Print Guide tothe Pirie MacDonald Portrait Photograph Collection
[1885]-1942
(Bulk 1900-1942)
PR-039
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Descriptive Summary
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Creator: |
MacDonald, Pirie, 1867-1942 |
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Title: |
Pirie MacDonald Portrait Photograph Collection
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Dates: |
[1885]-1942(Bulk 1900-1942) |
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Abstract: |
The collection consists of 500 portraits of men made in New York Citybetween 1900 and 1942. Dramatic lighting characterizes
MacDonald's soft focushead-and-shoulder portraits, which are contact prints from glass negatives.
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Quantity: |
29 linear feet, 25 boxes |
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Call Phrase: |
PR-039 |
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Biographical Note
Ian PirieMacDonald was born in Chicago on January 27, 1867, nine days after his mother arrived in thiscountry from Scotland.
The eldest of four children, he left his formal schooling at the age of 11and took on a series of jobs to help support the
family. In 1883 he began an apprenticeship withportrait photographer Frank Forshew (1827-1895) in Hudson, New York. By 1890,
MacDonaldhad opened his own portrait studio in Albany, New York, a larger and more prosperous citynorth of Hudson that offered
greater opportunity for business. After a decade of success there,he had earned both a substantial reputation and a healthy
bank account, conditions that allowedhim to be able to specialize. MacDonald chose to henceforth photograph only men, a decisionthat
he upheld for the rest of his career and included a moratorium on photographing the femalemembers of his own family. This
change in focus also inspired him to move to New York Citywhere he would have a patron pool sizeable enough to support his
specialty. In a 1942interview, MacDonald described his choice as "temperamentally fitted." His stamp on eachportrait he
made from 1900 on read: Pirie MacDonald. Photographer of Men, New York.
During his Albany years, MacDonald's work was shown in exhibitions in New York, theMidwest, and Paris, including regular appearances
in the annual exhibitions of thePhotographers Association of America, of which he was a member. By the end of his life, hehad
participated in more than forty exhibitions and salons in cities around the United States andin Canada, India, England, Ireland,
Belgium, Holland, Germany and France. He was representedin exhibitions at the Louisiana Purchase Exposition (1904) and the
Century of ProgressExposition (1933), and served as a juror for six American and international exhibitions between1906 and
1938. The verso of the mount board of his photographs listed thirty-three medals andawards won for his work.
A long-time member of the Professional PhotographersSociety of New York and the Camera Club of New York, MacDonald was also
a fellow of theRoyal Photographic Society of Great Britain. He was active in a number of non-photographicorganizations as
well, including the Rotary Club of New York, the Boy Scouts of America, andthe Adirondack Mountain Club, serving as an officer
in each. In addition, he was the author andpublisher of a drill manual for the Boy Scouts.
Pirie MacDonald suffered a cerebralhemorrhage at his country home, White Oak Shade, in New Canaan, Connecticut, while on anouting
there with his grandson; he died four days after, on April 22, 1942, in a New Yorkhospital. His death occasioned a full-column
obituary in The New York Times accompanied bya self-portrait he made in 1940 (see Box 10, folder 246). In addition to his
grandson,MacDonald was survived by his wife Emelie Van Dusen, a native of Hudson, whom he marriedin 1890, and a daughter and
son-in-law, Patricia and Everett Tutchings.
PirieMacDonald was highly regarded by his peers, as several articles on him in professional journalsattest. A quote from
a posthumous tribute by J. Dudley Johnston published in the PhotographicJournal provides a summary of professional opinion:
"He was a true artist, a marveloustechnician, and a student of humanity, with a penetrating insight into human nature andcharacter."
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Scope and Content Note
The Pirie MacDonald Portrait Photograph Collection spans the period from ca. 1885 to 1942 andcontains material primarily relating
to MacDonald's photographic career in New York. Thereare no personal or family papers, and no business records beyond a set
of studio patron cards thathold limited financial information. The collection is divided into two series: PortraitPhotographs
(1900-1942); and Documentary Material (ca. 1885-1942). The bulk of thecollection, nearly five hundred portrait photographs,
was given to The New-York HistoricalSociety on January 27, 1943, the 75th anniversary of MacDonald's birth, by his widow,
daughterand son-in-law. The family made additional gifts of material during 1943 and again in 1946 and1951. In accordance
with his wishes as outlined in his will, all of MacDonald's negatives weredestroyed within a year of his death.
Series I. Portrait Photographs consists of 494portraits of prominent men created during MacDonald's four decades of work in
New York City. The earliest image in the collection, of banker Spencer Trask, was made on November 26, 1900,and the last,
of industrialist George Newcombe, was taken on April 18, 1942, just four daysbefore MacDonald's sudden death. Each of the
photographs is stamped along the lower edge ofthe image: PIRIE MACDONALD/PHOTOGRAPHER OF MEN/NEW YORK, with either blackor
white pigment applied to the raised letters.
The photographs are contact prints. They are in two formats and each is mounted on four-ply board from MacDonald's studio;
theverso of each board is printed with a list of his exhibitions and awards. The smaller of the twosizes are 9 by 6 inch
prints that are affixed to 15-1/2 x 11 inch boards; the larger are 13 by 10inch prints on 20 by 15-1/2 inch boards. On the
verso of each photograph's mount is a labeldescribing the sitter and his life dates and occupation, with the date of the photograph
and asequential number. The paper labels and photograph numbers were applied just after thecollection came to the Historical
Society, at which time an exhibition was mounted and a smallbooklet was published, List of 500 Portraits of Men Made In New
York City 1900-1942 By PirieMacDonald Photographer-of-Men in the Collections of The New-York Historical Society (NewYork:
1943) That sequential numbering system has been preserved in this finding aid as theprint's folder number.
While the MacDonald studio patron cards reveal a wider patronpool, the photographs chosen for The New-York Historical Society's
MacDonald archive arepredominantly well-known men in the arts, business and industry, education, government, andreligion,
a virtual "who's who" of important figures spanning the first half of the twentiethcentury. Portraits of government officials
were made at various times in their careers, and rangefrom presidents (Theodore Roosevelt and Woodrow Wilson) and governors
(Charles Hughes,Nathan Miller, Gifford Pinchot, Charles Whitman) to sitting New York City policecommissioner Arthur Woods
(1917) and mayor George McClellan (1905). University presidentsand faculty members from Yale, Harvard, Columbia, Princeton,
New York University, Vassarand other schools are represented in the collection. Prominent figures in religion includeWilliam
Ralph Inge, the dean of St. Paul's Cathedral in London, among a sizable selection ofarchbishops, bishops, canons, priests,
and rabbis. The automobile industries are represented byportraits of founders Chrysler, Firestone, Ford, and Sloan; merchant
families represented includeField, Hoving, Pirie, Stern, Straus and Wanamaker. Equal numbers of bankers, diplomats,jurists,
lawyers, and railroad men, appear, as well as a smattering of aviators, explorers,chemical and civil engineers, metallurgists,
and surgeons. But perhaps the largest sector ofsitters is made up of men prominent in the humanities: actors, architects,
authors, composers,critics, designers, editors, engravers, illustrators, musicians, painters, playwrights, poets,printmakers
and sculptors -- American, English, Irish and otherwise. This choice perhapsreflects MacDonald's personal interests; though
his formal education ended early, he was an avidreader and traveler and had, since boyhood, developed a special love for the
theatre. The lonephotographic luminary is Antoine Lumiére (1846-1911), a pioneer in the development of colorphotography,
whom MacDonald captured in 1907 (at no charge to his sitter, according toLumiere's patron card).
Most of MacDonald's portraits are fairly straightforward headand shoulder shots, ranging from the traditional three-quarter
pose that he used with MorganJoseph O'Brien (1907) to the tighter, more modern close-up portrait of Sean O'Casey (1934). Although
artistic in nature, the photographs generally contain no studio props, furniture,accouterments or backdrops. Occasionally
MacDonald and the sitter would insert anoccupational clue in an image: wood engraver Timothy Cole (1915) holds a pencil in
his portraitand violinist Michael Posner (1919) holds a violin in his; author Owen Wister (1915) is seated ata table with
an open book; illustrator Percy Crosby (1935) sits at a drawing table. For thosewithout props, presentation varies widely
and though several portraits do reflect something ofthe sitter's stature, some others belie their patrons: for instance, the
classic, confident andentirely appropriate "captain of industry" poses are used for railroad builder John McDonald(1903),
merchant John Wanamaker (1909), and financier Felix Warburg (1913), while muralpainter Ezra Winter (1938) appears very much
a business-suited businessman in his photograph,and a painterly portrait of Thomas Collier Platt (1903) barely suggests a
career in politics.
