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Guide to the
Louis Durr Print Collection
1513–1835, undated (bulk, 1660s)
 PR 142

New-York Historical Society
170 Central Park West
New York, NY 10024
(212) 873-3400


New-York Historical Society

Collection processed by Jenny Gotwals (2002); updated and migrated to ArchivesSpace by Joseph Ditta (2020).

This finding aid was produced using ArchivesSpace on September 11, 2020
English using Describing Archives: A Content Standard

Descriptive Summary

Creator: Durr, Louis, 1821-1880
Title: Louis Durr print collection
Dates [inclusive]: 1513–1835, undated (bulk, 1660s)
Abstract: A collection of European engravings, over half of which consists of leaves disbound from the catalog Theatrum Pictorium, compiled in the 1660s by the painter David Teniers, which depicts paintings from the collection of his patron, Leopold Wilhelm, Archduke of Austria. Most of the paintings represented are Italian, by the artists Titian, Giorgione, Polidoro da Lanciano, Tintoretto, Veronese, Andrea Schiavone, Francesco Bassano, Francesco Bassano the Younger, Palma il Giovane, Palma il Vecchio, and Domenico Fetti. Engravers include Coryn Boel, Nikolaus van Hoy, Theodor van Kessel, Pieter van Lisebetten, Jan van Ossenbeeck, Lucas Vorsterman II, and Johannes Popels. The collection includes an additional 94 European engravings from other sources, mostly after religious or allegorical works by Leonardo da Vinci, Raphael, Rembrandt, Sir Joshua Reynolds, Rubens, Titian, and Anthony Van Dyck. Three prints show sculptures by Antonio Canova. There are also two works by Albrecht Dürer. Engravers include Francesco Bartolozzi, Pietro Fontana, Domenico Marchetti, Raffaello Morghen, and Lucas Vorsterman.
Quantity: 252 item(s) in 3 boxes and 3 oversize folders.
Language: The languages used throughout the collection are English, French, Italian, and Latin.
Call Phrase: PR 142

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Biographical note

Louis Durr was born in Germany in 1821. His father was a jeweler; the young Durr first learned about art from his father and his wealthy clients. In 1848 Durr moved to the United States with his brother. He worked in Brooklyn and at a gold smeltery in Newark, New Jersey before starting his own business as a gold and silver refiner and assayer in New York City. Durr remained interested in art, and used his growing wealth to build a formidable collection of European paintings, which was particularly strong in the Dutch school. In 1863 he purchased a house on Fourth Street in Manhattan in which to store and display his artwork. It was Durr's intention to leave his collection to the City of New York, but its bulk proved difficult in the quest to secure a willing repository. After his death in 1880, several works of art, including engravings, were auctioned. The majority of the remainder of Durr's art collection was then given to the New-York Historical Society.

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Scope and Contents

The Louis Durr Print Collection spans the period 1513 to 1835 and contains European engravings.

 Series I. Leaves from the Theatrum Pictorium, 1660s contains 158 disbound leaves from the book of that name (alternately titled  Le theatre des peintures, or  Amphitheatrum picturarum) compiled in the 1660s by the painter David Teniers. A second edition with page numbers was published in 1673. The paintings depicted in the book are from the art collection of Leopold Wilhelm, the Archduke of Austria (1614–1662), Teniers' patron. Most of the painters represented are Italian, and include Titian (circa 1488–1576), Giorgione (1477 or 1478–1510), Polidoro da Lanciano (?–1565), Tintoretto (1518–1594), Paolo Veronese (1528–1588), Andrea Schiavone (circa 1500–1563), Francesco Bassano (circa 1470–circa 1539), Palma il Giovane (1544–1628), Palma il Vecchio (1480?–1528), and Domenico Fetti (circa 1589–1623). Teniers himself made small copies of these paintings from which the engravings were executed. The book includes many different engravers, such as Coryn Boel (1620–1668), Nikolaus van Hoy (1631–1679), Jan van Kessel (1641–1680), Peter van Lisebetten (1630–1678), Jan van Ossenbeeck (1624?–1674), Lucas Vorsterman (1624–circa 1666), and Johannes Popels (1590–1663). The engravings in the  Theatrum pictorium were grouped roughly chronologically by painter; the New-York Historical Society numbers assigned to these engravings follow a loosely alphabetical organization by engraver. A separate listing of the engravings by plate number has been created as well. The complete book contains 246 leaves. The missing leaves may have been sold at the auction of Durr's estate. A few leaves have two small engravings on one page; several other engravings are double leaves.

 Series II. Other engravings, 1513–1835, undated encompasses 94 diverse European prints. Most of these engravings are religious or allegorical works after Peter Paul Rubens (1577–1640), Titian (circa 1488–1576), Sir Joshua Reynolds (1723–1792), Raphael (1483–1520), Rembrandt (1606–1669), Anthony Van Dyck (1599–1641), and Leonardo da Vinci (1452–1519). Three prints show sculptures by Antonio Canova (1757–1822). Two works by Albrecht Dürer (1471–1528) are included. Engravers highly represented include Lucas Vorsterman (1624–circa 1666), Francesco Bartolozzi (1727–1815), Pietro Fontana (1762–1837), Raffaelo Morghen (1761–1833), and Domenico Marchetti (1780–1844).

Arrangement

The collection is organized in two series:

Series I.
 Leaves from the Theatrum Pictorium, 1660s
Series II.
 Other engravings, 1513–1835, undated

In the container list below, the numbers preceding each print were assigned by New-York Historical Society staff when the collection was accessioned. Titles in quotes and attributions were transcribed directly from the prints. Brief descriptions in [square brackets] were supplied for those prints without titles in the plate.

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Access Points

Subject Names

  • Bartolozzi, Francesco, 1727-1815
  • Bassano, Francesco, approximately 1470-approximately 1539
  • Boel, Coryn, 1620-1668
  • Canova, Antonio, 1757-1822
  • Dürer, Albrecht, 1471-1528
  • Eynhoudts, Remoldus, 1613-1679 or 1680
  • Fetti, Domenico, approximately 1589-1623
  • Fontana, Pietro, 1762-1837
  • Giorgione, 1477 or 1478-1510
  • Hoey, Nicolas de
  • Kessel, Jan van, 1641-1680
  • Lauwers, Conrad, approximately 1632-approximately 1685
  • Leonardo, da Vinci, 1452-1519
  • Leopold Wilhelm, Archduke of Austria, 1614-1662 -- Art collections.
  • Lisebetten, Pieter van, 1630-1678
  • Marchetti, Domenico (Engraver)
  • Morghen, Raffaello, 1761-1833
  • Ossenbeeck, Jan van, 1624?-1674
  • Palma, il Giovane, 1544-1628
  • Palma, il Vecchio, 1480?-1528
  • Polidoro, da Lanciano, -1565
  • Popels, Johannes
  • Raphael, 1483-1520
  • Rembrandt Harmenszoon van Rijn, 1606-1669
  • Reynolds, Joshua, Sir, 1723-1792
  • Rubens, Peter Paul, 1577-1640
  • Schiavone, Andrea, approximately 1500-1563
  • Teniers, David, 1610-1690 -- Theatrum Pictorium
  • Tintoretto, 1518-1594
  • Titian, approximately 1488-1576
  • Van Dyck, Anthony, 1599-1641
  • Veronese, 1528-1588
  • Vorsterman, Lucas, 1624-approximately 1666

Document Type

  • Engravings (prints).

