Guide to the John Randolph Papers WAG.255
Tamiment Library and Robert F. Wagner Labor Archive
Elmer Holmes Bobst Library
70 Washington Square South
10th Floor
New York, NY 10012
(212) 998-2630
tamiment.wagner@nyu.edu
Tamiment Library and Robert F. Wagner Labor Archives
Collection processed by K. Kevyne Baar, 2009
This finding aid was produced using ArchivesSpace on July 19, 2018
Description is in English using Describing Archives: A Content Standard
Updated by Heather Mulliner to include unprocessed accretion of photographs and audiovisual materials Edited by Maggie Schreiner to reflect updated administrative information Edited by Heather Mulliner to reflect condensed boxes and updated extents , 2014 , August 2014 , February 2017
Descriptive Summary
| Creator: | Randolph, John, 1915-2004 |
|---|---|
| Source - dnr: | Randolph, Martha |
| Title: | John Randolph Papers |
| Dates [inclusive]: | 1918-1999 |
| Dates [bulk]: | 1940-1999 |
| Abstract: | Born Emanuel Hirsch Cohen in the Bronx, New York on June 1, 1915, Randolph was renamed Mortimer Lippman at the age of 12 when his mother remarried, and finally emerged as the actor, John Randolph. He began his acting career in the 1930s with the Federal Theatre Project. His first Broadway role came courtesy of the Project when he appeared in Coriolanus in 1938. His final Broadway appearance was as a replacement for the lead in Prelude to a Kiss in 1991. He won the prestigious Tony Award for his performance in Neil Simon's Broadway Bound. In January 1942, while on the road with a production of Native Son starring Canada Lee, John married actress Sarah Cunningham of Greenville, South Carolina, Shortly thereafter he was drafted into the Army Air Corps where he served for the next four years. Television found Randolph in 1948 and lost him in 1951 when he was blacklisted. During the blacklist period he continued to work in theatre and developed new performance opportunities with his fellow blacklistees' actress Phoebe Brand, educator Frederic Ewen, and his wife, Sarah. In August of 1955 John and Sarah both appeared before the House Committee on Un-American Activities (HUAC) where they both invoked the Fifth Amendment. Randolph's television career began to revive slowly in the early 1960s. His film career got off to a strong start in 1966, when he played a banker who undergoes surgery and awakens as Rock Hudson in John Frankenheimer's Seconds. He made his final film appearance in 2003. A champion of civil rights, a fighter for more opportunities for performers of color, a lifelong supporter of progressive causes, John Randolph, actor and activist, was silenced by death in Los Angeles, California on February 24, 2004. The collection consists of Randolph's personal and professional files, reflecting his passions for acting, activism, social justice and his intense relationship with his wife, Sarah Cunningham. The materials range from their correspondence during World War II, to opening night telegrams for various Broadway productions, to performance pieces used during the blacklist period and Randolph's Freedom of Information Act (FOIA) file. |
| Quantity: | 8 Linear Feet in 8 record cartons and 1 oversized folder |
| Quantity: | 1 videocassette |
| Quantity: | 31 audiocassette on 23 open reels and 8 cassette tapes |
| Quantity: | 1 dvd-r disks |
| Language: | Materials are in English |
| Call Phrase: | WAG.255 |
Historical/Biographical Note
John Randolph the actor, as he would always introduce himself, was born Emanuel Hirsch Cohen in the Bronx, New York on June 1, 1915. He was renamed Mortimer Lippman at the age of 12 when his mother remarried, and finally emerged as John Randolph when he began his acting career in the 1930s with the Federal Theatre Project. His first Broadway role came courtesy of the Project when he appeared in Coriolanus in 1938. He received his formal theatre training from the Dramatic Workshop of the New School for Social Research under the director of Erwin Piscator. He appeared on Broadway four more times before going on the road with a production of Native Son starring Canada Lee in 1941. It was during this tour that Randolph had a number of opportunities to demonstrate his strong sensitivity to civil rights.
1941 proved to be a very important year in Randolph's life. On June 22, 1941, as Germany marched into Russia, John came together with a young actress from Greenville, South Carolina: Sarah Cunningham who shared with him not only a passion for acting but for activism as well. It was their acting careers that kept them apart for most of the rest of 1941. On a visit during the run of Native Son, the pair decided to marry. They wed at high noon on Wednesday, January 6, 1942, prior to John's matinee. Hours later Sarah was on her way to back to New York. In April John (as Mortimer Lippman again) was drafted into the Army Air Corps where he served for the next four years.
By 1948 Randolph was again back on Broadway. Also in 1948, television found him, but just as his television career was beginning to gain momentum in 1951, he was blacklisted. During the blacklist period he considered himself lucky as he was able to continue working in theatre. With the wealth of energy that defined him in the years to come he developed new performance opportunities with his fellow blacklistees, actress Phoebe Brand, educator Frederic Ewen, and his wife, Sarah. They appeared in union halls and Jewish community centers in between theatre engagements. In August of 1955, John and Sarah both appeared before the House Committee on Un-American Activities (HUAC). They both invoked their rights under the Fifth Amendment. After his HUAC appearance, John got back on the train and returned to his engagement at the Brattle Summer Theatre in Cambridge, Massachusetts.
As the blacklist period started to fade, in the early 1960s, Randolph's television career began to revive slowly. By this time he was serving on the Council of Actors' Equity and heavily involved with the American Federation of Television and Radio Actors, organizations with which he would remain active for the rest of his life. His film career finally got off to a strong start in 1966, when he played a banker who undergoes surgery and awakens as Rock Hudson in John Frankenheimer's Seconds. Having the good fortune of being a proficient character actor, Randolph never stopped working. One of his more notable performances was as Angelo 'Pop' Partanna in the 1985 film, Prizzi's Honor. When the film was nominated for the Academy Award as Best Picture, John and Sarah were invited to join the company at the ceremony. During the evening, Sarah excused herself and went to the ladies room; it was there that she died of a heart attack.
For the remainder of his life, Randolph continued working. In 1986, he began a long and successful run in Neil Simon's Broadway Bound, in a part tailor-made for him. John won the prestigious Tony Award for this performance. His final Broadway appearance was as a replacement for the lead in Prelude to a Kiss in 1991. He continued to work in theatre outside of Broadway, as well as in television and film, making his final appearance in film in 2003.
No biography of Randolph and Cunningham would be complete without recognizing the depth of their activism. Their passion for each other was matched only by their passion for the causes they held dear. Champions of civil rights, fighters for more opportunities for performers of color, and voices for the power of the industry that clothed and fed them throughout their lives, they were lifelong supporters of progressive causes. John Randolph, actor and activist, died in Los Angeles on February 24, 2004.