MacDonald's image presentation varies as well and defies classification by period, schoolor trend. He created a grainy, atmospheric
portrait of Booth Tarkington (1919) and a sharplyfocused portrait of John Taylor Pirie (1905), managed both a fine and soft
focus in his portrait ofWalter Eaton (1931), and portrayed Norman bel Geddes (1930) in profile yet with his facecompletely
out of focus. Perhaps MacDonald's greatest genius was in his use of lighting tocreate a certain glisten and gleam that made
his portraits so notably rich. He captured clothingfabrics perfectly -- the tweed and satin on Colgate Hoyt (1901) and Marshall
Field, Sr. (1903),the fine lines woven in Vernon Davis's robes (1908), for instance -- and found other tinyhighlights that
further defined and distinguished his work, such as the diplomatic cross onMaurice Egan (1921) and the wires of John Flanagan's
eyeglasses (1933). MacDonald producedstylish work as well: he employed Troy Kinney's hat brim (1931) as a prominent design
feature,and used Noel Coward's own shadow (1928) to make a double portrait of the writer.
The treatment of several of the portraits in the collection, primarily of those of artists, is alsonotable. MacDonald simulated
a linen-textured paper finish by printing the negatives of paintersHoward Giles (1914), Leonard Ochtman (1913), Will Low (1913),
Henry Poore (1914), andGeorge Torrye (1915) through a woven screen, while some others were exposed through whatappears to
have been a knit screen.
Only one photograph in the collection was signedby the sitter: Van Wyck Brooks's signature and the date, 1926, appear on the
mount below hisportrait.
Technical notes on MacDonald's practices can be found in various articleswritten on the photographer by his peers and coworkers,
most notably "Pirie MacDonald As IKnew Him" by Louis Garcia (in The National Photographer, June 1951). Garcia worked as aprinter
in the MacDonald studio. His article includes details of the studio operation, from typesand brands of lenses and studio
lights to the temperature of developing chemicals used, all ofwhich helped MacDonald to achieve his uniquely warm portraits
with their beautiful toneseparation and glistening highlights. Writings on MacDonald can be found in The New-YorkHistorical
Society Print Room clipping files, along with other biographical material on thephotographer.
Basic biographical information on the sitters was gleaned from thecollection catalogue created by The New-York Historical
Society in 1943, as well as from thelabels on the verso of each portrait. It was updated, simplified or condensed when possible
forthis finding aid; for instance, a man who served both as a senator and governor is now listed as apolitician. Life span
dates were added, when possible, for those patrons who died after 1942.
Series II. Documentary Material (ca. 1885-1942) is arranged in two subseries:Ephemera (ca. 1885-1942) and Card Files (1900-1942).
The first subseries is agrouping of paper documents and copy photographs from MacDonald's studios in Albany andNew York.
It includes announcement and exhibit signs formerly hung in the New York studio(probably in a show window), such as one that
accompanied a display of portraits of NoelCoward and Alfred Lunt during the Broadway run of "Design for Living" in 1933.
A pair ofsigns advertises that the MacDonald studio would remain open for a limited time after the deathof the proprietor,
after which all negatives were to be destroyed. There is a small selection ofletterhead, envelopes, stickers, seals and various
forms used in the New York studio, as well asseveral pieces of original calligraphy and graphic designs for MacDonald's Albany
operation. The latter includes drawings by Albany artist Charles Selkirk (1855-1923) for corporateidentifications; Selkirk
created the Japonisme-inspired logogram used by MacDonald forstickers, and may have also designed his stylish and distinctive
letterhead (Box 22, folder 500). A undated mission statement, calligraphed with a decorated first initial, titled "The Note
ofDistinction," sets out MacDonald's intentions for his New York patrons; the fact that it ismounted on artists' board much
like a mechanical suggests that it may have been reproduced foradvertising purposes. A single battered printed card exists
to record both a portrait sketch ofPirie MacDonald by Waltman (possibly Harry Franklin Waltmann (1871-1951) and a personalcredo
which MacDonald inscribed below his image: "yes: its better to have Ideals, fight for them-- and lose -- than to be a Neuter!"
A miscellaneous ephemera folder holds two promotional printpieces directed at women and another offering framing services.
Elevencommercial-quality copy prints made by the MacDonald firm are included in the Ephemerasubseries. They were created
for half-tone reproduction purposes and are stamped withMacDonald's credit line. An interesting single-sheet photographic
print holds six miniatureportraits of unidentified Albany residents presumably made prior to MacDonald's arrival in NewYork
City.
The second subseries, Card Files, consists of six sets of 3 x 5 index cardsarranged in three sections: Studio Patron Cards
and Miscellaneous Cards, and Negative Index Cards. The first set, StudioPatron Cards, is approximately 2,800 printed forms
that record information on MacDonald'ssitters and the photography work produced for each. The cards are filed alphabetically
bypatron, and list: MacDonald's negative number; patron's name; date of sitting, patron's address;order information (date
of orders, what was ordered, dates the order was finished and delivered)and financial information (charges, paid and unpaid).
Except for patron and negativenumber, not all categories are filled in on each card, although nearly all the cards do include
thepatron's address, the date and some order information. The first two digits in MacDonald'snegative number (which are generally
four or five digits) reflect the year in which thephotographs were taken and so can provide an approximate date of an image
if no other date isgiven on the card. Occasionally there is also a clue to a patron's occupation (for instance, theaddress
includes a title and corporation or firm). Several of MacDonald's sitters were not fromthe New York metropolitan area or
the United States, so their cards will often include a localclub or hotel of temporary residence as an address.
The order information is written inan in-house code that describes the quantity, process and format of work produced. Most
of theorders were for "WB 69" or "WB 1013" prints, indicating that they are 9 by 6 inch or 13 by 10inch warm black contact
printed portraits. A very few cards specify carbon and bromide printsbut the sizes are always the same format. Many of the
cards carry a note of "India" whichindicates that MacDonald chose Indiatone, a high silver-content and expensive portrait
papermade by the ANSCO Company. A letter of the alphabet (A through M, presumably referring toa specific pose) usually follows
that notation, as well as notes for finishing the print such as "fixhair," "fix shadow of glasses," or "remove scar." In
addition, framing specifications aresometimes included; "Whistler" and "Chamberlain" are two favorites mentioned. Anotherfrequent
notation on the cards is "Institute" indicating that a portrait was sent to the NationalInstitute of Arts and Letters (now
the American Academy and Institute of Arts and Letters).
The studio patron cards include records on the nearly five hundred photographs in TheNew-York Historical Society's Pirie MacDonald
Portrait Photograph Collection, a speciallyselected group of men prominent in the arts, business, government, and religion.
The remainderof the cards reveal the geographical breadth of MacDonald's patrons, and show that he had anational audience
of sitters that included men who traveled to his New York studio from smallercities around the northeast (from Washington
and Baltimore to Buffalo and Syracuse, andthroughout New England) as well as the Midwest (several industrialists from Chicago,
Detroitand St. Louis, and businessman from Ohio, Nebraska and Minnesota), Texas, California andHawaii. Typical of these executives
might be John Omwake, the president of the U.S. PlayingCard Company in Cincinnati, who had a sitting in early December 1922.
He ordered nine prints(three each of poses "B" "C" and "D") at a cost of $173, which were expressed to him in January1923.
Undoubtedly there were good portrait photographers in Cincinnati, but Mr. Omwakechose MacDonald's studio and his multiple
orders reflect that he was pleased with the results.
Two sets of index cards make up the second subseries Miscellaneous Cards, and theirpurposes are not clear. The first A through
Z set of cards appear to be a set made of patronsincluded in the Historical Society's collection. The cards are white, blue
and orange, and haveonly the sitter's name and occupation (i.e. Adams, Herbert, sculptor), and one or two uniquenumbers.