Subject Topics

  • Christian art and symbolism.
  • Prints -- Belgium -- 17th century.
  • Prints -- Belgium -- 18th century.
  • Prints -- Italy -- 17th century.
  • Prints -- Italy -- 18th century.
  • Prints -- Collectors and collecting -- United States.

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Administrative Information

Access Restrictions

Open to qualified researchers by appointment only. To schedule an appointment, contact the Print Room Librarian at printroom@nyhistory.org.

Use Restrictions

Photocopying undertaken by staff only. Limited to 20 exposures of stable, unbound material per day. Application to use images from this collection for publication should be made in writing to: Department of Rights and Reproductions, The New-York Historical Society, 170 Central Park West, New York, NY 10024-5194, rightsandrepro@nyhistory.org. Phone: (212) 873-3400 ext. 282.

Copyrights and other proprietary rights may subsist in individuals and entities other than the New-York Historical Society, in which case the patron is responsible for securing permission from those parties. For fuller information about rights and reproductions from N-YHS visit: https://www.nyhistory.org/about/rights-reproductions

Preferred Citation

The collection should be cited as: Louis Durr Print Collection, PR 142, Department of Prints, Photographs, and Architectural Collections, New-York Historical Society.

Related Materials

The Louis Durr Print Collection is similar in scope to the Bryan Gallery of Christian Art Print Collection (PR-143).

The New-York Historical Society's Museum holds a number of paintings from Louis Durr's Collection.

Immediate Source of Acquisition

Twenty-two engravings were purchased, 1882. The remaining prints were a gift of the Durr estate, 1882.

Processing Information

This collection was removed from the Graphic Arts File (PR 022) and inventoried by Jenny Gotwals in May 2002. Joseph Ditta updated and migrated her WORD document finding aid to ArchivesSpace in May-June 2020.

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Container List

Series I. Leaves from the Theatrum Pictorium, 1660s

Arrangement

In Series I, the numbers in [square brackets] preceding each print were assigned by New-York Historical Society staff when the collection was accessioned. This numbering system is organized alphabetically by engraver, except for where two plates printed on the same sheet (indicated by "a" and "b") break the alphabetical run.

The N-YHS numbering system bears no relation to the accepted ordering of the 246 images in the complete  Theatrum Pictorium. Where known, these latter numbers have been supplied in {curly brackets} following title, artist, and engraver information. Interested researchers should consult https://en.wikipedia.org/wiki/Theatrum_Pictorium.

Engraved by Coryn Boel (1620–1668)

Container 1 Container 2   Title Date
Box: 1 Folder : 1 [001] [Old Age in Search of Youth] after Corregio (circa 1489–1534) {031}
1660s
Box: 1 Folder : 1 [002] [Seduction and landscape] after Giorgione (1477–1510) {017}
1660s
Box: 1 Folder : 1 [003] [Calling of the Sons of Zebedee] after Marco Basaiti (circa 1470–1530) {010}
1660s
Box: 1 Folder : 1 [004] [Hercules, Deianira and the Centaur Nessus] after Paolo Veronese (1528–1588) {115}
1660s
Box: 1 Folder : 1 [005a] [St. Nicholas] after Tintoretto / Paolo Veronese (1528–1588), engraved by Pieter van Lisebetten (1630–1678) {111}
1660s
Box: 1 Folder : 1 [005b] [Saint John Agnus Dei] after Paolo Veronese (1528–1588) {112}
1660s
Box: 1 Folder : 1 [006] [Carrying the Cross] after Giovanni Cariani (circa 1485–after 1547) {166}
1660s
Box: 1 Folder : 1 [007] [St. Hieronymous] after Dosso Dossi (circa 1489–1542) {232}
1660s
Box: 1 Folder : 1 [008] [Angel tied up] after Domenico Fetti (circa 1589–1623) {221}
1660s
Box: 1 Folder : 1 [009] [Perseus freeing Andromeda] after Domenico Fetti (circa 1589–1623) {219}
1660s
Box: 1 Folder : 1 [010] [Galatea and Polyphem] after Domenico Fetti (circa 1589–1623) {220}
1660s
Box: 1 Folder : 2 [011] [Tobit and Tobias burying the dead Israelite] after Domenico Fetti (circa 1589–1623) {216}
1660s
Box: 1 Folder : 2 [012] [Blind leading the Blind] after Domenico Fetti (circa 1589–1623) {215}
1660s
Box: 1 Folder : 2 [013] [Tobit and the Dead Israelite] after Domenico Fetti (circa 1589–1623) {214}
1660s
Box: 1 Folder : 2 [014] [Lazarus] after Palma il Vecchio (circa 1480–1528) {188}
1660s
Box: 1 Folder : 2 [015] [Saint Jerome] after Palma il Giovane (circa 1548–1628) {170}
1660s
Box: 1 Folder : 2 [016] [Shepherds in a pasture] after Francesco Bassano (circa 1470–1539) {151}
1660s
Box: 1 Folder : 2 [017] [The Good Samaritan] after Francesco Bassano (circa 1470–1539) {152}
1660s
Box: 1 Folder : 2 [018] [Building a Tower / Tower of Babel] after Leandro Bassano (1557–1622) {154}
1660s
Box: 1 Folder : 2 [019] [Adoration of the Shepherds] after Andrea Schiavone (circa 1510–1563) {134}
1660s
Box: 1 Folder : 2 [020] "Aeneas called away from Dido," after Andrea Schiavone (circa 1510–1563) {137}
1660s
Box: 1 Folder : 3 [021] [Marius Curius Dentatus] after Andrea Schiavone (circa 1510–1563) {136}
1660s
Box: 1 Folder : 3 [022] [Scipio Africanus] after Andrea Schiavone (circa 1510–1563) {138}
1660s
Box: 1 Folder : 3 [023] [Adam and Eve] after Alessandro Padovanino (1588–1648) {036}
1660s
Box: 1 Folder : 3 [024] [Virgin and Child accompanied by St. John and an Angel] after Giulio Cesare Procaccini (1574–1625) {033}
1660s