Scope and Content Note
The John Randolph papers consist of his personal and professional files. They reflect his passions for acting, activism, social justice and his intense relationship with his wife, Sarah Cunningham. The materials range from a very personal, but still political, correspondence with his new wife during the years of World War II to notes sent backstage when he was appearing in Broadway Bound; from his Freedom of Information Act (FOIA) file to the work he created to keep him and his fellow blacklistees employed. The papers are organized into three series.
Series I: Correspondence, 1918-1999. Over the years John wrote, and received, letters that ranged from the political to the personal, and often both. This series includes correspondence from around the world; notable are the letters between Randolph and Sarah Cunningham during the years of World War II. The letters begin on July 8, 1941, when each writes a letter to the other. The correspondence carries on through John's (now Mortimer again as far as the army is concerned) service in the Army Air Corps, which begins in April of 1942 and ends in December 1945. Other incoming correspondence includes letters from film and theatre notables such as Jules Dassin and Frank Silvera.
Series II: Subject Files, 1940-1999, contains files illustrating Randolph's political concerns, including the Committee for Employment of Negro Performers and the New York State Commission for Human Rights. As a member and then councilor at Actors' Equity, he was active in the ethnic minorities and Paul Robeson Award committees. His strong involvement with the American Federation of Television and Radio Artists (AFTRA) is seen in files on the blacklist and on the House Committee on Un-American Activities Committee (HUAC). Material from this period includes clippings from before, during and after his Committee appearance in 1955, as well as related correspondence and his FOIA file. His later involvement in the Screen Actors Guild (SAG) is also chronicled. Other issues represented include freedom for Angela Davis, international friendship societies, Vietnam, women's rights, and the Rosenberg Case.
Series III: Productions and Professional Activities, 1938-1999, contains documentation of most productions Randolph appeared in, from The Living Flame in 1939 to the original Broadway productions of Come Back Little Sheba (1950), Paint Your Wagon (1951), Sound of Music (1959), and his Tony Award-winning turn in Broadway Bound (1986). Theatre files also include Off-Broadway, summer stock and road companies (besides Native Son mentioned earlier, he appeared with Melvyn Douglas in Inherit the Wind), and there are files on his radio, television, and film work. From the early days of the blacklist onward Randolph gathered material that could be used in concert readings, and saved the notes he had compiled for his work. He excerpted plays, film scripts, stories, and adapted material with the help of Phoebe Brand and Frederic Ewen. Their appearances were often under the banner of Quartette Productions. Also included are scripts for a number of benefit performances. Randolph produced for Stage for Action's Satire Matinee, presented in 1946 at Café Society; was artistic consultant for the Philadelphia Drama Guild, and, with Sarah Cunningham, helped found the Ensemble Studio Theatre in both New York and Los Angeles.
Series IV: Oversize Material, 1955: contains a scrapbook of clippings and statements re: the 1955 HUAC hearings compiled for a benefit on June 12, 1997 at the Stella Adler Studio in Los Angeles, California, and an ad from Variety dated July 27, 1955 urging a no vote by AFTRA members on a proposed rule to "fine, censure, suspend or expel any member who fails to cooperate with the House Un-American Activities Committee."
Series V: Photographs and Recordings: contains images and audio related to Randolph's career, family life, and political activism. Randolph's photographs document his career and family life, and contain images of his military service in the 1940s, his children in the 1950s, his acting career, and several portraits. The audio recording in this series relate primarily to Randolph's career and activism and contain training materials, recordings of Randolph's voice work, and political speeches. There are also several recordings of African freedom songs from the 1970s. Most of these recordings are on magnetic reel to reel tapes, while a small portion of recordings are on cassette tapes. Other materials contained in this series include films negatives, slides, a VHS tape, and a CD of Randolph's memorial.
Arrangement
Arranged alphabetically within each series. Organized into 4 series: I, Correspondence, 1918-1999; II, Subject Files, 1940-1999; III, Productions and Professional Activities, 1938-1999; IV, Oversize Materials, 1955.
Access Points
Subject Names
- Brand, Phoebe, 1907-2004
- Cunningham, Sarah.
- Elder, Lonne
- Jules, Dassin, 1911-2008.
- Robeson, Paul, 1898-1976
- Ewen, Frederic, 1899-
- Silvera, Frank, 1914-1970
- Suhl, Yuri, 1908-1986
- Piscator, Erwin, 1893-1966
- Nelson, Steve, 1903-1993
- Ntloedibe, Elias L.
- Norman, Lloyd, 1914-
- Randolph, Martha
Document Type
- Clippings (information artifacts)
- Scripts (documents)
- Legal documents.
- Correspondence.
Subject Organizations
- Ensemble Studio Theatre
- Philadelphia Drama Guild
- Actors' Equity Association
- American Federation of Television and Radio Artists
- Screen Actors Guild
Subject Topics
- Blacklisting of entertainers.
- Motion pictures and theater -- United States.
- Tony Awards.
- Actors -- Labor unions -- United States.
- Actors -- United States.
- Actresses -- United States.
Subject Places
- New York (N.Y.)
- Los Angeles (Calif.)
Administrative Information
Conditions Governing Access
Materials are open without restriction.
Conditions Governing Use
Copyright (or related rights to publicity and privacy) for materials in this collection, created by John Randolph was not transferred to New York University. Permission to use materials must be secured from the copyright holder.
Preferred Citation
Published citations should take the following form:
Identification of item, date; John Randolph Papers; WAG 255; box number; folder number;
Tamiment Library/Robert F. Wagner Labor Archives, New York University.
Separated Material
Photographs, audio- and video-tapes from the Randolph Papers have been separated to the Non-Print Department of the Tamiment Library.
Audiovisual Access Policies and Procedures
Audiovisual materials have not been preserved and may not be available to researchers. Materials not yet digitized will need to have access copies made before they can be used. To request an access copy, or if you are unsure if an item has been digitized, please contact tamiment.wagner@nyu.edu, (212) 998-2630 with the collection name, collection number, and a description of the item(s) requested. A staff member will respond to you with further information.
Immediate Source of Acquisition
Donated by John Randolph's daughter, Martha Randolph, in June 2004. The accession number associated with this gift is 2004.032.
Processing Information
Processing decisions made prior to 2017 have not been recorded. In 2017 underfilled boxes were condensed and box numbers were updated.