One is MacDonald's negative number and the second is hyphenated (i.e. 20-5). Thatnumber's purpose is a mystery, but was perhaps
a location code possibly for the gallery ofportraits MacDonald maintained on his studio walls (see Box 10, folder 249 to see
one of thewalls as a backdrop to his self-portrait). A second and smaller set of cards, also arranged Athrough Z, are similar
to the others. In both of these sets, the orange cards are recycled studiopatron cards from the 1940s whose backsides have
been used for the current purpose. Thesepatrons do not appear in the previously described set of studio patron cards, so
researcherslooking to document Pirie MacDonald patrons not in the aforementioned set might want tocheck the verso of all orange
cards in the miscellaneous card sets as well.
The Negative Index Cards are filed in three sets as the MacDonald studio kept them. The first set covers negatives dated from
1901 through 1929 but is not complete for those dates. The second set convers negatives dated from 1909 through 1914, and
the third covers 1914 through 1942. Within the sets, the cards are alphabetically arranged by sitter. In each set, the cards
give only negative numbers, patron names, and patron addresses.
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Arrangement
Series I: Theportraits are arranged in two sets determined by their format: boxes 1 through 17 hold the 9 by 6inch portraits,
and boxes 18 through 21 hold the larger portraits. Several of MacDonald'spatrons were photographed more than once so it is
possible that portraits exist in both formats. As an example, Walter Damrosch sat for MacDonald in 1919 and 1936. The earlier
portraitexists only in the 9 by 6 inch size, but there are copies of the 1936 portrait in both formats. Across-reference
in Damrosch's entry leads the researcher also to folder 443 in box 19 where thelarger portrait is housed.
Prints also exist for variant poses of several of the men. Insuch cases, a brief description of the portrait is given in
brackets to distinguish, for example inthe case of Harrison Fisher, a three-quarter pose from a profile pose. Six different
portraits ofPirie MacDonald are in the collection, and each has been briefly described in the folder list todifferentiate
one from another.
Series II. Documentary Material (ca. 1885-1942) isarranged in two subseries: Ephemera (ca. 1885-1942) and Card Files (1900-1942).
The collection is organized into thefollowing two series:
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Restrictions
Access Restrictions
Open to qualified researchers.
Photocopying undertaken by staff only. Limited to 30 photocopiesper day per person. Suitability of the original for photocopying
is at the discretion of the staff. Neither blueprints nor tracings can be copied under any circumstances. Duplication oflarge-format
items will be done by the house photographer. See Print Room guidelines fordetails.
Use Restrictions
Permissionto reproduce any Print Room holdings through publication must be obtained from
Rights and Reproductions
The New-York Historical Society
Two West 77th Street
New York, NY 10024
Phone: (212) 873-3400 ext. 282
Fax: (212) 579-8794
The copyright law of the United States governs themaking of photocopies and protects unpublished materials as well as published
materials.Unpublished materials created before January 1, 1978 cannot be quoted in publication withoutpermission of the copyright
holder.
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Access Points
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Subject Names: |
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Adler, Felix, 1851-1933. |
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Amundsen, Roald, 1872-1928--Portraits. |
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Anderson, Sherwood,1876-1941--Portraits. |
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Arents, George, 1875-1960--Portraits. |
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Benet, Stephen Vincent, 1898-1943--Portraits. |
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Bloom, Sol, 1870-1949--Portraits. |
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Burroughs, John,1837-1921--Portraits. |
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Coward, Noel, 1899-1973--Portraits. |
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Doyle, Arthur Conan, Sir, 1859-1930--Portraits. |
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Dreiser, Theodore, 1871-1945--Portraits. |
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Ford, Henry, 1863-1947--Portraits. |
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Gibson,Charles Dana, 1867-1944--Portraits. |
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Goudy, Frederic W. (FredericWilliam), 1865-1947--Portraits. |
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Hassam, Childe, 1859-1935--Portraits. |
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Lumiere, Antoine, 1842-1911--Portraits. |
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Masters, Edgar Lee,1868-1950--Portraits. |
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Nast, Thomas, 1840-1902--Portraits. |
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Pennell, Joseph, 1857-1926--Portraits. |
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Roosevelt, Theodore, 1858-1919--Portraits. |
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Wise, Stephen Samuel,1874-1949--Portraits. |
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Subject Topics: |
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Portrait photography–United States |
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Document Types: |
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Photographic prints |
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Portraits |
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Self-portraits |
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Administrative Information
Provenance
Gift of Mrs. Pirie MacDonaldand Mr. & Mrs. Everett Tutchlings, January 29, 1947 (photographs), and Mrs. Everett (PatriciaMacDonald)
Tutchlings, March 1, 1951 (patron studio cards).
Preferred Citation
This collection should be cited as Pirie MacDonald Portrait PhotographCollection, PR-039, Department of Prints, Photographs,
and Architectural Collections.
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Container List
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Series I. Portrait Photographs
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The series isarranged in two sets: folders numbered 1 through 410 hold mounted portraits in a 9 by 6 inchformat; folders 420
through 494 hold mounted portraits in a 13 by 10 inch format. Within eachset, the photographs are arranged in alphabetical
order by sitter.
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| Box |