Engraved by Remoldus Eynhoudts (1613–1679 or 1680)

Container 1 Container 2   Title Date
Box: 1 Folder : 3 [025] [Christ Resurrected] after Palma il Vecchio (circa 1480–1528) {174}
1660s
Box: 1 Folder : 3 [026] [Christ mourned by Angels] after Palma il Giovane (circa 1548–1628) {198}
1660s

Engraved by Nikolaus van Hoy (1631–1679)

Container 1 Container 2   Title Date
Box: 1 Folder : 3 [027] [Holy Family] after Federico Barocci (circa 1535–1612) {034}
1660s
Box: 1 Folder : 3 [028] [Judith with the Head of Holofernes] after Paolo Veronese (1528–1588) {113}
1660s
Box: 1 Folder : 3 [029] [Lamentation] after Domenico Fetti (circa 1589–1623) {218}
1660s
Box: 1 Folder : 3 [030a] [Portrait of man] after Titian (circa 1488–1576) {050}
1660s

Engraved by Lucas Vorsterman II (1624–circa 1666)

Container 1 Container 2   Title Date
Box: 1 Folder : 3 [030b] [Salome with the Head of John the Baptist] after Titian (circa 1488–1576) {051}
1660s

Engraved by Wenceslaus Hollar (1607–1677)

Container 1 Container 2   Title Date
Box: 1 Folder : 4 [031] "Esther before Ahasureus," after Paolo Veronese (1528–1588) {125}
1660s

Engraved by Theodor van Kessel (1620–1696)

Container 1 Container 2   Title Date
Box: 1 Folder : 4 [032] [Toilet of Venus] after Corregio (circa 1489–1534) {030}
1660s
Box: 1 Folder : 4 [033] [Ascension of Christ] after Giorgione (1477–1510) {022}
1660s
Box: 1 Folder : 4 [034] [Rape of Europa] after Giorgione (1477–1510) {018}
1660s
Box: 1 Folder : 4 [035] [The Holy Family in a Landscape with John the Baptist] after Paris Bordone (1500–1571) {210}
1660s
Box: 1 Folder : 4 [036] [Saint Sebastian] after Paolo Veronese (1528–1588) {114}
1660s
Box: 1 Folder : 4 [037] [Venus and Adonis] after Paolo Veronese (1528–1588) {116}
1660s
Box: 1 Folder : 4 [038] [Christ and the Adulteress] after Annibale Carracci (1560–1609) {043}
1660s
Box: 1 Folder : 4 [039] [Christ and the Woman from Samaria] after Annibale Carracci (1560–1609) {042}
1660s
Box: 1 Folder : 4 [040] "Apollo and Marsyas," after Palma il Giovane (circa 1548–1628) {201}
1660s
Box: 1 Folder : 5 [041] [Adoration of the Shepherds] after Francesco Bassano the Younger (1549–1592) {161}
1660s
Box: 1 Folder : 5 [042] [Christ carrying cross] after Jacopo Bassano (circa 1510–1592) {156}
1660s
Box: 1 Folder : 5 [043] [Adoration of the Magi] after Jacopo Bassano (circa 1510–1592) {153}
1660s
Box: 1 Folder : 5 [044] [Resurrection] after Francesco Bassano the Younger (1549–1592) {147}
1660s
Box: 1 Folder : 5 [045] [Susanna, partly naked and stepping out of a fountain with two elders at left, one of them pulling at her garment] after Guido Reni (1575–1642) {227}
1660s
Box: 1 Folder : 5 [046] [Birth of Jupiter] after Andrea Schiavone (circa 1510–1563) {132}
1660s
Box: 1 Folder : 5 [047] [Apollo and Eros] after Andrea Schiavone (circa 1510–1563) {126}
1660s
Box: 1 Folder : 5 [048] [Apollo and Daphne] after Andrea Schiavone (circa 1510–1563) {129}
1660s
Box: 1 Folder : 5 [049] [Jupiter nurtured by Amalthea] after Andrea Schiavone (circa 1510–1563) {128}
1660s
Box: 1 Folder : 5 [050] [Pastoral] after Tintoretto (1518–1594) {105}
1660s
Box: 1 Folder : 6 [051] [Diana and Callisto] after Titian (circa 1488–1576) {096}
1660s
Box: 1 Folder : 6 [052] [Adoration of the Magi] after Titian (circa 1488–1576) {077}
1660s

Engraved by Conrad Lauwers (circa 1632–circa 1685)

Container 1 Container 2   Title Date
Box: 1 Folder : 6 [053] [Holy Family] after Andrea Schiavone (circa 1510–1563) {130}
1660s
Box: 1 Folder : 6 [054] [Aeneas Fleeing Troy] after Andrea Schiavone (circa 1510–1563) {131}
1660s

Engraved by Pieter van Lisebetten (1630–1678)