Container List
Series I: Correspondence, 1918-1999
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| Container 1 | Container 2 | Title | Date | |
|---|---|---|---|---|
| Box: 1 | Folder : 1 | Correspondence: Academy of Motion Picture Arts and Sciences |
1970 | |
| Box: 1 | Folder : 2 | Correspondence: Coalition for Economic Survival |
1998 | |
| Box: 1 | Folder : 3 | Correspondence: Lonne Elder, III re: Ceremonies in Dark Old Men (includes reviews for 1973 Philadelphia production) |
1965-1966 | |
| Box: 1 | Folder : 4 | Correspondence: Frederic Ewen and Miriam Gideon Ewen |
1960 | |
| Box: 1 | Folder : 5 | Correspondence: Freedomways (includes Esther Jackson, Managing Editor) |
1969 | |
| Box: 1 | Folder : 6 | Correspondence: Robert Frey (includes manuscript of article by Frey about JR) |
1970-1971 | |
| Box: 1 | Folder : 7 | Correspondence: Germany |
1982 | |
| Box: 1 | Folder : 8 | Correspondence: In memory of Sarah |
1986-1987 | |
| Box: 1 | Folder : 9 | Correspondence: JR |
1935, 1941-1946, 1959 | |
| Box: 1 | Folder : 10 | Correspondence: JR |
1961-1969 | |
| Box: 1 | Folder : 11 | Correspondence: JR |
1970-1974 | |
| Box: 1 | Folder : 12 | Correspondence: JR |
1980, 1986-1987 | |
| Box: 1 | Folder : 13 | Correspondence: JR |
1994-1999 | |
| Box: 1 | Folder : 14 | Correspondence: JR and SC |
1946-1980 | |
| Box: 1 | Folder : 15 | Correspondence: JR to SC/SC to JR |
1953-1971 | |
| Box: 1 | Folder : 16 | Correspondence: Letter from JR's Father, Louis Cohen, to Cohen's brother |
Jun 3, 1918 | |
| Box: 1 | Folder : 17 | Correspondence: Letters to SC (not from JR) |
1940, 1980, undated | |
| Box: 1 | Folder : 18 | Correspondence: Norman Lloyd |
1970s | |
| Box: 1 | Folder : 19 | Correspondence: Maudlyn "Mitzie" Martin employment with the Randolphs |
1968 | |
| Box: 1 | Folder : 20 | Correspondence: National Black Theatre Workshop, Barbara Ann Teer President |
1969 | |
| Box: 1 | Folder : 21 | Correspondence: New Theatre for Now Tour Cancellation |
1969 | |
| Box: 1 | Folder : 22 | Correspondence: New York Apartment |
1998-1999 | |
| Box: 1 | Folder : 23 | Correspondence: Elias Ntloedibe from Kenya (mostly regarding song recordings) |
1969-1970 | |
| Box: 1 | Folder : 24 | Correspondence: Elias Ntloedibe from Tanzania (includes press clippings and related
materials) |
1969-1973 | |
| Box: 1 | Folder : 25 | Correspondence: Erwin Piscator, Director of the Dramatic Workshop |
1941-1942 | |
| Box: 1 | Folder : 26 | Correspondence: Andrea Primdahl |
1990s | |
| Box: 1 | Folder : 27 | Correspondence: Randolph in Support of Lonne Elder, III and Elder's Essay |
1963 | |
| Box: 1 | Folder : 28 | Correspondence: Ralph Russell |
1963 | |
| Box: 1 | Folder : 29 | Correspondence: Frank Silvera |
1968-1969 | |
| Box: 1 | Folder : 30 | Correspondence: Alan Simpson (United States Senator from Wyoming) |
1989-1990 | |
| Box: 1 | Folder : 31 | Correspondence: Yuri Suhl |
1964 | |
| Box: 1 | Folder : 32 | Correspondence: Tony Award Congratulations |
1987 | |
| Box: 1 | Folder : 33 | Correspondence: Veterans of the Abraham Lincoln Brigade (VALB) (includes Steve Nelson
and Moe Fishman) |
1962, 1969-1972 | |
| Box: 1 | Folder : 34 | Correspondence: James Whitmore |
1970S | |
| Box: 1 | Folder : 35 | Correspondence: World War II, JR to SC |
Jul 1941-Oct 1941 | |
| Box: 1 | Folder : 36 | Correspondence: World War II, SC to JR |
Jul 1941-Aug 1941 | |
| Box: 1 | Folder : 37 | Correspondence: World War II, JR to SC |
Nov 1941-Dec 1941 | |
| Box: 1 | Folder : 38 | Correspondence: World War II, JR and SCs Wedding |
1942 | |
| Box: 1 | Folder : 39 | Correspondence: World War II, letters to JR (not from SC but sent to her for safe
keeping) from Jules Dassin, Frank Silvera, John Berry and Others |
1942 | |
| Box: 1 | Folder : 40 | Correspondence: World War II, JR to SC (Mrs. Randolph as of January 6th) |
Jan 1942-Aug 1942 | |
| Box: 1 | Folder : 41 | Correspondence: World War II, SC to JR (now known as Private Mortimer Lippman) |
Apr 1942-May 1942 | |
| Box: 1 | Folder : 42 | Correspondence: World War II, SC to JR |
Jun 1942-Sep 1942 | |
| Box: 1 | Folder : 43 | Correspondence: World War II, JR to SC |
Sep 1942-Dec 1942 | |
| Box: 1 | Folder : 44 | Correspondence: World War II, JR to SC |
Jan 1943-Mar 1943, undated | |
| Box: 1 | Folder : 45 | Correspondence: World War II, SC to JR |
Jan 1943-Mar 1943 | |
| Box: 1 | Folder : 46 | Correspondence: World War II, JR to SC |
Apr 1943 | |
| Box: 1 | Folder : 47 | Correspondence: World War II, SC to JR |
Apr 1943 | |
| Box: 2 | Folder : 1 | Correspondence: World War II, JR (a corporal as of June) to SC |
May 1943-Sep 1943 | |
| Box: 2 | Folder : 2 | Correspondence: World War II, SC to JR |
Mar 1943-Jul 1943 | |
| Box: 2 | Folder : 3 | Correspondence: World War II, JR to SC |
Oct 1943-Dec 1943 | |
| Box: 2 | Folder : 4 | Correspondence: World War II, SC to JR |
Aug 1943-Dec 1943 | |
| Box: 2 | Folder : 5 | Correspondence: World War II, letters to JR (not from SC, includes Jules Dassin and
Frank Silvera) |
1943 | |
| Box: 2 | Folder : 6 | Correspondence: World War II, letters to SC (not from JR) |
1943 | |
| Box: 2 | Folder : 7 | Correspondence: World War II, JR to SC |
Jan 1944-Jun 1944, undated | |
| Box: 2 | Folder : 8 | Correspondence: World War II, SC to JR |
Jan 1944-Jun 1944 | |
| Box: 2 | Folder : 9 | Correspondence: World War II, JR to SC |
Jul 1944-Dec 1944 | |