Folder |
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Title |
Date |
| 1 |
1 |
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Adams, Herbert(1858-1945), sculptor |
1917 |
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| 1 |
2 |
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Adams, James Truslow(1878-1949), historian |
1938 |
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| 1 |
3 |
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Adams, Wayman(1883-1959), portrait painter |
1931 |
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| 1 |
4 |
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Alexander, JohnWhite (1856-1915), painter |
1915 |
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| 1 |
5 |
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Anderson,Sherwood (1876-1941), author |
1937 |
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| 1 |
6 |
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Andrews, CharlesMcLean (1836-1943), historian, educator |
1937 |
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| 1 |
7 |
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Arents, George (1875-1960), corporation official, bibliophile |
1932 |
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| 1 |
8 |
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Astor, Vincent (1891-1959), real estate owner, military officer |
1922 |
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| 1 |
9 |
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Bacheller, Addison Irving (1859-1950),author, publisher |
1926 |
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| 1 |
10 |
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Bacon, Henry(1866-1924), architect |
1922 |
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| 1 |
11 |
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Baden-Powell, RobertStephenson Smyth (1857-1941), military officer |
1919 |
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| 1 |
12 |
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Bainbridge, William Seaman (1870-1947), surgeon; military officer |
1934 |
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| 1 |
13 |
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Bairnsfather, Captain Bruce (1888-1959), illustrator |
1918 |
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| 1 |
14 |
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Baker, George Pierce (1866-1935),educator |
1926 |
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| 1 |
15 |
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Baker, Ray Stannard ["David Grayson"](1870-1940), author |
1937 |
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| 1 |
16 |
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Ballin, Hugo (1879-1956),painter |
1931 |
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| 1 |
17 |
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Barber, Samuel (1910-1981), composer |
1940 |
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| 1 |
18 |
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Barry, Philip (1896-1949), playwright |
1922 |
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| 1 |
19 |
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Bartlett, Paul Wayland (1865-1925),sculptor |
1915 |
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| 1 |
20 |
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Barton, Bruce (1886-1967), advertisingexecutive, author, politician |
1924 |
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| 1 |
21 |
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Baruch, BernardMannes (1870-1965), economist, financier, statesman |
1926 |
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| 1 |
22 |
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Battle, George Gordon (1868-1949), lawyer |
1909 |
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| 1 |
23 |
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Beach, Chester (1881-1956), sculptor |
1931 |
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| 1 |
24 |
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Beard, Daniel Carter (1850-1941), artist, author, editor |
1920 |
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| 1 |
25 |
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Beckwith, Edmund Ruffin (1890-1949), lawyer |
1939 |
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| 2 |
26 |
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Bedaux, Charles E. (1886-1944),industrial engineer |
1932 |
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| 2 |
27 |
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Bedford, Edward Thomas(1849-1931), businessman |
1909 |
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| 2 |
28 |
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Bedford, FrederickThomas (1877-1963), businessman |
1932 |
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| 2 |
29 |
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Beers,Clifford Whittingham (1876-1943), founder of the Mental Hygiene movement |
1932 |
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| 2 |
30 |
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Beith, John Hay ["Ian Hay"] (1876-1952), novelist,playwright, military officer |
1916 |
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| 2 |
31 |
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Benedict, EliasCornelius (1834-1920), banker |
1903 |
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| 2 |
32 |
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Benet, StephenVincent (1898-1943), poet, author |
1935 |
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| 2 |
33 |
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Benet,William Rose (1886-1950), author |
1934 |
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| 2 |
34 |
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Benjamin,Park (1849-1922), author, patent lawyer, editor |
1902 |
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| 2 |
35 |
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Bennett, Arnold (1867-1931), novelist |
1911 |
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| 2 |
36 |
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Beveridge,Albert Jeremiah (1862-1927), politician |
1914 |
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| 2 |
37 |
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Black,Frank Swett (1853-1913), politician |
1904 |
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| 2 |
38 |
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Blashfield,Edwin Howland (1848-1936), painter |
1915 |
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| 2 |
39 |
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Bloom, Sol(1870-1945), politician |
1928 |
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| 2 |
