
Graduate School Blues. National Review. 20:10 (March 12, 1968) 237-41.
|
1968 |
| 1
|
39 |
'Hannah Arendt. ' The Modern Seer. Free Inquiry. 3:2
-1983 15-18.
|
1983 |
| 1
|
40 |
Hierarchical Personality.
The Pragmatist: A Utilitarian Approach. 10:5 (April, 1993). 3
|
1993 |
| 1
|
41 |
High Priest of the Electronic Jungle. America Illustrated. 13530-33. In
Russian. Oversize.
|
undated |
| 1
|
42 |
How To Be A Difficult
Poet. America Illustrated. 248 -1977 39-42. In Russian. Oversize.
|
1977 |
| Box |
Folder |
Title |
Date |
| 2
|
43 |
Inferential Art. Columbia Forum. 12: 2 (Summer 1969) 19-26. |
1969 |
| 2
|
44 |
I Saw John Cage at Madison Square
Garden. Liberty. 8:5 (May 1995) 63
|
1995 |
| 2
|
45 |
Interview on
Poetry with Composer Lou Harrison. Reed. 47 -1993 90-4.
|
1993 |
| 2
|
46 |
An Interview with Richard Kostelanetz. New Writers. 3:1 -1975
75-106.
|
1975 |
| 2
|
46a |
It Must be Poetry. AWP Chronicle. "
29:06:00 (May/Summer 1997) 26
|
1997 |
| 2
|
47 |
John Cage
and Richard Kostelanetz: A Conversation about Radio. The Musical Quarterly. 72:2 -1986
216-27.
|
1986 |
| 2
|
48 |
John Cage on Pedagogy. Social
Anarchism. 14 -1989 13-29.
|
1989 |
| 2
|
49 |
Joseph Brodsky:
The Myth of the Privileged Background. Midstream: A Monthly Jewish Review. (Feb. -Mar.
1997) 33-4.
|
1997 |
| 2
|
50 |
Language and Structure.
New York Arts Journal. 1: 2 -1975 13-14.
|
1975 |
| 2
|
50a |
Leslie Fielder. Studies in the Twentieth Century. 13 (Spring 1974) 21-38. Offprint. |
1974 |
| 2
|
51 |
The Literature of SoHo. Shantih. 4:3-4. (1982) 14-15. |
1982 |
| 2
|
52 |
Literary Video. Visible Language. 29:2
-1995 198-203.
|
1995 |
| 2
|
53 |
Literary Video. Pinch
Penny. (1982) 14-15.
|
1982 |
| 2
|
54 |
The Literature Professors'
Literature Professor. Michigan Quarterly Review. 17: 4 -1978 424-42.
|
1978 |
| 2
|
55 |
Major Innovations. Passagesnorth. (Winter 1991) 15-22. ; Removed
from journal
|
1991 |
| 2
|
56 |
Me and AIDS Journalism.
Liberty. 4:2 (May-Jun. 1993) 5-6.
|
1993 |
| 2
|
57 |
The Media
and Urban Riots. The Kithara. 2:3 (Summer 1994) 7
|
1994 |
| 2
|
58 |
Metamorphosis in Modern Dance. Dance Scope. 5:1 -1970 6-21. |
1970 |
| 2
|
58a |
Modern Music Criticism and the Literate Layman.
Perspectives of New Music. 6:1 (Fall-Winter 1967) 119-134. Offprint.
|
1967 |
| 2
|
59 |
My Non-Sync, Two-Person Films (1988). Confrontation. 39-40 -1989
249-55.
|
1988-1989 |
| 2
|
60 |
A Mystic's Music: Arvo
Part's Quiet Revolution. Connoisseur. (April 1990) 66-76.
|
1990 |
| 2
|
61 |
New Sound for a Plugged-in Age. Look. (Jan. 9, 1968) 45. Oversize. |
1968 |
| 2
|
62 |
New York in Fiction. The Columbia
University Forum. 9:3 -1966 44-50.
|
1966 |
| 2
|
63 |
A Note on
John Cage and Homosexuality. Sa. IV:2 -1994 5-7.
|
1994 |
| 2
|
64 |
Notes on America's Game. Northwest Review. XXVI:2 -1988 128-32. |
1988 |
| 2
|
64a |
Notes on the American Short Story Today. Die
amerikanische Short Story. Darmstadt: Wissenshaftliche Buchgesellschaft, 1972. 355-67.
|
1972 |
| 2
|
65 |
Notes on Composing Kaddish,
1983-1990. News of Music. 12 (Spring 1991) 23-28.
|
1983-1991 |
| 2
|
66 |
Nouvelle Poesie Americaine. Art Press International. (Avril 1979)
13-15. Oversize.
|
1979 |
| 2
|
67 |
Il Nuovo Teatro
Americano. Nuova Presenza. 15-16 (1964-65) 20-61.
|
1964-1965 |
| 2
|
68 |
Off-Broadway Talent. Encore. 2:6 -1964 31-41. |
1964 |
| 2
|
69 |
On Irving Howe. Salmagundi. 2:1 -1967 44-60. |
1967 |
| 2
|
70 |
The Persistence of the Avant-Garde: An
Interview with Richard Kostelanetz. Cultural Information Service. (February 1973) 2-7.
|
1973 |
| 2
|
71 |
Poetry in America. Writer's Digest.