| Box: 2 | Folder : 10 | Correspondence: World War II, SC to JR |
Jul 1944-Dec 1944 | |
| Box: 2 | Folder : 11 | Correspondence: World War II, letters to JR (not from SC) |
1944 | |
| Box: 2 | Folder : 12 | Correspondence: World War II, letters to SC (not from JR) |
1944 | |
| Box: 2 | Folder : 13 | Correspondence: World War II, JR to SC |
1945 | |
| Box: 2 | Folder : 14 | Correspondence: World War II, SC to JR |
Mar 1945-Apr 1945 | |
| Box: 2 | Folder : 15 | Correspondence: World War II, SC to JR |
May 1945-Dec 1945 | |
| Box: 2 | Folder : 16 | Correspondence: World War II, letters to JR (not from SC) |
Jan 1945-Aug 1945 | |
| Box: 2 | Folder : 17 | Correspondence: World War II, letters to SC (not from JR) |
Sep 1945-Dec 1945 | |
| Box: 2 | Folder : 18 | Correspondence and Related Materials: Martha Randolph |
1960-1997 | |
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Series II: Subjects, 1940-1999
|
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| Container 1 | Container 2 | Title | Date | |
| Box: 2 | Folder : 19 | Actors' Equity Association (AEA) |
1945-1974 | |
| Box: 2 | Folder : 20 | AEA: "Broadway Blackout" clippings and notes |
1960 | |
| Box: 2 | Folder : 21 | AEA: Council Election with JR Running by Petition |
1962 | |
| Box: 2 | Folder : 22 | AEA: Ethnic Minorities Committee |
1962-1966, 1974 | |
| Box: 2 | Folder : 23 | AEA: John Randolph Charges against Douglas Gregory |
1967-1968 | |
| Box: 3 | Folder : 1 | AEA Paul Robeson Award Committee |
1972-1998 | |
| Box: 3 | Folder : 2 | Agency Agreements: Sid Gold-Jack Fields, Abrams-Rubaloff |
1967, 1988 | |
| Box: 3 | Folder : 3 | Air Force Songs (sheet music) |
1943 | |
| Box: 3 | Folder : 4 | American Federation of Television and Radio Artists (AFTRA): General |
1962-1998 | |
| Box: 3 | Folder : 5 | AFTRA: Los Angeles Local |
1999 | |
| Box: 3 | Folder : 6 | AFTRA: Washington-Baltimore Local |
1998-1999 | |
| Box: 3 | Folder : 7 | Announcer's General Operation Manual (with notes) |
1938-1939 | |
| Box: 3 | Folder : 8 | Award: Advertising Club of New York, "Andy" |
1968 | |
| Box: 3 | Folder : 9 | Award: Golden Laurel |
1997 | |
| Box: 3 | Folder : 10 | Biographical and Resume materials: JR |
1955-1995 | |
| Box: 3 | Folder : 11 | Biographical and Resume materials: SC |
1961-1972 | |
| Box: 3 | Folder : 12 | Blacklist: AFTRA Amendment against |
1956 | |
| Box: 3 | Folder : 13 | Blacklist: AFTRA Amendment in Support |
1955 | |
| Box: 3 | Folder : 14 | Blacklist: AFTRA Members Anti-AWARE, Inc. Resolution |
1955 | |
| Box: 3 | Folder : 15 | Blacklist: Anti-Subversive Committee, Cook County Council, the American Legion |
May 1956 | |
| Box: 3 | Folder : 16 | Blacklist: Authors League of America |
1952 | |
| Box: 3 | Folder : 17 | Blacklist: Correspondence |
1955 | |
| Box: 3 | Folder : 18 | Blacklist: Letters to Actors' Equity |
1950s | |
| Box: 3 | Folder : 19 | Blacklist: Red Treason on Broadway by Myron Fagan |
1954 | |
| Box: 3 | Folder : 20 | Blacklist/House Committee on Un-American Activities (HUAC): Douglas Gregory Case Correspondence
and Related Material |
1968 | |
| Box: 3 | Folder : 21 | Blacklist/ HUAC: Press Clippings and Related Material |
1951 | |
| Box: 3 | Folder : 22 | Blacklist/ HUAC: Press Clippings and Related Material |
1952 | |
| Box: 3 | Folder : 23 | Blacklist/ HUAC: Press Clippings and Related Material |
1953 | |
| Box: 3 | Folder : 24 | Blacklist/ HUAC: Press Clippings and Related Material |
1955 | |
| Box: 3 | Folder : 25 | Blacklist/ HUAC: Press Clippings and Related Material |
1961-1997 | |
| Box: 3 | Folder : 26 | Brotherhood of Artists: Mako, Chairman |
1970 | |
| Box: 3 | Folder : 27 | Class Day Skit written by Sarah Cunningham |
Jun 1940 | |
| Box: 3 | Folder : 28 | Clippings: General |
1944, 1971, undated | |
| Box: 3 | Folder : 29 | Clippings: General, JR |
1994, undated | |
| Box: 3 | Folder : 30 | Clippings: General, SC |
1940, 1951, undated | |
| Box: 3 | Folder : 31 | Clippings: Political Issues |
1964-1996 | |
| Box: 3 | Folder : 32 | Commission for Human Rights, State of New York |
1967-1968 | |
| Box: 3 | Folder : 33 | Committee for Employment of Negro Performers |
1962, undated | |
| Box: 3 | Folder : 34 | Czechoslovakia—Lessons for Us All (manuscript attributed to R.P.D.) |
1968 | |
| Box: 3 | Folder : 35 | Diary [date book] |
1940 | |
| Box: 3 | Folder : 36 | Freedom of Information Act (FOIA) File: John Randolph a/k/a Mortimer Lippman, a/k/a
Emmanuel Cohen |
Apr 11, 1977 | |
| Box: 3 | Folder : 37 | Funeral Records of Dorothy Lippman (JR's Mother) |
1969 | |
| Box: 3 | Folder : 38 | Harlem: Proposal for an Independent Board of Education |
1967 | |
| Box: 3 | Folder : 39 | Honoring John Randolph Events |
1988, 1995-1997 | |
| Box: 3 | Folder : 40 | House Committee on Un-American Activities (HUAC) |
undated | |
| Box: 3 | Folder : 41 | HUAC: Correspondence Received before and after Testifying |
1955 | |
| Box: 3 | Folder : 42 | HUAC: Hate Groups and the Un-American Activities Committee, Pamphlet by David Wesley |
1961 | |
| Box: 3 | Folder : 43 | HUAC: National Committee to Abolish |
1960s | |
| Box: 3 | Folder : 44 | HUAC: Pamphlets and Related Materials Used in Preparation for Hearings |
1955 | |
| Box: 3 | Folder : 45 | HUAC: Press Clippings and Related Material |
1961 | |
| Box: 3 | Folder : 46 | Issues: African-Americans (includes early materials on the "Negro performer") |
1953-1973 | |