40 |
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Blythe, Samuel George(1868-1947), author |
1913 |
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| 2 |
41 |
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Bok, William Edward(1863-1930), editor |
1909 |
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| 2 |
42 |
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Bolton, Guy Reginald(1881-1979), playwright |
1924 |
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| 2 |
43 |
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Borglum, Solon Hannibal(1868-1922), sculptor |
1906 |
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| 2 |
44 |
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Boyd, Ernest Augustus(1887-1946), author, critic |
1925 |
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| 2 |
45 |
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Boyd, James(1888-1944), author |
1925 |
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| 2 |
46 |
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Brady, Anthony Nicholas(1843-1913), capitalist |
1906 |
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| 2 |
47 |
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Brady, Nicholas Frederic(1878-1930), capitalist |
1907 |
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| 2 |
48 |
|
Brenner, Victor David(1871-1924), medallist, sculptor |
1913 |
|
|
|
| 2 |
49 |
|
Bridges, Robert["Droch"] (1858-1941), editor, author |
1931 |
|
|
|
| 2 |
50 |
|
Brisbane,Arthur (1864-1936), editor |
1906 |
|
|
|
| 3 |
51 |
|
Brockway, Howard(1870-1951), composer |
1931 |
|
|
|
| 3 |
52 |
|
Brooks, Van Wyck(1886-1963), author, critic |
1926 |
|
|
|
| 3 |
53 |
|
Broun, Heywood(1888-1939), journalist, playwright |
1908 |
|
|
|
| 3 |
54 |
|
Brown,Elmer Ellsworth (1861-1934), educator |
1926 |
|
|
|
| 3 |
55 |
|
Browne,Lewis (1897-1949), author |
1928 |
|
|
|
| 3 |
56 |
|
Brownell, WilliamCrary (1851-1928), editor, author |
1915 |
|
|
|
| 3 |
57 |
|
Brush,George DeForest (1855-1941), artist |
1917 |
|
|
|
| 3 |
58 |
|
Bunau-Varilla, Philippe (1859-1940), French statesman |
1903 |
|
|
|
| 3 |
59 |
|
Burgess, Frank Gelett (1886-1951), author |
1924 |
|
|
|
| 3 |
60 |
|
Burroughs, John (1837-1921), naturalist, author |
1906 |
|
|
|
| 3 |
61 |
|
Burton, Richard Eugene (1861-1940), poet, educator |
1931 |
|
|
|
| 3 |
62 |
|
Bush, Irving T. (1869-1948),businessman |
1918 |
|
|
|
| 3 |
63 |
|
Butler, Nicholas Murray(1862-1947), university president |
1915 |
|
|
|
| 3 |
64 |
|
Cable,George Washington (1844-1925), author |
1915 |
|
|
|
| 3 |
65 |
|
Cadman, Samuel Parkes (1864-1936), clergyman |
1909 |
|
|
|
| 3 |
66 |
|
Calder, A. Stirling (1870-1945), sculptor |
1931 |
|
|
|
| 3 |
67 |
|
Canby, Henry Seidel (b. 1878), editor |
1933 |
|
|
|
| 3 |
68 |
|
Cardozo, Benjamin Nathan (1870-1938), jurist - [three-quarter pose] |
1914 |
|
|
|
| 3 |
69 |
|
Cardozo, Benjamin Nathan (1870-1938), jurist -[three-quarter pose, without glasses] |
1927 |
|
|
|
| 3 |
70 |
|
Carman,Bliss (1861-1929), poet |
1903 |
|
|
|
| 3 |
71 |
|
Carnegie, Dale(1888-1955), author, lecturer |
1928 |
|
|
|
| 3 |
72 |
|
Carpenter, JohnAlden (1876-1951), composer |
1932 |
|
|
|
| 3 |
73 |
|
Carrel, Alexis(1873-1944), surgeon, biologist |
1939 |
|
|
|
| 3 |
74 |
|
Carty, John J.(1861-1932), electrical engineer |
1925 |
|
|
|
| 3 |
75 |
|
Chaffee, AdnaRomanza (1842-1914), military officer |
1905 |
|
|
|
| 4 |
76 |
|
Chanler,Lewis Stuyvesant (1869-1942), lawyer |
1908 |
|
|
|
| 4 |
77 |
|
Channing,Edward (1856-1931), educator, historian |
1926 |
|
|
|
| 4 |
78 |
|
Chapin, Roy Dikeman (1880-1936), industrialist |
1921 |
|
|
|
| 4 |
79 |
|
Chapman, John J. (1862-1933), author |
1908 |
|
|
|
| 4 |
80 |
|
Chapple, Joseph Mitchell (1867-1950), editor, author |
1923 |
|
|
|
| 4 |
81 |
|
Chase, Stuart (1888-1985), author, economist |
1932 |
|
|
|
| 4 |
82 |
|
Chatfield-Taylor, Hobart C. (1865-1945), author |
1934 |
|
|
|
| 4 |
83 |
|
Christian X (1870-1947), Danish King |
1921 |
|
|
|
| 4 |
84 |
|
Chrysler, Walter, Jr. (1909-1988), capitalist,philanthropist |
1938 |
|
|
|
| 4 |
85 |
|
Clarke, Gilmore David(1892-1938), engineer, landscape architect, educator |
1937 |
|
|
|
| 4 |
86 |
|
Clews, Henry (1840-1923), banker |
1902 |
|
|
|
| 4 |
87 |
|
Cobb, Irvin Shrewsbury (1876-1944), author |
1912 |
|
|
|
| 4 |
88 |
|
Cockran, William Bourke (1854-1923), politician |
1913 |
|
|
|
| 4 |
89 |
|
Cole, Timothy (1852-1931), wood engraver |
1915 |
|
|
|
| 4 |
90 |
|
Collier, Robert Joseph (1876-1918), editor, publisher |
1916 |
|
|
|
| 4 |
91 |
|
Comstock, Cyrus. A., merchant |
1936 |
|
|
|
| 4 |
92 |
|
Connelly, Marc (1890-1980), playwright |
1923 |
|
|
|
| 4 |
93 |
|
Copeland, Charles Townsend (1860-1952), educator |
1915 |
|
|
|
| 4 |
94 |
|
Cosgrave, William Thomas (1880-1965),Irish statesman |
1928 |
|
|
|
| 4 |
95 |
|
Coudert, Frederic R., Sr.(1871-1955), lawyer |
1913 |
|
|
|
| 4 |
96 |
|
Cox, Kenyon (1856-1919),painter |
1906 |
|
|
|
| 4 |
97 |
|
Coykendall, Frederick (1872-1954),shipping executive. publisher |
1935 |
|
|
|
| 4 |
98 |
|
Cram, RalphAdams (1863-1942), architect, author, critic |
1936 |
|
|
|
| 4 |
99 |
|
Crawford, Francis Marion (1854-1909), novelist, historian |
1903 |
|
|
|
| 4 |
100 |
|
Cromwell, William Nelson (1854-1948), lawyer |
1939 |
|
|
|
| 5 |
101 |
|
Crooks, Richard Alexander (1910-1972), tenor |
1933 |
|
|
|
| 5 |
102 |
|
Cross, Wilbur Lucius (1862-1948), educator, author, editor, politician |
1923 |
|
|
|
| 5 |
103 |
|
Dabo, Leon (1868-1960), artist |
1921 |
|
|
|
| 5 |
104 |
|
Damrosch, Frank Heino (1859-1937), musician, musical director |
1913 |
|
|
|
| 5 |
105 |
|
Damrosch, Walter Johannes(1862-1950), conductor, composer [profile pose, black jacket] |
1919 |
|
|
|
| 5 |
106 |
|
Damrosch, Walter Johannes (1862-1950), conductor, composer[profile pose, gray jacket] |
1936 |
|
|
|
| 5 |
107 |
|
Davenport, Homer Calvin (1867-1912), illustrator |
1903 |
|
|
|
| 5 |
108 |
|
Davis, Norman H. (1878-1944), financier |
1923 |
|
|
|
| 5 |
109 |
|
Davis, Richard Harding (1864-1916), novelist |
1915 |
|
|
|
| 5 |
110 |
|
Davis, Vernon Mansfield (1855-1931),jurist |
1908 |
|
|
|
| 5 |
111 |
|
Davison, Henry Pomeroy (1867-1922),banker |
1909 |
|
|
|
| 5 |
112 |
|
Dawson, Coningsby William(1883-1959), author |
1920 |
|
|
|
| 5 |
113 |
|
Day, Joseph P. (b. 1873),real estate auctioneer |
1922 |
|
|
|
| 5 |
114 |
|
Delano, William Adams(1874-1960), architect |
1936 |
|
|
|
| 5 |
115 |
|
Derby, Richard(1881-1963), surgeon |
1917 |
|
|
|
| 5 |
116 |
|
Dewey, Charles Melville(1849-1937), painter |
1913 |
|
|
|
| 5 |
117 |
|
Dielman, Frederick(1847-1935), painter |
1931 |
|
|
|
| 5 |
118 |
|
Doherty, Henry Latham(1870-1939), public utilities executive |
1908 |
|
|
|
| 5 |
119 |
|
Doran,George Henry (1869-1956), author, editor, publisher |
1924 |
|
|
|
| 5 |
120 |
|
Dos Passos, John Randolph (1844-1917), lawyer |