(December 1975): [1], 15-21.
|
1975 |
| 2
|
71a |
The Politics of
Unresolved Quests in the Novels of Richard Wright. Xavier University Studies. (Spring 1970)
31-64.
|
1970 |
| 2
|
72 |
Profile of Merce Cunningham. Michigan
Quarterly Review. 14:4 -1975 363-82.
|
1975 |
| 2
|
73 |
The Radical
Gertrude Stein. Midstream. 42:5 -1996 37-38.
|
1996 |
| 2
|
74 |
The
Reinventor of English: Gertrude Stein. Forms of the American Imagination: Beitrage zur neueren
amerikanischen Literatur. [Innsbrucker Beitrage zur Kulturwissenschaft. Sonderheft 44]
Innsbruck: AMOE, 1979. 85-98.
|
1979 |
| 2
|
75 |
The
Republic of Letters by Grant Webster. Re Dact 1 -1984 101-2.
|
1984 |
| 2
|
76 |
Scene and Not Heard. Harper's Bazaar. 3073 -1967 52, 71, 75, 84.
Oversize.
|
1967 |
| 2
|
77 |
Signs of Academia: The Example of Paul
de Man. Another Chicago Magazine. 25 -1993 197-202.
|
1993 |
| 2
|
78 |
Sleight of Hand, Or How an NEA Fellowship to Me was Reduced and
Nearly Killed. Culturefront. 4:2 -1995 51-6.
|
1995 |
| 2
|
79 |
Social Philosophy in America, 1945-1965. Western Humanities Review. 31:3 -1977 193-205. |
1977 |
| 2
|
80 |
The Space of Men. The Urban Review.
2:3 -1967 4, 28. Oversize.
|
1967 |
| 2
|
81 |
Subversion at the
NEH? Chronicles of Culture. 9:1 -1985 4-5.
|
1985 |
| 2
|
82 |
Talking about Writings through Finnegans Wake. TriQuarterly. 54 -1982 208-16. |
1982 |
| 2
|
83 |
Text-Sound Art: A Survey. Performing Arts Journal.
2:2 -1977 61-70.
|
1977 |
| 2
|
84 |
The Theater of Mixed
Means. Cultural Affairs. 2 -1968 28-34.
|
1968 |
| 2
|
85 |
Thoughts on Criticism. Panache. 2 -1968 44-50. |
1968 |
| 2
|
86 |
Thoughts on Innovative Art(ist)s. Northwest Review. XXVIII-3, XXIX-1
(1990-1991) 56-60.
|
1990-1991 |
| 2
|
87 |
The Transcendental
Contemporary: Profile of Alan Hovhaness. Michigan Quarterly Review. 18:3 (Summer 1979)
365-378.
|
1979 |
| 2
|
88 |
Trends in Criticism: North American
Critics Since the Forties. Boston University Journal. 25:2 -1977 59-68.
|
1977 |
| 2
|
89 |
Tributes to Henry Ford. Continuum. 2:2 (1969). N. p. |
1969 |
| 2
|
90 |
The Two Extremes of Avant-Garde Music. America
Illustrated. 13310-13. ; In Russian. Oversize.
|
undated |
| 2
|
91 |
A Wide-Angle View and Close-up Portrait of Edwin Land and his Cameras.
Lithopinion. 9:1 -1974 48-57. Oversize.
|
1974 |
| 2
|
92 |
Words and
Images Artfully Entwined. Art International. 14: 7 -1970 44-56. ; Oversize.
|
1970 |
| 2
|
93 |
Young Writers in North America. The American Pen.
3:4 (Fall 1971) 1-30.
|
1971 |
|
Return to the Top of Page
| Series II: Periodicals with Poems, Reviews, Introductions, or Short Fiction by
Richard Kostelanetz
|
|
Scope and Content:
|
| Box |
Folder |
Title |
Date |
| 3
|
1 |
Abracadabra 3
(1978).
|
1978 |
| 3
|
2 |
The Acts the Shelflife. 2 (Summer 1988). |
1988 |
| 3
|
3 |
Aethlon: The Journal of Sport Literature.
XIII:2 (Spring 1996).
|
1996 |
| 3
|
4 |
After-Image. 1 (1978). |
1978 |
| 3
|
5 |
Alaska Quarterly Review. 2:1,2 (1983). |
1983 |
| 3
|
6 |
The Albany Review. 3:3 (1989). Oversize. |
1989 |
| 3
|
7 |
Alternative Fiction & Poetry. 5,6. |
undated |
| 3
|
8 |
American Book News. (1977). |
1977 |
| 3
|
9 |
American Book Review. 13:02 (Jun. -Jul.
1991).
|
1991 |
| 3
|
10 |
American Book Review. 13:03 (Aug.
-Sept 1991).
|
1991 |
| 3
|
11 |
American Book Review.
14:05 (Dec 1992-Jan. 1993).
|
1992-1993 |
| 3
|
12 |
American
Book Review. 14:06 (Feb. -Mar. 1993).
|
1993 |
| 3
|
13 |
American
Book Review. 18:03 (Mar. -Apr. 1997).
|
1997 |
| 3
|
14 |
American
Letters and Commentary. 7 -1995
|
1995 |
| 3
|
15 |
Anarchy. 32
(Spring 1992).
|
1992 |
| 3
|
16 |
Anarchy. 35 (Winter 1993).
|
1993 |
| 3
|
17 |
Ann Arbor Review. 23 (1976). |
1976 |
| 3
|
18 |
Ann Arbor Review. 27 (1977). |
1977 |
| 3
|
19 |
Another Chicago Magazine. 30 (1995). |
1995 |
| 3
|
20 |
Approches. 3 (1968). |
1968 |
| 3
|
21 |
Art-Rite. 14 (1976/77). |
1976-1977 |
| 3
|
22 |
Artzone. 1:1 (1978). |
1978 |
| 3
|
23 |
Aspect. 72/73 (1977). |
1977 |
| 3
|
24 |
Assembling Magazine: The
Unbearables. 5 (Oct. 1996).