Container 1 Container 2   Title Date
Box: 1 Folder : 6 [055] [Pala di San Cassiano Madonna and Child] after Giovanni Bellini (circa 1430–1516) {005}
1660s
Box: 1 Folder : 6 [056] [Venus and Amor] after Paris Bordone (1500–1571) {211}
1660s
Box: 1 Folder : 6 [057] [Adam and Eve] after Paris Bordone (1500–1571) {209}
1660s
Box: 1 Folder : 6 [058] "Venus and Mars with Cupid," after Paris Bordone (1500–1571) {212}
1660s
Box: 1 Folder : 6 [059] [Sacrifice of Isaac] after Paolo Veronese (1528–1588) {119}
1660s
Box: 1 Folder : 6 [060] [Mystic Marriage of St. Catherine] after Paolo Veronese (1528–1588) {120}
1660s
Box: 1 Folder : 7 [061] [Ascension of Christ] after Paolo Veronese (1528–1588) {117}
1660s
Box: 1 Folder : 7 [062] "Lamentation of Christ" [Pieta], after Aniballe Carracci (1560–1609) {040}
1660s
Box: 1 Folder : 7 [063] [Virgin and Child with Mystical Betrothal of St. Catherine with Saints Dominic and Peter] after Domenico Fetti (circa 1589–1623) {222}
1660s
Box: 1 Folder : 7 [064] [Arrest of Christ] after Bartolomeo Manfredi (circa 1582–1622) {234}
1660s
Box: 1 Folder : 7 [065] "Madonna and Child with Sts," after Palma il Vecchio (circa 1480–1528) {203}
1660s
Box: 1 Folder : 7 [066] [Visitation] after Palma il Vecchio (circa 1480–1528) {208}
1660s
Box: 1 Folder : 7 [067] [Saint Mary of Egypt in the Desert] after Palma il Giovane (circa 1548–1628) {173}
1660s
Box: 1 Folder : 7 [068] [Cain and Abel] after Palma il Giovane (circa 1548–1628) {178}
1660s
Box: 1 Folder : 7 [069] [Cain and Abel] after Palma il Giovane (circa 1548–1628) {202}
1660s
Box: 1 Folder : 7 [070] "Madonna and Child with John the Baptist," after Palma il Giovane (circa 1548–1628) {177}
1660s
Box: 2 Folder : 8 [071] "Apollo and Marsyas" [Apollo punished Marsyas], after Palma il Giovane (circa 1548–1628) {200}
1660s
Box: 2 Folder : 8 [072] [Lamentation] after Palma il Giovane (circa 1548–1628) {204}
1660s
Box: 2 Folder : 8 [073] [Holy Family], after Polidoro da Lanciano (circa 1515–1565) {046}
1660s
Box: 2 Folder : 8 [074] [Holy Family] after Polidoro da Lanciano (circa 1515–1565) {047}
1660s
Box: 2 Folder : 8 [075] [Madonna and Child with St. John] after Polidoro da Lanciano (circa 1515–1565) {048}
1660s
Box: 2 Folder : 8 [076] [Holy Family], after Polidoro da Lanciano (circa 1515–1565) {045}
1660s
Box: 2 Folder : 8 [077] [Moses tapping the rock] after Francesco Primaticcio (1504–1570) {038}
1660s
Box: 2 Folder : 8 [078] [Susanna and the Elders], after Guido Reni (1575–1642) {233}
1660s
Box: 2 Folder : 8 [079] [Holy Family with little John the Baptist and a saint] after Andrea Schiavone (circa 1510–1563) {140}
1660s
Box: 2 Folder : 8 [080] [Jesus with shepherd?] after Tintoretto (1518–1594) {100}
1660s
Box: 2 Folder : 9 [081] [Christ on the Mount of Olives] after Tintoretto (1518–1594) {099}
1660s
Box: 2 Folder : 9 [082] "Descent from the Cross," after Tintoretto (1518–1594) {109}
1660s
Box: 2 Folder : 9 [083] [Horned Moses and the Tablets of the Law] after Valentin de Boulogne (1591–1632) {240}
1660s
Box: 2 Folder : 9 [084] [Little Tambourine Player] after Titian (circa 1488–1576) {080}
1660s
Box: 2 Folder : 9 [085] [Christ at Emmaus] after Titian (circa 1488–1576) {072}
1660s
Box: 2 Folder : 9 [086] [Death of Actaeon] after Titian (circa 1488–1576) {073}
1660s
Box: 2 Folder : 9 [087] [Adoration of the Magi] after Titian (circa 1488–1576) {068}
1660s
Box: 2 Folder : 9 [088] [Madonna and Child with St. Dorothy] after Titian (circa 1488–1576) {065}
1660s
Box: 2 Folder : 9 [089] [Danae receiving the Shower of Gold] after Titian (circa 1488–1576) {074}
1660s
Box: 2 Folder : 9 [090] "Nymph and Shepherd," after Titian (circa 1488–1576) {060}
1660s

Engraved by Jan van Ossenbeeck (1623–1674)

Container 1 Container 2   Title Date
Box: 2 Folder : 10 [091] [Diana taking revenge on Niobe for the death of her children] after Palma il Vecchio (circa 1480–1528), drawn by Nikolaus van Hoy (1631–1679) {189}
1660s
Box: 2 Folder : 10 [092] [Man and woman in forest] after Polidoro da Lanciano (circa 1515–1565), drawn by Nikolaus van Hoy (1631–1679) {035}
1660s
Box: 2 Folder : 10 [093] [Orpheus Charming the Animals] after Francesco Bassano the Younger (1549–1592), drawn by Nikolaus van Hoy (1631–1679) {155}
1660s
Box: 2 Folder : 10 [094] [Winter?] [Holy Family with manger] after Bassano, drawn by Nikolaus van Hoy (1631–1679) {160}
1660s
Box: 2 Folder : 10 [095] "Summer" [Summer with the Sacrifice of Isaac] after Francesco Bassano the Younger (1549–1592), drawn by Nikolaus van Hoy (1631–1679) {159}
1660s
Box: 2 Folder : 10 [096] [Spring and Banishment from Paradise] after Francesco Bassano the Younger (1549–1592), drawn by Nikolaus van Hoy (1631–1679) {157}
1660s
Box: 2 Folder : 10 [097] [Autumn with Moses and 10 Commandments] after Francesco Bassano the Younger (1549–1592), drawn by Nikolaus van Hoy (1631–1679) {158}
1660s
Box: 2 Folder : 10 [098] [St. Sebastian] after Bassano, drawn by Nikolaus van Hoy (1631–1679) {143}
1660s
Box: 2 Folder : 10 [099] [Gathering of Manna] after Tintoretto (1518–1594), drawn by Nikolaus van Hoy (1631–1679) {107}
1660s
Box: 2 Folder : 10 [100] [Flight into Egypt] after Tintoretto (1518–1594), drawn by Nikolaus van Hoy (1631–1679) {108}
1660s

Engraved by Johannes Popels (1590–1663)

Container 1 Container 2   Title Date
Box: 2 Folder : 11 [101] "Young Woman at Her Toilette" [Giovane donna nuda allo specchio] after Giovanni Bellini (circa 1430–1516) {007}
1660s
Box: 2 Folder : 11 [102a] [St. Sebastian] after Palma il Vecchio (circa 1480–1528) {167}
1660s
Box: 2 Folder : 11 [102b] [Saint John the Baptist] after Palma il Vecchio (circa 1480–1528) {168}
1660s
Box: 2 Folder : 11 [103] [Nursing Madonna with Sts Catherine and John the Baptist] after Palma il Giovane (circa 1548–1628) {199}
1660s
Box: 2 Folder : 11 [104] "Christ supported by an Angel" [Dead Christ Supported by an Angel] after Palma il Giovane (circa 1548–1628) {179}
1660s
Box: 2 Folder : 11 [105] [Dead Christ supported by Angels] after Andrea Schiavone (circa 1510–1563) {133}
1660s