1907 |
|
|
|
| 5 |
121 |
|
Doyle, Arthur Conan (1859-1930), English author |
1922 |
|
|
|
| 5 |
122 |
|
Dreiser, Theodore (1871-1945), novelist |
1907 |
|
|
|
| 5 |
123 |
|
Drinkwater, John (1882-1937), poet, dramatist |
1925 |
|
|
|
| 5 |
124 |
|
Dumond, Frank Vincent (1865-1951),artist, instructor |
1936 |
|
|
|
| 5 |
125 |
|
Durant, William James(1885-1981), author, educator |
1927 |
|
|
|
| 6 |
126 |
|
Duveen, Joseph(1869-1939), art dealer, art patron |
1915 |
|
|
|
| 6 |
127 |
|
Eaton,Charles Warren (1857-1937), painter |
1908 |
|
|
|
| 6 |
128 |
|
Eaton,Walter Prichard (1878-1957), author, educator, critic |
1931 |
|
|
|
| 6 |
129 |
|
Edman, Irwin (1896-1954), educator, author |
1940 |
|
|
|
| 6 |
130 |
|
Edwards, George Wharton (1869-1950), painter, illustrator |
1931 |
|
|
|
| 6 |
131 |
|
Egan, Maurice Francis (1852-1924), diplomat, editor,author |
1921 |
|
|
|
| 6 |
132 |
|
Erdmann, John Frederic (1864-1954),surgeon |
1938 |
|
|
|
| 6 |
133 |
|
Erskine, John (1879-1951), novelist,essayist, musician |
1936 |
|
|
|
| 6 |
134 |
|
Ervine, St. John Greer(1883-1971), Irish dramatist, novelist |
1928 |
|
|
|
| 6 |
135 |
|
Fargo,James Congdel (1829-1915), financier |
1901 |
|
|
|
| 6 |
136 |
|
Farrar,John C. (1896-1974), editor, author |
1921 |
|
|
|
| 6 |
137 |
|
Farrow,Miles (1871-1953), organist, composer |
1926 |
|
|
|
| 6 |
138 |
|
Field,Marshall (1835-1906), merchant, philanthropist |
1903 |
|
|
|
| 6 |
139 |
|
Field, Marshall III (1893-1956), corporation director, publisher |
1935 |
|
|
|
| 6 |
140 |
|
Finley, John Huston (1863-1940) editor [three-quarter pose, tiltedhead] |
1903 |
|
|
|
| 6 |
141 |
|
Finley, John Huston (1863-1940) editor[three-quarter pose] |
1913 |
|
|
|
| 6 |
142 |
|
Firestone, HarveySamuel, Sr. (1868-1938), industrialist |
1915 |
|
|
|
| 6 |
143 |
|
Firestone,Harvey Samuel, Jr. (b. 1898), industrialist |
1930 |
|
|
|
| 6 |
144 |
|
Fish, Hamilton, Sr. (1849-1936), politician |
1908 |
|
|
|
| 6 |
145 |
|
Fisher, Harrison (1877-1934), artist [three-quarter pose] |
1922 |
|
|
|
| 6 |
146 |
|
Flanagan, John F. (1865-1952), sculptor |
1922 |
|
|
|
| 6 |
147 |
|
Ford, Edsel Bryant (1893-1943), industrialist |
1934 |
|
|
|
| 6 |
148 |
|
Ford, Henry (1863-1947), industrialist |
1934 |
|
|
|
| 6 |
149 |
|
Ford, Simeon (1855-1933), businessman, orator |
1902 |
|
|
|
| 6 |
150 |
|
Fox, Dixon Ryan (1887-1945), historian, universitypresident |
1937 |
|
|
|
| 7 |
151 |
|
French, Daniel Chester (1850-1931),sculptor |
1913 |
|
|
|
| 7 |
152 |
|
French, Frederick Fillmore (1884-1936),businessman |
1924 |
|
|
|
| 7 |
153 |
|
French, John DentonPinkstone (1852-1925), English military officer |
1922 |
|
|
|
| 7 |
154 |
|
Friml, Rudolf (1884-1972), composer, pianist |
1927 |
|
|
|
| 7 |
155 |
|
Funk, Wilfred John (1883-1965), publisher |
1932 |
|
|
|
| 7 |
156 |
|
Garland, Hamlin (1860-1940), novelist, dramatist |
1919 |
|
|
|
| 7 |
157 |
|
Gary, Elbert Henry (1846-1927), jurist, industrialist |
1925 |
|
|
|
| 7 |
158 |
|
Gates, John Warne (1855-1911), financier |
1908 |
|
|
|
| 7 |
159 |
|
Geddes, Norman Bel (1893-1958), designer, author, producer |
1930 |
|
|
|
| 7 |
160 |
|
Gibson, Charles Dana (1867-1944),painter, illustrator |
1903 |
|
|
|
| 7 |
161 |
|
Gifford, Walter Sherman(1885-1966), businessman |
1925 |
|
|
|
| 7 |
162 |
|
Gill, Enrique (b.1890), Argentine lawyer |
1941 |
|
|
|
| 7 |
163 |
|
Gilbert, Cass(1859-1934), architect |
1918 |
|
|
|
| 7 |
164 |
|
Giles, Howard Everett(1876-1955), painter |
1914 |
|
|
|
| 7 |
165 |
|
Gillette, William H.(1855-1937), actor, playwright |
1917 |
|
|
|
| 7 |
166 |
|
Gilman,Lawrence (1878-1939), critic, author, editor |
1931 |
|
|
|
| 7 |
167 |
|
Glackens, William J. (1870-1938), painter |
1936 |
|
|
|
| 7 |
168 |
|
Gogarty, Oliver St. John (1878-1957), author |
1933 |
|
|
|
| 7 |
169 |
|
Goldman, Albert (1882-1967), government official |
1939 |
|
|
|
| 7 |
170 |
|
Gordon, Charles William (1860-1937), Canadian clergyman, author |
1929 |
|
|
|
| 7 |
171 |
|
Goudy, Frederic William (1865-1947), type designer |
1934 |
|
|
|
| 7 |
172 |
|
Grady, George (1888-1956), printer |
1939 |
|
|
|
| 7 |
173 |
|
Grainger, Percy A. (1882-1961),composer, pianist |
1916 |
|
|
|
| 7 |
174 |
|
Gregory, John(1879-1958), sculptor |
1931 |
|
|
|
| 7 |
175 |
|
Gray, Zane (1875-1939),novelist |
1920 |
|
|
|
| 8 |
176 |
|
Groll, Albert Lorey (1866-1952),painter, printmaker |
1937 |
|
|
|
| 8 |
177 |
|
Hadley, Arthur Twining(1856-1930), university president |
1918 |
|
|
|
| 8 |
178 |
|
Hadley,Henry K. (1871-1937), composer |
1925 |
|
|
|
| 8 |
179 |
|
Haenschen, Walter Gustave (1889-1980), composer, conductor |
1931 |
|
|
|
| 8 |
180 |
|
Hamilton, Clayton Meeker (1881-1946), editor, critic, playwright |
1931 |
|
|
|
| 8 |
181 |
|
Hammond, John Hayes (1855-1936),mining engineer |
1902 |
|
|
|
| 8 |
182 |
|
Hannay, James Owen["George A. Birmingham"] (1865-1910), Irish clergyman, novelist, playwright |
1913 |
|
|
|
| 8 |
183 |
|
Harbach, Otto Abels (1873-1963), playwright |
1925 |
|
|
|
| 8 |
184 |
|
Harper, George McLean (1863-1947),educator |
1936 |
|
|
|
| 8 |
185 |
|
Harriman, Oliver (1862-1940), financier |
1912 |
|
|
|
| 8 |
186 |
|
Haskell, William Nafew (1878-1952),military officer |
1937 |
|
|
|
| 8 |
187 |
|
Hassam, Childe(1859-1935), painter, printmaker |
1923 |
|
|
|
| 8 |
188 |
|
Hayes,Carleton J. H. (1882-1964), educator, diplomat |
1931 |
|
|
|
| 8 |
189 |
|
Hedges, Job Elmer (1862-1925), lawyer |
1912 |
|
|
|
| 8 |
190 |
|
Held,John, Jr. (1889-1958), illustrator |
1924 |
|
|
|
| 8 |
191 |
|
Herbert,Victor (1859-1924), composer, conductor |
1906 |
|
|
|
| 8 |
192 |
|
Hewitt, Peter Cooper (1861-1921), scientist, inventor |
1911 |
|
|
|
| 8 |
193 |
|
Higgins, Frank Wayland (1856-1907), politician |
1903 |
|
|
|
| 8 |
194 |
|
Hill, Edward Burlingame (1872-1957), musician, composer |
1931 |
|
|
|
| 8 |
195 |
|
Hill, George Washington (1884-1946),businessman |
1922 |
|
|
|
| 8 |
196 |
|
Hogan, Frank J.(1877-1944), lawyer, bibliophile |
1938 |
|
|
|
| 8 |
197 |
|
Howard,Sidney (Coe) (1891-1939), playwright |
1925 |
|
|
|
| 8 |
198 |
|
Howells,John Mead (1868-1959), architect |
1931 |
|
|
|
| 8 |
199 |
|
Hoyt,Colgate (1849-1922), banker |
1901 |
|
|
|
| 8 |
200 |
|
Hughes, CharlesEvans (1862-1948), lawyer, jurist, politician |
1904 |
|
|
|
| 9 |
201 |
|
Hughes, Hatcher (1881-1945), dramatist, educator |
1936 |
|
|
|
| 9 |
202 |
|
Huneker, James Gibbons (1860-1921), music critic, author |
1906 |
|
|
|
| 9 |
203 |
|
Inge, William Ralph (1860-1954), English clergyman, author, lecturer |
1925 |
|
|
|
| 9 |
204 |
|
Jackson, Dugald Caleb (1865-1951),electrical engineer, author |
1939 |
|
|
|
| 9 |
205 |
|
James, Philip(1890-1975), composer, conductor |
1936 |
|
|
|
| 9 |
206 |
|
Jennewein, Carl Paul (1890-1978), sculptor |
1933 |
|
|
|
| 9 |
207 |
|
Jerome, William Travers (1859-1934), lawyer |
1905 |
|
|
|
| 9 |
208 |
|
