Tara Rodgers Pink Noises Riot Grrrl Collection
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Creator
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Language of Materials
Abstract
Tara Rodgers (1973-) (also known by her stage name Analog Tara) is a Washington DC based composer, historian and critic of electronic music. She is best known as the founder of Pinknoises.com, as well as her work as an academic and voice for women in the electronic music industry. The Tara Rodgers Pink Noises Riot Grrrl Collection features music and writing produced by or collected by Tara Rodgers related to her personal practice (including critiques, articles, and audio recordings), role in academia (essays, syllabi, event flyers), work at Pinknoises.com, and interest in the feminist electronic music scene (collection of magazines and zines, audio recordings).
Biographical Note
Tara Rodgers (1973-) (also known by her stage name Analog Tara) is a Washington DC based composer, historian and critic of electronic music. She is best known as the founder of Pinknoises.com, a website dedicated to documenting the work of women in the electronic music industry and providing music production resources. Rodgers also authored the book, Pink Noises: Women On Electronic Music And Sound, a collection of interviews featuring female professionals in the electronic music industry. Rodgers has a AB in American Studies from Brown University, an MFA in Electronic Music and Recording Media from Mills College and a PhD in Communication Studies from McGill University. She has been visiting faculty at the School of the Museum of Fine Arts, Boston, an assistant professor of Women's studies and Distinguished Faculty Fellow in Digital Cultures and Creativity at the University of Maryland and a faculty member at Dartmouth College.
Arrangement
This collection has not been arranged by an archivist. The materials are arranged in the order in which they were received from the donor.
Scope and Contents
The Tara Rodgers Pink Noises Riot Grrrl Collection, dated 1976-2015, consists of materials created, produced, and collected by Tara Rodgers documenting her involvement in academia, critical theory, and the music industry. The collection includes correspondence, audio recordings under the name Audio Tara, audio recordings by female electronic and experimental musicians, and publications concerning feminist interests both inside and outside the music industry, including Bust, Bitch,Groove, and XLR8R and a collection of comic books featuring female superheroes (Wonder Woman, She-Hulk, Super Girl, Spider Woman). The collection also includes original writings by Rodgers, including magazine articles and academic publications, as well as other materials documenting her academic activities, such as syllabi, event programs, and program notes from educational institutions she has taught at or worked for.
Subjects
Conditions Governing Access
Materials are open to researchers. Please contact the Fales Library and Special Collections, fales.library@nyu.edu, 212-998-2596.
Conditions Governing Use
Copyright (or related rights to publicity and privacy) for materials in this collection was not transferred to New York University. Permission to use materials must be secured from the copyright holder. Please contact the Fales Library and Special Collections, fales.library@nyu.edu, 212-998-2596.
Preferred Citation
Published citations should take the following form: Identification of item, date (if known); Tara Rodgers Pink Noises Riot Grrrl Collection; MSS 456; box number; folder number; Fales Library and Special Collections, New York University Libraries.
Location of Materials
Immediate Source of Acquisition
Donated by Tara Rodgers, June 2016. The accession number associated with this gift is 2016.028.
Physical Characteristics and Technical Requirements
Audiovisual materials have not been preserved and may not be available to researchers.
About this Guide
Processing Information
At the time of accessioning, materials were placed in new acid-free folders and boxes, while original folder caption information was retained when possible. Materials were kept in the order in which they were recieved and labeled according to language provided by the collection inventory created by the donor. Oversized materials were moved to appropriate housing and separated from their original order.