Engraved by Franciscus van der Steen (circa 1625–1672)

Container 1 Container 2   Title Date
Box: 2 Folder : 11 [106] [Dream of Life] after Michelangelo (1475–1564), drawn by Nikolaus van Hoy (1631–1679) {012}
1660s
Box: 2 Folder : 11 [107] "View of Archduke's Stallberg gallery" [View into the picture gallery of the Archduke Leopold] after David Teniers the Younger (1610–1690), drawn by Nikolaus van Hoy (1631–1679) {245}
1660s
Box: 2 Folder : 11 [108] [Soldiers Playing Cards] after Bartolomeo Manfredi (1582–1622), drawn by Nikolaus van Hoy (1631–1679) {235}
1660s
Box: 2 Folder : 11 [109] [Holy Family] after Andrea del Sarto (1486–1530), drawn by Nikolaus van Hoy (1631–1679) {032}
1660s
Box: 2 Folder : 11 [110] [Christ and the Woman Taken in Adultery] after Alessandro Leone Varotari (Il Padovanino) (1588–1649), drawn by Nikolaus van Hoy (1631–1679) {237}
1660s
Box: 2 Folder : 12 [111a] [The Madonna and Child with the Infant Saint John the Baptist and Saint Anthony Abbot] after Titian (circa 1488–1576), drawn by Nikolaus van Hoy (1631–1679) {061}
1660s

Engraved by Lucas Vorsterman II (1624–circa 1666)

Container 1 Container 2   Title Date
Box: 2 Folder : 12 [111b] [Holy Family and John the Baptist] after Titian (circa 1488–1576) {062}
1660s

Engraved by Franciscus van der Steen (circa 1625–1672)

Container 1 Container 2   Title Date
Box: 2 Folder : 12 [112] [The Madonna and Child with the Infant Saint John the Baptist and Saint Anthony Abbot] after Titian (circa 1488–1576), drawn by Nikolaus van Hoy (1631–1679) {071}
1660s

Engraved by Jan van Troyen (1610–1670)

Container 1 Container 2   Title Date
Box: 2 Folder : 12 [113] [Penitent Mary Magdalene] after Corregio (circa 1489–1534) {029}
1660s
Box: 2 Folder : 12 [114] "Three Philosophers" after Giorgione (1477–1510) {020}
1660s
Box: 2 Folder : 12 [115] [Glorification of a Saint with Angels / The assumption of St. Catherine of Alexandria] after Giovanni Baglione (1566–1643) {236}
1660s
Box: 2 Folder : 12 [116] [Madonna and Child with Saints Lucy and Catherine and 2 Nuns] after Paolo Veronese (1528–1588) {121}
1660s
Box: 2 Folder : 12 [117] "Raising of the Youth of Nain" [Raising the Young Man of Nain] after Paolo Veronese (1528–1588) {124}
1660s
Box: 2 Folder : 12 [118] [Cupid overcoming Pan] after Aniballe Carracci (1560–1609) {041}
1660s
Box: 2 Folder : 12 [119] [Lazarus] after Il Pordenone (circa 1484–1539) {110}
1660s
Box: 2 Folder : 12 [120] [Martha rebukes her vain sister Mary Magdalene] after Francesco Lupicini (1590–1656) {241}
1660s
Box: 2 Folder : 13 [121] [Lamentation] after Lorenzo Lotto (circa 1480–1556/57) {244}
1660s
Box: 2 Folder : 13 [122] [Veil of Veronica] after F. Mantua {044}
1660s
Box: 2 Folder : 13 [123] [St. Sebastian] after Andrea Mantegna (circa 1431–1506) {028}
1660s
Box: 2 Folder : 13 [124] [Holy Family with St. John] after Palma il Vecchio (circa 1480–1528) {205}
1660s
Box: 2 Folder : 13 [125] [John the Baptist] after Palma il Giovane (circa 1548–1628) {176}
1660s
Box: 2 Folder : 13 [126] [Lucretia] after Palma il Giovane (circa 1548–1628) [or after Titian (circa 1488–1576)] {187}
1660s
Box: 2 Folder : 13 [127] [John the Baptist] after Palma il Giovane (circa 1548–1628) {172}
1660s
Box: 2 Folder : 13 [128] [Christ] after Palma il Giovane (circa 1548–1628) {180}
1660s
Box: 2 Folder : 13 [129] [Daniel in the lions' den] after Palma il Giovane (circa 1548–1628) {175}
1660s
Box: 2 Folder : 13 [130] [Madonna and Child] after Palma il Giovane (circa 1548–1628) {183}
1660s
Box: 2 Folder : 14 [131a] [Portrait of a Premonstratensian] after Leandro Bassano (1557–1622) {149}
1660s
Box: 2 Folder : 14 [131b] [Boy with a flute] after Francesco Bassano the Younger (1549–1592) {150}
1660s
Box: 2 Folder : 14 [132] [Ascension of Christ] after Jacopo Bassano (circa 1510–1592) {148}
1660s
Box: 2 Folder : 14 [133] [Saint Margaret and the Dragon] after Raphael (1483–1520) {002}
1660s
Box: 2 Folder : 14 [134] [Jesus among the Doctors] after Jusepe de Ribera (Lo Spagnoletto) (circa 1591–1652) {141}
1660s
Box: 2 Folder : 14 [135] [Pluto in his Chariot] after Giulio Romano (circa 1499–1546) {026}
1660s
Box: 2 Folder : 14 [136] [Salome] after Giovanni Contarini (1549–1605) {039}
1660s
Box: 2 Folder : 14 [137] [Arrest of Christ / Christ before Pilate] after Andrea Schiavone (circa 1510–1563) {139}
1660s
Box: 2 Folder : 14 [138] [Frontispiece for the Theatrum Pictorium, a catalog of 246 paintings in the collection of Archduke Leopold Wilhelm of Austria] after David Teniers (1582–1649) {001}
1660s
Box: 2 Folder : 14 [139] "Christ Crowned with Thorns" [Ecce Homo] after Titian (circa 1488–1576) {078}
1660s
Box: 2 Folder : 14 [140] [Saint with Arrows / Son of the Orator Francesco Filetto] after Titian (circa 1488–1576) {081}
1660s
Box: 3 Folder : 15 [141] [Lucretia] after Titian (circa 1488–1576) {084}
1660s
Box: 3 Folder : 15 [142] [Salome with the Head of John the Baptist] after Leonardo da Vinci (1452–1519) {027}
1660s
Box: 3 Folder : 15 [143] [Man of Sorrows / Ecce Homo] after Alessandro Leone Varotari (Il Padovanino) (1588–1649) {238}
1660s