Johansen, John Christian (1876-1964), painter |
1934 |
|
|
|
| 9 |
209 |
|
Johnson, Edward (1881-1959), Canadian tenor, opera manager |
1938 |
|
|
|
| 9 |
210 |
|
Johnson, Robert Underwood (1853-1937), editor, author |
1908 |
|
|
|
| 9 |
211 |
|
Jones, Robert Edmond (1887-1954), set and graphicdesigner |
1922 |
|
|
|
| 9 |
212 |
|
Kaempffert, Waldemar Bernhard(1877-1956), author |
1917 |
|
|
|
| 9 |
213 |
|
Kelley, Cornelius Francis(1875-1957), industrialist |
1908 |
|
|
|
| 9 |
214 |
|
Kendall, WilliamMitchell (1856-1941), architect |
1931 |
|
|
|
| 9 |
215 |
|
Kendall, WilliamSergeant (1869-1938), painter, sculptor |
1931 |
|
|
|
| 9 |
216 |
|
Ketten,Maurice (b. 1875), illustrator |
1908 |
|
|
|
| 9 |
217 |
|
Kingsley, DarwinPearl (1857-1932), businessman |
1914 |
|
|
|
| 9 |
218 |
|
Kinney, Troy(1871-1938), artist, author |
1931 |
|
|
|
| 9 |
219 |
|
Kirby, ThomasEllis (1846-1924), art auctioneer |
1923 |
|
|
|
| 9 |
220 |
|
Kroll,Leon (1884-1974), painter |
1931 |
|
|
|
| 9 |
221 |
|
Krutch, JosephWood (1893-1970), author, educator |
1937 |
|
|
|
| 9 |
222 |
|
La Farge,Bancel (1865-1938), painter |
1936 |
|
|
|
| 9 |
223 |
|
Lang, WilliamCosmo Gordon (1864-1945), English clergyman [half-length, seated, white robe] |
1918 |
|
|
|
| 9 |
224 |
|
Lawrence, William (1850-1941), clergyman[three-quarter pose] |
1916 |
|
|
|
| 9 |
225 |
|
Lawson, Ernest(1873-1939), painter |
1931 |
|
|
|
| 10 |
226 |
|
Le Boutillier, Philip (b.1880), merchant |
1931 |
|
|
|
| 10 |
227 |
|
Lee, Ivy Ledbetter(1877-1934), publicist |
1913 |
|
|
|
| 10 |
228 |
|
LeGallienne, Richard(1866-1947), author, poet, novelist |
1902 |
|
|
|
| 10 |
229 |
|
Lehman,Irving (1876-1945), jurist |
1909 |
|
|
|
| 10 |
230 |
|
Lippmann,Walter (1889-1974), editor, author |
1936 |
|
|
|
| 10 |
231 |
|
Littleton,Martin Wiley (1872-1934), lawyer |
1916 |
|
|
|
| 10 |
232 |
|
Lodge,Henry Cabot (1850-1924), politician |
1915 |
|
|
|
| 10 |
233 |
|
Lodge,Oliver (1851-1940), English scientist [profile pose] |
1920 |
|
|
|
| 10 |
234 |
|
Lorillard, Pierre (1860-1940), businessman |
1912 |
|
|
|
| 10 |
235 |
|
Low, Will Hicok (1853-1932), artist |
1913 |
|
|
|
| 10 |
236 |
|
Lumiere, Antoine (1846-1911), French painter, photographer |
1907 |
|
|
|
| 10 |
237 |
|
Mabie, Hamilton Wright (1846-1916), editor, author |
1915 |
|
|
|
| 10 |
238 |
|
McAdoo, William Gibbs (1863-1941),politician |
1903 |
|
|
|
| 10 |
239 |
|
McClellan, George Brinton(1865-1940), politician |
1905 |
|
|
|
| 10 |
240 |
|
McCormack, John(1884-1945), tenor |
1937 |
|
|
|
| 10 |
241 |
|
McCormick, Cyrus Hall(1859-1936), businessman |
1935 |
|
|
|
| 10 |
242 |
|
MacCracken,Henry Noble (1880-1970), college president |
1924 |
|
|
|
| 10 |
243 |
|
McCutcheon, George Barr (1866-1928), author |
1919 |
|
|
|
| 10 |
244 |
|
MacDonald, Carlos Frederick (1845-1926), psychiatrist |
1926 |
|
|
|
| 10 |
245 |
|
MacDonald, John (1844-1911), businessman |
1903 |
|
|
|
| 10 |
246 |
|
MacDonald, Pirie (1867-1942), photographer [in Scottish regalia] |
1901 |
|
|
|
| 10 |
247 |
|
MacDonald, Pirie (1867-1942),photographer [in Boy Scout uniform] |
1921 |
|
|
|
| 10 |
248 |
|
MacDonald, Pirie (1867-1942), photographer [three-quarter pose, with glasses] |
1930 |
|
|
|
| 10 |
249 |
|
MacDonald, Pirie (1867-1942), photographer [instudio with camera and wall of portraits] |
1933 |
|
|
|
| 10 |
250 |
|
MacDonald, Pirie (1867-1942), photographer [in studio, seated and holding clipboard] |
1936 |
|
|
|
| 11 |
251 |
|
MacDonald, Pirie (1867-1942),photographer [three-quarter pose, without glasses] |
1940 |
|
|
|
| 11 |
252 |
|
McFee, William (1881-1960), author |
1933 |
|
|
|
| 11 |
253 |
|
MacKaye, Percy (1875-1956), dramatist, author |
1936 |
|
|
|
| 11 |
254 |
|
Mallory, Charles Henry (1892-1953), broker |
1915 |
|
|
|
| 11 |
255 |
|
Malone, Dudley Field (1882-1950), lawyer |
1910 |
|
|
|
| 11 |
256 |
|
Manning, William Thomas (1866-1949), clergyman |
1921 |
|
|
|
| 11 |
257 |
|
Manship, Paul (1885-1966), sculptor |
1931 |
|
|
|
| 11 |
258 |
|
Markham, Edwin (1852-1940), poet, lecturer |
1903 |
|
|
|
| 11 |
259 |
|
Marquis, Donald Robert Perry(1878-1937), author, playwright |
1928 |
|
|
|
| 11 |
260 |
|
Martin, Bradley(1841-1913), lawyer, financier |
1909 |
|
|
|
| 11 |
261 |
|
Masaryk, Jan(1866-1948), Czech politician |
1919 |
|
|
|
| 11 |
262 |
|
Masaryk,Thomas Garrigue (1850-1937), Czech politician |
1920 |
|
|
|
| 11 |
263 |
|
Mason, Daniel Gregory (1873-1953), composer |
1938 |
|
|
|
| 11 |
264 |
|
Massaguer, Conrado (1889-1965), Cuban illustrator |
1932 |
|
|
|
| 11 |
265 |
|
Masters, Edgar Lee (1869-1950), author, poet |
1919 |
|
|
|
| 11 |
266 |
|
Mather, Frank Jewett, Jr. (1868-1953),educator, author |
1936 |
|
|
|
| 11 |
267 |
|
Matthews, Brander(1852-1929), educator |
1906 |
|
|
|
| 11 |
268 |
|
Maugham, W. Somerset(1874-1965), English author |
1935 |
|
|
|
| 11 |
269 |
|
Mead, D. Irving(1875-1951), banker |
1934 |
|
|
|
| 11 |
270 |
|
Mead, WilliamRutherford (1846-1928), architect |
1918 |
|
|
|
| 11 |
271 |
|
Menken,Arthur, newsreel correspondent |
1941 |
|
|
|
| 11 |
272 |
|
Milford,Humphrey Sumner (1877-1952), English publisher |
1929 |
|
|
|
| 11 |
273 |
|
Miller, Nathan L. (1868-1953), politician, jurist |
1940 |
|
|
|
| 11 |
274 |
|
Miller, Warner (1838-1918), politician |
1906 |
|
|
|
| 11 |
275 |
|
Mills, Darius Ogden (1825-1910), banker, financier, philanthropist |
1902 |
|
|
|
| 12 |
276 |
|
Morley, Christopher D. (1890-1990),author |
1921 |
|
|
|
| 12 |
277 |
|
Mumford, Lewis (1895-1990), author |
1936 |
|
|
|
| 12 |
278 |
|
Murphy, John Francis (1853-1921),painter |
1902 |
|
|
|
| 12 |
279 |
|
Nast, Thomas (1840-1902), artist,illustrator |
1902 |
|
|
|
| 12 |
280 |
|
Nathan, George Jean (1882-1958),author, editor, critic |
1933 |
|
|
|
| 12 |
281 |
|
Nathan, Robert G.(1894-1985), author |
1936 |
|
|
|
| 12 |
282 |
|
Newcombe, George (b.1906), industrialist |
1942 |
|
|
|
| 12 |
283 |
|
Nicholson, Meredith(1866-1947), author, diplomat, lecturer |
1922 |
|
|
|
| 12 |
284 |
|
Nicoll,DeLancey (1854-1931), lawyer |
1908 |
|
|
|
| 12 |
285 |
|
Nixon, Lewis(1861-1940), shipbuilder |
1903 |
|
|
|
| 12 |
286 |
|
O'Brien, MorganJoseph (1852-1937), jurist |
1907 |
|
|
|
| 12 |
287 |
|
O'Casey, Sean(1881-1964), Irish playwright |
1934 |
|
|
|
| 12 |
288 |
|
Ochs, Adolph S.(1858-1935), publisher |
1911 |
|
|
|
| 12 |
289 |
|
Ochtman, Leonard(1854-1934), painter |
1913 |
|
|
|
| 12 |
290 |
|
Oenslager, DonaldMitchell (1902-1975), scenic designer |
1937 |
|
|
|
| 12 |
291 |
|
Olcott,Jacob Van Vechten (1856-1940), politician |
1905 |
|
|
|
| 12 |
292 |
|
Opper, Frederick Burr (1857-1937), illustrator |
1903 |
|
|
|
| 12 |
293 |
|
Overton, Grant (1887-1930), author |
1928 |
|
|
|
| 12 |
294 |
|
Page,Curtis Hidden (1870-1946), writer, editor, educator |
1914 |
|
|
|
| 12 |
295 |
|
Paine, Albert Bigelow (1861-1937), author, editor |
1932 |
|
|
|
| 12 |
296 |
|
Parker, Alton Brooks (1853-1926), jurist |
1906 |