| Box: 3 | Folder : 47 | Issues: Anti-War |
1960s | |
| Box: 3 | Folder : 48 | Issues: Freedom for Angela Davis |
1971-1972 | |
| Box: 3 | Folder : 49 | Issues: Friendship Societies |
1983-1999 | |
| Box: 3 | Folder : 50 | Issues: General |
undated | |
| Box: 3 | Folder : 51 | Issues: National Committee against Repressive Legislation/Wilkinson v. FBI |
1986-1987 | |
| Box: 3 | Folder : 52 | Issues: Resolution on the U.S. Office of Repertory Theatres/Sala Staw |
1962 | |
| Box: 3 | Folder : 53 | Issues: Rosenbergs (includes the National Committee to Reopen the Rosenberg Case) |
1975-1988 | |
| Box: 3 | Folder : 54 | Issues: Vietnam |
1965-1971 | |
| Box: 3 | Folder : 55 | Issues: Women |
1952-1953, undated | |
| Box: 3 | Folder : 56 | Itinerary for JR |
May 9, 1996-Jul 15, 1996 | |
| Box: 3 | Folder : 57 | Kazan, Elia, Lifetime Achievement Oscar: Randolph Statement and Related Materials |
1999 | |
| Box: 3 | Folder : 58 | March on Washington for Jobs and Freedom |
Aug 28, 1963 | |
| Box: 3 | Folder : 59 | Membership and Business Cards |
undated | |
| Box: 3 | Folder : 60 | Military Service |
1941-1945 | |
| Box: 3 | Folder : 61 | Neighborhood Artists |
1988 | |
| Box: 3 | Folder : 62 | New York Apartment |
1997 | |
| Box: 3 | Folder : 63 | Patterson, William L. Foundation (JR and SC , founding members) |
1979-1980 | |
| Box: 3 | Folder : 64 | People's Weekly World Banquet (Chicago) |
1992, 1998 | |
| Box: 4 | Folder : 1 | Phone Lists, Contact Sheets, Date Book |
1960s-1970s | |
| Box: 4 | Folder : 2 | Erwin Piscator: Memorial Service |
Jun 4, 1967 | |
| Box: 4 | Folder : 3 | John Reed Centennial Celebration |
1989 | |
| Box: 4 | Folder : 4 | Paul Robeson: Celebrations, Articles and Related Materials |
1958-1978 | |
| Box: 4 | Folder : 5 | Screen Actors Guild (SAG): 1971 Elections and Related Materials (includes John Gavin
letter) |
1971-1973 | |
| Box: 4 | Folder : 6 | SAG: Committees (includes Legacy and Conservatory Committees) |
1980 | |
| Box: 4 | Folder : 7 | SAG: Delegation to the German Democratic Republic (GDR) |
1979-1980 | |
| Box: 4 | Folder : 8 | SAG: General |
1972-1999 | |
| Box: 4 | Folder : 9 | SAG: Strike |
1980 | |
| Box: 4 | Folder : 10 | Showbiz by Maxwell Glanville, Volume 4, Number 4 |
Apr 1987 | |
| Box: 4 | Folder : 11 | "Slouching towards a National Theater" in New Federal One |
Apr 1996 | |
| Box: 4 | Folder : 12 | Supreme Court Decisions: Quinn and Watkins |
1954, 1957 | |
| Box: 4 | Folder : 13 | Theatre and Human Rights: Panel with SC |
1970 | |
| Box: 4 | Folder : 14 | "Theatre People for Peace" |
1962 | |
| Box: 4 | Folder : 15 | "This Is the Year" (also known as "From Chungking to Frisco"), Sheet Music |
undated | |
| Box: 4 | Folder : 16 | "Trial of Traitors" Meeting Speech by Allan Sloane |
Jan 29, 1950 | |
| Box: 4 | Folder : 17 | War Department Employment Records for SC |
1945 | |
| Box: 4 | Folder : 18 | Women Strike for Peace |
1963 | |
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Series III: Productions and Professional Activities, 1938-1999
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| Container 1 | Container 2 | Title | Date | |
| Box: 4 | Folder : 19 | After the Fall (play) with JR and SC |
1966 | |
| Box: 4 | Folder : 20 | All Aboard! by Ben Bengal (play) |
undated | |
| Box: 4 | Folder : 21 | American Clock by Arthur Miller (play) |
1980 | |
| Box: 4 | Folder : 22 | An Evening's Frost (play) at Theatre De Lys, University of Michigan and Possible USSR Tour |
1965-1967, 1973 | |
| Box: 4 | Folder : 23 | Animal Kingdom (play) at Bucks County Playhouse |
1951 | |
| Box: 4 | Folder : 24 | Herbert Aptheker and the Negro Struggle: Excerpts for Readings |
1960s | |
| Box: 4 | Folder : 25 | Back in the Race (play) |
1980 | |
| Box: 4 | Folder : 26 | Ballad of the Winter Soldiers (play) |
1964 | |
| Box: 4 | Folder : 27 | Barsky (Dr. Edward) Tribute Dinner (script) |
Feb 24, 1967 | |
| Box: 4 | Folder : 28 | Barroom Monks (play script) with SC |
1962-1963 | |
| Box: 4 | Folder : 29 | Beryl Isaac, Miracle of Hashno Rabo, Tit for Tat, Yom Kippur Scandal (play scripts) by Sholem Aleichem |
undated | |
| Box: 4 | Folder : 30 | Born Yesterday (play) |
1972 | |
| Box: 4 | Folder : 31 | Brecht, (play script, excerpts from his work) presented at Columbia University with
Frederick Ewen and the "Angry Arts" Peace Program |
undated | |
| Box: 4 | Folder : 32 | Broadway Bound (play): Broadway and on Tour |
1986-1995 | |
| Box: 4 | Folder : 33 | Broadway Bound: Letters of Congratulation during Broadway Run |
1986 | |
| Box: 4 | Folder : 34 | Broadway Bound: Letters of Congratulation during Broadway Run |
1987 | |
| Box: 4 | Folder : 35 | Brotherhood on Broadway (reading, script) |
1965 | |
| Box: 4 | Folder : 36 | Elizabeth Barrett and Robert Browning: Excerpts from Letters, Sonnets and Poems |
undated | |
| Box: 4 | Folder : 37 | Cable Car Murder (television movie) |
1971 | |
| Box: 4 | Folder : 38 | California Wine (play) with SC |
undated | |
| Box: 4 | Folder : 39 | Camera Three (television program) with JR and SC |
1965 | |
| Box: 4 | Folder : 40 | Carnegie Hall program on the Rosenbergs (script) |
undated | |
| Box: 4 | Folder : 41 | Case of Libel (play) |
1963 | |
| Box: 4 | Folder : 42 | Cause of it All (excerpts) by Leo Tolstoy |
undated | |
| Box: 4 | Folder : 43 | Celebration with Ossie Davis and Ruby Dee and Friends |
1987 | |