Engraved by Lucas Vorsterman II (1624–circa 1666)

Container 1 Container 2   Title Date
Box: 3 Folder : 15 [144] [Judith] after Giorgione (1477–1510) {025}
1660s
Box: 3 Folder : 15 [145a] [Bacchus / Portrait of a man wearing a wreath in a moonlit landscape holding a violin] after Giorgione (1477–1510) {015}
1660s
Box: 3 Folder : 15 [145b] [St John the Evangelist] after Giorgione (1477–1510) {016}
1660s
Box: 3 Folder : 15 [146] [Pala di San Cassiano St. Nicholas] after Giovanni Bellini (circa 1430–1516) {004}
1660s
Box: 3 Folder : 15 [147] [St. Sebastian] after Giovanni Bellini (circa 1430–1516) {009}
1660s
Box: 3 Folder : 15 [148] [Portrait of a man with a book] after Vincenzo Catena (circa 1480–1531) {242}
1660s
Box: 3 Folder : 15 [149a] [Angel] after Palma il Vecchio (circa 1480–1528) {192}
1660s
Box: 3 Folder : 15 [149b] [Angel] after Palma il Vecchio (circa 1480–1528) {193}
1660s
Box: 3 Folder : 15 [150] [Man with book] after Palma il Giovane (circa 1548–1628) {182}
1660s
Box: 3 Folder : 16 [151] [Saint Peter] after Palma il Giovane (circa 1548–1628) {181}
1660s
Box: 3 Folder : 16 [152] [Christ carrying the cross meets Veronica] after Jacopo Bassano (circa 1510–1592) {144}
1660s
Box: 3 Folder : 16 [153a] [The Young David] after Guido Reni (1575–1642) {225}
1660s
Box: 3 Folder : 16 [153b] [Old Man looking Up] after Guido Reni (1575–1642) {226}
1660s
Box: 3 Folder : 16 [154] [Penitent St. Peter] after Jusepe de Ribera (Lo Spagnoletto) (circa 1591–1652) {142}
1660s
Box: 3 Folder : 16 [155] [Madonna and Child with St Louis of Toulouse] after Titian (circa 1488–1576) {066}
1660s
Box: 3 Folder : 16 [156] [Woman with dog and arrow] after Titian (circa 1488–1576) {087}
1660s
Box: 3 Folder : 16 [157] [Seated Venus and her mirror held by Cupid] after Titian (circa 1488–1576) {093}
1660s
Box: 3 Folder : 16 [158] [Portrait of the Orator Francesco Filetto] after Titian (circa 1488–1576) {085}
1660s

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Series II. Other engravings, 1513–1835, undated

Arrangement

In Series II, the numbers in [square brackets] preceding each print were assigned by New-York Historical Society staff when the collection was accessioned.

Container 1 Container 2   Title Date
Box: 3 Folder : 16 [159] "Telemachus Strangling the Lion," after Edward Francis Burney (1760–1848), by William Bromley (1769–1842), 1792
undated
Box: 3 Folder : 16 [160] [Nursing Madonna?] after Titian (circa 1488–1576), by Valentin Lefebvre (circa 1641–circa 1680)
undated
Drawer: FF-E Folder : 21 (oversize) [161] "Portrait de Warin," after Sebastien Bourdon (1616–1671), by Louis Michel Halbou (1730–circa 1809)
undated
Drawer: FF-E Folder : 21 (oversize) [162] "Philip IV of Austria," after Peter Paul Rubens (1577–1640), by G. Hendriex
undated
Box: 3 Folder : 17 [163] [Men with guns on horseback] by Pieter de Jode (1570–1634)
undated
Drawer: FF-E Folder : 21 (oversize) [164] "Decollazione di S. Giovanni Battista" after H. Stanwick, drawn by Donato Cellesi, engraved by Lorenzo Ruggi (1802–1877?)
undated
Drawer: FF-E Folder : 21 (oversize) [165] "Christine, Queen of Sweden," after Sebastien Bourdon (1616–1671), drawn by Vandenburg, engraved by Pierre Alexandre Tardieu (1756–1844)
undated
Drawer: FF-E Folder : 21 (oversize) [166] "Ferdin: Paer Parmigiano," after Francois Gerard (1770–1837), by Paolo Toschi (1788–1854) and Antonio Isac (1788–1828)
undated
Box: 3 Folder : 17 [167] [Man being held over fire] after Peter Paul Rubens (1577–1640), by Lucas Vorsterman II (1624–1667)
undated
Box: 3 Folder : 17 [168] "Franciscus Franck"
undated
Drawer: FF-E Folder : 21 (oversize) [169] [Madonna and child with infant John the Baptist]
undated
Box: 3 Folder : 17 [170] [Jesus walking on water] by Marcantonio Raimondi
undated
Box: 3 Folder : 17 [171] [French royalty and clergy]
undated
Box: 3 Folder : 17 [172] [Madonna and child] by Francesco Albani (1578–1660)
undated
Box: 3 Folder : 17 [173] [Woman with long hair holding cross] after Corregio (circa 1489–1534), drawn by Giovita Garavaglia (1790–1835), engraved by Faustino Anderloni (1766–1847)
undated
Box: 3 Folder : 17 [174] [Male profile] by Raffaelo Morghen (1761–1833)
undated
Drawer: FF-E Folder : 21 (oversize) [175] "Edward Lord Thurlow, Lord High Chancellor of Great Britain" after Joshua Reynolds (1723–1792), by Francesco Bartolozzi (1727–1815)
1782
Box: 3 Folder : 17 [176] [Animals] by Nicolaes Berchem (1620–1683)
undated
Drawer: FF-E Folder : 21 (oversize) [177] [Madonna and child] after Raphael (1483–1520), by Pietro Bettelini (1763–1829)
undated
Drawer: FF-E Folder : 21 (oversize) [178] "Giorgio Washington," after Antonio Canova (1757–1822), drawn by Giovanni Tognolli (1786–1862), engraved by Angelo Bertini

Related Materials

Same as number 214.