|
1996 |
| 3
|
25 |
Asthetik und
Kommunikation Heft 52
|
undated |
| 3
|
26 |
Asylum. 4:02 |
undated |
| 3
|
27 |
Asylum. 4:04 |
undated |
| 3
|
28 |
Asylum. 6:03, 4 (1991) |
undated |
| 3
|
29 |
Atelier. 4 (1994). |
1994 |
| 3
|
30 |
Atticus Review. 20
(Spring 1991).
|
1991 |
| 3
|
31 |
Atticus Review. 21 (1991).
|
1991 |
| 3
|
32 |
Aura. 4:2 (1978). |
1978 |
| 3
|
32a |
Avalanches 1990-95 (1995). |
1990-1995 |
| 3
|
33 |
Avalon Rising. (Sept 1993). |
1993 |
| 3
|
34 |
BS 19 (1984). |
1984 |
| 3
|
35 |
Bakunin. 3:03
(1992).
|
1992 |
| 3
|
36 |
Bakunin. 5:02 (Winter 1995). |
1995 |
| 3
|
37 |
Ballet Review. 3:2 (1969): 53-56. |
1969 |
| 3
|
38 |
Benzene. (Autumn 1980). |
1980 |
| 3
|
39 |
Blank Gun Silencer. 6 (1993). |
1993 |
| 3
|
40 |
Blank Tape. 2 (1978). |
1978 |
| 3
|
41 |
Blue Light Red Light. 3 (1990). |
1990 |
| 3
|
42 |
Blur: Boston Literary Review. 5 (Spring 1990). Oversize. |
1990 |
| 3
|
43 |
Blur: Boston Literary Review. 9 (Fall 1992). Oversize. |
1992 |
| 3
|
44 |
Book Forum. 6:1 (1982). |
1982 |
| 3
|
45 |
Brilliant Corners. 9 (1978). |
1978 |
| 3
|
46 |
Cabvolt. 5 (Fall 1978). |
1978 |
| 3
|
47 |
The Cafe
Review. 3:9 (1992).
|
1992 |
| 3
|
48 |
Caliban. 2 (1987). |
1987 |
| 3
|
49 |
Camera. 23:4 (1978). |
1978 |
| 3
|
50 |
Central Park. 13 (1988). |
1988 |
| 3
|
51 |
Chaminade Literary Review. 8,9 (1991). |
1991 |
| 3
|
51a |
Chelsea. 26 (May 1969). |
1969 |
| 3
|
52 |
Chicago Review. 26:3 (1974). |
1974 |
| 3
|
53 |
Chicago Review. 28:2 (1976). |
1976 |
| 3
|
54 |
City Lights Review.
4 (1990).
|
1990 |
| 3
|
55 |
Clown War. 3 (1973). |
1973 |
| 3
|
56 |
Clown War. 13 (1977). |
1977 |
| 3
|
57 |
CLWN WR. . 37 (1996). |
1996 |
| 3
|
58 |
Cobweb Review. (August 1991). |
1991 |
| 3
|
59 |
Columbia Forum. 11:03 (Fall 1968) |
1968 |
| 3
|
60 |
Columbia
Forum. 12:03 (Fall 1969)
|
1969 |
| Box |
Folder |
Title |
Date |
| 4
|
61 |
The Commonweal.
77:16:00 (January 11, 1963) 2 copies
|
1963 |
| 4
|
62 |
The
Commonweal. 78:19:00 (August 23, 1963)
|
1963 |
| 4
|
63 |
The
Commonweal. 85:01:00 (October 7, 1966)
|
1966 |
| 4
|
64 |
The
Commonweal. 85:15:00 (January 20, 1967)
|
1967 |
| 4
|
65 |
Compound Eye. |
undated |
| 4
|
66 |
Contact. 4:1 [15] (July
1963).
|
1963 |
| 4
|
67 |
Contemporary Poetry. 4:2 (1981). |
1981 |
| 4
|
68 |
Context South. 2:1 (1991). |
1991 |
| 4
|
69 |
El Coqui. 2 (1978). |
1978 |
| 4
|
70 |
Criss-Cross. 5 (1977). |
1977 |
| 4
|
71 |
Criss-Cross. 11,12 (1981). |
1981 |
| 4
|
72 |
Croton Bug. 2 (Dec.
1992).
|
1992 |
| 4
|
73 |
Cultural Information. (Feb 1973). |
1973 |
| 4
|
74 |
Cumberland Journal. 15 (1981). |
1981 |
| 4
|
75 |
Davinci. 4 (1975). |
1975 |
| 4
|
76 |
Delfin. 5 (1985). |
1985 |
| 4
|
77 |
Deja Vu. (1987). |
1987 |
| 4
|
78 |
Disjointed Fictions. (Winter 1981). |
1981 |
| 4
|
79 |
The Dumb
Ox. 4 (1977).