| Box: 4 | Folder : 44 | Ceremonies in Dark Old Men: Program and Clippings |
1969 | |
| Box: 4 | Folder : 45 | Chekov notes, including "Olga Knipper Chekhov Speaks" |
undated | |
| Box: 4 | Folder : 46 | Chicken Soup with Barley (play, script) by Arnold Wesker with SC |
undated | |
| Box: 4 | Folder : 47 | Children of Sanchez: Book Report-type Presentation |
undated | |
| Box: 4 | Folder : 48 | Children's Program Outline |
undated | |
| Box: 4 | Folder : 49 | Christy (play) with SC |
1964 | |
| Box: 4 | Folder : 50 | Cid (radio, script) |
1938 | |
| Box: 4 | Folder : 51 | Comeback Little Sheba (play) with JR as the Milkman |
1950-1951 | |
| Box: 4 | Folder : 52 | Command Decision (play) |
1947-1948 | |
| Box: 4 | Folder : 53 | Concert Readings with JR and SC |
1950-1962 | |
| Box: 4 | Folder : 54 | Concert Readings with JR and SC |
1963-1964 | |
| Box: 4 | Folder : 55 | Conquest of the Planet of the Apes (film) |
1972 | |
| Box: 4 | Folder : 56 | Contracts: JR |
1941-1973 | |
| Box: 4 | Folder : 57 | Contracts: SC |
1963-1973 | |
| Box: 4 | Folder : 58 | Conversation at Midnight (play) |
1964 | |
| Box: 4 | Folder : 59 | Cowboys (movie): SC costars with John Wayne |
1973 | |
| Box: 4 | Folder : 60 | Created Equal (Federal Theatre Project play) |
1938 | |
| Box: 4 | Folder : 61 | Current Rage (play) with SC at the Ensemble Studio Theatre |
undated | |
| Box: 4 | Folder : 62 | Day They Shot John Lennon (play) |
1997 | |
| Box: 4 | Folder : 63 | Death of a Salesman (play) at Arlington Park Theatre, Arlington Heights, Illinois |
1972 | |
| Box: 4 | Folder : 64 | Death of Innocence (television movie) |
1971 | |
| Box: 4 | Folder : 65 | Dictionary's Party (short story) by Martin Weldon |
undated | |
| Box: 4 | Folder : 66 | Dramatic Workshop at New School/Erwin Piscator, Director: Notes |
undated | |
| Box: 4 | Folder : 67 | Electra (excerpts) by Euripides |
undated | |
| Box: 4 | Folder : 68 | Emma Lazurus (sic) (excerpts) |
undated | |
| Box: 4 | Folder : 69 | Ensemble Studio Theatre |
1973-1999 | |
| Box: 5 | Folder : 1 | Fair Game (play) with SC |
1957 | |
| Box: 5 | Folder : 2 | Fairleigh Dickenson University Class |
1961-1962 | |
| Box: 5 | Folder : 3 | Family Kovack (television movie) with SC |
1974 | |
| Box: 5 | Folder : 4 | Family Rico (television movie) |
1972 | |
| Box: 5 | Folder : 5 | [Jules] Feiffer cartoons |
1966 | |
| Box: 5 | Folder : 6 | Fever for Life (play) |
1957 | |
| Box: 5 | Folder : 7 | First Day in America (play) by Yuri Suhl (includes poem And the Earth Rebelled from 1954) |
undated | |
| Box: 5 | Folder : 8 | Fishke the Lame (excerpts) by Mendele Mocher Seforim |
undated | |
| Box: 5 | Folder : 9 | Foreign Field (movie) |
1993 | |
| Box: 5 | Folder : 10 | Freedomways Magazine presents An Evening of Dramatic Arts |
Feb 22, 1969 | |
| Box: 5 | Folder : 11 | Front Page (play) |
1947 | |
| Box: 5 | Folder : 12 | Going Home (movie) |
1997 | |
| Box: 5 | Folder : 13 | Golden State (play) |
1950 | |
| Box: 5 | Folder : 14 | Good Night! Monologue on Child Discipline for the PTA |
undated | |
| Box: 5 | Folder : 15 | Guys and Dolls (musical) |
1955 | |
| Box: 5 | Folder : 16 | Hannukah Money (excerpts) with JR and SC |
undated | |
| Box: 5 | Folder : 17 | Henry IV, Part I (scene for two men) |
undated | |
| Box: 5 | Folder : 18 | Here Dies Another Day (AFI movie) |
1996 | |
| Box: 5 | Folder : 19 | Hotel Manor Inn (movie) |
1996 | |
| Box: 5 | Folder : 20 | House of Bernarda Alba (play) with SC |
1950-1951 | |
| Box: 5 | Folder : 21 | In the Matter of J. Robert Oppenheimer (play) |
1968 | |
| Box: 5 | Folder : 22 | Indian Centennial Song by Chief Dan George |
undated | |
| Box: 5 | Folder : 23 | Inherit the Wind (play): National Tour with Melvyn Douglas |
1956-1957, 1960 | |
| Box: 5 | Folder : 24 | Introductions |
undated | |
| Box: 5 | Folder : 25 | Introductions to Jewish Materials |
1960s | |
| Box: 5 | Folder : 26 | Investigator: A Political Satire in Documentary Form |
undated | |
| Box: 5 | Folder : 27 | Ivory Tower (play) |
1967 | |
| Box: 5 | Folder : 28 | Jerome, V. J.: Vignettes from Unstill Waters |
undated | |
| Box: 5 | Folder : 29 | Jewish Currents (Morris Schappes, Editor) Annual Concerts with JR and SC |
1962-1964 | |
| Box: 5 | Folder : 30 | "Jewish Wife" from Private Life of the Master Race (play) by Bertolt Brecht |
undated | |
| Box: 5 | Folder : 31 | Juno and the Paycock (excerpts) by Sean O'Casey |
undated | |
| Box: 5 | Folder : 32 | "Kasrilevka" from The Schtetl by Sholem Aleichem |
undated | |
| Box: 5 | Folder : 33 | Ladies in Waiting (play) at the Negro Ensemble Company with SC |
undated | |
| Box: 5 | Folder : 34 | Lamp Unto My Feet episode "O the Chimneys" (television) |
Oct 15, 1967 | |
| Box: 5 | Folder : 35 | Lecture: Method Acting vs. Classical |
undated | |
| Box: 5 | Folder : 36 | Life with Father (play) in Greenville, South Carolina (includes copy of program from original New
York production) |
1955 | |
| Box: 5 | Folder : 37 | Light Up the Sky (Play) |
1959 | |
| Box: 5 | Folder : 38 | Line (play) by Israel Horovitz from Acrobats and Line |
1971 | |
| Box: 5 | Folder : 39 | Little Foxes (excerpts) by Lillian Hellman |
undated | |
| Box: 5 | Folder : 40 | Little Murders (movie) |
1971 | |
| Box: 5 | Folder : 41 | Little Rooster and the Turkish Sultan (play/script) |
undated | |
| Box: 5 | Folder : 42 | Living Flame (play) |
1939 | |
| Box: 5 | Folder : 43 | Local 1199: Theatre Presentations and Film Works |