undated
Box: 3 Folder : 17 [179] "Raffaelo Sanzio," after Raphael (1483–1520), by Vincenzo Biondi
1826
Box: 3 Folder : 18 [180] [Salome] after Peter Paul Rubens (1577–1640), by Schelte Bolswert (1586–1659)
undated
Box: 3 Folder : 18 [181] [Holy Family] by Simone Cantarini (1612–1648)
undated
Drawer: FF-E Folder : 21 (oversize) [182] "St. Martin dividing his cloak," after Anthony van Dyck (1599–1640), drawn by Richard Earlom (1743–1822), engraved by Thomas Chambars (circa 1724–1789)
1766
Box: 3 Folder : 18 [183] "Galileo Galilei," by Justus Suttermans (1597–1681), by Galgano Cipriani (1775–1857), under Raffaelo Morghen (1761–1833)
undated
Drawer: FF-E Folder : 21 (oversize) [184] [Battle scene] by Cornelis Cort (1533–1578)
undated
Drawer: FF-E Folder : 21 (oversize) [185] "Surge velociter. Et ceciderunt catene de manibus euis," after Domenichino (Domenico Zampieri) (1581–1641), by Domenico Cunego (1726–1803)
1779
Drawer: FF-E Folder : 21 (oversize) [186] "Richard Grenville Temple Earl Temple, Viscount and Baron Cobham" after Joshua Reynolds (1723–1792), by William Dickinson (1746–1823)
1778
Drawer: FF-E Folder : 23 (oversize) [187] "Gustave Wasa. Dedie a S. M. le Roi des Francais," after Louis Hersent (1777–1860), by H. Dupont
1831
Box: 3 Folder : 18 [188] [Madonna and child] by Albrecht Dürer (1471–1528)
1513
Drawer: FF-E Folder : 21 (oversize) [189] [Ecce Homo] by Albrecht Durer (1471–1528)
undated
Drawer: FF-E Folder : 21 (oversize) [190] "Martinus Vanden Baugart" (Martin Desjardins), after Hyacinthe Rigaud (1659–1743), by Gerard Edelinck (1640–1707)
undated
Drawer: FF-E Folder : 23 (oversize) [191] "Zacherias," after Michelangelo Buonarroti, (1475–1564), drawn by Jacob Conca, engraved by A. Fabri (?1593?)
undated
Drawer: FF-E Folder : 23 (oversize) [192] "Sagra Famiglia," after Benvenuto Tisi da Garofalo (1481–1559), by Lodovico Ferretti
undated
Box: 3 Folder : 18 [193] [Pan] after Pordenone (circa 1483–1539), by Odoardo Fialetti (1573–1638)
undated
Drawer: FF-E Folder : 23 (oversize) [194] [Jesus heals the sick] after Annibale Caracci (1560–1609), by Giovanni Folo (1764–1836)
undated
Drawer: FF-E Folder : 21 (oversize) [195] "Salus Infirmorum," after Sassoferrato (1609–1685), drawn by G. B. Borani, engraved by Pietro Folo (1790–1867)
undated
Drawer: FF-E Folder : 23 (oversize) [196] [Jesus healing a cripple] after Lodovico Carracci (1555–1619), by Pietro Fontana (1762–1837)
undated
Drawer: FF-E Folder : 21 (oversize) [197] "Sagra Famiglia," after Raphael (1483–1520), by Pietro Fontana (1762–1837)
undated
Drawer: FF-E Folder : 21 (oversize) [198] "Sibylla Cumaea," after Domenichino (Domenico Zampieri) (1581–1641), drawn by Stefano Tofanelli (1752–1812), engraved by P. F. Venetus
1797
Drawer: FF-E Folder : 21 (oversize) [199] "La Maittresse du Titien," after Titian (circa 1488–1576), by Francois Forster (1790–1872)
undated
Box: 3 Folder : 18 [200] [Holy Family?] by Baptista Fratico Veneto
undated
Box: 3 Folder : 18 [201] "Topbie et sa famille prosternes," after Rembrandt van Rijn (1606–1669), by Johannes Pieter de Frey (1770–1834)
undated
Box: 3 Folder : 18 [202] [Salome] after Peter Paul Rubens (1577–1640), by Cornelis Galle (1576–1650)
undated
Drawer: FF-E Folder : 23 (oversize) [203] "Il Temporale del Pussino," after Nicolas Poussin (circa 1594–1665), by Wilhelm Friedrich Gmelin (1760–1820)
1813
Box: 3 Folder : 18 [204] "Dr. Herschel," after Frederich Rehberg (1758–1835), by James Godby (before 1790–1820)
1814
Box: 3 Folder : 18 [205] [Two women] after Peter Paul Rubens (1577–1640), by Cl. Goirand, published by T. Valet
undated
Drawer: FF-E Folder : 22 (oversize) [206] [The Boy Jesus in the Temple?] after Gerrit van Honthorst (1590–1656), by Carl Hess (1755–1828)
undated
Drawer: FF-E Folder : 23 (oversize) [207] [Women, child, lamb] after Leonardo da Vinci (1452–1519), by Auguste Laugier (1816–after 1880)
1831
Drawer: FF-E Folder : 22 (oversize) [208] "N. Poussin" (self-portrait), after Nicolas Poussin (1594?–1665), by Etienne Frederic Lignon (1779–1833)
1824
Box: 3 Folder : 18 [209] "Paulus de Vos," after Anthony van Dyck (1599–1641), by Adriaen Lommelin (1637–1673)
undated
Box: 3 Folder : 19 [210] [Cattle] by Francesco Londonio (1720–1783)
1763
Box: 3 Folder : 19 [211] [Landscape] by Claude Lorrain (1600–1682)
1651
Drawer: FF-E Folder : 22 (oversize) [212] "A view of the Ponte–Mole near Rome," after Claude Lorrain (1600–1682), by Thomas Major (1714–1799)
1753
Drawer: FF-E Folder : 22 (oversize) [213] "Evrosine, Aglaia, Talia," after Antonio Canova (1757–1822), drawn by Giovanni Tognolli (1786–1862), engraved by Domenico Marchetti (1780–1844)
undated
Drawer: FF-E Folder : 22 (oversize) [214] "Giorgio Washington," after Antonio Canova (1757–1822), drawn by Giovanni Tognolli (1786–1862), engraved by Domenico Marchetti (1780–1844)

Related Materials

Same as no. 178.

undated
Box: 3 Folder : 19 [215] [Baptism of child] by Carlo Moratti (1625–1713)
undated
Drawer: FF-E Folder : 23 (oversize) [216] [Roys Auguste], after Nicholas Mignard (1606–1668), by Antoine Masson (1636–1700)

Scope and Contents

L'Honneur quil s'est acquis est sy grand et sy just
Et l'on aura pour luy tant d'estime et d'Amour
Que comme les grands Roys prenent le nom d'Auguste
Les plus fameux heros prendront celuy d'harcour.