|
1977 |
| 4
|
80 |
E Magazine. 1:2 (1976). |
1976 |
| 4
|
81 |
Everyman. (Summer 1974). |
1974 |
| 4
|
82 |
Experimental Fiction. 6 (1989). |
1989 |
| 4
|
83 |
Experimentelle text. 41,42 (1995). |
1995 |
| 4
|
84 |
Extensions. 3 (1969). |
1969 |
| 4
|
85 |
Exquisite Corpse. 3:11,12 (1985). |
1985 |
| 4
|
86 |
Exquisite Corpse. 6:5-10 (1988). |
1988 |
| 4
|
87 |
Exquisite Corpse. 7:1-5 (1989). |
1989 |
| 4
|
88 |
Exquisite Corpse. 39 (1992). Oversize. |
1992 |
| 4
|
89 |
Exquisite Corpse. 48 (1994). Oversize. |
1994 |
| 4
|
90 |
Exquisite Corpse. 59 (1996). Oversize. |
1996 |
| 4
|
91 |
The Far Point. 7, 8 (1972-3). |
1972-1973 |
| 4
|
92 |
The Fault. 6 (1974). |
1974 |
| 4
|
93 |
Fiction. 10:2 (1991). |
1991 |
| 4
|
94 |
Fiction International. 15:01
(1981).
|
1981 |
| 4
|
95 |
Fiction International. 19:01 (Fall 1990). |
1990 |
| 4
|
96 |
Fiction International. 19:02 (Spring 1991).
|
1991 |
| 4
|
97 |
The Fiction Review. 1:3 |
undated |
| 4
|
98 |
The Fiction Review. 10 |
undated |
| 4
|
99 |
Fishwrap. 1:01 -1990 |
1990 |
| 4
|
100 |
Fishwrap. 1:02 -1991 |
1991 |
| 4
|
101 |
Flipside. 5:1 (Spring,
1991)
|
1991 |
| 4
|
102 |
Foothill Quarterly. 2:2 (1977). |
1977 |
| 4
|
103 |
Format (Spring 1981). |
1981 |
| 4
|
104 |
Friebord: Zeitschrift fur Literatur und Kunst. 84 (Feb.
1993).
|
1993 |
| 4
|
105 |
Friebord: Zeitschrift fur Literatur und
Kunst. 85 (Mar 1993).
|
1993 |
| 4
|
106 |
Further State(s) of the Art.
1:2 (1992).
|
1992 |
| 4
|
106a |
Gallery Works Eight. (1991). |
1991 |
| 4
|
107 |
Gallimaufry. 7 (Summer 1976). |
1976 |
| 4
|
108 |
Gargoyle. 15,16 (1980). |
1980 |
| 4
|
109 |
Gegenschein Quarterly. 910 (1974). |
1974 |
| 4
|
110 |
Glassworks. 2:2,3 (1977). |
1977 |
| 4
|
111 |
Gnome Baker. 7, 8 (1981). |
1981 |
| 4
|
112 |
The Greensboro Review. 38 (Summer 1985). |
1985 |
| 4
|
113 |
HR. 19:3 (Winter 1995). |
1995 |
| 4
|
114 |
Homeplanet News. 36 (1993). |
1993 |
| 4
|
115 |
Hot Water Review (1981). |
1981 |
| 4
|
116 |
Images. 4:1.
Oversize.
|
undated |
| 4
|
117 |
Images. 7:1 |
undated |
| 4
|
118 |
The Independent. 0:2 (1978). |
1978 |
| 4
|
119 |
Inkstone. Winter/Spring (1983). |
1983 |
| 4
|
120 |
Intent. 3:2,3 (1991). |
1991 |
| 4
|
121 |
Internal Weather. 24 (1976). |
1976 |
| Box |
Folder |
Title |
Date |
| 5
|
122 |
Interstate. 8
(1976).
|
1976 |
| 5
|
123 |
Interstate. 11 (1978). |
1978 |
| 5
|
124 |
Interstate. 12 (1979). |
1979 |
| 5
|
125 |
Interstate. 15 (1982). |
1982 |
| 5
|
126 |
Interstate. 16 (1984). |
1984 |
| 5
|
127 |
Intrepid. 36-38 (1978). |
1978 |
| 5
|
128 |
Invisible City. 26-27 (1980). |
1980 |
| 5
|
129 |
Iron. 68 (Nov. 1992-Feb 1993). |
1992-1993 |
| 5
|
130 |
Le Jardin du Monde. (Summer 1977). |
1977 |
| 5
|
131 |
The Journal of Musicology. (Summer
1996).
|
1996 |
| 5
|
131a |
Journal of Unconventional History. 1:3
(Spring 1990).
|
1990 |
| 5
|
132 |
Kaspahraster. 5 (Jan.
1993).
|
1993 |
| 5
|
133 |
Kaspahraster. 6 (Apr. 1993). |
1993 |
| 5
|
134 |
Kaspahraster. 11(Jul. 1994). |
1994 |
| 5
|
135 |
Kiosk. 9 (1996). |
1996 |
| 5
|
136 |
The Kithara. 2:3 (Summer 1994). |
1994 |
| 5
|
137 |
Konglomerati. 6:2 (1982). |
1982 |
| 5
|
138 |
Koxja. Premier
Issue (1996).
|
1996 |
| 5
|
139 |
Laughing Bear. 1 (1976). |
1976 |
| 5
|
140 |
Laughing Bear. 2,3 (1977). |
1977 |
| 5
|
141 |
Laughing Bear. 6 (1977). |
1977 |
| 5
|
142 |
Left Curve. 18 (1994). |
1994 |
| 5
|
143 |
Left Curve. 20 (1996). |
1996 |
| 5
|
144 |
Legionnaire (1984). |
1984 |
| 5
|
145 |
Liberty. 3:05 (May 1990). |
1990 |
| 5
|
145a |
Liberty. 4:04 (Mar. 1991). |
1991 |
| 5
|
145b |
Liberty. 5:03 (Jan. 1992). |
1992 |
| 5
|
146 |
Liberty. 7:03 (Mar. 1994). |
1994 |
| 5
|
147 |
Liberty.