1960s | |
| Box: 5 | Folder : 44 | Lone Rider (radio script) |
1940 | |
| Box: 5 | Folder : 45 | Look Back, Mrs. Lot by Ephrain Kishon (excerpts include "Jewish Poker") |
undated | |
| Box: 5 | Folder : 46 | Lost in the Stars: Scene between Jarvis and Stephen |
undated | |
| Box: 5 | Folder : 47 | Lysistrata (play excerpt): Scene for Two Women |
undated | |
| Box: 5 | Folder : 48 | Macbeth (play excerpt): Scene for a Man and a Women |
undated | |
| Box: 5 | Folder : 49 | Mademoiselle Colombe (play) with SC |
undated | |
| Box: 5 | Folder : 50 | Madrid 1937: VALB 60th Anniversary Dinner |
Apr 21, 1996 | |
| Box: 5 | Folder : 51 | Magic Mountain (play script) by Thomas Mann adapted by Frederic Ewen, Phoebe Brand, and John Randolph |
1965 | |
| Box: 5 | Folder : 52 | Magic Mountain (play): Correspondence, Programs, Notes |
1964-1967 | |
| Box: 5 | Folder : 53 | Mating Dance (play) with SC |
1964 | |
| Box: 5 | Folder : 54 | Medicine Show (play) |
1940 | |
| Box: 5 | Folder : 55 | Midsummer Night's Dream (play excerpt) for American Academy Class |
undated | |
| Box: 5 | Folder : 56 | Mission Impossible (television episode): Call Sheet |
1967 | |
| Box: 5 | Folder : 57 | "Mitzvah" from The Old Country by Sholem Aleichem |
undated | |
| Box: 5 | Folder : 58 | Modern Children (play) from the Sholem Aleichem Stories |
undated | |
| Box: 5 | Folder : 59 | Mother Courage and Her Children (play) |
1963 | |
| Box: 5 | Folder : 60 | Motive (play) |
1970 | |
| Box: 5 | Folder : 61 | My Brother Mike ([student?] film) |
undated | |
| Box: 5 | Folder : 62 | My Sweet Charlie (play) with JR and SC |
1966 | |
| Box: 5 | Folder : 63 | Native Son (play): National Tour Starring Canada Lee |
1941-1942 | |
| Box: 5 | Folder : 64 | "Negro History" Scripts and Related Materials |
undated | |
| Box: 5 | Folder : 65 | New Theatre for Now, Mark Taper Forum, Los Angeles |
1969 | |
| Box: 5 | Folder : 66 | Nihilists (play script): Master Copy |
undated | |
| Box: 5 | Folder : 67 | Nihilists (play script): Third Draft "for Reference," Incomplete |
undated | |
| Box: 5 | Folder : 68 | Nourish the Beast (play and television movie) |
1973-1974 | |
| Box: 5 | Folder : 69 | Number One (movie): Working Title Pro |
1969 | |
| Box: 5 | Folder : 70 | Oh, Pioneers (play) with SC |
1969 | |
| Box: 5 | Folder : 71 | One Foot in America (various stories) by Yuri Suhl |
1965 | |
| Box: 5 | Folder : 72 | Our Faces, Our Words (excerpts) by Lillian Smith for a Program on Civil Rights |
undated | |
| Box: 5 | Folder : 73 | Our Greek Experience: A Synthesis of Group Discussions Led by Professors Karl H. Niebyl, Alban Winspear
and Others with National Guardian Travelers in Greece |
Jun 1966 | |
| Box: 5 | Folder : 74 | Page from the Song of Songs by Sholem Aleichem |
undated | |
| Box: 5 | Folder : 75 | Paint Your Wagon (musical) |
1951 | |
| Box: 5 | Folder : 76 | Passover Swindle by Sholem Aleichem |
undated | |
| Box: 5 | Folder : 77 | Peddler and the Dodo Bird (play): Clippings, Correspondence and Related Materials (includes correspondence
with playwright Emanuel Fried) |
1963-1970 | |
| Box: 5 | Folder : 78 | Peer Gynt (play) |
1951 | |
| Box: 5 | Folder : 79 | Philadelphia Drama Guild (John Randolph, Artistic Consultant) |
1971-1973 | |
| Box: 5 | Folder : 80 | Philadelphia Drama Guild: Death of a Salesman |
1974 | |
| Box: 5 | Folder : 81 | Philadelphia Drama Guild: The Little Foxes |
1974 | |
| Box: 5 | Folder : 82 | Philadelphia Drama Guild: The Rose Tattoo |
1973 | |
| Box: 5 | Folder : 83 | Philadelphia Drama Guild: The Taming of the Shrew |
1974 | |
| Box: 5 | Folder : 84 | Poems: Bertolt Brecht |
undated | |
| Box: 5 | Folder : 85 | Poems: Heinrich Heine's "Donna Clara" |
undated | |
| Box: 6 | Folder : 1 | Poems: "Lullaby for a South African Child of Apartheid" |
undated | |
| Box: 6 | Folder : 2 | Poems: Pablo Neruda |
undated | |
| Box: 6 | Folder : 3 | Poems: Beulah Richardson |
undated | |
| Box: 6 | Folder : 4 | Poems: Selections from Carl Sandburg's The People, Yes |
undated | |
| Box: 6 | Folder : 5 | Poems: "Years of the Modern" from Walt Whitman's Leaves of Grass |
undated | |
| Box: 6 | Folder : 6 | Portrait of the Artist as a Young Man and The Barroom Monks): Plays with SC; JR is one of the adaptors of Portrait; Shamrock Company/Paul Libin,
Producer with Round Table Review and Madeline Lee at the Martinique Theatre |
1961-1964 | |
| Box: 6 | Folder : 7 | Possessed (play script) |
undated | |
| Box: 6 | Folder : 8 | Prelude to a Kiss (play) |
1991 | |
| Box: 6 | Folder : 9 | Present Tense (play) with SC |
1972 | |
| Box: 6 | Folder : 10 | Pretty Poison (movie) |
1968 | |
| Box: 6 | Folder : 11 | Private Hicks (play script) by Albert Maltz |
undated | |
| Box: 6 | Folder : 12 | Pygmalion (play) |
undated | |
| Box: 6 | Folder : 13 | Quartette Productions with JR and SC |
undated | |
| Box: 6 | Folder : 14 | Radio Show Reviews |
1947-1948 | |
| Box: 6 | Folder : 15 | Rap on Race (play) with SC |
1971 | |
| Box: 6 | Folder : 16 | Readings |
1961-1966 | |
| Box: 6 | Folder : 17 | Rescue (television script): Philco Television Playhouse |
1951 | |
| Box: 6 | Folder : 18 | Respectful Prostitute (play) |
1949 | |
| Box: 6 | Folder : 19 | Riders to the Sea (play) |
undated | |
| Box: 6 | Folder : 20 | Rimers of Eldritch (monologues) |
undated | |
| Box: 6 | Folder : 21 | Room Service (play) |
1946 | |