undated
Box: 3 Folder : 19 [217] [Woman with three children] after Corregio (circa 1489–1534), engraved by Raffaelo Morghen (1761–1833)
undated
Box: 3 Folder : 19 [218] "Johannes Vulpatus," after Angelica Kauffman (1741–1807), drawn by Stefano Tofanelli (1752–1812), engraved by Raffaelo Morghen (1761–1833)
undated
Drawer: FF-E Folder : 22 (oversize) [219] "Justitia," after Raphael (1483–1520), drawn by Bernardino Nocchi (1741–1812), engraved by Raffaelo Morghen (1761–1833), under Giovanni Volpato (1735–1803)
undated
Drawer: FF-E Folder : 22 (oversize) [220] "Philosophia," after Raphael (1483–1520), drawn by Bernardino Nocchi (1741–1812), engraved by Raffaelo Morghen (1761–1833), under Giovanni Volpato (1735–1803)
undated
Drawer: FF-E Folder : 22 (oversize) [221] "Poesis," after Raphael (1483–1520), drawn by Bernardino Nocchi (1741–1812), engraved by Raffaelo Morghen (1761–1833), under Giovanni Volpato (1735–1803)
undated
Drawer: FF-E Folder : 22 (oversize) [222] "Theologia," after Raphael (1483–1520), drawn by Bernardino Nocchi (1741–1812), engraved by Raffaelo Morghen (1761–1833), under Giovanni Volpato (1735–1803)
undated
Drawer: FF-E Folder : 22 (oversize) [223] "Ego Dormio et cor meum vigilat," after Peter Paul Rubens (1577–1640), drawn by Pietro Angeletti (active 1758–1786), engraved by Raffaelo Morghen (1761–1833)
undated
Box: 3 Folder : 19 [224] [Man holding sheet of paper] after Anthony van Dyck (1599–1641), by Robert van Vorst (1597–circa 1635)
undated
Drawer: FF-E Folder : 23 (oversize) [225] "Animus Illabere Nostris," after Peter Paul Rubens (1577–1640), by Paulus Pontius (1603–1658)
1627
Box: 3 Folder : 19 [226] "Theodorus Vanlonius," after Anthony van Dyck (1599–1641), by Paulus Pontius (1603–1658)
undated
Box: 3 Folder : 19 [227] "Simon de Vos," after Anthony van Dyck (1599–1641), by Paulus Pontius (1603–1658)
undated
Drawer: FF-E Folder : 23 (oversize) [228] [Nativity scene] after Corregio (circa 1489–1534), by Carl Heinrich Rahl (1779–1843)
undated
Box: 3 Folder : 19 [229] [Popes]
undated
Box: 3 Folder : 19 [230] [Saints]
undated
Box: 3 Folder : 20 [231] [Greek philosophers]
undated
Box: 3 Folder : 20 [232] [Pope and Roman emperors]
undated
Box: 3 Folder : 20 [233] [Man in hat] after Rembrandt van Rijn (1606–1669)
undated
Box: 3 Folder : 20 [234] [Castle] by Thomas Wyck (1616–1677)
undated
Box: 3 Folder : 20 [235] [Landscape]
undated
Drawer: FF-E Folder : 23 (oversize) [236] "Henri IV et ses Enfants," after Jean–Auguste–Dominique Ingres (1780–1867), by Theodore Richomme (1785–1849)
1835
Drawer: FF-E Folder : 22 (oversize) [237] [Carrying the cross] after Albrecht Dürer (1471–1528), by Aegidius Sadeler II (circa 1570–1629)
undated
Drawer: FF-E Folder : 23 (oversize) [238] "Helena Forman, Rubens's Second Wife" after Anthony van Dyck (1599–1640), drawn by George Farington (1752–1788), engraved by Louis Sailliar (1748–circa 1795)
1783
Drawer: FF-E Folder : 23 (oversize) [239] "Mucius Scaevola before Porsenna," after Peter Paul Rubens (1577–1640), by Jakob Matthias Schmutzer (1733–1811)
undated
Drawer: FF-E Folder : 22 (oversize) [240] "Celebrated Madonna of Coreggio, with the Magdalen, St. Jerom [sic], &c," after Corregio (circa 1489–1534), drawn by Parma, engraved by Robert Strange (1721–1792)
1771
Box: 3 Folder : 20 [241] [Landscape] by Herman van Swanevelt (1600–1665)
undated
Box: 3 Folder : 20 [242] [Pan and angel] after Agostino Carracci (1557–1602), by Flaminio Torri (1621–1661)
undated
Box: 3 Folder : 20 [243] [Man with book] after Anthony van Dyck (1599–1641), by Robert van Vorst (1597–circa 1635)
undated
Drawer: FF-E Folder : 22 (oversize) [244] "Nox," after Francesco Barbieri (1623–1698), drawn by Stefano Tofanelli (1752–1812), engraved by Giovanni Volpato (1735–1803)
undated
Drawer: FF-E Folder : 22 (oversize) [245] "Lucifer," after Francesco Barbieri (1623–1698), drawn by Stefano Tofanelli (1752–1812), engraved by Giovanni Volpato (1735–1803)
undated
Drawer: FF-E Folder : 22 (oversize) [246] "Semper Paupers habetis vobiscum me autem non semper habetis," after Paolo Veronese (1528–1588), by Giovanni Volpato (1735–1803)
undated
Drawer: FF-E Folder : 23 (oversize) [247] [Landscape illustrating quote from Virgil] after Claude Lorrain (1604–1682), drawn by Stefano Tofanelli (1752–1812), engraved by Giovanni Volpato (1735–1803)

Scope and Contents

IUNIPERI GRAVIS UMBRA. NOCENT ET FRUGIBUS UMBRAE
ITE DOMUM SATURAE VENIT HESPERUS ITE CAPELLAE

undated
Box: 3 Folder : 20 [248] [Woman with flowers in bosom] after Joshua Reynolds (1723–1792), by Thomas Watson (1748–1781)
undated
Drawer: FF-E Folder : 23 (oversize) [249] [The Honourable Mrs. Bou]
undated
Drawer: FF-E Folder : 22 (oversize) [250] "Louis Phelypeaux Comte de Saint Florentin," after Louis Tocque (1696–1772), by Johann Georg Wille (1715–1808)
1751
Box: 3 Folder : 20 [251] "Colbert," by Paolo Toschi (1788–1854)
1811
Box: 3 Folder : 20 [252] "Nicolo Machiavelli," by Santi di Tito (1536–1603), by Paolo Toschi (1788–1854) and Antonio Isac (1788–1828)
undated

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