8:01 (Nov. 1994).
|
1994 |
| 5
|
148 |
Liberty. 10:02 (Nov.
1996).
|
1996 |
| 5
|
149 |
Liberty. 10:03 (Jan. 1997). |
1997 |
| 5
|
150 |
Lightworks. 20,21 (1990). |
1990 |
| 5
|
151 |
Lilliput Review. 52 (Dec. 1993). |
1993 |
| 5
|
152 |
Lilliput Review. 87 (Apr. 1997). |
1997 |
| 5
|
153 |
Lips. 3 (1982). |
1982 |
| 5
|
154 |
Lips. 4 (1982). |
1982 |
| 5
|
155 |
Lips. 5 (1983). |
1983 |
| 5
|
156 |
Lips. 6 (1983). |
1983 |
| 5
|
157 |
Lips. 9 (1985). |
1985 |
| 5
|
158 |
Literary Magazine Review. 15:4 (1996). |
1996 |
| 5
|
159 |
Look Quick. 9:9 (1981). |
1981 |
| 5
|
160 |
Lost & Found Times. 27 |
undated |
| 5
|
161 |
The Louisville Review. 21, 22 (Fall
1986/Spring 1987).
|
1986-1987 |
| 5
|
162 |
Maelstrom
Review. 7:1-2 (1982).
|
1982 |
| 5
|
163 |
Magic Realism. 6 (1992).
|
1992 |
| 5
|
164 |
La Mamelle (Winter 1976). Oversize. |
1976 |
| 5
|
165 |
Margins. 28, 29, 30 (1976). |
1976 |
| 5
|
166 |
The Midwest Quarterly. 37:1 (1995). |
1995 |
| 5
|
167 |
Mississippi Mud. 23 |
undated |
| 5
|
168 |
Mississippi Review. 6:01 (1977). |
1977 |
| 5
|
169 |
Mississippi Review. 9:03 (1981). |
1981 |
| 5
|
170 |
Montana Gothic. 6 (1977). |
1977 |
| 5
|
171 |
Mota. 16 (1978). |
1978 |
| 5
|
172 |
Muse-Pie. 2
(1982).
|
1982 |
| 5
|
173 |
The National Poetry Magazine of the
Lower East Side. 7:01 (1992).
|
1992 |
| 5
|
174 |
The National
Poetry Magazine of the Lower East Side. 8:01 (1993).
|
1993 |
| 5
|
175 |
The National Poetry Magazine of the Lower East Side. 8:02 (1993). |
1993 |
| 5
|
176 |
The National Poetry Magazine of the Lower East Side.
8:03 (1993).
|
1993 |
| 5
|
177 |
The National Poetry
Magazine of the Lower East Side. 9:01 (1994).
|
1994 |
| 5
|
178 |
The National Poetry Magazine of the Lower East Side. 9:02 (1994). |
1994 |
| 5
|
179 |
Neologisms. 2 (Winter 1997). |
1997 |
| 5
|
180 |
Nerve. 2:2,3 (Fall 1995). |
1995 |
| 5
|
181 |
New Art Examiner. 17:3 (1989). |
1989 |
| 5
|
182 |
The New Censorship. 2:11 (1992). |
1992 |
| 5
|
183 |
New York
Arts Journal. 6 (1977).
|
1977 |
| 5
|
183a |
New York Arts Journal.
12 (1978). Oversize.
|
1978 |
| Box |
Folder |
Title |
Date |
| 6
|
184 |
Nimrod. 36:1 (1992). |
1992 |
| 6
|
185 |
Northwest Review. 18:02 (1979). |
1979 |
| 6
|
186 |
Northwest Review. 21:00 2, 3 |
undated |
| 6
|
187 |
Northwest Review. 33:01:00 (1995). |
1995 |
| 6
|
188 |
O. ARS. 1 (1981) |
1981 |
| 6
|
189 |
O. ARS. 2 (1982). |
1982 |
| 6
|
190 |
O. ARS. 9 (1993-1994). |
1993-1994 |
| 6
|
191 |
Object 6 (Jan. 1996). |
1996 |
| 6
|
192 |
Only Paper Today. 4:9 (1977). Oversize. |
1977 |
| 6
|
193 |
The orange police x-ray wedding (winter 95-96). |
undated |
| 6
|
194 |
Ottotole. 3 (Spring 1989). |
1989 |
| 6
|
195 |
Owen
Wister Review. 14:02 (1991).
|
1991 |
| 6
|
196 |
Owen Wister
Review. (Spring 1993).