| Box: 6 | Folder : 22 | Round Table Review by/with Phoebe Brand and John Randolph with Commentary by Dr. Frederic Ewen |
1958-1963 | |
| Box: 6 | Folder : 23 | Ruby McCollum for LA Theatre Works |
1997 | |
| Box: 6 | Folder : 24 | Salt of the Earth (excerpts) |
undated | |
| Box: 6 | Folder : 25 | Saville Playhouse Summer Season |
1946 | |
| Box: 6 | Folder : 26 | Scenes from the Works of Sean O'Casey (play): Theatre 1199 |
[1964?] | |
| Box: 6 | Folder : 27 | Scenes from Uncle Vanya, Peer Gynt, The Lost Weekend, Important of Being Earnest, Parian or the
Outcast, Bourgomaster |
undated | |
| Box: 6 | Folder : 28 | Script Sides: All Summer Long, Goldberg |
undated | |
| Box: 6 | Folder : 29 | Scuff (movie): JR invested in |
1964 | |
| Box: 6 | Folder : 30 | Seagull (play) with SC |
1966 | |
| Box: 6 | Folder : 31 | Seconds (movie): Original Opening and Re-Release |
1965-1966, 1995 | |
| Box: 6 | Folder : 32 | Serpico (movie) |
1973 | |
| Box: 6 | Folder : 33 | Shakespeare Comedies: Scenes for One Man and One Woman |
undated | |
| Box: 6 | Folder : 34 | Shakespeare Monologues |
undated | |
| Box: 6 | Folder : 35 | Short plays about Elizabeth Gurley Flynn and Mother Bloor |
undated | |
| Box: 6 | Folder : 36 | Silver Cord (play) at Equity Library Theatre |
[1947?] | |
| Box: 6 | Folder : 37 | Siren and Chameleon (play scripts) by Anton Chekhov |
undated | |
| Box: 6 | Folder : 38 | Song of the Fire Ovens (play script) by Peter Weiss |
undated | |
| Box: 6 | Folder : 39 | Sound of Music (musical) |
1959-1963 | |
| Box: 6 | Folder : 40 | Stage for Action: Satire Matinee |
1946 | |
| Box: 6 | Folder : 41 | Stage for Action Scripts: Talk in Darkness by Malvin Wald; You're Next by Arthur Miller |
1939, 1947 | |
| Box: 6 | Folder : 42 | String of Pearls (play) with JR and SC at Sholem Aleichem Club, Philadelphia, PA |
1964 | |
| Box: 6 | Folder : 43 | Subversives for Medicare: Script of a Skit by Art Buchwald |
undated | |
| Box: 6 | Folder : 44 | Talent (play) |
1980 | |
| Box: 6 | Folder : 45 | Tartuffe (play excerpt): Scene for Two Men and a Woman |
undated | |
| Box: 6 | Folder : 46 | Technicians All: Army Script Done at Chanute Field |
[1940s] | |
| Box: 6 | Folder : 47 | Tevya and His Daughters (play) with JR and SC (includes copy of Dramatists Play Service script) |
1959 | |
| Box: 6 | Folder : 48 | Theatrical Programs |
1939-1966 | |
| Box: 6 | Folder : 49 | There Was a Crooked Man (movie) |
1970 | |
| Box: 6 | Folder : 50 | They Call Me Alien (poem) |
undated | |
| Box: 6 | Folder : 51 | This Town: A Play of Manners by Sidney Blumenthal in Backstage West |
Apr 4, 1996 | |
| Box: 6 | Folder : 52 | Time of Your Life (play) |
1949 | |
| Box: 6 | Folder : 53 | Too True to Be Good (play scene) by George Bernard Shaw |
undated | |
| Box: 6 | Folder : 54 | Toys in the Attic (play) with SC |
1960 | |
| Box: 6 | Folder : 55 | Transit Theater |
1938 | |
| Box: 6 | Folder : 56 | Tribute to Erwin Piscator |
1967 | |
| Box: 6 | Folder : 57 | Triple Play (play) Produced by the Theatre Guild |
1959 | |
| Box: 6 | Folder : 58 | Unknown Chekhov (play script) Adapted and Arranged by Frederic Ewen, Phoebe Brand and John Randolph
|
undated | |
| Box: 6 | Folder : 59 | "Useful Quotes" |
undated | |
| Box: 6 | Folder : 60 | Vanka (play scene) by Chekhov |
undated | |
| Box: 6 | Folder : 61 | Veterans Peace Conference (script) Held at Madison Square Garden |
1946 | |
| Box: 6 | Folder : 62 | Victors (NYU Graduate Student Film) by Doro Bachrach |
1971 | |
| Box: 6 | Folder : 63 | Visit (play) |
1958 | |
| Box: 6 | Folder : 64 | Waltz of the Toreadors (play) |
1973 | |
| Box: 6 | Folder : 65 | Ward Number Six (play script) by Anton Chekhov, Adapted by Frederic Ewen, Phoebe Brand and John Randolph |
undated | |
| Box: 6 | Folder : 66 | Warsaw Ghetto (monologue) |
undated | |
| Box: 6 | Folder : 67 | Watch on the Rhine (play scene) |
undated | |
| Box: 6 | Folder : 68 | Way of the World (play excerpts) |
undated | |
| Box: 6 | Folder : 69 | We Hold These Truths (play script): Adaptation |
undated | |
| Box: 6 | Folder : 70 | Weizmann (Chaim) Dinner: Script and Correspondence |
1962 | |
| Box: 6 | Folder : 71 | Why America Deserves Eisenhower (poem) |
1950s | |
| Box: 6 | Folder : 72 | Wooden Dish (play) |
1955 | |
| Box: 6 | Folder : 73 | Workers Theatre (documentary) |
1998 | |
| Box: 6 | Folder : 74 | Working Theatre |
1996-1999 | |
| Box: 6 | Folder : 75 | World of Sholem Aleichem (play) with SC and occasionally JR |
1953-1965 | |
| Box: 6 | Folder : 76 | Young Hack and His Girl (play scene) |
undated | |
| Box: 6 | Folder : 77 | Israel Zangwill (performance script): Dreamer of the Ghetto |
undated | |
| Box: 6 | Folder : 78 | Israel Zangwill (script): King of the Schnorrers |
undated | |
|
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Series IV: Oversize Material, 1955
|
||||
| Container 1 | Title | Date | ||
| Box: MSOS001 | Scrapbook on HUAC Hearings, Compiled for a Benefit at the Stella Adler Studio in Los
Angeles, California |
Jun 12, 1997 | ||
| Box: MSOS001 | Variety ad re: AFTRA member resolution |
Jul 27, 1955 | ||
|
|
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Series V: Photographs and Recordings, 1944-2003
|
||||
| Container 1 | Title | Date | ||
| Box: 7 | John Randolph Photographs |
1944-1970 | ||
| Box: 8 | Audio and Videorecordings |
1970-2003 | ||
|
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