|
|
|
| 12 |
297 |
|
Parker, Gilbert (1862-1932), English novelist |
1913 |
|
|
|
| 12 |
298 |
|
Parker, Herschel Clifford (b. 1867), physicist |
1911 |
|
|
|
| 12 |
299 |
|
Parkhurst, Charles Henry (1842-1933), clergyman |
1906 |
|
|
|
| 12 |
300 |
|
Pinchot, Gifford (1865-1946), politician,conservationist |
1909 |
|
|
|
| 13 |
301 |
|
Pine, John (1857-1922),lawyer |
1908 |
|
|
|
| 13 |
302 |
|
Pirie, John Taylor (1871-1940),merchant |
1905 |
|
|
|
| 13 |
303 |
|
Platt, Charles Adams (1861-1933),architect, painter |
1921 |
|
|
|
| 13 |
304 |
|
Platt, Thomas Collier(1833-1910), politician |
1903 |
|
|
|
| 13 |
305 |
|
Poore, Henry Rankin(1859-1940), painter, author |
1914 |
|
|
|
| 13 |
306 |
|
Pope, JohnRussell (1874-1937), architect |
1911 |
|
|
|
| 13 |
307 |
|
Posner, Michael(b. 1890), violinist |
1919 |
|
|
|
| 13 |
308 |
|
Powell, John(1882-1963), composer, pianist [three-quarter pose, facing left] |
1931 |
|
|
|
| 13 |
309 |
|
Putnam, Herbert (1861-1955), librarian |
1936 |
|
|
|
| 13 |
310 |
|
Raskob, John J. (1879-1950), businessman |
1922 |
|
|
|
| 13 |
311 |
|
Rentschler, Gordon S. (1885-1948), banker, industrialist |
1940 |
|
|
|
| 13 |
312 |
|
Rhind, John Massey (1858-1936), sculptor |
1911 |
|
|
|
| 13 |
313 |
|
Riis, Jacob August (1849-1914), author |
1906 |
|
|
|
| 13 |
314 |
|
Roberts, Kenneth (1885-1957), author |
1936 |
|
|
|
| 13 |
315 |
|
Robinson, Douglas (1855-1918),businessman |
1908 |
|
|
|
| 13 |
316 |
|
Robinson, EdwinArlington (1869-1935), poet |
1929 |
|
|
|
| 13 |
317 |
|
Robinson,Lennox (1886-1958), Irish playwright, author |
1933 |
|
|
|
| 13 |
318 |
|
Roche, James Jeffrey (1847-1908), editor |
1903 |
|
|
|
| 13 |
319 |
|
Rogers, Bruce (1870-1957), book designer |
1932 |
|
|
|
| 13 |
320 |
|
Roosevelt, Nicholas (1893-1965), author, diplomat [in military uniform] |
1917 |
|
|
|
| 13 |
321 |
|
Roosevelt, Nicholas (1893-1965), author, diplomat [in business suit] |
1938 |
|
|
|
| 13 |
322 |
|
Ross, Hugh (b. 1898), conductor |
1936 |
|
|
|
| 13 |
323 |
|
Roth, Ernest David (1879-1964),painter, printmaker |
1934 |
|
|
|
| 13 |
324 |
|
Sabin, CharlesHamilton (1868-1933), banker |
1909 |
|
|
|
| 13 |
325 |
|
Sachse, JuliusFrederich (1842-1919), historian |
1908 |
|
|
|
| 14 |
326 |
|
Sage,Russell (1816-1906), financier |
1903 |
|
|
|
| 14 |
327 |
|
Sarnoff, David(1891-1971), businessman |
1923 |
|
|
|
| 14 |
328 |
|
Sassoon,Siegfried (1886-1967), English poet |
1920 |
|
|
|
| 14 |
329 |
|
Schelling, Ernest Henry (1876-1939), pianist, composer, conductor [profile pose] |
1931 |
|
|
|
| 14 |
330 |
|
Schiff, Mortimer L. (1877-1931), banker |
1911 |
|
|
|
| 14 |
331 |
|
Schurz, Carl Lincoln (1871-1924), lawyer, publicist |
1908 |
|
|
|
| 14 |
332 |
|
Schwab, Charles M. (1862-1939),industrialist |
1917 |
|
|
|
| 14 |
333 |
|
Shackleton, Ernest(1874-1922), English explorer |
1913 |
|
|
|
| 14 |
334 |
|
Shattuck, FrankG. (1860-1937), businessman |
1917 |
|
|
|
| 14 |
335 |
|
Shaw, Albert(1857-1947), author, editor |
1902 |
|
|
|
| 14 |
336 |
|
Sheldon,Edward Brewster (1886-1946), playwright |
1914 |
|
|
|
| 14 |
337 |
|
Shelley, Harry Rowe (1858-1947), organist, composer |
1936 |
|
|
|
| 14 |
338 |
|
Sherwood, Robert Emmet (1896-1955), playwright |
1940 |
|
|
|
| 14 |
339 |
|
Shipman, Herbert (1869-1930) clergyman |
1916 |
|
|
|
| 14 |
340 |
|
Sitwell, Francis Osbert (1892-1969), English poet, playwright, novelist |
1926 |
|
|
|
| 14 |
341 |
|
Skinner, Otis (1858-1942), actor |
1917 |
|
|
|
| 14 |
342 |
|
Sloan, Alfred Pritchard, Jr.(1873-1966), industrialist |
1922 |
|
|
|
| 14 |
343 |
|
Sloan, WilliamMilligan (1850-1928), educator |
1915 |
|
|
|
| 14 |
344 |
|
Smith, DavidStanley (1877-1949), composer |
1933 |
|
|
|
| 14 |
345 |
|
Smith, JonasWaldo (1861-1933), civil engineer |
1924 |
|
|
|
| 14 |
346 |
|
Spaeth,Sigmund (1885-1965), writer, musician, lecturer |
1935 |
|
|
|
| 14 |
347 |
|
Speicher, Eugene Edward (1883-1962), artist |
1936 |
|
|
|
| 14 |
348 |
|
Spencer, Lorillard (1883-1939), industrialist |
1921 |
|
|
|
| 14 |
349 |
|
Sproule, William (1858-1935), railway executive |
1916 |
|
|
|
| 14 |
350 |
|
Stanchfield, John Barry (1855-1921), lawyer |
1913 |
|
|
|
| 15 |
351 |
|
Stedman, Edmund Clarence(1833-1908), poet, critic |
1903 |
|
|
|
| 15 |
352 |
|
Stefansson, Vilahjalmur(1879-1962), explorer, writer |
1924 |
|
|
|
| 15 |
353 |
|
Steffens,(Joseph) Lincoln (1866-1936), writer, lecturer |
1912 |
|
|
|
| 15 |
354 |
|
Stephens, James (1882-1950) Irish poet, author |
1925 |
|
|
|
| 15 |
355 |
|
Stern, Louis (1847-1922), merchant |
1904 |
|
|
|
| 15 |
356 |
|
Stettinius, Edward R. Sr., (1865-1925), banker |
1917 |
|
|
|
| 15 |
357 |
|
Stettinius, Edward R., Jr. (1900-1949), government official |
1933 |
|
|
|
| 15 |
358 |
|
Stock, Frederick A. (1872-1942), conductor |
1936 |
|
|
|
| 15 |
359 |
|
Stoessel, Albert F. (1894-1943), composer, conductor |
1932 |
|
|
|
| 15 |
360 |
|
Stout, Rex Todhunter (1886-1975), author |
1926 |
|
|
|
| 15 |
361 |
|
Straus, Jesse Isidor (1872-1936),merchant, diplomat |
1931 |
|
|
|
| 15 |
362 |
|
Straus, Oscar Solomon(1850-1926), merchant, diplomat |
1902 |
|
|
|
| 15 |
363 |
|
Straus,Percy Seldon (1876-1944), merchant |
1940 |
|
|
|
| 15 |
364 |
|
Street,Julian (1879-1947), author |
1911 |
|
|
|
| 15 |
365 |
|
Strong, Austin(1881-1952), author, dramatist |
1936 |
|
|
|
| 15 |
366 |
|
Strong,Benjamin (1872-1928), banker |
1914 |
|
|
|
| 15 |
367 |
|
Stryker,Melancthon Woolsey (1851-1929), college president |
1912 |
|
|
|
| 15 |
368 |
|
Sullivan, Mark (1874-1952), author, journalist |
1916 |
|
|
|
| 15 |
369 |
|
Sulzberger, Cyrus L. (1858-1932), merchant |
1906 |
|
|
|
| 15 |
370 |
|
Swinnerton, Frank Arthur (1884-1982), English author, critic |
1924 |
|
|
|
| 15 |
371 |
|
Taft, Lorado (1860-1936), sculptor |
1923 |
|
|
|
| 15 |
372 |
|
Tarkington, Booth (1869-1946),novelist, playwright |
1919 |
|
|
|
| 15 |
373 |
|
Taylor, Myron Charles(1874-1959), lawyer, banker, diplomat |
1936 |
|
|
|
| 15 |
374 |
|
Terhune,Albert Payson (1872-1942), author, dog fancier |
1922 |
|
|
|
| 15 |
375 |
|
Thayer, Harry Bates (1858-1936), businessman |
1915 |
|
|
|
| 16 |
376 |
|
Thomas, Augustus (1857-1934), playwright |
1918 |
|
|
|
| 16 |
377 |
|
Thomas, Lowell (1892-1981), author, lecturer, commentator |
1933 |
|
|
|
| 16 |
378 |
|
Thomas, Norman M. (1884-1968), author, editor, politician |
1932 |
|
|
|
| 16 |
379 |
|
Tinker, Chauncey Brewster(1876-1963), educator, author |
1940 |
|
|
|
| 16 |
380 |
|
Torrence,(Frederick) Ridgely (1875-1950), author, poet, dramatist |
1933 |
|
|
|
| 16 |
381 |
|
Torrey, George Burroughs (1863-1942), painter |
1915 |
|
|
|
| 16 |
382 |
|
Trask, Spencer (1844-1909), banker |
1900 |
|
|
|
| 16 |
383 |
|
Tryon, Dwight William (1849-1925), painter |
1906 |
|
|
|
| 16 |
384 |
|
Tutchings, Everett, organist,choirmaster |
1938 |
|
|
|
| 16 |
385 |
|
Underwood, FrederickDouglass (1849-1942), businessman |
1905 |
|
|