|
1993 |
| 6
|
197 |
Oyez Review. 6 (1978). |
1978 |
| 6
|
198 |
Oyez Review. 23 (1994). |
1994 |
| 6
|
199 |
PN Review. 7:3 (1980). |
1980 |
| 6
|
200 |
Panache. 2 (1968). |
1968 |
| 6
|
201 |
Panache. 3 (1969). |
1969 |
| 6
|
202 |
Panache. 15 (1970). |
1970 |
| 6
|
203 |
Panache. Special Issue (1971). |
1971 |
| 6
|
204 |
Panache. 15 (1973). |
1973 |
| 6
|
205 |
Paramour. 4:2 (1997). |
1997 |
| 6
|
206 |
Partisan Review. 49:1 (1982). |
1982 |
| 6
|
207 |
Passages North. 12:2 (Winter 1991). |
1991 |
| 6
|
208 |
Pembroke Magazine. 20 (1988). |
1988 |
| 6
|
208a |
Pembroke Magazine. 25 (1993). |
1993 |
| 6
|
209 |
Perspectives of New Music (Spring-Summer 1986). |
1986 |
| 6
|
210 |
Phoebus 2:01 (1984). |
1984 |
| 6
|
211 |
Pikeville Review (1995). |
1995 |
| 6
|
212 |
Poetry Australia. 59 (1976). |
1976 |
| 6
|
213 |
Poetry East. 25 (1988). |
1988 |
| 6
|
214 |
Poets On. 2:01 (1978). |
1978 |
| 6
|
215 |
Poets On. 5:01 (1981). |
1981 |
| 6
|
216 |
Poet's Sanctuary. 5 (Mar. 1994). |
1994 |
| 6
|
217 |
Pop-Cult. 1:3 (Winter 1992). |
1992 |
| 6
|
218 |
Portable Wall. 22 (1993). |
1993 |
| 6
|
219 |
Portable Wall. 23 (1994). |
1994 |
| 6
|
220 |
Portland
Review. 27:1 (1981).
|
1981 |
| 6
|
221 |
Precisely. 1 (1977). |
1977 |
| 6
|
222 |
Primer. 3 (1977). |
1977 |
| 6
|
223 |
The Progressive. 27:12 (Dec. 1963) |
1963 |
| 6
|
224 |
The Progressive. 28:06 (June 1964) |
1964 |
| 6
|
225 |
The Progressive. 29:12 (Dec. 1965) |
1965 |
| 6
|
226 |
The Progressive. 31:02 (Feb. 1967) |
1967 |
| 6
|
227 |
The Progressive. 32:04 (April 1968) |
1968 |
| 6
|
228 |
Puerto del Sol. (1988). |
1988 |
| 6
|
229 |
Pulpsmith. 4:2 (1984). |
1984 |
| 6
|
229a |
Quarterly Review of Literature. 34 (1995). |
1995 |
| 6
|
230 |
Rag Mag. 12:2 (Spring 1995). |
1995 |
| Box |
Folder |
Title |
Date |
| 7
|
231 |
The Redneck Review of Literature. (Spring 1993). |
1993 |
| 7
|
232 |
The Reporter. 34:02 (January 27, 1966). |
1966 |
| 7
|
233 |
The Reporter. 36:08 (April 20, 1967). |
1967 |
| 7
|
234 |
The Reporter. 36:11 (June 1, 1967). |
1967 |
| 7
|
235 |
The Reporter. Rhododendron (Summer 1988). |
1988 |
| 7
|
236 |
The Reporter. River Styx. 6 (1980). |
1980 |
| 7
|
237 |
The
Reporter. Salon: A Journal of Aesthetics. 25 (1997).
|
1997 |
| 7
|
238 |
The Reporter. Scree. 19,20,21 (1981). |
1981 |
| 7
|
239 |
The Reporter. Seneca Review. 11:2 (1981). |
1981 |
| 7
|
240 |
The Reporter. Shearsman. 27 (1996). |
1996 |
| 7
|
241 |
The Reporter. Sipapu. 22:2/44 (Fall 1992). |
1992 |
| 7
|
242 |
The Reporter. Slut Mag. (1991). |
1991 |
| 7
|
243 |
The Reporter. The Small Pond Magazine of Literature. 22:2 (1985). |
1985 |
| 7
|
244 |
The Reporter. Smeltmoney (n. d. ) |
undated |
| 7
|
245 |
The Reporter. South Carolina Review.
26:1 (Fall 1993).
|
1993 |
| 7
|
246 |
The Reporter. Southwest
Review. (Spring 1991).
|
1991 |
| 7
|
247 |
The Reporter. Spindrift.
16 (Seattle: Shoreline Community College) 1978
|
1978 |
| 7
|
247a |
The Reporter. The Spirit That Moves Us Reader. Seventh Anniversary Anthology.
Ed. Morty Sklar. 6:2,3 (1982).
|
1982 |
| 7
|
248 |
The Reporter.
Split City. 2 (Fall 1992).
|
1992 |
| 7
|
249 |
The Reporter. Stations.
3,4 (1976).
|
1976 |
| 7
|
250 |
The Reporter. Story Quarterly. 2,3
(1976).
|
1976 |
| 7
|
251 |
The Reporter. Sun & Moon. 2 (1978). |
1978 |
| 7
|
252 |
The Reporter. TF Press. (Summer 1978).
|
1978 |
| 7
|
252a |
The Reporter. Talus and Scree. 2 (Mar.
1997).
|
1997 |
| 7
|
253 |
The Reporter. Temporary Culture. 6
(1991).
|
1991 |
| 7
|
254 |
The Reporter. Les Temps Modernes. 239
(1966).
|
1966 |
| 7
|
255 |
The Reporter. Thirst. 2 (1981). |
1981 |
| 7
|
256 |
The Reporter. Throw Small Bullets. 2
(Fall 1993).
|
1993 |
| 7
|
257 |
Tight. 2:03 |
undated |
| 7
|
258 |
Tight. 4:03 |
undated |
| 7
|
259 |
Tin Wreath. 27 (1993). |
1993 |
| 7
|
260 |
Toledo Poets Center. 4:2 (1992). |
1992 |
| 7
|
261 |
Total Abandon. 7 |
undated |
| 7
|
262 |
Truly Fine Press. 3
(Summer 1978).
|
1978 |
| 7
|
263 |
Tugboat. 3 (1976). |
1976 |
| 7
|
264 |
Turning Wheel: Journal of Buddhist
Peace Fellowship. (Winter 1994).
|
1994 |
| 7
|
265 |
2 AM
Magazine. 15:1 (1991).
|
1991 |
| 7
|
266 |
Typewriter. 5 (1974) |
1974 |
| 7
|
267 |
Typewriter. 8 (1978) |
1978 |
| 7
|
268 |
Unmuzzled Ox. 14 (1996-97). |
1996-1997 |
| 7
|
268a |
Us: A Paperback Magazine. (June 1969). |
1969 |
| 7
|
269 |
Videation. 1 (1977). |
1977 |
| 7
|
270 |
The Vincent Brothers Review. 14 |
undated |
| 7
|
271 |
Visible Language. 11:02 (1977). |
1977 |
| 7
|
272 |
Visible Language. 30:03 (1996). |
1996 |
| 7
|
273 |
Waluna: The Soho Review. 1 (1976). |
1976 |
| 7
|
274 |
Washington Review. 3:03 (1977). |
1977 |
| 7
|
275 |
Washington Review. 3:06 (1978). |
1978 |
| 7
|
276 |
Washington Review. 18:06 (1993). |
1993 |
| 7
|
277 |
The Westbere Review Vol. 2, no. 3 (1979). |
1979 |
| 7
|
278 |
White Walls. 1 (1978). |
1978 |
| 7
|
279 |
White Walls. 3 (1979). |
1979 |
| 7
|
280 |
Woodrose. 3 (1980). |
1980 |
| 7
|
281 |
World. 8:3 (1974). |
1974 |
| 7
|
282 |
Worm. 3 (May 1992). |
1992 |
| 7
|
283 |
Writers' Forum. 18 (1992). |
1992 |
| 7
|
284 |
X: a journal of the arts. 1 (Summer 1977). |
1977 |
| 7
|
285 |
X: a journal of the arts. 4 (Summer
1978).
|
1978 |
| 7
|
286 |
Xenophilia. 5 (1992). |
1992 |
| 7
|
287 |
Xib. 4 (Dec. 1992). |
1992 |
| 7
|
288 |
Yefief. 1 (Spring 1994). |
1994 |
| 7
|
289 |
Zahir. 2:3 (1977). |
1977 |
|
Return to the Top of Page
| Series III: Reviews of Works By Richard Kostelanetz
|
|
Scope and Content:
|
| Box |
Folder |
Title |
Date |
| 8
|
1 |
Contact. 4:3 (Jan. /Feb. 1964). |
1964 |
| 8
|
2 |
Midstream. 3 (1963). |
1963 |
| 8
|
3 |
Saturday Review. (Jan. 22, 1972). |
1972 |
| 8
|
4 |
The
University Bookman. 15:4 (1975).
|
1975 |
|
Return to the Top of Page
| Series IV: Articles and Books About Richard Kostelanetz
|
| Box |
Folder |
Title |
Date |
| 8
|
1 |
American Poetry and Poets of Four
Centuries Olomuoc: 1976
|
1976 |
| 8
|
2 |
Delo 21:03 (1975). |
1975 |
| 8
|
3 |
Ecci Kosti: Published Ecomia, 1967-1995.
New York: Archae, 1996
|
1967-1996 |
| 8
|
3a |
Meat Epoch. 21
(Sept. 1997).
|
1997 |
| Box |
Folder |
Title |
Date |
| 4
|
4 |
Moral Myopia: 'The New
York Review' and the New York Intellectuals. The Washington Monthly. 5:9 -1973 15-29.
|
1973 |
|
Return to the Top of Page
| Series VI: Radio Program Listings
|
|
Scope and Content:
|
| Box |
Folder |
Title |
Date |
| 8
|
1 |
Horspiele im westdeutschen Rundfunk. 1 (Halbjahr 1981). |
1981 |
| 8
|
2 |
Horspiele im westdeutschen Rundfunk. 2 (Halbjahr 1982). |
1982 |
| 8
|
3 |
Horspiele im westdeutschen Rundfunk. 1 (Halbjahr
1983).
|
1983 |
| 8
|
4 |
Horspiele im westdeutschen Rundfunk. 1
(Halbjahr 1984).
|
1984 |
| 8
|
5 |
Horspiele im westdeutschen
Rundfunk. 2 (Halbjahr 1984).
|
1984 |
| 8
|
6 |
Horspiele im
westdeutschen Rundfunk. 2 (Halbjahr 1992).
|
1992 |
| 8
|
7 |
In
Our Time. (Jan 1981).
|
1981 |
| 8
|
8 |
Pro Musica Nova (Radio
Bremen) 13-Apr Mai 1984
|
1984 |
| 8
|
9 |
WBAI. 8:4,5
(April-May 1967)
|
1967 |
| 8
|
10 |
WBAI FOLIO. 8:05 |
undated |
|
Return to the Top of Page
| Series VII: Audio recordings
|
|
Scope and Content:
Research copies may not be available for these materials yet. Please check with the Fales archivist.
|
| Box |
Folder |
Title |
Date |
| 8
|
1 |
The Aerial: A
Journal in Sound 1 (Winter 1990).
|
1990 |
| 8
|
2 |
Experimental
Prose. 1 audiocassette. [supplement to Sixth Assembling]
|
undated |
| 8
|
3 |
The Gospels Abridged. 1 compact disk. (1990). |
1990 |
| 8
|
4 |
Invocations. 1 audiocassettes. (Smithsonian: Folkways,
1992).
|
1992 |
| 8
|
5 |
The John Cage Tribute 2 Compact Disc Set
(1993).
|
1993 |
| 8
|
6 |
The Persistence of Hearing 1 audiocassette.
|
undated |
| 8
|
7 |
Little Magazine, 21. CD Rom. |
undated |
| 8
|
8 |
Oracular Editions. 1 |
undated |
| 8
|
9 |
Tellus: The Audiocassette Magazine. 7 (1983). |
1983 |
|
Return to the Top of Page
| Series VIII:
Announcements Of Readings, Exhibitions, etc.
|
|
Scope and Content:
|
| Box |
Folder |
Title |
Date |
| 8
|
1 |
Anthology Film Archives |
undated |
| 8
|
2 |
Arts
History: Works
|
undated |
| 8
|
3 |
Arttrax (1994). |
1994 |
| 8
|
4 |
Audio Art (March 18, 1977) |
1977 |
| 8
|
5 |
Book Art (April 9-23, 1978). |
1978 |
| 8
|
6 |
Disintegration -1968 |
1968 |
| 8
|
7 |
Echo (March
1969)
|
1969 |
| 8
|
8 |
Exposicao de Arte Postal sobre Teatro XI.
Mar. 27-Apr. 30, 1996
|
1996 |
| 8
|
9 |
Extra Biennale de Venise
(1978). Oversize.
|
1978 |
| 8
|
10 |
Long Island University
Brooklyn Center
|
undated |
| 8
|
10a |
Networking Artists &
Poets: Assemblings from the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry.
U of Penn. (17 Apr. -27 Jun. 1997).
|
1997 |
| 8
|
11 |
New Voices
- New York (1983).
|
1983 |
| 8
|
12 |
New York Studio School
of Drawing, Painting and Sculpture
|
undated |
| 8
|
13 |
The 6th
Annual New York Book Fair NYU, April 4-6, n. d.
|
undated |
| 8
|
14 |
Stop, Look, and Listen (n. d. ) |
undated |
| 8
|
15 |
Twenty-Five Years of the Experimental Televison Center (1996). |
1996 |
| 8
|
16 |
Visual Poetry 1970-1995 |
1970-1995 |
| 8
|
17 |
Whitney Museum of American Art: New American Film and Video
Series April 1-29, 1990
|
1990 |
| 8
|
18 |
Wordsand: An Exhibition
of Art with Words, Numbers and Lines in Several Media
|
undated |
| 8
|
19 |
Works with Words Jun. 7-14, 1977 |
1977 |
| 8
|
20 |
Writer's Alive: A Confrontation of Literary Celebrity Nov. 291,967. 00 |
undated |
|
Return to the Top of Page
| Series IX: Miscellaneous
|
|
Scope and Content:
|
| Box |
Folder |
Title |
Date |
| 8
|
1 |
Assembling
Press Catalogue
|
undated |
| 8
|
2 |
BOA Editions Limited: New
Title. Fall 1993
|
1993 |
| 8
|
3 |
BOA Editions Limited: New
Title. Spring 1994
|
1994 |
| 8
|
4 |
Resume -1995 Oversize. |
1995 |
| 8
|
5 |
Computer Disks: Lingua Blanca #25; Plain
Brown Wrapper #21 & #24;#21 and #24; #20; #17 & #18; #31 & #32; #22 & #28; #23 & #29;
#25 & #33; #27 and #36; #30 & #34
|
undated |
| 8
|
6 |
Program for
Taller de histriones: Teatro De La U. P. R. April 23-24.
|
undated |
| 8
|
7 |
Wordplay. May 22-Jun 1 |
undated |
|
Return to the Top of Page
| Series X: Videotapes
|
|
Scope and Content:
Research copies may not be available for these materials yet. Please check with the Fales archivist.
|
| Box |
Folder |
Title |
Date |
| 9
|
1 |
A Berlin Lost (1984). |
1984 |
| 9
|
2 |
Berlin Perdu (1986). |
1986 |
| 9
|
3 |
Epiphanies (1980). |
1980 |
| 9
|
4 |
Epiphanies (1981). |
1981 |
| 9
|
5 |
Kaddish (1991). |
1991 |
| 9
|
6 |
Onomatopoeia (1990). |
1990 |
| 9
|
7 |
Openings and Closings (1975). |
1975 |
| 9
|
8 |
Partitions (1986). |
1986 |
| 9
|
9 |
Poetry to See and Poetry to
Hear (1973).
|
1973 |
| 9
|
10 |
Relationships (1988). |
1988 |
| 9
|
11 |
Stringtwo (1989). |
1989 |
| 9
|
12 |
Ein Verlorenes Berlin (1983). |
1983 |
| 9
|
13 |
Video Strings (1989). |
1989 |
| 9
|
14 |
Video Writing (1987). |
1987 |
|
Return to the Top of Page
| Series XI: Prints
|
|
Scope and Content:
|
| Box |
Folder |
Title |
Date |
| 9
|
1 |
Three Visuals |
undated |
| 9
|
2 |
Black/White |
undated |
| 9
|
3 |
Kill, Slay. . |
undated |
| 9
|
4 |
Walk the Earth |
undated |
| 9
|
5 |
Disintegration |
undated |
| 9
|
6 |
Me |
undated |
| 9
|
7 |
Echo |
undated |
| 9
|
8 |
Truth |
undated |
| 9
|
9 |
Numbers One |
undated |
| 9
|
10 |
1024 |
undated |
| 9
|
11 |
Indivisible |
undated |
| 9
|
12 |
Increments |
undated |
| 9
|
13 |
Two Intervals-I |
undated |
| 9
|
14 |
Two
Intervals-II
|
undated |
| 9
|
15 |
Parallel Intervals |
undated |
|
Return to the Top of Page
